Category Archives: Reviews

Review: America #2

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Gabby Rivera brings the heat and, a compelling story line of personal growth in this second issue of America’s solo comic book series. There’s so much realism and humanity contained in the pages of this issue that it would be a shame to miss out on it. Rivera portrays America as a no-nonsense, Latina lesbian trying to find her way in the world as she adjusts to being newly single and starting college. The diversity doesn’t stop with the title character, America has managed to serve up multiple minority characters in each issue that are devoid of tropes or stereotypes and the sophomore outing for this amazing character is no exception to the standard that started in America #1.

America #2 finds America punching her way back through time and space from WWII Germany where she punches Hitler and gets reprimanded by Peggy Carter. The language used in the comic is realistic and leans more towards cultural usage than cliched caricature. Rivera makes sure to keep America authentic and easy to relate to without watering down her ethnicity and culture or falling into a whitewashed version of the character. There is something beautiful in Rivera allowing the reader to come along on America’s journey and letting us be a fly on the wall as the character is exploring the facets of her life that make her who she is.

Joe Quinones makes sure to keep America looking like a real person, as opposed to whitewashing her features and dipping her in caramel. He allows the character to retain her ethnic features and his drawings show the beauty that is found within her ethnicity. The panels that show her full body do show in a way to showcase her figure without lingering in the male gaze and subjecting her to being merely an object of sexuality, the way that many forms of media tend to do with Hispanic women.

This issue shows America trying to figure out how her powers work and how far they can take her, we also see her forming a community with other females which is always good to see in any form of media. We find her supporting and engaged by a black child prodigy and fighting brodudes about their appropriation, objectification, and dismissal of minority culture and to a similar degree women. America tackles hard subjects and makes them entertaining without diminishing the gravity of the situations. This comic is a prime example of how to merge representation, politics, and entertainment in a way that is both strong and full of teaching moments without watering down very real problems and ideas.

Story: Gabby Rivera Art: Joe Quinones
Story: 9.8 Art: 9.6 Overall: 9.7 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review

DC Rebirth Recap & Review: Comics Released 4/5

Welcome to Graphic Policy’s DC Rebirth: Recap And Review where we take a look at the comics released under DC‘s Rebirth banner and try to work out just how accessible they are for new readers – we’ll also be providing  recap of sorts for the relevant story beats up until the issue in question in order to help you figure out if the series is something you’re interested in.

Each comic will receive a rating of Friendly or Unfriendly based on how easy it was for

new readers to pick them up; the ratings are based solely on the issues released in the post-Rebirth ongoing series. More consideration regarding the comic’s accessibility will be given for the specific issue being read rather than the series overall, but if reading a back issue will help, then that will be mentioned. Generally, the quality of an issue won’t be discussed unless it directly impacts a new reader’s enjoyment of the series.

You may notice that not every comic is covered week to week, and that’s because I  sometimes forget to read them  (although that doesn’t happen often). If I have missed an issue, typically I won’t go looking for back issues to catch up on events – this feature is all about accessibility for new readers, after all.


AQM_Cv20_dsAquaman #20 Aquaman is fighting some kind of water demon called Deadwater (disclosure: Deadwater probably isn’t a water demon, I just don’t remember the last issue that well) who can teleport wherever there’s even a drop of water. It’s kinda intense, yet quite Friendly.

Batman #20  I’ll save you the pain, and suggest you wait till next issue. Hopefully it’ll be less Unfriendly, and tell a better story.

Cyborg #11 I don’t remember the last issue (yeah, my memory isn’t great… I know), but there’s a very Friendly internal monologue at the beginning of the comic that helps quite a bit.

Green Arrow #20 The conclusion of the three part story detailing the return of Roy Harper to Green Arrow’s life. While I’d recommend you reading the arc, this would be an Unfriendly place to start the series.

Green Lanterns #20 One day, I’m going to remember the previous issue to a comic before I read the following one. Case in point this one – I have only the vaguest recollection of previous events, but basically Doctor Polaris trapped the Green Lanterns in a big ball of metal underwater so he can escape and cure his brother of cancer. The only problem? Doctor Polaris is a borderline psychopath. The issue itself is surprisingly Friendly.

