Author Archives: pharoahmiles

Review: Do Androids Dream of Electric Sheep? Omnibus TP

DADOES_Omnibus_coverBlade Runner was one of those movies that one has to watch multiple times, to make a proper opinion of it, as everyone I know looks at this work in so many different ways since their first viewing. Just like any movie, you pick up on certain things you never noticed the first time, plus you actually beign to see certain things that other people have pointed out. Personally, I did not like the movie the first time around, I remember being 8 years old, and not getting what the story was about or why Harrison Ford’s character is chasing people around the city. It was not until I was 15 that picked up the source material, Do Androids Dream of Electric Sheep?, which blew my mind.

Philip K Dick’s story was miles away from what the movie was in my memory; I cannot even say it captured the essence of the book, as it pretty much was a departure from what the story was altogether. So when the Director’s Cut of Blade Runner came out a few years ago, I finally understood why they never fully realized the original vision, with all the behind the scenes turmoil and the pressures from the studio. As the Director’s cut, prove more faithful, but not so much that it changed my opinion of the movie, which is why I crave for a better adaptation. BOOM! Studios answered that call, with their adaptation a few years ago.

BOOM! recently released an omnibus version of the series, in all of its glory, and collecting all 24 issues of the original entire run of the comic. Unlike most adaptations, this one has got to be the most faithful to the original book than I would have ever imagined, and from reading all those years ago, it still remains intriguing and cerebral in the right marks, much like the book. This adaptation reminds me exactly why I liked Rick Deckard in the book, because he comes off so much like John Wayne’s character in the Searchers, a well worn warrior, who just has one more mission to go on, while searching for these replicants(androids), he actually searches for himself. By story’s end, the reader finds resolve at the same Deckard does, but not without going through change.

Overall, an excellent adaptation, it captures the book in its best lights, as it soars in faithful adaptation where the Watchmen movie, often suffocated. Philip K Dick’s story still stands strong, many years later from its conception, as from the many recollections about his writing process especially on this book, he wrote like a man possessed. The art by Tony Parker and Blond, is a beautiful mixture of 80s comic book art and new school vision. Altogether, a solid book, at 642 pages, for any fan of Philip K Dick, considering one of his other books which has been adapted, is now streaming on Amazon Prime, he is at his best with this book.

Story: Philip K Dick Art: Tony Parker and Blond
Story: 10 Art: 9 Overall: 10 Recommendation: Buy NOW

BOOM! Studios provided Graphic Policy with a FREE copy for review

Review: Harrow County Vol. 1 Countless Haints

Harrow County #1 coverGrowing up watching movies as a teenager, some of the best that I remember were horror movies. These movies not only pushed the boundaries of imagination but sometimes were the stuff of nightmares. The ones that made your skin crawl and had you checking under your bed and all throughout your closet. As you get older, sometimes those same things don’t scare you as much, because you see them coming.

One of those movies that I remember, and actually makes my skin crawl up to today, as the situation, has some very realistic elements in it, is the movie, Strangeland. For those uninitiated, the movie, is about a former predator, who use to lure teenagers into painful traps, and eventually killing them. The movie follows that he gets caught by the police and then sent to a mental hospital to get reformed. Once released, the townspeople do not believe he is actually reformed, and torture him. This somehow triggers, that side was supposedly rehabilitated, back to crazy side, and he goes about terrorizing the townsfolk, one by one, especially those inflicted harm onto him.

This is exactly what Harrow County, reminded me of when I read the synopses and eventually, read the first issues that comprise the initial story arc, with one twist. In Harrow County, the townsfolk burn a witch, named Hester Beck, who proclaims that she will return , but in this story, she returns in the form of one of its own inhabitants. This is done through fiery images and strange occurrences, all devices of the genre, but done in a masterful way. By story’s end, it seems just like any horror movie, which is neither good or bad, but satisfactory, but I must say, the ending is one I did not expect.

