Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling short reviews from the staff of the comics, or graphic novels, we just didn’t get a chance to write a full review for.
These are Graphic Policy’s Mini Reviews.
Star Wars Bounty Hunters #1 (Marvel)– In an in between story of the original trilogy, we find Boba on a protection job. As we find out that his personal history with the two other Bounty Hunters would conflict. As someone else from Bob’s past resurfaces, we find fan favorite Doctor Aphra looking for a high prized Bounty that puts her in a collision course with Boba. By issue’s end, Boba carrying some precious cargo himself decides to diverge his course, in hopes of meeting this person from his past. Overall: 9 Recommendation: Buy
Cable #1 (Marvel) Gerry Duggan and Phil Noto give Cable #1 a really fun, swashbuckling tone beginning with single arena combat between Cable and Wolverine. This young Cable really has a lust for life and marvels at his ability to use weapons, telekinesis, telepathy, and also dating Armor and Pixie at the same time. He’s a classic “superbrat” hero, but Duggan and Noto introduce responsibility into his life with a couple, basically teasers for this storyline and maybe even X of Swords. They’re cool, and Noto uses both a thinner and a more painterly style for the pair of teases. However, they feel a little disjointed to the main story like ending a movie with a trailer for the next one. All in all, Cable #1 has an enjoyable tone, fantastic art and colors from Phil Noto, and introduces a couple of big time threats for the old, grumpy time traveler turned douchey (with a heart of gold) whipper snapper. Overall: 8.2 Verdict: Buy
X-Men #8 (Marvel)– X-Men #8 feels like a continuation of Jonathan Hickman’s New Mutants in space arc with art from Mahmud Asrar and guest appearances from the Summers brothers and one of my all time favorite X-supporting characters, the lovable, loquacious Broo. Broo appears in this comic because the mythical Egg King has appeared in Krakoa courtesy of the New Mutants’ space jaunt and has attracted wave after wave of Brood hoard to find it. This leads to the egg getting thrown into space, but not after Asrar ably combines horror and action storytelling in big, damn fight scene as Cyclops and Magik fight off the Brood in Krakoa. Also, there’s a lot of intergalactic politics, but the thread is more difficult to follow compared to New Mutants, and I guess I need to read “War of Kings”. However, it’s nice to see a New Mutants story metastasize into an X-Men story, and Hickman flex those Avengers instead of X-Men muscles. Overall: 7.6 Verdict: Read
Adler #2 (Titan)– Lavie Tidhar’s plot starts to unfold in Adler #2 as Irene Adler and Jane Eyre begin their cat and mouse game against Ayesha (From H. Rider Haggard’s She) and Carmilla. Tidhar and Paul McCaffrey go beyond a drawing room and turn this into a sprawling Victorian crime saga, which is its strength as Ayesha takes over Professor Moriarty’s criminal empire while Adler and Eyre search for his murderer. This comic’s weakness is the MacGuffin of “papers”, which appear at the beginning and the end of the book without any real connective tissue to what’s going on in the middle. There’s no suspense because there’s no reason to care about them other than as an opportunity to trot out cameos from Little Orphan Annie (Captured in McCaffrey’s realist style.) and Madame Curie. Overall: 7.4 Verdict: Read
Aggretsuko #2 (Oni Press)– Jarrett Williams plays on one of the strengths of licensed comics and uses it to explore a character pairing that hasn’t showed up in the Aggretsuko TV show, Retsuko and her vapid deer co-worker, Tsunoda. Tsunoda is still a shallow character, but Williams teases out some of her backstory about how she always wanted to be fashionable, glamorous, and doesn’t mind maxing out credit cards to do so. Sarah Stern uses a pastel palette, including plenty of pinks, to make the flashback scenes pop. All in all, Aggretsuko #2 is a great satire of influencer and consumer culture where philanthropic events aren’t there to help people, but to gain followers and “clout”. Plus it has some high energy death metal growl scenes in the Aggretsuko tradition. Overall: 8.0 Verdict: Buy
Decorum #1 (Image)– The new creator-owned SF comic from Jonathan Hickman and Mike Huddleston has god-tier visuals from a painted, silent prologue basically doing conquistadors in space to a fight scene using a painted diamond as a projectile weapon. Huddleston can go from scratchy inks to full color painted visuals at the drop of the hat while Hickman’s data pages range from the macro (Factions, planets, all-important backstories) to the micro (The makeup of noodle dish the protagonist is consuming). Like most Hickman works, there’s a lot to process in Decorum #1, but he and Huddleston keep things entertaining by having plenty of cool assassins, gangsters, and space shit to go with the granular worldbuilding. Overall: 9.0 Verdict: Buy
SFSX #7 (Image)– SFSX’s first arc comes to a close with Tina Horn and Jen Hickman showing the surviving sex workers at Dirty Mind fighting the patriarchy and not winning any kind of permanent victory, but doing a kind of shot across the bow. Oppression and normalcy might still be the ruling party, but there is still room for kink and queerness out there. Hickman’s art and colors continue to match the high energy of Horn’s thriller plot, but there’s also a sadness to her work too. SFSX #7 is a strong end to the first storyline and leaves you wanting a little more. Overall: 8.3 Verdict: Buy
Hawkeye Freefall #4 (Marvel)– Matthew Rosenberg and Otto Schmidt’s Hawkeye Freefall #4 really has it all: dynamic cartooning (The Hawkeye/Spider-Man hand to hand fight is a highlight), body swap hijinks, vigilante action, and awkward interpersonal dynamics. Clint’s motivation to don the Ronin costume shines clearer in this issue as he knows that the Kingpin runs the city so instead of taking him out or the Hood, he’s going to funnel the Hood’s money into a drug treatment center. He’s trying to get to the heart of the problem instead of punching things. There is quite a lot of punching as Daredevil rustles up a task force featuring such varied characters as D-Man, US Agent, Mockingbird, Falcon, and Winter Soldier, but they mostly end up getting duped by an LMD and a Skrull that Hawkeye found breakdancing awkwardly on the subway. Hawkeye Freefall expertly juggles action, comedy, and social conscience, and is easily one of my favorite Marvel releases of 2020 so far. Overall: 9.2 Verdict: Buy
Well, there you have it, folks. The reviews we didn’t quite get a chance to write. See you next week!
Please note that with some of the above comics, Graphic Policy was provided FREE copies for review. Where we purchased the comics, you’ll see an asterisk (*). If you don’t see that, you can infer the comic was a review copy. In cases where we were provided a review copy and we also purchased the comic you’ll see two asterisks (**).