Justice League #18 There’s another universe/timestream ending event that the League NTW_Cv18_open_order_varhas to prevent. They’ve been split up and sent to various different points in the timestream to fight something that’s happening at the same time in the past and present… if that sounds confusing, then you may want to skip to the next arc.

Nightwing #18 If you have fond memories of Dick Grayson as Batman with Damian Wayne’s Robin, then you’ll enjoy this story. The two have partnered to find Nightwing’s pregnant girlfriend, and former villain, Shawn Tsao and rescue her from the clutches of Professor Pyg. It’s awesome, and the awesomeness makes it Friendlier than not.

Superman #20 A new arc kicks off here, and as always it’s a Friendly place to begin, but quickly kicks up the pace.

Review: Harley Quinn #17

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Amanda Conner and Jimmy Palmiotti are continuing to let the good times, and great story lines, roll in this latest installment of Harley Quinn. Since Palmiotti and Conner have taken up the reigns of this iconic villain they’ve given her back her depth, complexity and created a feminist layer for her character. In this issue we see some more of the pieces to the story arcs that they’ve been lining up, fall into place. This issue focuses not only on Harley but, on her enemies relationships to her. We get to see first-hand obsession through the lens of the demented  Harley Sin. We discover more of Harley’s sensitive & more rational side as we see her prepare for her parent’s visit, searching for her favorite homeless man and waxing philosophical about the societal problems that cause homelessness. We also get a mini story from Paul Dini, that reminds us of the old, manic pixie dream villainess version of Harley. It stands in stark contrast to the Harley of today but, it’s nice to see as a reminder of how far she’s come.

John Timms, as usual, slays with the artwork. There’s pops of color in fun scenes and a bleak darkness in the more somber panels. The detail that Timms’ adds to each panel with his strong lines and authentic faces is above reproach.  There’s also an amazing color pallet assist from Alex Sinclair‘s signature, seemingly intuitive, color imprint. The artists behind Harley really work well together, despite the multiple story lines there is a cohesiveness within the Harley universe. The art remains consistent, the style remains beautiful and every panel feels like a movie storyboard, which allows the reader to get swept away into the story.

Palmiotti & Conner give Harley a mission and show readers that people are not their pasts, people can change and grow, they can evolve. At Harley’s core, she has always been a kindhearted person. Her “bad” streak doesn’t define who she is , or create a barrier to any kind of change or evolution of who she is.  This issue continued a lot of the looming story lines that Palmiotti & Conner created issues ago and keeps Harley’s universe going seamlessly. In the beginning of this reboot, I initially thought that there was entirely too much going on but, when you have such a talented writing team things have a tendency to fall into place. This issue is just as much a page-turner as the issues that preceded it, we are treated to a great story, character development, complex story lines, deep thoughts, social undertones and feminist leanings. Harley Quinn #17 beautifully weaves together entertainment and tackles topics like gentrification, homelessness, female autonomy and to an extent animal rights. Palmiotti & Conner manage to make this issue political and entertaining and, it’s a beautiful combination that I’m looking forward to seeing more of.

Story: Amanda Conner and jimmy Palmiotti Art: John Timms Color: Alex Sinclair
Story: 9.7 Art: 9.6 Overall: 9.7 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review

Attack on Titan S2E26 “Beast Titan” Review and Analysis

Attack on TitanBeast Titan” starts with a cold open recap of what happened in the series finale with a voiceover from the voice actor for Hanji, the lovable and totally insane squad leader of the 4th squad. Hanji walks us through the battle of Stohess between Annie and Eren and the aftermath they caused. For the last couple of seconds, the anime lingers on the titan hiding in the wall to remind us of the major cliffhanger we left off at the end of season one.

