Category Archives: Reviews

TV Review: The Flash S2E7 Gorilla Warfare

The Flash Season 2Barry races to rescue Caitlyn when Grodd kidnaps her; Cisco plans a date with the new barista at Jitters; Patty thinks Barry is hiding something.

Tonight sees the return of Grodd to The Flash. While you might thing the idea of a talking gorilla seems silly, the show does a great job making it not seem completely ludicrous.

But, the team has some issues to deal with, namely Barry not being able to walk. We learned last season he heals quicker than normal, so it’s obvious that he’ll be fine after some time, but is he mentally there. This episode really sets up the doubt which is a nice twists since Barry has been so full of confidence, generally, about himself and his powers. Seeing doubt hit him adds a bit of depth, and sets up a rematch against Zoom.

It’s a team effort to defeat Grodd and it’s a solid battle and lots of fun to see them do it. There’s also a great reference of what they do with Grodd at the end. Comic fans will really appreciate it all.

The episode is a decent one. Not the best out there, but it sets up a lot including a (predictable) plot of Barry doubting his powers, but also teasing Hawkgirl’s debut.

Through all the action, The Flash continues to be a fun and positive television series that shows you can do a mix of action and brightness as well as weaving one hell of a world.

Overall Rating: 8.1

Review: Hero Hourly #1

Hero Hourly coverI’m willing to bet that you’ve worked a job just for the paycheck, whether it be flipping burgers or asking if you’ve tried turning it on and off again. Sometimes those jobs are taken when we’re young and just starting out in the work force, but sometimes we take them because there is nothing else available; and so we find ourselves fighting through minimum wage and battling stupid corporate policies just to put food on the table. Welcome to Hero Hourly, where you get paid $9.75 an hour to save the world, and your job still sucks.

But while their job may suck just as much as yours, the comic sure doesn’t.

Written by James Patrick (Batman, Green Arrow), Hero Hourly is a unique take on the whole concept of superheroing. Rather than fighting the good fight because it’s the right thing to do, these men and women do it because there’s a paycheck involved at the end of the day (although maybe not a very good one), and there are some fairly decent benefits. That probably sounds familiar to a lot of us, minus the yellow spandex, that is. With Hero Hourly James Patrick has delivered the opening salvo in a three issue mini series that manages to be both relevant to today’s economic problems, and yet timeless in it’s approach to the back drop of the tale; most of us have had jobs where we counted down to the weekend. On top of that, though, indeed even because of it, this is a funny comic. Maybe because the story has struck so closely to periods in my life, but I absolutely love this series.

Issue #1 follows Saul as his life takes a series of turns from a promising career to getting punched in the face in a mask, before experiencing the all too mundane side of the superhero business. Watching him suffer through work place politics, unemployment and misery is fantastic; it’s not exactly a good trait to watch somebody suffer, but when it’s as funny as Hero Hourly #1, how can you not enjoy it? Carlos Trigo (2000AD) does some really great work here that compliments the dialogue between characters like milk does cookies (especially the scenes depicting Saul‘s first day on the job – oh man). Hero Hourly is a breath of fresh air, and as the first offering from 21 Pulp that I’ve read, it really excites me for what else this promising new company has up their sleeve (and Graphic Policy have an interview with James Patrick where he gives a little away about what’s coming down the pipeline).

Hero Hourly #1 is part one of a three part miniseries published by James Patrick‘s new publishing company 21 Pulp, that is absolutely worth your time and money.

Story: James Patrick Art: Carlos Trigo Colours: Alex Sollazzo
Story: 9.5 Art: 9 Overall: 9.5 Recommendation: Buy

21 Pulp provided Graphic Policy with a FREE copy for review

Review: The Paybacks #3

The Paybacks #2 1Indebted superheroes keep turning up dead before the Paybacks can collect. What’s worse, Night Knight suspects there’s a traitor in their midst. In perilous circumstances like these, our heroes do the only sensible thing . . . they split up! Hey, these assets ain’t gonna repossess themselves!

