Tag Archives: daniel kibblesmith

Music and Horror Join Forces in Dead Beats from A Wave Blue World

Indie comic publisher A Wave Blue World has launched a Kickstarter campaign for Dead Beats, a horror anthology inspired by SyFy’s Haunted Collector and CBS’s Twilight Zone, incorporating music themes to bring an additional edge.  

Dead Beats, curated by Eric Palicki and Joe Corallo, will be feature a diverse group of industry-shaping storytellers and artists, including recently announced Dwayne McDuffie Award winners Ivy Noelle Weir and Christina “Steenz” Stewart, GLAAD Nominated Magdalene Visaggio, Emmy-nominated writer of Late Show With Stephen Colbert’s Daniel KibblesmithDoom Patrol’s Rachel Pollack and Richard Case, Suicide Squad’s Vita Ayala, Women in Comics Collective International co-founder Regene Sawyer, and more.

This music-themed horror anthology centers around the proprietor of a music store that contains a number of unusual artifacts. As the “shoppe keeper” guides readers through the shop, each creator will weave a haunting tale revealing the origin of these mysterious items.

A Wave Blue World is asking readers to be involved and to support Dead Beats Kickstarter Campaign by preordering Dead Beats, selecting Exclusive awards offered including original art by artists like Jen Hickman and an one-on-one portfolio review with Joe Illidge, A Wave Blue World’s Editorial Director, formerly editor at DC Comics, Lionforge, and Valiant, or simply just pledging to be included in the backers page.

Dead Beats

Marvel Reveals Upcoming Series and Covers for July

Today, Marvel released a special edition of The Pull List, unveiling exclusive information for titles coming to comic shops this July! The episode shared details on writer Jonathan Hickman’s new direction for the X-Men; trouble for Rocket in “Guardians of the Galaxy”; The Thing and Hulk clash in “Fantastic Four”; and new series “Punisher Kill Krew #1” and “Loki #1.”

HOUSE OF X #1 (of 6)

Written by JONATHAN HICKMAN
Art by PEPE LARRAZ
Colors by MARTE GRACIA
Cover by PEPE LARRAZ

FACE THE FUTURE

Superstar writer Jonathan Hickman (SECRET WARS, AVENGERS, FANTASTIC FOUR) takes the reins of the X-Men universe! Since the release of Uncanny X-Men #1, there have been four seminal moments in the history of the X-Men. Giant-Sized X-Men. X-Men. Age of Apocalypse. New X-Men. Four iconic series that introduced a new era for Marvel’s mutants and revolutionized the X-Men. In House of X, Charles Xavier reveals his master plan for mutantkind…one that will bring mutants out of the shadow of mankind and into the light once more.

HOUSE OF X #1 (of 6)

POWERS OF X #1 (of 6)

Written by JONATHAN HICKMAN
Art by R.B. SILVA
Colors by MARTE GRACIA
Cover by R.B. SILVA

FEAR THE FUTURE

Superstar writer Jonathan Hickman (INFINITY, NEW AVENGERS, FANTASTIC FOUR) continues his revolutionary new direction for the X-Men. Intertwining with HOUSE OF X, POWERS OF X reveals the secret past, present and future of mutantkind, changing the way you look at every X-Men story before and after. You do not want to miss the next seminal moment in the history of the X-Men!

POWERS OF X #1 (of 6)

LOKI #1

Written by DANIEL KIBBLESMITH
Art by OSCAR BAZALDUA
Cover by OZGUR YILDIRIM

EARTH’S MIGHTIEST HERO! ALL-NEW ONGOING SERIES!

After dying a grisly death in THE WAR OF THE REALMS, Loki learned a valuable lesson in warmongering: Don’t get caught. But now he has a whole new set of responsibilities — and his brother Thor is not about to let him walk away from them this time. Late Show and BLACK PANTHER VS. DEADPOOL writer Daniel Kibblesmith takes the god of mischief in a thrilling new direction!

