Crazy Rich Asians Helps Warner Bros. Deliver a One Two Punch
Crazy Rich Asians won the weekend beating most industry expectations. The film earned an estimated $34 million over its five-day opening. Made on a reported $30 million budget, the film has a strong 74 rating on Metacritic and an “A” Cinemascore.
For the three day weekend, the film earned $25.2 million and will likely cross $100 million before it’s done. The film opened in just six foreign markets where it earned $730,000. The movie is getting a staggered release schedule with Australia opening on August 30 and mid-September in the UK.
The second spot was held by last weekend’s winner, The Meg. The film earned an estimated $21.2 million to bring its domestic total to $83.8 million. Internationally, the film added $67 million from 55 markets to bring the foreign gross to $230.4 million.
Mile 22 opened in third place with a slightly below expectation earning of $13.6 million.
The fourth and fifth place is a photo finish. New film Alpha and Mission: Impossible – Fallout both have an estimated $10.5 million as of reporting. Those totals may change when the final numbers come in.
When it comes to comic film adaptations…
Ant-Man and the Wasp came in at #13 earning an estimated $2.6 million to bring its domestic total to $208.4 million. Internationally the film has earned $257.2 million for a worldwide total of $465.6 million.
Teen Titans Go! To the Movies dipped a few spots to come in at #18. The film added $710,000 to its total to bring its domestic earnings to $27.3 million. Internationally the film stands at $5.3 million for a worldwide total of $32.6 million off of a $10 million budget.
Despite its home release, Avengers: Infinity War continues to bring in money. The film was #32 with $97,000 to bring its domestic total to $678.6 million. Worldwide the film has earned $2.046 billion.
Come back in an hour when we’ll have a deeper dive into this year’s comic adaptations.

When I was growing up, morals in the movies and TV shows, were certainly not complicated. They made clear distinctions of who were the good guys and who were the bad guys. Take TV shows like GI Joe, where there was no questioning that Destro and Cobra Commander were evil and Duke and Flint were good. They even made it clear with the ninjas, but wearing opposite colors, as Snake Eyes wore black and Storm Shadow wore white.
The way we realize we are aging, is remembering certain events that are recorded in history. My grandparents, on my mother’s side, used to tell us stories of how cruel the Japanese were, during their occupation during World War II, which is now literally last century. My parents, both were new to New York, during the “Summer of Sam”, where everyone was scared to walk the streets. During my time, there a fair number of events that have marked my life.
Organized crime is one of those subjects that people both fear and love at the same time. Who can watch the Godfather or Goodfellas, ad not fall in love with these characters and their lifestyles. Even in real life, such figures as John Gotti and Al Capone are pretty much immortalized in the public sphere. What most of the media sometimes fails to realize, is just about every culture has organized crime.
The spy is one of those mysterious figures within book, tv shows and movies, which intrigues their audiences because no one knows their true motive, but a select few. You can take the recently returned Game of Thrones, whose Master of Whispers, Varys, started off as another bureaucrat in the King’s Court, but ended up becoming one of the most formidable figures within the series. Then there is Live Schreiber’s John Clark in The Sum of All Fears, a spy who the director relies on heavily, to carry out the tasks no one else will. Then there is Joe Morton’s Rowan Pope in Scandal, a focused spymaster and sometimes operator, who knows when to be pragmatic when others choose to be idealistic.