Overall, a good story by one of the masters of the comics medium, even though I have seen him do better, and was hoping he would rise to new heights with this one. The story by Cullen Bunn, as compared to his other works, pedestrian, yet entertaining. The art by Tyler Crook is very much eerie and looks almost like illustrations forma Lovecraft novel. Altogether, an enjoyable ride, just one I wish had more twists and turns, than one hoped from the advertising.

Story: Cullen Bunn Artist: Tyler Crook
Story: 7 Art: 8 Overall: 8 Recommendation: Read

Dark Horse provided Graphic Policy with a FREE copy for review

Review: Teenage Mutant Ninja Turtles: Casey & April TPB

Layout 1As a child of the 80s, I remembered the first time I became aware of who the Teenage Mutant Ninja Turtles were. I can recall, one of my friends at school, was talking how cool they were, and how the show was not only funny but had ninjas and mutants and was set in New York. At this time, the only cartoon that pretty much me , my friends and my cousins could talk about was Ghostbusters and SilverHawks, and could not see any other cartoon taking my attention away from those two. I was never as wrong about anything up to that point, as I immediately got immersed in this cartoon, and became a disciple soon after.

I eventually watched every single episode of the original series and watched all the movies, and yes even the Michael Bay, which left much to be desired. I eventually wanted more than what the TV show gave, and got into the original comics that inspired the TV series in the first place. I found out what most comic book fans find out about their heroes, which their stories are better told in panels. I found Eastman’s and Laird’s stories to not only be engrossing but much funnier, and have much more of an adult sensibility that the cartoons did not have.

The comics’ journey to this point has been an interesting one, as the folks are not only staying faithful to the mythology but are expanding its canon by leaps and bounds. Most of the stories center the fearsome foursome, on their many journeys and battles with Shredder and his Foot Soldiers. I always wondered how the story would play out with any of the supporting characters like Splinter, or Casey or especially April. This miniseries by Mariko Tamaki and Irene Koh, is another entry into the canon, and definitely not a filler story, as this is a story which finds Casey and April go on a journey to find the Pantheon, which is the genesis to how the Turtles and Splinter became who they are but also some of Shredder’s soldiers Like Bebop and Rocksteady. By story’s end, the reader has not only found out more about the TMNT’s mythology but also about Casey and April.

Overall, a solids miniseries, which has definitely renewed my interest in these characters in so many ways, even had me digging for some of my old comics. The story by Tamaki, shows how much of a master storyteller she is, as she definitely proves that she is a fan of the source material. The art by Koh, is suspenseful and beautiful, and shows these characters in lights and shades which has never been shown before. Altogether, a magnificently told and drawn story that should not only make fans of the TMNT and their universe but also of these excellent creators.

Story: Mariko Tamaki Artist: Irene Koh
Story:  9 Art: 9 Overall: 10 Recommendation: Buy

IDW Publishing provided Graphic Policy with a FREE copy for review

Review: Bigfoot: Sword of the Earthman #1

Bigfoot_SOTE_1-1One of the very first books I picked when I was a child was Edgar Rice Burroughs Warlord Of Mars. It captivated my attention, as Burroughs prose swirled in my head with such imagery, that within my mind’s eye I saw Mars as he described it. The book had all the makings of a blockbuster as it took the average man and put him into a world full of beings that looked nothing like him. It was a world; I would visit multiple times throughout his adventures that featured the epic hero, John Carter.

Much like most of Burroughs’ heroes, John Carter, was a complex man, who would have to travel the hero’s journey, before the reader could appreciate all of their complexities. That is why I have mixed feelings of the movie adaptation of the principal book, as I found it entertaining but felt cheated simultaneously. Which is why I am a big fan of Ron Marz’s efforts at Dynamite, as he has bottled the essence of the John Carter I remember in the books? At the same time, I have always wondered if any other character other than Dejah, would go on their own adventure.

