Tag Archives: All Quiet on the Western Front

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All Quiet on the Western Front

It was new comic book day yesterday! What’d you all get? What’d you like? What’d you dislike? Sound off in the comments below. While you think about that, here’s some comic news and reviews from around the web in our morning roundup.

CBLDF – Imprisoned Journalists and Comic Strip Alum Among Pulitzer Winners – Congrats to all.

CBR – Spider-Man: Far From Home Gets a New, Earlier Release Date – Cool.


ICv2 – All Quiet on the Western Front
Newsarama –
Angel #0
Comics Bulletin –
Buffy the Vampire Slayer #4
Peter Cannon Thunderbolt #4
The Beat –
Pilu of the Woods
Comics Bulletin –
Spider-Man: Life Story #2

Dead Reckoning Announces New Graphic Novels for Spring 2019

Dead Reckoning, the new graphic novel imprint of Naval Institute Press, has announced new comics they’re releasing in Spring 2019.

Things kick off in March 2019 with The Night Witches by Garth Ennis, Russ Braun, Tony Avina, and Simon Bowland as well as Katusha: Girl Soldier of the Great Patriotic War by Wayne Vansant.

April 2019 sees the release of Riff Reb’s Men at Sea which is translated by Joe Johnson.

Stalingrad: Letters from the Volga by Antonio Gil and Daniel Ortega with a translation by Jeff Whitman is out May 2019.

June 2019 sees the graphic novel adaptation of Erich Maria Remarque‘s All Quiet on the Western Front by Wayne Vansant.

Check out below for the full descriptions.

The Night Witches

by Russ Braun, Garth Ennis

As the German Army smashes deep into Soviet Russia and the defenders of the Motherland retreat in disarray, a new squadron arrives at a Russian forward airbase. Like all night bomber units, they will risk fiery death flying obsolete biplanes against the invader—but unlike the rest, these pilots and navigators are women. In the lethal skies above the Eastern front, they will become a legend—known to friend and foe alike as the Night Witches.

With casualties mounting and the conflict devouring more and more of her comrades, Lieutenant Anna Kharkova quickly grows from a naive teenager to a hardened combat veteran. The Nazi foe is bad enough, but the terrifying power of her country’s secret police makes death in battle almost preferable. Badly wounded and exiled from her own people, Anna begins an odyssey that will take her from the killing fields of World War II to the horrific Soviet punishment camps—and at the top of the world, high above the freezing Arctic Ocean, the Night Witch finds she has one last card to play.

Katusha: Girl Soldier of the Great Patriotic War

by Wayne Vansant

On Sunday, June 22, 1941, the morning after Katusha’s graduation, the Germans invade the Soviet Union. As enemy forces occupy Kiev, Ukraine, Katusha and her family learn the Nazis are not there to liberate them from harsh communist rule, but to conquer. They discover there is a special danger for the Jews, and in saving her friend Zhenya Gersteinfeld, Katusha finds her whole family in danger.

During the next four years, Katusha experiences the war on the Eastern Front with all its ferocity and hardship: first as a partisan, then as a Red Army tank driver and commander. From Barbarossa to Babi Yar, from Stalingrad to Kursk, from the Dnipro to Berlin, follow the footprints and tanks tracks of Katusha’s journey through a time of death, hopelessness, victory, glory, and even love.

Seen through the eyes of a Ukrainian teenage girl, Katusha is both a coming-of-age story and a carefully researched account of one of the most turbulent and important periods of the twentieth century, where women served in the hundreds of thousands, and Russians died by the millions.

Men at Sea

by Riff Reb’s

Men at Sea is an opus of eight spectacularly drawn dark, poetic stories adapted by Riff Reb’s.

This collection offers:

  • “A Smile of Fortune,” from Joseph Conrad
  • “The Sea Horses” and “The Shamraken Homeward Bound,” from William Hope Hodgson
  • “The Galley Slaves” and “The Far South,” from Pierre Mac Orlan
  • “A Descent into the Maelstrom,” from Edgar Allan Poe
  • “The Three Customs Officers,” from Marcel Schwob
  • “The Shipwreck,” from Robert Louis Stevenson

These eight tales, themselves interspersed by seven double-page spreads dedicated to extracts from illustrated classics, deliver a rich, poetic, and masterfully crafted work of life and death on the sea.