The Paybacks is a superhero story for the generation of people inundated by  debt. And although the size of debt that the heroes facing repossession will make your student debt look like a mole hill next to a mountain. When the men and women that owe such sums are powerful heroes and so the repo team that gets sent to collect means business. This is a fantastic concept that serves as the backdrop to a legitimately funny series.

Last issue proved that the Paybacks is more than just a one hit wonder, and the series still shows no sign of slowing down.

As brilliant as the idea of superhero debt is, if the story that is set against it falls flat then you’re left with a poorly executed great idea. Thankfully the writing team of Donny Cates and Eliot Rahal continue to effortlessly provide a genuinely entertaining and at times darkly funny superhero comic. Make no mistake that The Paybacks aren’t a group brought together to fight for a common good while simultaneously becoming like an extended family, no, instead The Paybacks are a team that have been forced to work together to pay off their debt. Whether they like each other is entirely incidental, and that’s something that  Donny Cates and Eliot Rahal take care to remind us of.

This issue continues the same sense of madhouse fun and chaotic mayhem from the debut issue of The Paybacks, and it is as enjoyable here as it was in the last two issues. The comics’ art work by artist Geoff Shaw and colourist Lauren Affe is yet again, solid. One of the highlights for me this issue was during a flashback sequence the colouring had echoes of the dot-colouring that is so evocative of older comics four colour printing methods. It’s a nice touch, and one that I thought was clever.  The Paybacks #3 continues the precedent set last issue of delivering a well written, extremely enjoyable comic book that is still one of the most effortlessly funny comics on my pull list.

This is a series that you don’t want to miss out on; The Paybacks is a blast of fresh air in a genre that frequently takes itself too seriously. Whether you ask your Local Comic Shop to hold a copy of this comic for you the next time you visit, or add it to your pull list on ComiXology, this is a series that you should be paying attention to.

Story: Donny Cates and Eliot Rahal Art: Geoff Shaw Colours: Lauren Affe 
Story: 9 Art: 9 Overall: 9 Recommendation: Buy

Dark Horse provided Graphic Policy a FREE copy for review.

Review: André The Giant: Closer To Heaven

LionForge-Andre_COVIf you’re of a certain age, or have even a passing familiarity with professional wrestling, then you will probably have heard about André René Roussimoff, known to many as André The GiantMy first introduction to André came, as with many others, through the world of professional wrestling. I remember to this day the first time I saw him throw grown men around the squared circle as if they were children, and it was awesome (note, that I’m not encouraging you to throw children about). André was a larger than life figure, a man known largely because of his size, and this biography takes a deeper look at this legendary man.

Brandon Easton tells the biographical tale of André in a somber voice that genuinely feels as if it is being told by the man himself. Touching and graceful, André The Giant: Closer To Heaven is a fantastic example of using the graphic novel format to tell a biographical story, and with André being a professional wrestler (a business that can often feel like a living comic book), I honestly don’t know whether a full text book would be as impactful as the graphic novel format is. The art from Denis Medri is fantastic here; from the line work, to the muted colouring,  to the very layouts of the panels on the pages, the art is simple yet evocative. The emotions conveyed through Andre’s body language and facial expressions are incredible. The letterer, Adrian Martinez, does something spectacular with the way in which the narrative text is framed within and around the art without using the traditional text boxes for André’s introspective first person narrative. Although it is a purely visual effect, it is just wonderful.

The pages feel organic, and with everything coming together so effortlessly, the graphic novel is a very pleasurable read that I devoured in two sittings.

André The Giant’s story is one that mirrors professional wrestling; as his star rose, so did the profile of the professional wrestling business, but although wrestling was a massive part of André’s life, this is a book that tends to focus more on the man rather than the wrestler. That’s not to say that André The Giant: Closer To Heaven glosses over any of André’s wrestling achievements, indeed with that being such a big part of his life that would lessen the impact of this book, instead the biography allows the reader to get a closer look at a side of the larger than life that few ever saw.

