Author Archives: pharoahmiles

Review: Shaft TP

Shaft-TP-Cover-REVI think everyone has heard of the character of John Shaft, even if you have not of the movies including the John Singleton remake which came off more like a shadow of what the originals were. The character made famous by Richard Roundtree, was probably one of the most unique icons form the 1970s and actually created its own archetype. There have been clones of this character through films that came out after, that, but none were as good as John Shaft. Most people don’t know that they were based on books.

This is a fact that I didn’t know myself until I met the writer of this new comic, David Walker, at New York Comic Con, as he seemed to be very invested in writing the character in the books and not in the movies. Then when they announced Bilquis Evely as the artist, I did not know who she was, but was intrigued after doing a Google search of her work. So when the first issue dropped, I was more than intrigued, I became a believer, as this was not only true to who the character should have been as the title of the first arc, tells the reader, he is a complicated man.The John Shaft in these books, is far more interesting and more intricate than what was portrayed in the movies.

The story starts in 1968, shortly after John gets discharged from the Army, where he begins his civilian life working as boxer. He refuses to throw a fight within the first few pages and soon finds himself looking for work again, where it dawns on him to start a detective agency. He starts his first case, looking for a shoplifter but ends up getting more complicated than that, from gangsters to ending with a search for a missing girl. By story’s end, the reader will find a character, which they actually never knew, but will be more than intrigued to understand.

Altogether, a fine story that challenges any preconceived notions had of this character and his motivations and really of the time. David F Walker shows exactly why Dynamite chose him to write this story and the prose novel, which goes with each issue, as he understands John Shaft enough, to give him the proper interpretation. The art by Bilquis Evely, is a godsend as, she captures the era and the characters in the most interesting hues. Overall, a solid book that although was set in the 60s is very much relevant today.

Story: David F. Walker Art: Bilquis Evely
Story: 10 Art: 9 Overall: 9 Recommendation: Buy

Dynamite provided Graphic Policy with a FREE copy for review

Review: Back to the Future #1

BttF01_cvrBack to the Future was one of those rare movies that not only evoked nostalgia but became a classic all its own. I know for me, growing up, this movie changed my life in so many ways, as it challenged the concept that one should readily accept their station in life and you can actually change your destiny. Me and my cousins not only watched the first movie, but watched the second and third movies as well almost ten years later. The movies to say at the very least, have permeated my family’s lives, as I often find myself using a BTTF reference in my everyday comings and goings.

The trilogy was so imbued with heart, love, family values, nostalgia and great music, that even the harshest movie critic, could fall in love with these movies. It made new fans of Michael J Fox and brought Christopher Lloyd, out of obscurity as a character actor, and into the spotlight, his talent richly deserved. 30 years later from the first movie and 20 years from the second and third movies, the fandom for these films, have endured. As a fan, I often wondered what further adventures Marty and Doc would have went on, if the movies had continued liked the Fast and the Furious franchise, as I believed they would have had even more interesting tales.

So when I heard IDW Publishing was bringing it back in comics form for the 30th anniversary, I was excited to see how they would continue the adventures of these iconic characters. Within the first issue, it serves much like an origin story for all involved, as the first story in this book shows us how Marty McFly met Doc Brown first crossed paths. The second and the one I find more interesting, is about Doc Brown during World War II, working for the man who ended up creating the atomic bomb. By issue’s end, it definitely feels like the creative team aims to answer all unanswered questions left by the filmmakers.

Altogether, this serves as an excellent expansion to the mythology surrounding the movies and definitely serves as closure for diehard fans like myself. Bob Gale, Erik Burnham and John Barber, sidesteps the pitfalls that would mar movie tie-ins and capture the essence of the movies, as it does not hurt that Bob Gale was the original screenwriter for all three movies. The art by Dan Schoening and Brent Schoonover capture this timeless phenomenon in all the perfect colors as they richly capture every detail in the right amount of light. Overall, this a comic full of possibilities, and in reading it, I can hear Doc Brown say “where we are going, we don’t need no roads!!”

Story: Bob Gale, John Barber, Erik Burnham Art: Dan Schoening, Brent Schoonover
Story: 10 Art: 10 Overall: 10 Recommendation: Buy

IDW Publishing provided Graphic Policy with a FREE copy for review

Review: Angel Season 6 Vol. 1

Angel Season 6 CoverI am a long time Buffy the Vampire Slayer fan, as I have watched every season of the show to include the continuation in the comics. In the same vein, I have also watched every season of Angel, but have not read any of the comics, and feel like I almost failed as a fan. The reason why I have this feeling is because I am pretty much in the minority of this opinion, and I actually liked Angel more than I did Buffy. I know these words can be considered blasphemy in the Whedonverse, as there would be no Angel without Buffy.