Just are you’re redigesting the fact that the walls are made of Titans and how utterly screwed all of humanity is, you’re kicked straight into the Opening Credits. If I have any criticism of this first episode, it’s that the opening music is not nearly as memorable as the two songs in the first season, but to be fair it’s definitely growing on me. Most of the title sequence is forgettable until we get to this image:

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WHY IS THERE A FLOATING WHALE AND A T-REX IN THE OPENING SEQUENCE? WHAT DOES IT MEAN? DO THEY KNOW SOMETHING WE DON’T KNOW? I’m all for a crossover between Jurassic Park, Free Willy, and Attack on Titan, but I doubt that’s their plan here. I’m going to assume that there’s some hidden symbolism that is going way over my head because that’s the only way I’m going to be able to digest this image.

The first half of the show sets the stage and throws us right back into the action with Hanji threatening Minister Nick, a priest in the Wall Cult, to divulge information about the titan(s?) within the wall. Once he refuses even after being threatened and held off the edge of the wall, Hanji lets up. At the very least, she had determined that those within the government and the Wall Cult who know about the titans were willing to die to keep everyone else ignorant. Immediately the show introduces that there is a massive conspiracy to withhold information from the public concerning the titans which will probably be an overarching theme through the entire season.

The show then shifts gears to the 104th regiment who are holed up in a castle within Wall Rose (the second of three total walls) in order to kick us back into the main plot. Reiner and Bertolt are playing chess backwards (symbolism?) while Reiner remarks that the Scout Corps seems to be guarding them. We later find out that Reiner’s suspicions are justified, as Scout leaders like Miche mention that they’re afraid that another member of the 104th regiment is a titan. Then when Sasha collapses from boredom and lays her head on the table, she feels the distinct vibration of titans approaching their location within Wall Rose which, as Reiner nervously points out, means that the Titans have breached the second wall. A great part about this show is each character reacts very specifically to news like the titan breach of Wall Rose and you can watch as the show’s directors brilliantly lay a trail of clues for the fans.

In the second half of the show, the action ramps up extremely quickly as the show reintroduces the titans, and immediately I felt like I was watching the show for the first time. The animation of the titans is so unsettling, I immediately felt that pit in my stomach as Miche rides in to fight the titans even though he’s is vastly outnumbered. After Miche takes down multiple titans (including my favorite: The Ronaldo Titan shout out to /u/faithplate on Reddit for the great comparison), he calls for his horse, but is frozen with fear when he sees the lumbering Beast Titan. There’s something about the Beast Titan’s proportions that makes him such an unnerving foe, and as the Beast Titan hurls a horse at Miche like Randy Johnson in his prime, you realize that Miche doesn’t stand a chance. Sure enough he falls straight into the mouth of a tiny grotesque titan, but right as the mini titan is about to deal the final blow, a booming voice instructs the titan to stop chewing. Much to Miche’s horror, and the viewers, that voice is coming from the Beast Titan.

The Beast Titan then tries to question Miche about his 3D maneuver gear, but since Miche is frozen in fear, the Beast Titan removes the 3D maneuver gear and leaves Miche defenseless as the Beast Titan instructs the other titans to eat Miche. The most interesting thing about this interaction is that the Beast Titan doesn’t seem to recognize or understand what Miche was wearing and seems to be genuinely intrigued as to what the 3D maneuver gear is. Anyone who lives within the walls should know at least the basics of 3D maneuver gear, so if he’s not from within the walls, who exactly is the Beast Titan? The episode ends with one of the most gruesome things I’ve watched in recent memory and Miche’s screams are truly haunting. Just like that the episode is over and the end credits roll as you’re still trying to grapple with what you just witnessed.

Since I am an avid reader of the Manga as well as an avid watcher of the Anime, I’m going to keep the next paragraph strictly to the confines of what the anime has shown so far. I do want to point out that the end credits of the anime show images from the manga that were only recently released in the last 7 months and are gigantic spoilers if someone were to decrypt what they mean. I will do my best to objectively walk through what’s going on below, but you have been warned if you sleuth out the underlying meaning.