There should be no surprises in how this book ends, but it’s absolutely a journey worth taking. André The Giant: Closer To Heaven was compiled with help from André’s daughter, Robin Christensen-Roussimoff, and there is a touching inclusion from her in the pages of the book.

This is a beautiful story about a man who touched the lives of millions, and gives us a glimpse into the life a great man. As a glimpse into the life behind the legend, you don’t need to be a wrestling fan to appreciate this book. As a graphic novel, this is a superb story that’s heartfelt and touching; as a biography it is a fantastic look at a legendary professional wrestler and a beloved actor. I love absolutely everything about this book, from Denis Medri’s art to the words Brandon Easton uses, and the way in which Adrian Martinez has carefully incorporated the text into the art guiding your eye gently to the next area.

This is just a brilliant book from cover to cover, and if you have even a passing interest in André “The Giant” Roussimoff then you owe it to yourself to buy this book.

Story: Brandon Easton Illustrator: Denis Medri Letterer Adrian Martinez
Story: 10 Art: 9.75 Overall: 10 Recommendation: Buy

Lion Forge provided Graphic Policy with a FREE copy for review.

Review: Star Wars: Vader Down #1

Star_Wars_Vader_Down_1_CoverVader’s TIE Fighter has been shot down. Seeing this as their one, best chance to take him down once and for all, the Rebellion is ready to throw everything they have at him. Alone, outnumbered and outgunned, Darth Vader must now face the entire might of the Rebel Fleet. But the Rebels are about to learn the true unrestrained power of the Dark Side of the Force.

To defeat their greatest enemy, the Rebel Alliance will risk it all. Yet with it all on the line, could this risky gambit cripple their forces in the fight against the Empire?

Marvel‘s relaunch of the Star Wars line of comics has been a solid one with consistently entertaining comics delivered each month (and feels like each week at times). They’ve not only had miniseries focus on individual characters, shedding more light on them, but also three ongoing series that have expanded the Star Wars story. One in particular that has been really fascinating to read is the series focused on Darth Vader who we’ve seen for twelve issues is on a mission of his own, especially when it comes to a certain farmboy who destroyed the Death Star.

That drive to find Luke is what brings us to Star Wars: Vader Down #1, the first issue that kicks off a crossover between Star Wars and Star Wars: Darth Vader. Like the title (and the solicit text above states) this is Vader on his own after being shot down by the Rebellion. The comic is a hell of a kick-off full of action and in a deft way catching up new readers. Pulling off that balance is writer Jason Aaron, who shows off why he’s one of the best comic writers out there right now. Aaron also has no problem piling on the body count, helping to reiterate just how powerful Vader is with some awesome moments that really utilize his abilities.

Mike Deodato brings all of that action to life with scenes that perfectly capture the chaos. Of particular note is the space battle which feels so chaotic due to Deodato’s art and Aaron’s dialogue. You really feel the fear and confusion being felt by the Rebel pilots. His art is just so great for the Star Wars universe and characters.

If you’ve enjoyed Marvel’s Star Wars comics, or want to see what the fuss is about, this is a comic to absolutely check out. It kicks off with tons of entertaining action and shows why Vader is one of the biggest badasses in the galaxy.

Story: Jason Aaron Art: Mike Deodato
Story: 8.5 Art: 8.5 Overall: 8.5 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review

Review: The Mighty Thor #1

The_Mighty_Thor_1_Coipel_VariantWhen Dr. Jane Foster lifts the mystic hammer Mjolnir, she is transformed into the Goddess of Thunder, The Mighty Thor! Her enemies are many, as Asgard descends further into chaos and war threatens to spread throughout the Ten Realms. Yet her greatest battle will be against a far more personal foe: the cancer that is killing her mortal form.

The Mighty Thor #1 does some interesting things as a first issue. Not only does it continue much of what came before Marvel‘s relaunch, but it also is pretty damn new reader friendly.