This is all true, but at the same time, one must consider that writing staff at Angel had gotten their footing as far as them knowing who the characters were and they had the mythology figured out. Either way, these characters have taken on a life of their own in the comics. As Buffy has gone on to star in their versions of continuing seasons. While Angel, has continued on as well but in a series of limited series and joint series, such as Angel & Faith.

Before now, they have been collected in trade paperbacks until someone at Dark Horse realized that they can follow the model set forth by Buffy and here we have Angel Season 6. This collection picks right after where the TV shows ended, exploring the reason why the team split up after season 5. This ultimately answers what happened to Los Angeles after it descended into hell. They even show what effect it had on supporting characters like Spike. By volume’s end, it makes a fan wonder if they could have had a budget which would have supported this massive arc.

Altogether, an excellent arc, that not only continues the story for fans of the original show, but pushes these familiar characters in directions that one might have not see n if the TV show continued. The story by Joss Whedon and John Lynch, prove why they are masters of this genre and continue to be the caretakers of this beloved franchise. The art by Franco Urru and Nick Runge presses the limit of comic book art, in the most powerful way. Overall, an excellent collection, that serves more than an appeasement to the fan base but a tribute to them.

Story: Joss Whedon and John Lynch Art: Franco Urru and Nick Runge
Story: 9 Art: 9 Overall: 9 Recommendation: Buy

IDW Publishing provided Graphic Policy with a FREE copy for review

Early Review: The Shield #1

TheShield#1Reg-WilliamsMuch buzz has been made about the NBC show, Blindspot, as it revolves around a woman, who has lost her memory, and has tattoos all over her body which leads to her uncovering a huger mystery about not only herself but ultimately a great evil. This concept, although interesting, is not wholly original; in fact, it has been replayed in movies and TY many times. As this same concept I heard about at the Archie Comics booth at New York Comic Con last year, when they were talking about The Shield, as this was about a superhero that has no idea who she is or why she is doing what she is doing. I remembered thinking then just how interesting the concept was and how excited I was. So when Archie Comics imprint, Dark Circle, finally announced the release of The Shield, I admittedly had to Google exactly what the plotline was.

Apparently, this character is a reboot, for a golden age comic, which I have not heard, which really is not a big deal, as I had not heard of the Green Turtle, before Gene Luen Yang, revived the character and introduced them to modern comics fans. Kudos to Archie comics, for reviving the character but also rebooting it by making the Shield, a woman. Apparently, the character was originally conceived to be based off of Captain America, but from the first few pages, she seems to a grittier and darker hero.

As the solicitation says:

Since the dawn of the republic, whenever her country faces its blackest days, she returns: a spirit of the revolution sent to fight for what is right. But when she reappears for the first time in a generation with no memories—not even of her own identity—and encounters an evil force expecting her arrival, all the Shield can do is… run!

The comic begins with the Shield on a mission during Revolutionary War, decimating a camp of British soldiers, before finally being defeated, and despite her state, looks at her captors, with defiance to the end and utters the words, “I am nobody, I am nothing, nothing but a soldier, nothing but a shield of the revolution”. Fast Forward to modern day Washington DC and modern version of the Shield is on the run from some government agencies and shadowy individuals while suffering flashbacks of her many incarnations over 200 years. She eventually realize who she is and what her purpose in this world is, which a government agent eventually confirms. By issue’s end, it seems as though she is concerned and defeated, but much like the opening sequence, I have a lingering feeling, that she overcomes.

In conclusion, an excellent story that by far, is a way better concept and story than what the show Blindspot, has shown us so far. The story by Adam Christopher and Chuck Wendig, unfolds a spy thriller, hurling the reader the reader into a world of high stakes politics and secret identities. The art by Drew Johnson is luminescent and drawn with realistic tones, which serves this action packed narrative. Overall, probably the best comic to come out of the Dark Circle imprint and one that is long overdue.