Stalingrad: Letters from the Volga

by Antonio Gil, Daniel Ortega

Stalingrad. From August 1942 to February 1943 this model industrial city, bathed by the waters of the Volga, was home to the bloodiest battle of World War II. Stalingrad: Letters from the Volga offers a fast-paced depiction of this titanic struggle: explicit, crude, and without concessions—just as the war and the memory of all those involved demands.

The battle rendered devastating results. Almost two million human beings were marked forever in its crosshairs, a frightening figure comprised of the dead, injured, sick, captured, and missing. Military and civilians alike paid with their lives for the personal fight between Stalin and Hitler, which materialized in long months of primitive conflict among the smoking ruins of Stalingrad and its surroundings.

Stalingrad: Letters from the Volga presents the battle, beginning to end, through the eyes of Russian and German soldiers. Take a chronological tour of the massacre, relive the fights, and feel the drama of trying to survive in a relentless hell of ice and snow.

All Quiet on the Western Front

by Wayne Vansant

Hailed by many as the greatest war novel of all time and publicly burned by the Nazis for being “degenerate,” Erich Maria Remarque’s masterpiece, All Quiet on the Western Front, is an elegant statement on a generation of men destroyed by war.

Caught up by a romantic sense of patriotism and encouraged to enlist by authority figures who would not risk their lives to do the same, Paul Bäumer and his classmates join the fighting in the trenches of the Western Front in World War I. He is soon disenchanted by the constant bombardments and ruthless struggle to survive. Through years in battle, Paul and those he serves with become men defined by the violence around them, desperate to stay as decent as they can while growing more and more distant from the society for which they are fighting.

This graphic novel recreates the classic story in vivid detail through meticulous research. The accurate depictions of uniforms, weapons, trenches, and death brings the horrors of the Western Front to life in a bold new way.

Review: Burning Fields #1

burningfields001covOne of the most interesting developments of literature in the 20th century was that of the war narrative.  Previous to the First World War, stories about war were told from the commanders, the generals, colonels and majors (maybe sometimes a captain) and mixed in equal parts of grand strategy with personal recollections of leading men into battle.  After the First World War, aided in part with the easy access to printing technology, the random grunts were for the first time allowed to write and print the stories about what life was like on the front lines.  The most famous was Erich Maria Remarque’s All Quiet on the Western Front, but there were others as well.  The common theme among them was that war was not as glorious as it was made out to be, and that it scars those that it doesn’t leave behind.  It is with this backdrop that the new series Burning Fields starts off with, though with a modern twist, as its heroine is forced back to the fields of the Iraq war which she wanted to leave behind and forget.  There lies hidden some insinuation of atrocities that were committed, which complicates things for her.

All of this takes place in a setting which is not even necessarily related to this part of the story, but which adds depth to its characters.  This series was described as Zero Dark Thirty meets The Thing (John Carpenter, not Ben Grimm), and by the end of this first issue it is channeling a lot of the former and a little bit of the latter.  With this as a backdrop it makes the horror setting all the more real, as supposedly a serial killer is on the loose in a highly protected oilfield in Iraq, one protected by a mercenary black ops group that is Blackwater in everything but name.  She has issues with their leader, but she goes anyway to find out the truth, in a place where she might need more than a few answers.

This series is a little bit under the radar but it shouldn’t be.  Once again proving that a lot of the smaller publishers have the mettle to play with the bigger companies, the story here is engaging and immersive.  Its main character is never really at ease being back in the war torn country, but then so too the reader shouldn’t be easy reading it.  At this stage it is hard to see exactly where this story is headed, whether that be towards a techno-thriller or supernatural gore, but with the strong introduction to the characters and the setting, there is little more to ask for here.  In what is an otherwise slower week across the medium, comic fans might want to give this one a look as it looks to be a cut above the usual.

Story: Michael Moreci & Tim Daniel Art: Colin Lorimer
Story: 9 Art: 9 Overall: 9 Recommendation: Buy

BOOM! Studios provided Graphic Policy with a free copy for review.