Writer Jason Aaron creates a first issue that reintroduces us to Jane Foster as Thor and introduces individuals to her situation as far as cancer, treatment, and also continues the plot from his previous volume (and makes it new reader friendly), and gives us Asgard’s status-quo in the new Marvel Universe. And what he sets up is a story on a grand scale.

What’s really impressive to me is Aaron’s focus on Foster the woman, who just so happens to be Thor. He really looks into her as someone dealing with cancer. While I can’t speak to that experience, to me Foster’s struggle with her trying to get treatment and her trying to be a hero. This looks to be a focus on the series, and will make the series really stand out from others out there.

Helping Aaron is Russell Dauterman on art. There’s some small issues that I had at times, but what I really like about Dauterman’s work is not just his balance between awe inspiring views, but his quieter moments and the angles he chooses. Of particular is a scene of Jane getting chemo and another of her walking down a hallway. The choice of angles and framing of those scenes just really caught my mind, and shows why Dauterman’s a solid artist.

This first issue truly has a lot for fans who have been reading Aaron’s previous Thor run, and those checking it out for the first time. This is a comic that mixes both superheroics and human heart.

Story: Jason Aaron Art: Russell Dauterman
Story: 8.25 Art: 8.1 Overall: 8.2 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review

Review: Spider-Woman #1

Spider-Woman #1 CoverBaby on board! Jessica Drew is a private investigator, a super hero and… a mom to be? Since we last saw her, Spider-Woman’s got a whole NEW responsibility — she’s super heroing for two now, after all! Ben Urich and Porcupine are still along for the adventure, too, and aren’t making Jess’ life any easier – half the time they won’t even let her leave the car! How’s a gal supposed to save innocent people and keep herself out of harm’s way? See how in the mother of all Spider-Stories!

The idea of a pregnant Jessica Drew was a new one, and one of the stand-out ideas when All-New, All-Different Marvel was announced. Written by Dennis Hopeless with art by Javier Rodriguez, Spider-Woman #1 is a solid debut that entertains with a nice wink and nod along with a smile.

The comic has Jessica VERY pregnant and dealing with the impending birth as well as not being able to do what she really enjoys, being a hero. I don’t have kids, and haven’t been close to a pregnancy, so I have no idea about some of the statements and jokes made. But, Hopeless does a nice job of acknowledging Jessica’s condition, but also not harping on it over and over. The pregnant jokes are just enough and not overdone.

The one thing that bugs me though is why Jessica cares about training someone to take over? There’s 3 billion heroes, you’d think things wouldn’t collapse with her gone. So, that’s the one thing that sticks out to me.

The art by Rodriguez is solid and fits the tone really well. There’s some great pages and solid spreads like Jessica being checked in and her at a party. The art style really fits the story and I’d imagine new readers who are drawn in due to the plot will like it.

The first issue exceeded my expectations with a solid mixture of action and humor. I went in liking the concept and came out loving the comic. Can’t wait to see where Hopeless and Rodriguez take it from here.

Story: Dennis Hopeless Art: Javier Rodriguez
Story: 8.5 Art: 8 Overall: 8.5 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review

TV Review: Gotham S2E9 A Bitter Pill to Swallow

Gotham Season 2Gordon comes face-to-face with a dangerous hit man while he and Barnes continue to cleanup Gotham; Nygma and Penguin cross paths; and Bruce pressures Galavan to hand over the name of his parents murderer.

Gotham‘s ninth episode gets the show better on track after the first eight episodes which didn’t seem to know what tone they wanted to take.

The episode focuses on two things. Revenge for Gordon sending Galavan to jail, and Nygma who is now caring for Penguin.

The first part of that is the strongest with a great tone by dialing back the scope and instead having most of the episode taking place in an apartment as Gordon and a few others await the assault to happen. The look, tone, and vibe all take a bit from classics like Assault of Precinct 13, and in many ways I wish the episode played this out longer, dropping the rest of the plots just for this. The quieter moments between Gordon and Barnes is particularly touching and done damn near perfectly.