Story: Adam Christopher and Chuck Wendig Art: Drew Johnson
Story: 9 Art: 9 Overall: 9 Recommendation: Buy

Archie Comics provided Graphic Policy with a FREE copy for review

Review: Bitch Planet Vol. 1

Bitch Planet Vol. 1Growing up watching movies with my Dad and uncles, they introduced me, to the movies of their era, which they loved, and back then I did not know, they were considered “grind house”. The only thing I knew is that I was in love with Pam Grier, in just about everything she did back then, from Foxy Brown to Greased Lightning, as she was this screen siren, which I still have an affinity for. The movies I believe most men my Dad’s and Uncle’s ages are the “women in prison “ movies that were a staple of 70s movies. There were so many during that era, and many of them objectified women, with mostly highly unrealistic plotlines in third world countries.

When I heard Kelly Sue DeConnick of Captain Marvel fame, was writing a new series for Image, which revolved around a women’s prison in space, I basically thought about two Pam Grier movies, “Women in Cages” and “ Big Bird Cage”. Although were highly exploitive , were for the most part, entertaining of course, wondered just how she would make this work, as I had never read any of her prior works, but the only thing that I heard was she often had a “ feminist” strand throughout her stories. As a parent of two beautiful girls, I was truly enamored with the possibilities of doing a progressive story in an exploitive setting within the science fiction genre. As this blended what I want and hope for the comics industry to push as far as diversity and inclusion goes as well as the understanding that comics should always be fun.

Within this first story arc, women are sent to a prison, which encapsulates a planet once they have been deemed “Non-Compliant”, where the “crimes” include not following the laws including adultery and the only prisoners are women. Within each issue, especially the first one, you are introduced to a different character, as you learn about each of the prisoner’s personal history but also what each of them have to endure from violence to abuse by the prison guards. As a fan of Orange is the New Black, I wanted to compare this book to the series, but more I read, there were echoes of OINTB, but really it is Wentworth. The most entertaining part of the book is really, the essays, as this has become something that’s sets the Image brand apart from everyone else, as they aim not only to entertain but educate, as the immortal KRS One used to day, ”Edutain”.

Altogether, a tightly wound intense, story arc, that very much pushes the boundaries that comics are one thing, but clear as the day is bright, this comics team shows it can be a excellent medium for every story. The story by DeConnick, proves that she is more than talent to watch, and makes me wonder just how much Marvel held her back. The art by Valentine De Landro, is a mix of old school comics’ art and new school aesthetics. Overall, if you are not reading Bitch Planet, you are ‘Non Compliant.”

Story: Kelly Sue DeConnick Art: Valentine De Landro
Story: 9 Art: 9 Overall: 9 Recommendation: Buy

Image Comics provided Graphic Policy with a FREE copy for review

Review: Jughead #1

Jughead#1RegCvrJughead has long been known to fans of the comics and actually most people who are at least aware of the comic as the prototype for the “slacker”. AS he not just the typical teenager, but the type of kid in high school, that you would not notice unless you were paying attention to his friends. In all reality, he is more identifiable than his fellow residents of Riverdale in infinite ways, which makes him so beloved. Another thing about him is he really one of comics original
“foodies”.

Jughead obsesses over comics much in the same way Garfield obsesses over lasagna, and just like his feline counterpart, cracks jokes not only at his expense but also to those surrounding him. When I heard that Chip Zdarsky and Erica Henderson were the team on Jughead, I must admit I was more excited for this reinterpretation, than I was for the flagship title of Archie comics. This was for a couple of reasons, one of them being that my Dad was a huge fan of Jughead, growing up, so I also gravitated towards the character myself. The second reason is that it was long overdue, that the character was updated.

Within the first issue, the reader is basically reintroduced to Jughead, as one would expect his character to act, as he pays through a videogame for hours, without noticing how much time has flown. The reader is reminded just how much of a “smart alec”, Jughead really is, giving his friend, Archie, some of his classic smarminess, to pissing off Betty, just the same. His sense of humor is all over the place on the first issue, form rejoicing the graduation of a principal, to protesting over cafeteria food to having a Game of Thrones dream. By issue’s end, you are more than reminded just why Jughead is more than the best friend and why he will never be the sidekick.

Overall, an excellent reboot. Zdarsky is in top form here, showing and proving that he is a complete comic creator, as his illustrator skills have been on display on other projects but it is his writing which confirms his super talent status. Henderson’s style serves this comic’s voice spring forward in simultaneously beautiful and funny way. In conclusion, an excellent comic that proves just transcendent this character is, as Jughead will always be a slacker we all can love.

