Review: Trista + Holt #5
Trista & Holt #5 by Andrez Bergen (Iffy Commix) begins with Issy Holt and his right-hand man Brangian leaving for Holt wheel-man Lou Holden‘s funeral. There Issy sees Trista for the first time and can’t get her image out of his mind. The magic generated by their very brief first encounter is seen in points of light surrounding Issy who is instantly captivated by her. Trista and Issy are represented by pictures of handsome and lovely individuals with movie-star looks a la Paul Newman, Faye Dunaway, et al. Again there’s the mood of a fateful star-crossed future for these two in this intoxicatingly stylish 1970’s noir universe.
In the last issue Trista set out to perform her first hit on the bad-ass Holt family enforcer, Moore. She was ordered to do it by the slightly unbalanced (or is slightly an understatement?) matriarch of the Cornwall family, Marcella “Queenie” Cornwall. The ever-loyal Trista carries out the hit, but Moore’s head is so hard she doesn’t know if her small pistol actually finished the job because he crashed through a window before she could find out. What she does know all too well is that she’s been stabbed—it’s bad– and what happens next is anyone’s guess.
My guess is that Issy will find her at the bar where the hit took place, or else follow a trail of blood to the beautiful woman he met briefly at the funeral and now can’t get out of his mind. Will this jar Issy out of his world-weary ennui? Something tells me yes, but what that means remains to be seen. Will he switch sides in this war between the city’s crime families or will he and Trista try to run away together, leaving their dangerous, eccentric relatives behind?
Things will very likely be more complicated than either of those scenarios. This is noir, after all, in the truest sense of the word, so likely no happy endings here—just an ending. In the meantime, like royalty, these lead characters carry out their responsibilities with sober resolve. Speaking of royalty, this issue features a picture of Queen Elizabeth II representing Issy’s powerful mother, Alaina, and none other than Prince Phillip in tow as Issy’s father, Isidore “Anguish” Holt.
The images Bergen uses to weave this narrative are striking, witty and seductive and the writing mirrors the visual. It’s serious noir that doesn’t take itself too seriously just like the best scenarios and dialogue one might find in the office of Sam Spade late at night or riding out to Greystone Mansion with Philip Marlowe: danger laced with humor; death and deception might be around every corner, but in the meantime, hey—ya gotta live.
In any other 1970’s world Trista and Issy would be living the high life, gracing discos with their glittering presence and speeding from parking lots of stylish establishments in the finest of ‘70’s automobiles. In this world Trista dresses up to carry out a hit on a nasty brute and Issy escapes reality by watching CHiP’s on television. Trista’s latest misadventure will likely force him to face facts, to get outside his fabulous mid-century modern apartment and deal with the consequences of being who he is. In the meantime, Trista’s reality is a fight for survival, surrounded by cigarette ashes and shattered glass.
If you’re already a fan of noir, you’ll be swept away by this series and recognize the savvy neo-noir and pop-culture gems to be discovered in the imagery and narrative, and if you’re new to the genre/mood of noir but curious about its proud tradition in literature (up from its pulp-fiction roots) and film, check this out and you’ll learn something—like why guns don’t always beat knives, and ‘70’s muscle cars still rule.
Story: Andrez Bergen Art: Andrez Bergen
Art: 10 Story: 10 Overall: 10 Recommendation: Buy
The artist/creator provided Graphic Policy with a FREE cop for review.