No time to grieve Miche because the end credits are absolutely packed with allusions to 15th century Christianity church murals. As the creepily happy music plays in the background we’re flashed with images of a devil giving an unidentifiable object to a woman, heavily invoking the bible’s temptation of Eve. We also see a gigantic woman emerging from the sea while soldiers try to attack her and a lightning rages on all around them. An interesting thing to note here, she could definitely be a titan, but has nipples- a feature which has not been included on any titan we’ve seen so far. Then the sequence moves onto an image of a king feeding three young girls what looks like parts of a corpse. This is by far the most interesting religious-styled image they show because while the other two images have been shown in the manga, this one is brand new and hasn’t appeared yet in any chapter currently released. The final image that packs a lot of future symbolism is the cracked mural depicting what looks like multiple titans all centered around a female titan that looks similar to the woman emerging from the sea. Whatever their plan is for revealing the information in the end credits, it was an extremely bold decision to hint at what’s to come for the people exclusively watching the Anime.

It has been 3 years 6 months and 9 days since I watched Attack on Titan’s season one finale. During the past three and a half years I have held 4 different jobs, adopted a new cat, and moved 1300 miles. To put it simply, it’s been a fucking long time since I’ve watched a new episode of Attack on Titan. I was afraid that I would either have grown out of the show, or that WIT Studio might’ve lost the spark that made season one a global hit. I am happy to say that the new episode is just as good as the first season and does not miss a beat in reintroducing fans as well as new viewers into the terrifying and intense world inside the confines of Wall Rose.

Overall Rating: 9.75

Review: I Killed Adolf Hitler

Time travel is one of those subjects that has been one of those subjects that normally has an oversaturation. Such as Zombies, when The Walking Dead came out, it pretty much inspired every auteur to come out of the of the woodworks, and for every major studio, to invest into their own properties, reviving properties like Zombieland and propping World War Z, in record time. At the end of the day, AMC and SyFy has two shows each just about zombies, which proves subjects like these are and have and continue to grab the public’s interest. Which brings me back to time travel, and just how certain actions yield certain consequences.

That is what the Butterfly Effect movies, delve into, as they show how dangerous or how prosperous a certain decision can make your life. The other time travel story, that is probably the most ripped off, and actually works on the concept of the “butterfly effect”, is Star Trek: The original Series episode” City on The Edge of Forever” where Kirk and Spock have to time travel to 1930s New York, to set a course of history right. This exact story has been copied numerous times, and nowhere near the mastery that Harlan Ellison wrote it back then. That is until I read I Killed Adolf Hitler, which takes readers on a wild ride and does it in the spirit of Harlan Ellison.

In this story, we, meet a hitman, in a world where being hitman is as common as being an insurance salesman, as our main character deal with office politics, and unsure girlfriends. He meets an older client, who offers him a strange job, one where he gets to time travel and as the title suggest, kill the vilest man of the 20th century. What follows, is Hitler time traveling to the future, where the Hitman must find him. By story’s end, the implications of time travel, much like Ellison’s tale, can merely a matter of inches.

Overall, a funny and perplexing story, that engages the reader, brings the along a very familiar path and then a throws a monkey wrench in the works. The art by Jason, is lively and realistic at some points. The story by Jason, is more than your typical time travel story, as it gives new dimensions to the morality tale. Altogether, a fun ride of a story, that will surprise you at every turn, as it turns what could have been a mundane often told story into a hidden love story.

Story: Jason Art: Jason
Story: 10 Art: 10 Overall: 10 Recommendation: Buy

One More Take on Netflix and Marvel’s Iron Fist Season 1

When Netflix start working in the Marvel Universe, the plan for how they would be attacking certain characters, and it just so happens characters resided in New York. I have never been a fan of Daredevil, in fact, the only run of his, which grabbed by attention is the Matt Fraction run and at certain parts, Kevin Smith’s run as well. I only just knew of Jessica Jones, and how it was pretty much the first comic book series to target adults. Luke Cage and Iron Fist, on the other hand, these guys I grew up on.