An incarnation of this concept is what I found when I read in Bigfoot: Sword of the Earthman #1 from Action Lab Entertainment. Writer Josh S. Henaman has deftly take part John Carter, part Planet Hulk, and bring about a new hero. As they say in the prologue, one who would have not been missed because no one believed he existed in the first place. Within the first few pages, he is found on Mars and taken prisoner, where he makes an ally in a fellow prisoner. Before long a, riot breaks out, and him and his ally, find a way out of the prison. By issue’s end, our hero and his compatriot, fend off alien creatures and fall into the clutches of an alien gang.

Overall, an excellent comic, which shows much promise, as it not only has the flavors of the two above mentioned books, but also tethers a thick string to Turok, the Dinosaur Hunter. The story by Josh Henaman,, is a godsend in many ways, as he has found a way to revive fantasy in a fun way. The art by Andy Taylor and Tamra Bonvillain definitely shows promise, with their excellent character designs. Altogether, an interesting first issue, which will have readers coming back for more.

Story: Josh S. Henaman Art: Andy Taylor and Tamra Bonvillain
Story:  8 Art: 8 Overall: 8 Recommendation: Buy

Action Lab Entertainment provided Graphic Policy with a FREE copy for review

Review: Alabaster: The Good, The Bad and the Bird #1

Alabaster The Good, The Bad, and The Bird #1 1Supernatural stories have flooded the just about every entertainment medium and to some varying effects, especially the whole variation on good versus evil. The one thing that just about all of them have lost or maybe, never had at all is the “scare factor”. What makes them so devoid of this essential element in horror is that they usually travel down the same familiar roads and ultimately utilize the most common genre tropes. There are always the exceptions like The Strangers, Deliver Us from Evil, N0sfer@2and the Purge.

Comics is probably one of the few mediums that actually get horror right, with many interesting entries over the last few years. Cullen Bunn’s Harrow County, definitely has given a new meaning to unsettling, as every character and story from the series will definitely make your skin crawl. Alan Moore’s Providence, has definitely taken some familiar Lovecraft characters, brought them to a new level of craziness and spookiness. Now, Dark Horse, has unleashed Alabaster: The Good, The Bad and The Bird, which continues the adventures of Dancy Flammarion, who just so happens to specializes in hunting down those monsters that lurks in the shadows.

Alabaster: the Good, the Bad and the Bird takes place a few weeks after the events of the Grimmer Tales story arc, which actually claimed Dancy as a casualty. Although she is in the afterworld, that looks awfully like hell, it seems as though those very monsters, she died fighting, might compromise, her new world. Within the first issue, the story jumps back and forth at a rapid pace between Dancy and a deal between some crazy siblings and the bailiff. By issue’s end, Dancy, finds herself to be truly in hell and the crazy siblings, are even more unhinged than one would have guessed.

Overall, an interesting story, as the reader is definitely dropped into the aftermath of Grimmer Tales, which maybe a little raucous for the novice reader, who as not picked up the series until now, but definitely the reader is quickly caught up. The story by Caitlin Kiernan is engrossing and disturbing at the same time, reminding me so much of the Killing Joke. The art by Daniel Warren Johnson is abstract and iridescent, taking full advantage of the broad strokes that separates the twofold narratives that are in play. Altogether, an interesting story that although is spooky, will make the reader yearning to come back to see how this one unfolds.

Story: Caitlin Kiernan Art: Daniel Warren Johnson
Story:  9 Art: 9 Overall: 9 Recommendation: Buy

Dark Horse provided Graphic Policy with a FREE copy for review

Review: Drones TPB

Drones_TPB-cvrGeorge Orwell’s 1984, often warned readers of all-pervading regime surveillance and how the issue of privacy is really an illusion. What many people who have not read the novel do not know, is where we get the often used “Big Brother” reference from, and it is from this epic novel, which refers to the government as such. The novel also talked about the very idea of free speech, how institutions persecute individuality by arresting those who thought outside of the box of “thought crimes”, something which has been seen in V for Vendetta and Minority Report. It is truly terrifying to think that such a novel would not only leave an impression on readers about a dystopian future but in how many ways, most of it became true.