LOKI #1

PUNISHER KILL KREW #1 (of 5)

Written by GERRY DUGGAN
Art by JUAN FERREYRA
Cover by TONY MOORE

ONE MAN. TEN REALMS. TOTAL WAR.

• During the War of the Realms, Frank Castle made a promise of vengeance, and Frank Castle keeps his promises.
• A van full of orphans is about to make that promise a lot more complicated.
• How does a man kill gods and monsters?

PUNISHER KILL KREW #1 (of 5)

GUARDIANS OF THE GALAXY #7

Written by DONNY CATES
Art by CORY SMITH
Colors by DAVID CURIEL
Cover by DAVID MARQUEZ

THE DEATH OF ROCKET BEGINS HERE IN ”FAITHLESS” PART 1

In the aftermath of the FINAL GAUNTLET, the Guardians of the Galaxy are taking some well deserved R&R. But their vacation is about to be cut short when a familiar, but radically powerful enemy returns. And what does all of this have to do with the whereabouts of a certain raccoon?

GUARDIANS OF THE GALAXY #7

FANTASTIC FOUR #12

Written by DAN SLOTT
Art by SEAN IZAAKSE
Cover by ESAD RIBIC

Ben and Alicia are off on their dream honeymoon in a remote tropical paradise…until someone decides to crash it. Or should we say SMASH IT?! Get ready for the biggest HULK VS. THING FIGHT OF THE CENTURY! PLUS: The saga of the Future Foundation by Jeremy Whitley and Wil Robson!

FANTASTIC FOUR #12

C2E2 2019: Interview with Daniel Kibblesmith

Daniel Kibblesmith is a true dual threat, who has written for The Late Show with Stephen Colbert and The Onion News Network as well as comics like Marvel’s Lockjaw and Valiant’s Quantum and Woody. He also has a hilarious Twitter account. At C2E2, I had the opportunity to chat with him about the connections between comics and comedy, his work on Black Panther vs. Deadpool, and his upcoming picture book, Princess Dinosaur.


Graphic Policy: Is it harder to be funnier in comics or prose, and why?

Daniel Kibblesmith: I think it’s harder to be funny in comics because everything has to serve the story and the characters, and in most mainstream cases, the action. So, when you’re funny in comics, I think it has to either have information in it that moves the story forward, or it has to be an icing on the cake. If you’re writing capital “C” comedy, then the comedy is the end that you’re trying to get to.

In narrative stories, it’s one of the tools in the toolbox. I think with superheroes it works really well. It’s one of the reasons the Marvel movies are so popular. They do a great job using humor to explain things and to break tension and to make exposition a little more interesting. So, it’s always a bigger, more diverse project when I have to write something that’s a story instead of writing a humor column, or in the case of Twitter, a million bad jokes.

GP: Do you find parallels between writing for a famous comedian like Stephen Colbert and writing stories in a big, shared universe like Marvel or Valiant?

DK: I think that, at the end of the day, you’re a collaborator with a person or a brand that people have an emotional relationship with so the audience is expecting a certain thing from that person or those characters. You want to make sure that you know their voice inside and out, and that you can deliver what the job requires. In a weird way, I think it can be similar at times. But the subject matter is so different so who can really say?

GP: Let’s talk Black Panther vs. Deadpool. I know Deadpool has these team-up books that pop up every now and then. Was there already a “Versus” story set up, or did you pitch it?

DK: My editors, Wil Moss and Sarah Brunstad, brought the project to me. We had just finished Loki and had a really good time. They were looking for another project to put me on, and in 2018, given how many “Deadpool Vs” titles there were, it seemed weird there wasn’t a Black Panther one. So, it seemed like a project we could get everyone to buy into very quickly from both a behind the scenes and audience perspective.

It was really easy to get excited about this. It was always going to be Black Panther vs. Deadpool. I think the other big decision we made was giving Black Panther top billing because, one, we could make jokes about it, and Deadpool always gets top billing in these. Which I guess we made jokes about it. I think Hawkeye got top billing in one of these though.