I remember picking up Heroes for Hire, and being swept up in their adventures, in fact it was my Dad’s Power Man and Iron Fist #54, that brought me into their world. So, when I found out that they were bringing those guys on in their own shows, I was geeking out. The show, Luke Cage, was more than the typical Marvel show, it elevated itself amongst its predecessors, as it had excellent storytelling and in many ways, not modernized the character for today’s age, but also breathed in fresh life, as it has spawned the new David Walker written series. So, when I found out that they were bringing Iron Fist, to Netflix, I thought like many nerds of color, that they would take this opportunity to re-write the “yellow peril” narrative that has plagued the western world, since World War II.

Marvel Studios had no problem casting Idris Elba as Heimdall and Tessa Thompson as Valkyrie, which are major victories in diversity. Again, I was a fan growing up reading these books, not possessing a full understanding of “cultural appropriation”, and how characters like David Carradine’s Kwai Change Caine were offensive, and which I later found out was Bruce Lee’s original idea. This is what I found wrong with, them keeping in step with the canon. In many ways, and not also as well, it is the same arguments as the Native Americans fight with the use of their likeness on sports mascots, as both have been wrong since their inception. A nice concession, would have been to have more than one Asian superhero (I know there is Colleen Wing in the show, who I will get to in a minute) like they could have included Shang Chi, Master of Kung Fu (who has more than passing resemblance to Bruce Lee) who has been a problematic hero I, but one that would complement Danny Rand.

Then when I read the not so spectacular reviews of the show I could not help but wonder if their apparent neglect of the problems of how the story was borne out of whitewashing in a world where minorities such as myself demanded to be counted as we have been painted invisible for so many years, is the reason for its failure. So, when I sat down to watch it, I was pleasantly surprised to find an entertaining series.

I had my issues with it, but let me talk about first, what I found great about it. Miss Colleen Wing, one half of the Daughters of the Dagon, is introduced as a local owner of a dojo, who teaches street kids how to fight, Jessica Henwick’s portrayal was immense, as she says more with eyes than many actors do, as I have a been a fan of hers since Game of Thrones. Then there is Lewis Tan’s portrayal of Zhou Cheng, which is rich with hate and regret and it just so happens his style of Kung Fu was a nod to Jackie Chan’s masterpiece, Drunken Master. Then there is Sacha Dhawan’s portrayal of Davos which clearly shines through the episodes he is in, as his portrayal of Danny’s best friend/ eventual enemy, is as complex as one would encounter in real life.

Ok now on to the bad, and I will keep the worst for last, the biggest part of Iron Fist’s mythos, is Shou Lou The Undying, which was never alluded to, I was hoping that there would be some interactions like the BBC show, Merlin which had Merlin talking to a dragon.The fight scenes were subpar, considering the two seasons of Daredevil, had fight scenes which deployed many styles of martial arts., and you would figure that they would get better, especially since this centers around a martial arts expert, but there are nods to The Raid and Crouching Tiger, Hidden Dragon which are well intentioned, but are “meh”, in comparison. The next issue is the inclusion of Bride of Nine Spiders, who in the comics is a formidable foe, but in this TV show, she seems a bit neutered. As Jane Kim portrayals

The next issue is the inclusion of Bride of Nine Spiders, who in the comics is a formidable foe, but in this TV show, she seems a bit neutered. As Jane Kim portrayals was more than fine, but the lack of special effects, left much to be desired as one would have love to see a scene like this. The last and probably irredeemable part of the whole show is the casting of Finn jones as Danny Rand, As his portrayal of Danny

The last and probably irredeemable part of the whole show is the casting of Finn Jones as Danny Rand. His portrayal of Danny Rand, many times throughout the show, had me laughing as it comes off in a similar way as Taimak’s portrayal of Bruce Leroy in the Last Dragon.

Hopefully, this show gets tighter and smarter in a second season, as it has promise. But I do agree with most critics amongst the four Netflix Marvel shows, it is the worst. With that being said, it still is an entertaining show, with plenty of stories they can explore, as this character’s canon is wide-ranging, and most of his story centers on the fact he is an outsider, a fact that the showrunners should capitalize on, moving forward.