Drones have become part of that government surveillance in so many ways, not only to track individuals, but to also carry out attacks, on multiple targets. Drones have also been used to make movies and even retail giants Like Amazon, are now looking at the possibility of using them for home delivery. The uses of drones have become a source of controversy, as there have been congressional hearings on the use of them and news reports of various accidents. It would not be long before, the use of drones, were for other purposes.

This is what Chris Lewis and Bruno Oliveira’s Drones, seek to question, as the solicitation for the book describes it as :

Join pilots Stinger and Angel Eyes for a wild night in Las Vegas’ finest terrorism-themed hotel…..this book is a satirical look at a world in which terror and entertainment have begun to blur.

Within the first few pages , we are introduced Stinger and Angel Eyes, who come off rather unlikeable, as the players in their individual lives, seem to not care much for either of them, as they go to the world’s first terrorism themed hotel, something which is underscored throughout the book many times. There are many things throughout the book that reminds of Jurassic Park, as the hotel has a theme park fashion to it tall, combined with everything, that Sin City is known for. By book’s end, these characters grow on you; the ones from Kandahar and the ones in Las Vegas, as the comedy styling is what really shines through in this book.

Overall, a funny book, which takes this serious subject matter, and, gives it a proper independent look, free of political loyalties. The story by Chris Lewis, gives the reader a 24 look without all the “save the world” complexities that Jack Bauer would bring to this situation, and more of what Archer would. The art by Bruno Oliveira, is truly magnificent, in every way, as his illustrations remind me of Bill Plympton. Altogether, a funny look into just how much news has become part of our entertainment.

Story: Chris Lewis Art: Bruno Oliveira
Story: 9 Art: 9 Overall: 9 Recommendation: Buy

IDW Publishing provided Graphic Policy with a FREE copy for review

Review: Django/Zorro

DjangoZorroHC-DJAs a child of the 1980s, I was first introduced to Zorro, through his Saturday morning cartoons and through his later live action Disney series. I remembered what made him cool, was what Batman cool, which was that he was a man of mystery. He corrected wrongs where there were ones and fought for justice in black suit and black mask, much like Batman. You add in, the fact, that it was a Western set in , Pre-America Los Angeles, and it gives a reader a peak into just how California was, before it became a part of the union.

Quentin Tarantino’s Django Unchained was one of my favorite westerns of all time, not just because it was a real western, in the traditional sense, but it was the first time, we saw a black Cowboy, since Posse. He was a different character in many respects, than how we have seen former slaves, in movies, one in which, he not only gains his freedom but harbingers revenge on his captors and ultimately is reunited with his wife. The movie, addressed everything from the KKK, to buck fights, to how bounty hunters worked, and most importantly, the true horrors of slavery, some of which have not been seen since Goodbye Uncle Tom. The movie, of course, was a fictional story, with factual elements throughout, as most families were rarely reunited, but definitely one of the best revenge movies I have seen in a long time.

When I heard Quentin Tarantino was making a sequel to Django, in comic form, I was more than intrigued; I heavily anticipated how Mr. Tarantino’s writing would translate to comics. As the official solicitation for Django/Zorro describes the miniseries:

Set several years after the events of Django Unchained, Django again pursues evil men in his role as a bounty hunter. Taking to the roads of the American Southwest, he encounters the aged and sophisticated Diego de la Vega by sheer chance. Django is fascinated by this unusual character, the first wealthy white man he’s met who seems totally unconcerned with the color of his skin… and who can hold his own in a fight. Django hires on as Diego’s bodyguard, and is soon drawn into a fight to free the local indigenous people from brutal servitude. Learning much from the older man (as he did from King Schultz), he discovers that slavery isn’t exclusive to his people, as he even dons the mask of Zorro in their mission of mercy!