GP: That was my favorite “Versus” series.

DK: I really liked the Hawkeye one. I really liked the Gambit one. I read all of them coming into this. For “research”. Because it was Saturday. I had a blast reading all of them, and everyone’s take on Deadpool is slightly different. I loved seeing all the interpretations. I think people think he can be very one note, but if you look into all the different writers, there’s a lot of variation there.

GP: One thing that I found interesting about Black Panther vs. Deadpool was that you decided to focus on T’challa more as a scientist than a superhero. Why did you decide to do that?

DK: It wasn’t really a decision. To me, that’s the character. I grew up reading Silver Age comics from my dad’s collection, and T’challa’s first appearance is when he sends a fake out siginal to the Fantastic Four, hands them their asses with his traps, and he defeats them as a scientist and as a king. I love Black Panther as a superhero. But I think that the Black Panther superhero adventures I really like are when he’s doing stuff in Wakanda that’s either pertaining to being a king or a deposed king, or he’s in Manhattan. Then, he’s much more of a conventional superhero.

But, to me [the scientist] is Black Panther. He’s as much Reed Richards as he is a Daredevil type.

GP: So, Black Panther vs. Deadpool was actually a serious story about curing death. How do you balance the fourth wall breaking jokes with the heavy stuff like death, mortality, and legacy?

DK: People have asked me that a lot, but if you read the [Jonathan] Hickman stuff that I’m a big fan of, Black Panther is King of the Dead. And Deadpool has “dead” in his name. These are two characters who are obsessed with mortality and legacy and indestructibility. Deadpool literally, and Black Panther needing the project the image of being more than a person.

I think all good comedy has an emotional core where the stakes are very real. Whether that’s as dark or sad as I took it or just something human you can relate to. But [both Deadpool and Black Panther] needed to be coming from a real emotional place. And it’s a “versus” title where they’re both protagonists so they both had to 100% know they were in the right even if Deadpool’s version of “in the right” comes with a healthy layer of denial.

GP: Deadpool has been written so many ways. Some write him as a kind of hero, and some as completely amoral. Do you think that he can ever be consistently written as a hero and change, or is he completely set in his ways?

DK: So, my book is about two men. One who is resistant to change. One is desperately pursuing it and is terrible at it. You can guess who’s who. My point of view is that the whole underlying philosophy of superhero comics is that they’re all on a very slow path to change. It might take 75 years.

Because the whole point of serialized storytelling and making sure you stay true to the characters, hitting the beats fans want, and doing it cyclically is that there all protagonists in a story on a journey. They’re looking to change. Or solve some unsolvable problem. Or repair the damage from their childhood.

I definitely believe that Deadpool could be a full-on hero, but it’ll take a minute because of the things people like about him is that he’s relatably flawed. I don’t think Deadpool will ever be Black Panther, but I think he might be a better Deadpool.

GP: I had a lot of fun reading the interplay between Black Panther and Deadpool in this comic. What do you like most about writing “mismatched” heroes?

DK: I realized that I had just finished doing Quantum and Woody. I just realized I had done another odd couple story where one of them was really straight laced and by the book while the other was this criminal wild card. It didn’t even occur to me until I was deep into the Black Panther vs. Deadpool scripts.

I think what’s fun about these characters in particular is that we all know them so well. When you pick up Black Panther vs. Deadpool, you know what it’s like for them to be in a room together. So, as their writer, I got to put them in the room together, and let would naturally happen happen and allow the conversation that I assume would happen to unfold.

I liked getting to bounce them off each other, and getting to test their limits a little bit like getting T’challa to bend a little bit and crack a joke here and there. He’s kind of softened to Deadpool a little bit. Then, the same with Deadpool to express some real melancholy and uncertainty and let his vulnerability show.

GP: I was definitely getting some Gerry Duggan vibes from the way you wrote him.

DK: I’m a huge fan of all of Duggan’s Deadpool. I read so much of it even before I got this gig. What I wanted to is synthesize what I liked by other writers. That’s the fun of writing characters that came before you.