Review: Riverdale #1

Don’t worry. You’re not seeing things. Riverdale #1 came out over a month ago, and so did the original review, but that was for the one-shot (the prequel to the hit television show). This is the brand new Riverdale comic, with similar writers, only this series will be on-going. It features what happens in between the television series episodes, so the two go hand in hand, feeding into the obsession that is the newly crazed Riverdale frenzy. Archie Comics is smart to capitalize on this opportunity, taking its show’s success and bringing in their viewers back to its roots (the comics).

I was pleasantly pleased with the writing in this issue, that primarily features Archie and Betty’s storylines, and will be disappointed if future issues don’t feature other coveted characters like Kevin and Veronica (whose storylines seem to be lacking in the show). I feel like it’s too soon to say, but there is potential for many ways for this to go wrong, as the show is doing by excluding their diverse cast’s backgrounds and storylines. I’ll have to get back to you on whether or not the Archie Comics team is doing all they can do to maximize their storytelling mediums.

I’m not a big fan of the art, which I always feel bad saying because I know the hard work artists put into comics, but it just isn’t my style. I feel the faces are too vague and lack detail. I wanted more character and liveliness from it, as I felt the original comics have, and even some of the new reboots.

I will keep reading, and even recommend, but only if you’re a fan of the show.  Since the two are a pair, readers will have the maximum Riverdale experience by staying up-to-date with both, and hopefully a lot of the missing storylines will be revealed and questions will be answered in this comic.

Script: Roberto Aguirre-Sacasa, Will Ewing, Michael Grassi
Art: Joe Eisma, Andre Szymanowicz, Janice Chiang, John Workman Cover: Alitha Martinez
Variant Covers: Elliott Fernandez, Francesco Francavilla, Peter Krause, Djibril Morissette-Phan, Ron Salas
Story: 8 Art: Eh Recommend: Buy Only if Watching Television Show

Archie Comics provided Graphic Policy with a FREE copy for review

Mini Reviews For The Week Ending 4/8

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling short reviews from the staff of the comics, or graphic novels, we just didn’t get a chance to write a full review for.

These are Graphic Policy’s Mini Reviews.


Alex

NTW_Cv18_open_order_varBatman #20 (DC) Well I Am Bane is finally over. That’s a good thing. The comic… meh. Overall: 4 Recommendation: Pass

Iron Fist #2 (Marvel) I was not a huge fan of the first issue, but I came back for #2 because I’m enjoying the Netflix show… and I’m kinda glad that I did. Definitely an upward curve from the first issue for me, although the comic is basically one long kung fu fight. Overall: 7 Recommendation: Read

Nightwing #18 (DC) For as much as I hated Batman #20, I loved this issue. From the interplay between Dick and Damian, and the way the comic effortlessly brings back the vibe od their Batman and Robin run… Tim Seeley is writing the best biweekly Bat-book right now. Overall: 9 Recommendation: Buy

X-Men Gold #1 (Marvel) Huh. Well, I’m surprised. This was in every way a throwback to the way I remembered the X-Men being – not that the same characters are in the book, but the themes are the same, and there’s some great down time… this is a helluva promising start. Overall: 8.5 Recommendation: Buy

Logan

Little Archie #1 (Archie Comics) It’s super adorable to see Art Baltazar’s fun crayon art style take on the Archie gang in Little Archie #1. This is definitely a throwback to classic Archie comics with wacky hijinks, Jughead’s crown hat, and Archie’s “R” sweater all Riverdale #1_FernandezVarmaking appearance. Some of the gags are overlong, but Baltazar and Franco throw in some clever references to Afterlife with Archie, and the fact that adults are pretty much useless in Riverdale. This comic is definitely geared to a younger audience, but is worth a read if you’re missing old school Archie. Overall: 7.5 Recommendation: Read