Story: Chip Zdarsky Art: Erica Henderson
Story: 9 Art: 9 Overall: 9 Recommendation: Buy

Archie Comics provided Graphic Policy with a FREE copy for review

Review: Bloodthirsty #1

BloodthirstyThe comics’ medium is an excellent platform for storytelling, as it addresses just as many or more issues than books, movies and magazines. They have had comics like the Pride of Baghdad, which actually shows the 1st Iraq War through the eyes of animals. They have graphic novel collections like March, which give an eyewitness view to Civil Rights Movement. Comics have even gone into biographies, with excellent hardcovers like Andre the Giant.

One of the most recent events in America’s history to not be explored in the comics medium as one would hope is Hurricane Katrina and the destruction it elevated on the South and definitely some of our readers. The movies and TV mediums definitely has explored these events, most notably Treme, being the most inclusive. The comics medium, not so much, as I can only remember the miniseries, Nola, being the only one, and it was used as device of the origin story than catalyst for the main storyline. Other than that, it rarely has been used until I read Bloodthirsty.

Bloodthirsty as Previews explains is about:

Coast Guard veteran, Virgil Lafleur, who struggles daily with the hardships of a post-Katrina New Orleans. But when his younger brother’s murder leads him into a vortex of intrigue, corruption, and violence, Virgil becomes obsessed with bringing the killers to justice and exposing the horrific secret hiding beneath the Mississippi.

Virgil serves as the narrator for the story as it takes you from the day he found his parents dead in their childhood home and fast forwards 10 years later, as he breaks down how the insurance companies have taken advantage of New Orleans natives, and a big company has bought up all the land. Virgil, like many of New Orleans dwellers, have decided to leave the city, which is exactly when he gets the call that his brother has been killed. This sends Virgil on the hunt for who killed his brother and why they did it.

Altogether, this tale already reminds me so much of In the Garden of Good and Evil, but has a flavor all its own. The story by Mark Landry, unfolds at a steady pace but one that I already feel will more than satisfy the reader. The art by Ashley Witter is really the star here, as it feels so visceral and definitely will have me looking for more of her work. Overall, an excellent beginning to a promising story, supported by extraordinary illustrations, makes for a killer debut.

Story: Mark Landry Art: Ashley Witter
Story: 10 Art: 10 Overall: 10 Recommendation: Buy

Titan Comics provided Graphic Policy with a FREE copy for review

Review: Herald: Lovecraft and Tesla Vol. 2 Fingers to the Bone TPB

3ea0ac9f-c637-43ff-a552-2e50352a1ecfI remember the anticipation before watching the League of Extraordinary Gentlemen, as I remember a friend telling me just how good the Alan Moore comic was. So when I did sit down to watch, I suffered a profound disappointment, as what could have been a conceivably good movie, based on concept alone, and turned out to be a dud. The movie, was just another of those movies, in a long line of “comic book based” movies, that perpetuated the belief in the movie industry at the time, that these movies were not. This was of course, before fans of these series started making movies themselves, and the disconnect between filmmaker and source material was apparent.

Stories where well-known characters and/or classic historical figures, are often high concept and often fail in providing the type of story where interesting adventures could evolve to. HP Lovecraft is one of those figures of horror fiction, which has a long strange history due to his personal beliefs. Nikola Tesla, on the other hand, is one of the more celebrated icons of science and is more revered than most of his peers. So when I saw that John Reilly was writing a series which involved the adventures of HP Lovecraft and Nikola Tesla, I was intrigued but felt some trepidation.

Within this world, Amelia Earhart and Nikola Tesla are engaged, and all of Lovecraft’s books are based on true accounts and he knows how to cast spells and possesses supernatural powers, almost like Constantine. So when Earhart goes missing on her infamous flight, Tesla has to work with Lovecraft to find her. Tesla, comes more like Sherlock Holmes than anything, often deducing situations using scientific reasoning. Within this volume, Earhart is lost in another dimension; Tesla and Lovecraft fight a Leviathan made of books at Mark Twain’s party, Houdini conducts séances and travels to alternate dimensions with Aleister Crowley.

Altogether, the best way to describe this series is if you got the best elements of Sleepy Hollow, League of Extraordinary Gentlemen and Penny Dreadful, you will have beautiful series. The story by John Reilly shows and proves that you can create awesome stories involving historical figures. The art by Tom Rogers and Dexter Weeks is solid throughout the book and more than highlights each historical figures eccentricity. Overall, a solid comic book form start to finish and will suffice any history fan and really any fan of great storytelling.