The story gives the reader; a chance to catch-up on all of Django’s exploits since the movie, and definitely gives Zorro, new roles as teacher and partner, who are much older, than how he has been portrayed in movies, TV and books. By story’s end, the reader is taken a blood soaked tale of betrayal and revenge, as both men fight for some semblance of peace.

Overall, a solid story, that will have the reader twisting and turning, as much as the story does, and get very familiar with both of these characters, as the older Zorro, very much reminds me of Michael Caine’s character in Harry Brown. The story by Quentin Tarantino and Matt Wagner, hits it out of the park on so many levels, as they not only bring the flavor of Django from the movies to the comics but they also immortalize him in the Western canon. The art by Esteve Polls is downright beautiful as his research sows through the book and the way he draws gunfights is truly a sight to be seen. Altogether, a tightly woven story, with incredible art, which shows why the creative team, are not just great creators but masters at their art.

Story: Quentin Tarantino and Matt Wagner Art: Esteve Polls
Story: 10 Art: 10 Overall: 10 Recommendation: Buy

Dynamite Entertainment provided Graphic Policy with a FREE copy for review

Early Review: Blue Hand Mojo #1

blue hand mojo #1 coverThe thing about legends that makes them endure is the part of the human psyche which does believe without actually seeing any empirical evidence, that which some call, faith. Some of these legends come off as mere “tall tales” or exaggerations of what actually happened. Then there are those which are told so visceral, that the details make them, live long after the storyteller has left the living. One of those legends, that had so much detail and told in such a tangible way, is the tale of the Devil and Robert Johnson.

This particular story has been explored in popular culture through movies like Crossroads starring Ralph Macchio and through shows like Supernatural. In the comics’ realm, you have iconic characters like Ghost Rider, who practically signed a deal with the devil in order to achieve some temporary wish that will take him seemingly forever to pay off. There are also the indirect adaptations like the popular manga and anime, Death Note, which the main character, Light makes a deal with Shinigami, the angel of death,   to be able to kill anyone whom he writes their name in his book but in return not enter heaven or hell. Then there are those adaptations that are truly genre defying, such as John JenningsBlue Hand Mojo.

As their solicitation describes the story as:

1931. Bronzeville. Chicago. The mage, Frank “Half Dead” Johnson, is a marked man. Literally. A drunken decision fueled by tragedy has left him with half a soul, sorcerous powers, and two centuries to work off his debt to Scratch (aka The Devil) himself.

Within the first few pages, you enter one of Frank’s dreams, one very much reminiscent of a scene from Toni Morrison’s Beloved. Frank is truly in one of the best ages in Chicago’s history, one that John Jennings takes full advantage of, by Frank getting involved in a case with Macieli Gotti aka Mac the Shark, a lieutenant in Al Capone’s gang, where it seems as his crew was affected by black magic, which is right up Frank’s alley. By issue’s end, Frank is in one hell of a mess between his due to the devil and the gangster world.

Overall, a good blend of crime noir, history and horror, which not only is an above average addition to each of those genres, but a very innovative interpretation of this well-worn trope. The story by John Jennings, works well within any of the genres it inhabits, and a solid crime noir, which is reminiscent of Mickey Spillane. The art by John Jennings, is a huge difference from many of his pioneers, as his artistic stylings is unique and more of which I would like to see more of. Altogether, a fine mix of genres, that not only entertains but will make fans of John Jennings incredible talents.