GP: That are icons.

DK: The fun of writing icons is that you get to come in and be like “
I know what Black Panther would do if he had this problem because he’s the Black Panther.

GP: I had one last question about your upcoming picture book, Princess Dinosaur. What are some of the challenges of doing a picture book versus a story for adults or even an all ages comic?

DK: I would say in some ways that a picture book is easier because it’s not necessarily sequential storytelling. There’s less directing. But the artist of our two picture books, Princess Dinosaur and Santa’s Husband, is my friend Ashley Quach, who is just a master illustrator. She does this incredible cartooning in watercolor, and she has done a lot of comics. I think that she and I speak the same language about what we’re going for, and how we’re able to tell jokes with body language and facial expression.

The biggest difference is probably the audience. Princess Dinosaur is aimed at toddlers. So, you want everything to be boiled down to its simplest, most archetypal ideas. But, in a weird way, that’s not that different from comics with these big characters that embody their themes. People who are representative of who their characters are on the inside.

In some ways, it’s really similar because you’re writing these iconic character whether they’re capital “I” iconic because they’re created by Stan Lee and Jack Kirby, or they’re instantly recognizable, self-contained archetypes.

Follow Daniel Kibblesmith on Twitter.

Preview: Black Panther vs. Deadpool #4

Black Panther vs. Deadpool #4

(W) Daniel Kibblesmith (A) Ricardo Lopez Ortiz (CA) Ryan Benjamin, Rain Beredo
Parental Advisory
In Shops: Jan 30, 2019
SRP: $3.99

INTRODUCING…PANTHER-POOL! (YES, REALLY!)

A classic Marvel team-up gone terribly wrong! Who could have predicted it?! Luckily, there’s an easy solution. All the Black Panther needs to do is give Deadpool a bullet-sized chunk of the world’s most precious resource and let him return to New York in one piece. Wait, you say that’s a terrible idea and that T’Challa would stop at nothing to keep Vibranium out of Deadpool’s homicidal hands? WELL, YOU’D BE RIGHT! But how do you get rid of an unkillable pest? Buckle up, True Believer, because the Black Panther’s about to do the unthinkable!

Black Panther vs. Deadpool #4

Preview: Black Panther vs. Deadpool #3

Black Panther vs. Deadpool #3

(W) Daniel Kibblesmith (A) Ricardo Lopez Ortiz (CA) Ryan Benjamin, Rain Beredo
Parental Advisory
In Shops: Dec 19, 2018
SRP: $3.99

OFF WITH HIS HEAD!
But WHOSE head? Deadpool’s? T’Challa’s? …JACK O’LANTERN’S? (And which Lantern?) Well SOMEbody better keep his head, because Deadpool and the Black Panther now have a MUTUAL THREAT on their hands-and if they don’t act soon, there’ll be no Wakanda left to fight for!

Preview: Black Panther vs. Deadpool #2 (of 5)

Black Panther vs. Deadpool #2 (of 5)

(W) Daniel Kibblesmith (A) Ricardo Lopez Ortiz (CA) Ryan Benjamin
Parental Advisory
In Shops: Nov 28, 2018
SRP: $3.99

DEADPOOL ON THE HUNT!
Deadpool’s carving a path through the Wakandan wilderness on the hunt for Vibranium! And his missing right arm! The Black Panther proooobably should be watching him. But T’Challa’s mind is distracted with the possibility of a revolutionary new technology. One that could change the world…starting with Wakanda. But there may not be a country to revolutionize if Deadpool goes unchecked. Will the king and the sometimes-hero reach an accord, or is this a fight to the death?

Preview: Rugrats: C Is For Chanukah

Rugrats: C Is For Chanukah

Publisher: KaBOOM!, an imprint of BOOM! Studios
Writer: Daniel Kibblesmith & Cullen Crawford
Artist: Kate Sherron
Letterer: Jim Campbell
Cover Artist: Chrystin Garland
Price: $7.99

It’s a Rugrats family vacation to the mountains, complete with the annual argument between Grandpa Lou and Boris arguing over which holiday is better: Chanukah or Christmas.