Story: John Reilly Art: Tom Rogers and Dexter Weeks
Story: 9 Art: 9 Overall: 9 Recommendation: BUY

Action Lab Entertainment provided Graphic Policy with a FREE copy for review

Review: Schmuck

SchmuckKickstarter can be hit and miss for lovers of all things comics, and the margin of quality products are even smaller. There have been successes like Mae and Smut Peddlers which have exceeded expectations and have their audiences clamoring for more content. Then there are those, who I rather not mention, whose end products, fails in its execution and can, to the backer, feel like a bad date. As a Kickstarter backer, you are truly a “stakeholder” in the comic, so in a minimal way, you are definitely a publisher, so quality becomes paramount, especially when you believe in the project in the first place.

Then there are those situations, where personal circumstances control the destiny of the project, sometimes before it ends, but mostly from my experience, long after it ends. Some of the Kickstarter creators, tend to just to stop the project altogether, and refund the backers. Some of the creators, become overwhelmed, and stop the projects, after realizing so, and then there are others who become overextended, and never fulfill or return the funds, and this is where the backers feel cheated. Seth Kushner’s Schmuck was a project that could have gone any of the ways mentioned above, as Kusnher passed away earlier this year after a year of battling Leukemia, but to the quality of his character and his family, they posthumously published this seminal work and I can honestly say as a backer, it is worth every penny.

Kushner’s Shmuck is a godsend in many ways and I wish I had found out about the web comic prior to reading the collected graphic novel, as has got to be the best Meta comic I have ever read about living in NYC. His writing paired the twenty two artists involved in this comic, makes for some side-splitting adventures throughout the city. Some of my favorite stories include “A Hairy Situation”, where he takes a date to watch American Splendor, which for those who have read and watched it, will tell you is super meta. My favorite story out of the whole collection is, “The Ex Factor”, where he tells in comical fashion, his running into an ex-girlfriend.

Overall, a solid collection of stories, and for those who don’t know, all of them are autobiographical, and everyone is worth a read. The writing by Seth Kushner, is so strong, one could only wonder, how he would have followed up this book. The art by the different artists is nice compliment to his writing, as they serve as a nice contrast to the different narratives. In conclusion, one could only wish to create an opus this good, in their lifetime.

Story: Seth Kushner Art: Too many to name
Story: 10 Art: 10 Overall: 10 Recommendation: Buy

Hang Dai provided Graphic Policy with a FREE copy for review

Review: Orphan Black Vol. 1

OBTPBV1_cvrBBC America has been known as one of those channels on TV, where you can find some of the BBC’s best kept TV secrets. This is where many Americans were first introduced to Doctor Who and Broadchurch, and even Law and Order UK. The quality of the overall storytelling is what has created Anglophiles all over the world as, as they have used the BBC to learn about Monty Python and the original House of Cards. It was not until Orphan Black, premiered that they created a show for British loving American fans.

I remembered watching the first episode, and that first scene was really through you for a loop, as the main character, Sarah sees a woman who looks exactly like her walk in front of a train, the show instantly grabbed me by the collar right there, right then. For the un-initiated, she soon finds out that she has multiple clones, and not just mere doppelgangers, and they have a shady biotech corporation, who is hunting them down, the same ones who created them in the first place. Throughout the series, she and two of her clones, as well as her friend, Felix, uncover the central conspiracy to their existence, Neolution. There are some heavy themes, which are explored throughout the series; one which I believed was well suited for the comics medium.

Within the comics’ series, you are introduced to the origins of each of the clones, starting with Sarah, as you catch up with her, right before the birth of her daughter, Kira. Then it jumps to Helena, where we discover her origin story in 2002, in Russia, where she was being trained to be a soldier. We then meet Alison, back when she was in college, where she met her husband. The next one we meet Cosima, where she is dealing with complications of one of her relationships.

The last one we meet, of course, is Rachel, as you find out exactly where she discovered her love of science and what lead to her dubious methods. The story by Fawcett, Manson, and Hauser, fills in a lot of holes, and ultimately catches up fans exactly who each of the clones are. The art by Judranski, Quah and Staggs, are diverse enough, to create a clear difference in each character, really as different as each clone. Overall, an exciting series, and an equal to the TV show in every way.

Story: John Fawcett, Graeme Manson, and Jody Hauser
Art: Szymon Kudranski, Alan Quah and Cat Staggs
Story: 9 Art: 9 Overall: 9 Recommendation: Buy

IDW Publishing provided Graphic Policy with a FREE copy for review

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