Movie Review: Interstellar
After seeing the first few trailers, I was psyched to finally see director Christopher Nolan‘s new movie Interstellar. Written by Nolan and Jonathan Nolan, the movie is a mess of a film that attempts to do too much, and does none of it well.
The world is dying, and a team must head through a mysterious wormhole to explore worlds that might hold the key the mankind’s salvation. Headed by Matthew McConaughey‘s Cooper, the team includes Amelia played by Anne Hathaway, Doyle played by Wes Bentley, and Romilly played by David Gyasi. The cast also includes Jessica Chastain, Matt Damon, Michael Caine, Casey Affleck, Topher Grace, John Lithgow, and more. That star power, that directorial and writing pedigree, and the subject, we should have an instant classic. Instead the film is my biggest disappointment so far of 2014.
Where to begin with the issues…. the film can’t decide what it wants to be. Is it an homage to Stanley Kubrick’s brilliant 2001? Is it a visual follow up to Alfonso Cuarón’s Gravity? It attempts to be both, and throw in Contact and a little bit of Nolan’s breakout Momento too.
If the film instead focused on one or two items, it could have been brilliant, but instead it’s a muddy mess. At times we see flashes of the horror in space that was 2001. At other times we see what could have been a movng story about family and loss. But, with a twist ending that makes Contact look like a solid payoff, and visuals that fall flat compared to the directorial amazement that was Gravity, and you can see where I’m going with this.
Nolan at times is visually amazing. Nolan often times puts out a fantastic concept, or concepts, that don’t quite pan out in the actual story. As a director and writer Nolan to me is more hype than delivery. The film felt like an art film student given a big budget. He’s a hi-brow Zack Snyder, who also delivers fantastic visuals and stories and characters an inch deep. Nolan is Snyder for the artistic set, who enjoy debating philosophical concepts through movie visuals, and in it all miss the mark and come off as too good for a popcorn blockbuster. Think the counter jockeys of High Fidelity debating interstellar travel and the bending of time and relativity.
Interstellar will be a movie that polarizes folks. They’ll either love it, or they’ll hate it. I’m clearly in the latter.
Direction: 6 Acting: 7 Plot: 5 Overall: 6