Riverdale #1 (Archie Comics) Joe Eisma’s stylish artwork breathes some life into a couple lightweight stories about “Hell Week” for Riverdale High’s cheerleading and football teams. Writers Roberto Aguirre-Sacasa, Will Ewing, Michael Grassi roll every high school “prank” cliche into one comic book from near death experiences to streaking and of course, stealing an object from the rival school. Archie’s story centers around him helping out Moose, who I don’t think he’s spoken to the whole season while the Betty story is stronger because it focuses on her bond with Veronica. Seriously, Season 1 of Riverdale isn’t over, and they’re already coming up with an Expanded Universe in the comics. There really isn’t much of a sandbox to work with. Overall: 5.5 Recommendation: Pass

Jughead #14 (Archie Comics) Unfortunately, Ryan North’s time writing the coolest of teens is over. But he goes out it the comic book equivalent of the dankest of all memes skewering Internet culture in a joke dense way. And along the way, North and artist Derek Charm (Who is staying on the book) shore up the friendship between Betty and Jughead, roast Archie, and craft the most intimidating Veronica yet. This comic is worth picking up for the double page spread of Jughead becoming various overused Internet memes alone and its quirky self-aware take on the Archie mythos will definitely be missed as a new creative team takes over. (Hopefully, Veronica will still have a “hunk budget”.) Overall: 10 Recommendation: Buy

Ryan C

RockCandyMountain_01-1Batman #20 (DC)**  So that’s “I Am Bane,” huh? A fist-fight that Batman wins with a well-timed head-butt (whoops, spoilers). Issue after issue of buildup for — this? Tom King and David Finch have really bottomed out on this book; time for some new blood. Overall: 1 Recommendation: Pass.

Rock Candy Mountain #1 (Image)**  Kyle Starks is a superb cartoonist whose work has always reminded me more than a bit of the legendary James Sturm, and Sturm himself would, I think, be more than pleased to see his “spiritual successor” turn his keen artistic eye toward early-20th century “hobo culture.” Amazingly well-drawn and written with a real ear for dialogue authenticity, this is indie comics at their best, and I can’t recommend it highly enough. Overall: 9 Recommendation: Buy

Eleanor & The Egret #1 (Aftershock)**  John Layman is a natural to write this off-kilter historical art-heist “caper,” and Sam Kieth’s art is as sumptuous as ever. Top it off with lush colors from Ronda Pattison, and you’ve got a winner that will leave you grinning from ear to ear. My only gripe is that the story is a bit on the slight side, but on the whole this was a joy to both read and look at. Overall: 8.5 Recommendation: Buy

The Flintstones #10 (DC)**  Mark Russell and Steve Pugh can do no wrong with this book in my opinion, and it looks as though we’re going to get the series’ first (and, sadly, only) multi-part story spread over the last few issues here. The Trump comparisons are getting more obvious than ever with Bedrock’s inept, stupid mayor, which is a ton of fun, but there’s some serious heartbreak in these pages too as a beloved member of the cast meets his end. Yes, this comic will make you laugh — it always does — but don’t be too surprised if you shed a tear this time around as well. Overall: 8 Recommendation: Buy

Shean

america2America #2 (Marvel) I will keep this one to a few words:funny, meta and nothing like it in the Marvel Universe. We catch up with America after she punches Hitler. Definitely a different voice at Marvel that not only is entertaining but woke. Overall: 9 Recommendation: Buy

Star Wars: Rogue One Adaptation #1 (Marvel) There’s something truly wondrous about when adaptations get the story right in the minds of its most rabid fans. This is exactly what happened when the minds at Marvel decided to tackle the first spinoff from the Star Wars universe, as this captures all the moments that the were spoken about in online fodder about the missing moments. What makes it even more authentic, is the blessing of the director and the screenwriter. The most pivotal scene to me that they cut out is the crisis of conscience that Gail Erso undergoes and what he entrusts Bodhi with, makes you understand why Bodhi was so committed to meeting Saw Gerrera. Overall: 10 Recommendation: Buy

Spider-Man /Deadpool #16 (Marvel) This book get funnier with every issue. This time we follow this crazy duo to Latvia to battle Shiklah. So they recruit Dracula into the fight but with some ribbing of him and his human slave. By issue’s end, a fight between both forces ensues. Overall: 9 Recommendation: Buy

 

 



Well, there you have it, folks. The reviews we didn’t quite get a chance to write. See you next week!