Boris is determined to prove his is the best and starts giving Tommy and the babies a history lesson on the Golem which sets imaginations ablaze. Tommy, Chuckie, Phil & Lil now feel that they have to save Chanukah from the Golem before it steals the holiday away for good!

Preview: Black Panther vs. Deadpool #1 (of 5)

Black Panther vs. Deadpool #1 (of 5)

(W) Daniel Kibblesmith (A) Ricardo Lopez Ortiz (CA) Ryan Benjamin
Parental Advisory
In Shops: Oct 24, 2018
SRP: $3.99

VIBRANIUM BULLETS AND REGROWING LIMBS – EVERYTHING YOU WANT FROM A COMIC IS HERE!

Deadpool’s teamed up with, taken down or taken a beating from just about every hero in the Marvel Universe. And no way is the Black Panther going to miss out on his turn. From Late Show writer Daniel Kibblesmith comes a hilarious romp through Wakanda as Deadpool goes on the hunt for the world’s most valuable resource: Vibranium! When a beloved figure of the Marvel Universe becomes collateral damage in a fight between Deadpool and the Wrecker, the heroic Deadpool sets out to obtain a fragment of Vibranium that could save the victim’s life. But his unconventional methods – ranging from poaching to dismemberment – don’t sit well with the King of Wakanda, and Deadpool’s about to learn that you don’t bring a sword to a claw fight!

Your First Look at Rugrats: C Is for Chanukah #1 from BOOM! Studios

BOOM! Studios has unveiled a first look at Rugrats: C Is for Chanukah #1, an oversized one-shot available in comic shops on-sale November 14th from The Late Show with Stephen Colbert writing duo of Daniel Kibblesmith and Cullen Crawford and artist Kate Sherron.

It’s time for the Rugrats family vacation to the mountains, complete with the annual argument between Grandpa Lou and Boris arguing over which holiday is better: Chanukah or Christmas. Boris is determined to prove his holiday is the best and starts giving Tommy and the babies a history lesson on the Golem which sets imaginations ablaze. Tommy, Chuckie, Phil and Lil now all feel that they have to save Chanukah from the Golem before it steals the holiday away for good!

Rugrats: C Is for Chanukah #1 features a cover by Chrystin Garland.

Preview: Valiant High TPB

VALIANT HIGH TPB

Written by DANIEL KIBBLESMITH
Art by DEREK CHARM
Colors by DAVID BARON
Letters by SIMON BOWLAND
Cover by DEREK CHARM

Valiant proudly presents its first ALL-AGES escapade with a pitch-perfect entry point for new fans and longtime readers alike!

Before they became legends, the world’s most formidable heroes were roaming the halls at Valiant High – a superpowered preparatory academy where Aric “X-O Manowar” Dacia is a record-setting running back, Colin “Ninjak” King is a debonair foreign exchange student, and Coach Bloodshot is way, way too into dodgeball. Now, Amanda “Livewire” McKee and her best friend, Faith “Zephyr” Herbert, are taking it all in for the first time at the one high school where power trumps popularity!

From rising star Daniel Kibblesmith (The Late Show with Stephen Colbert) and Eisner Award-winning artist Derek Charm (Jughead), get ready for your first day of school inside a hilarious reimagining of Valiant’s award-winning superhero universe – one where the next world-ending cataclysm will have to wait until after prom night!

In the tradition of Archie and DC Super Hero Girls, this side-splitting adventure takes place outside of Valiant’s standard continuity and comes packed with all-new incarnations of virtually every Valiant hero and villain! You’ve never seen the heroes of the Valiant Universe quite like this before!

Collecting VALIANT HIGH #1–4.

$9.99 | 112 pgs. | T+ | On Sale SEPTEMBER 5th
TRADE PAPERBACK | ISBN: 978-1-68215-279-9

« Older Entries