The episode ends with an attack that’s gratuitous and kills off another character of color, which the show lacks. Shorter version, the series decided to kill yet another black woman with more than a few lines. Add on top of that, killing the black dock security guard. Sigh.

I’m still not a fan of Nygma’s plot and him killing folks. His interaction with Penguin is great, but Riddler never came off to me as a character that got his hands covered in blood, he just likes puzzles and traps. So, while the acting is good, the plot is meh.

The episode is mixed because of all of this, but a big improvement from the rest of the season. More of this in general please.

Overall Rating: 7.1

TV Review: Supergirl S1E4 Livewire

Melissa Benoist Supergirl 1Kara’s foster mother visits for Thanksgiving, while an accident transforms a volatile CatCo employee into Livewire.

CBSSupergirl juggled this latest episode in light of the Paris attacks. The episode that was to air had bombings occurring across the city. In its place, we get the debut of Livewire, a classic DC Comics villain and one nice adapted for this live show.

This episode has the character being a shock-jock employee of CatCo who’s transformed due to a freak accident. The episode has pretty decent special fx, and Brit Morgan who plays Livewire is pretty entertaining in the role (though she shares a bit too much of a look with Liv from iZombie.

But the hear of the episode rests in the relationship of daughters and mothers. We learn much more about Cat Grant and why she might be a bit tough on Supergirl, and Kara and her sister tell their mother the truth about things (as if she didn’t know Kara was Supergirl, that’s not the secret).

But, we get some solid family interaction out of it and a very cut and sweet moment between Kara and Winn. Through all of the action, the episode really revolves around the relationships between the characters and dealing with their family.

The episode also takes on its tone directly with lots of talk about discourse and being positive. Some have had issues with the tone of the show, being too nice, where I think the positive attitude is a welcome change. It’s actually talked about in a roundabout way.

The episode bounces back nicely from the previous episode. And awesome secrets revealed!

Overall rating: 7.8

Review: Bloodshot Reborn #8

bloodshot 8 coverThe secrets behind Project Bloodshot are finally revealed!

Festival and Hoyt fall deep down the rabbit hole and discover a much bigger conspiracy than they ever imagined. Meanwhile, Bloodshot must race to stop the nanites from claiming another victim – this time, someone with close, personal ties to Ray Garrison

The penultimate issue of the current story arc The Hunt, is not a great jumping on point because if you haven’t read any of the previous issues, you’ll be a bit lost. That being said, this is a solid entry into the Bloodshot Reborn series.

Jeff Lemire and Butch Guice send this story rocketing to its conclusion with a comic that starts out mirroring the slower pace of issue #7 before taking off. Focusing more on the emotional struggle of Ray Garrison as he’s torn between reabsorbing the nanites that turn him into Bloodshot in order to prevent an insatiable blood lust from claiming innocent lives, while at the same time potentially losing his humanity at the same time; the more nanites that Garrison absorbs, the more he feels his humanity slide, and the closer he is to returning to the killing machine he used to be.

It’s an interesting idea and one that’s explored well in this issue, but there’s certainly still more that could be said on the matter (an I’m sure next issues there will be). That there is going to be an emotional confrontation next issue is quite likely, but until then, Guice and Lemire continue to build a phenomenal story that could easily be adapted into other media.

Bloodshot Reborn #8 is another solid comic book from Valiant that continues the current story arc brilliantly. As it stands, this is a story that’s worth picking up whether in single issues or the inevitable trade, but with the finale yet to come, the final verdict on this arc will have to wait till next month.

Story: Jeff Lemire Art: Butch Guice Colours: David Baron
Story: 8.25 Art: 8 Overall: 8 Recommendation: Read

Valiant provided Graphic Policy a FREE copy for review.

« Older Entries Recent Entries »