Please note that with some of the above comics, Graphic Policy was provided FREE copies for review. Where we purchased the comics, you’ll see an asterisk (*). If you don’t see that, you can infer the comic was a review copy. In cases where we were provided a review copy and we also purchased the comic you’ll see two asterisks (**).

Review: (H)Afrocentric Volume 2

In a world where being politically conscious and is the norm, never has social issues been more mainstream. No one can turn on the television, listen to the radio, stream online, without someone discussing the current administration, the long history of misogyny and devaluation of women, and the societal ills which lead to the Black Lives Matter movement.  I remember a time in popular culture when people who brought up these same issues, were constantly being labeled as “conspiracy theorists”, often dismissing their claims, and often in TV shows and movies, being portrayed as some crazy hobo from the Reagan era. I remember growing up, especially when I was in high school, I read books, played bon the school’s basketball team and listened to hip hop, and if I said anything, that sounded “woke”, my classmates used to call me, “Elijah Muhammad”, because it told a truth that only their parents would say and also the movie, Malcolm X was popular at the time.

The closest person I saw at the time that resembled what me and my conscious friends talked about, was Freddie, from a Different World. She was beautiful, smart, had “knowledge of self” and wanted to educate her brothers and sisters. Her evolution on the show mirrored mines and my friends, as we read even more books (i.e. The People’s History of The United States, Behold a Pale Horse), gained an understanding of code-switching and became as most individuals, complex and well-read adults. Since that show, ended not too many forms of entertainment, comes close to showing the realities pf being socially conscious, except for Chappelle Show and Key and Peele.

Then through an article on another website I found about (H)afrocentric, it was described on that website as “a female version of Boondocks”, which after reading this volume, I feel minimized its description, and just how impactful this book was on me. When you meet Naima and her friends, it appears they were just a bunch of friends hanging out, that’s until you starting reading into their dialogue, which is the main attraction of this book, as it delves into the issues affecting them, their neighborhood, and their community. We catch up with our characters as they, begin a movement, creating a website, called mydiaspora.com, where that connects people over the gentrification of their neighborhoods. We end the book, as our “heroes” organizing an event the same day as another event.

This book by far, resonated with me in ways that, satisfied my love of comics and love of seeing positive portrayals of people of color. The story and dialogue by Jewels, is funny, relatable, and conscious. The art by Jewels, is vibrant and I have never seen an artist make the most of every panel, like she does, as in like your favorite movie, the best jokes are hidden in the scene. Overall, an excellent book, for anyone who loves comics like Love and Rockets, television shows like The Boondocks and movies like Get Out.

Story: Jewels Art: Ronald Nelson
Story: 10 Art: 10 Overall:10 Recommendation: Buy

Review: Evil Ernie: Godeater #5

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The Godeater has defeated the Hosts of Heaven, the Armies of Hell, and the warriors of Valhalla. The end of all things is here, unless Ernie can destroy something that can’t be destroyed. It’s the fearsome finale to Justin Jordan’s Chaos Comics epic… and perhaps the most senses-shattering event in Ernest Fairchild’s un-life! Meanwhile, our “Last Ditch Bitch” back-up series comes to its explosive conclusion, as Chastity and Mistress Hel throw down over the fate of singer Liv Halvorsen!

Victory always comes at a price, and Evil Ernie: Godeater #5, the final issue, fulfills that well. The issue forces Ernie to do the unthinkable if they are to survive the Godeater. Even if the plan for victory is a little odd in its nature. The back-up story reaches its own gory end as well.

Like the other issues in this run, the art is stunning and visceral. It layers in a lot of contrast in both the characters and the background. The dual artists also manages to give a clear distinction of stories in the process.

Story: Justin Jordan, Keith Davidsen Art: Colton Worley, Cezar Razek
Story: 9.0 Art: 9.0 Overall: 9.0 Recommendation: Buy

Dynamite Entertainment provided Graphic Policy with a FREE copy for review

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