Story: John Jennings Art: John Jennings
Story: 10 Art: 9 Overall: 9 Recommendation: Buy

Roasrium Publishing provided Graphic Policy with a FREE copy for review

Review: Doctor Who: The Eighth Doctor #1

Doctor_Who_8D_01_Alien_EntertainmentWhen it comes to the Eighth Doctor in Doctor Who fandom, he often gets overlooked as his tenure was really one appearance which was meant to be a series relaunch but became two , with the mini-episode “Night of the Doctor.” In his brief appearance in the series, he has left an indelible mark on the series, and the fandom worldwide, as his memory has not lived on as a squandered opportunity but what could have been. He ended up living on in individual stories published in novel, novella, short story and audio form. Now he finds his way onto the comics’ medium, with all the carefree charm his character is known for.

I personally loved the TV movie that Paul McGann’s Doctor was in, as he was not only a precursor to David Tennant’s and Matt Smith’s Doctor, but the first Doctor, we had seen, to show him in a lighter side. Up to this point, we had seen just how Doctor can be dark and brooding, as this man was only responsible for the destruction of Gallifrey. He was also a man who was a grizzled veteran of the Time War, which the later Doctors used to show the complexity of the titular character. It was not until the Eighth Doctor, that we see how the Doctor was before any threat of war and exactly the type of man he was before heading off to any of his cannon changing adventures.

Within the first adventure, we catch up with the Doctor, after he had been traversing the universe alone for a long while at this point. He finds a squatter named Josie living in his house, which had been abandoned for a few decades, and soon finds that she is partly responsible for the troubles currently hovering the quaint village the cottage is in. Soon both of them find out that the subjects of her paintings have come alive and are attacking villagers. He ultimately saves the day in true Doctor Who fashion, while gaining a new companion in the process.

Overall, an interesting premise which captures the essence of Paul McGann’s portrayal of the Doctor, but it does come off flat for a debut. The story by George Mann seems hurried, as though he felt a need to capture the quirks of the other Doctors to make him more interesting. The art by Emma Vieceli, seems to be the bright spot on this story, as they bring the 8Th Doctor in a new light. Altogether, I believe this miniseries has promise, none of which reveals itself in the first issue.

Story: George Mann Art: Emma Vieceli
Story: 7 Art: 8 Overall: 7 Recommendation: Read

Titan Comics provided Graphic Policy with a FREE copy for review

Review: Fairy Bitches #1

fairy bitches #1 coverRaising daughters can be a very interesting journey for a man, as you may have sit through TV shows and characters that you could care less to watch. I have seen shows like Bratz and Strawberry Shortcake, with them until they outgrew it. In fact, I was going through their old DVDs to take to Salvation Army, and ran across a ton of these DVDs, and not one of them the girls would watch now. Both of them read comics, but they also read chapter books, and they even have read some classic literature. So in my mind, they are miles away from this time in their lives.

So when the creator of Fairy Bitches, told our staff about this new series, I was intrigued from the beginning. As he described it, “It’s an adult humor comic….About four fairy sisters exiled from Faerie and making their lives anew.” It sounded like a typical children’s fairytale. That is until you start reading it, and you soon realize it is far from a kids comic. These sisters, come off very much like adults.

Within the first few pages, you are introduced to Alex, Babs. Liv and Morgan, who all have pretty accurate descriptions, all exiled to Faerie, a land where magic exists and everyone hates them. Throughout the comic they cause mayhem and more than few times, almost kill each other. By issue’s end, you will be dying laughing at all their hijinks. Ultimately, what grabs you is the deceptive art comingled with the adult jokes that are sprinkled throughout.

Altogether, a funny and irreverent comic that will have you rolling in the aisles. The story by Erik Valdez and Alanis, is as if Gene Simmons wrote Willy Wonka and the Chocolate Factory. The art by Erik Valdez and Alanis would confuse, any parent, but one should be weary, as this is definitely not for kids. Overall, a funny comic, more than worth a look.

Story: Erik Valdez y Alanis Art: Erik Valdez y Alanis
Story: 9 Art: 9 Overall: 9 Recommendation: Buy

Corteza Editorial provided Graphic Policy with a FREE copy for review

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