DC’s Legends of Tomorrow‘s episode “Seance and Sensibility” starts off with Nate’s dads funeral. It seems that Zari and Nate’s pretend relationship might be turning into something real. The whole team shows up to lend their support and Ray is afraid to see his bestie because everyone believes that Nora is the killer but, a cute little heart to heart assuages Ray’s fears and everyone’s favorite bromance is still going strong. Constantine is worried about the bad mojo where they are and it has nothing to do with Nora’s presence in the bathroom. While Charlie tries to help Nora deal with her monster half, a change in the timeline occurs and they discover some trouble in Bath, England 1802 and Jane Austen , and her writing, might be in trouble. Pre-mission girl talk gets raunchy in a super real way when Mona senses Zari’s attraction to Nate right before the time jump to the wedding and things get awesome when the bride to be leaves the groom at the altar for her maid and the groom confesses his love for his betrove’s mother.
Meanwhile back on the ship Ray is getting some secret alone time with Nora until Charlie interrupts. While Zari goes off to get some dirt from the handsome coachman she met earlier, Mona learns that it isn’t always awesome to meet your idols because Jane Austen turns out to be less of a romantic than her novels would have had us believe. Rory helps Nate do some digging while Constantine realizes that Nate’s dads spirit is still present and it looks like they might be able to make contact. Using Mona’s knowledge of the Sara and her blend in and get some juicy gossip and discover that the coach man they pushed Zari to get under so she could get over Nate, might just be the time fugitive they are after. Being the sharp woman that she is, she figures it out halfway through a heavy makeout session where he admits to his magical origin and reveals himself as Kamadeva, the hindu god of love.
Kamadeva, the namesake of the Kama Sutra, is more than willing to follow Zari wherever she goes , so getting him back on the ship isn’t that hard. While trying to keep Nora hidden from the rest of his team, by hiding her in his bedroom, which isn’t as romantic or passion filled as you would think for separated lovers. Constantine and Rory fill Nate in on his dad’s presence but, Nate is unwilling to hear him out which might bode poorly for Nora. Kamadeva releases his essence through the ship which helps give Ray and Nora a little boost , even if it is only in their dreams, to have some adorable and consensual sexy time and everyone else on board to have some super sexy dreams. While Charlie got David Bowie, Zari got Nate and Kama and, Sara got Ava and they were all happy about the match up, Mona got memories of her old dead love leading to an argument with an anti love Zari leading her to wolf out and go after Jane Austen.
Jane Austen gets into it with Mona/Wolfie and doesn’t back down, she admits that she does believe in love and only marrying for it. Mona decides to lay it all out for Jane and tells her that her writing will matter and, Jane in turn gives her advice about not losing control and keeping relationships equal. Zari has it out with Kamadevi who tells her his back story and tries to help her past her fear and love block and Zari is surprisingly all in and releases him to help her sort it out, leading to Zari proposing marriage. Back at the funeral Nate forgoes his plan to tell the truth about his dad and gives a lackluster and basic eulogy, his mom tells a sweet story about how much his dad loved him and how big his heart was.
In typical Legend campiness Zari breaks out in song and since they’re all still in the magic love spell, the musical turns into a bollywood musical complete with dancing. Mona shows up to put an end to the marriage madness and her girl squad backs up the deadening of the the love spell wedding, because who wants to be wife number 1001? Mona and Zari end their fighting and realize they will be okay because yeah, they might not have a relationship with the people they love, they do have some pretty kick ass female friends and it’s going to be okay because if all else fails they still have each other.
Constantine leads the seance we have been waiting for the whole episode and he jumps into Rory’s body, since Nate is still holding a grudge. Nate’s dad in his Rory suit tells Constantine that Neron was behind everything , just as Nate goes exploring in the house and finds his dad’s secret room where he sees a taped “commercial” finding out that his dad was trying to build a theme park based on one of Nate’s old drawings. Finding the tape causes Nate to forgive his dad because he realized he wasn’t being a bad guy, he was trying to do something good. Constantine is getting a little clarity too as he drunkenly fights with his taunting reflection before Neron, in his shiny new Desmond (Constantine’s former lover) suit, let’s Constantine know , officially, that he’s back and coming for him.
This episode hit all the good notes and while there wasn’t a whole lot of action, we got a whole lot of raw emotion and real feelings. Even the musical portion of the episode fit in, felt in place and made sense in the context of the episode. In a period piece with lots of drama and a little bit of song and dance, the camera doesn’t linger on bodices and beauty, even though there is much of it. Alexandra La Roche directed this awesome episode and the female gaze shows in the way things are shown and handled.
I give this episode a 9.3 for its visuals and its story.