Tag Archives: andres mossa

Review: Solo: A Star Wars Story Adaptation

Did you miss Solo: A Star Wars Story in the theater? Judging by the box office, a lot of you did. You can now read the collection of Marvel’s adaptation! It’s actually a good film and comic.

Solo: A Star Wars Story Adaptation collects issues #1-7.

Story: Robbie Thompson
Art: Will Sliney
Color: Federico Blee, Andres Mossa, Stefani Renee
Letterer: Joe Caramagna, Clayton Cowles

Get your copy in comic shops now and in book stores on June 18! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon
Kindle/comiXology
TFAW

Marvel provided Graphic Policy with a FREE copy for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Messages from Midgard #9 – Mimosas with Loki

This was a really enjoyable week in “War of the Realms” country with all kinds of heroic happenings going on from Spider-Man choosing to negotiate with and not fight both the Angels of Heven and the Nigerian army in League of the Realms #2 to Cul Borson finding redemption in Thor #13. This week also marks the return of anthology War Scrolls, which features one of Marvel’s best stories of 2019, namely, Wiccan going to drag brunch with Loki. Speaking of drag brunch, “War of the Realms” also got a head start on Pride Month by featuring LGBTQ characters in both League of the Realms #2 and War Scrolls even though the first one is a little more tragic as the angel Fernade mourns over her lost love, Anemone.

War of the Realms: War Scrolls #2

War Scrolls is really one of the “War of the Realms” tie-ins that I wish got more than three issues, especially when we’re blessed with a trio of stories that like we got in issue two. First up is the part two of Jason Aaron, Andrea Sorrentino, and Matthew Wilson’s Daredevil, God of Fear serial, which cosmic sizes a classic battle between Daredevil and the Kingpin. But, before things go from Netflix to Man of Steel, Aaron and Sorrentino do some chilling characterization in a Ben-Day dot flashback where Daredevil prays that he won’t beat a mass murderer to death. Wilson’ color palette switch from flat and old school to majestic fantasy mode helps the story keep its momentum, and although he’s a bad guy, it’s fun to see Wilson Fisk get one up on Malekith and the Dark Elves.

The second serial is a Doctor Strange one from Devin Grayson (Nice to see her getting work again), Paul Davidson, and Andres Mossa. It show the effect of teleporting all the civilians and heroes in New York to the North Pole on Strange and is also cute and charming along the way. The main plot involves Dr. Strange preventing Nightmare from attacking this plane of existence, and Davidson and Mossa channel their inner Ditko with psychedelic art that wouldn’t be out of place in a head shop circa 1968. Grayson writes Dr. Strange as a heroic figure a la the Doctor or even Morpheus from Sandman, who admits his mistake of teleporting the superheroes out of New York and shows Nightmare that fear can be fought and resisted to. And he does this all while taking a nap. (A cute kid even tucks him in and gives him a stuffed animal.)

War Scrolls definitely saved the best for last, and that is a drag brunch story by Anthony Oliveira, Nick Robles, and Cris Peter featuring Hulking, Wiccan, and Loki in a mini-Young Avengers reunion. It’s funny, sad, and Kid Loki turns Thor into a bear on the first page. Oliveira and Robles spin the tale of Loki’s relationship with Wiccan and the Young Avengers, and how even though he may have manipulated them and even cast his lot with Malekith the Accursed that they still care about and support him. The story is in direct conversation with Kieron Gillen’s Loki arc in both Journey into Mystery and Young Avengers and clears up loose ends while providing the reason for why Loki wears a horned helmets. Plus Jean Grey and Emma Frost drag queens get into a fight, and Oliveira, Robles, and Peter create a vision of the Marvel universe that is beautifully queer. This story alone (The Daredevil and Dr. Strange ones were great too.) earns War Scrolls #2 an Overall Verdict of Buy.

War of the Realms: Spider-Man & the League of Realms #2

In Spider-Man & the League of Realms #2, Sean Ryan, Nico Leon, and Carlos Lopez basically have Spider-Man herding cats, er, trying to get people like Screwbeard and Ud the Troll, who are hardwired to fight, to avoid unnecessary bloodshed. However, they start with a tragic love story, and Lopez uses beautiful whites and reds to show the story of the Angels Fernande and Anemone, who was killed by Malekith because he just wanted to know what killing an angel felt like. Fernande was the enemy in the previous issue, but now she’s a staunch ally of Spider-Man and decides to help the resistance against the Angels of Heven in Nigeria.

But this issue isn’t all triumphant, and Leon gets the opportunity to show Screwbeard, Ud, and Ivory Honeyshot, whose realm was the first one conquered by Malekith, shooting and fighting their way through Rome. The measured conversation and protective spells of the first half of the issue are replaced with catchphrases, explosions, and a foe that might be beyond any of them. The blows that Malekith’s main lackey Kurse land are powerful reminders of the pointlessness of unceasing violence, and Spider-Man’s probably going to have clean up the mess in the next issue. Because of its mix of fine and cartoon-y art, still quirky ensemble cast, and story that shows the results of both war and diplomacy, League of Realms #2 earns an Overall Verdict of Buy.

Thor #13

In the Thor tie-in issues of “War of the Realms”, Jason Aaron and artist Mike Del Mundo have been doing a fantastic job of fleshing out the supporting Asgardian characters that have popped up throughout Aaron’s run. Cul Borson, the God of Fear and on a secret suicide mission from Odin, gets the treatment in Thor #13. Beginning in the present day with Cul surrounded by crying Dark Elf children, the comic is structured like a biography of the god with childhood flashbacks of him bullying Odin and eventually being banished to Midgard as the “Serpent”. As he fights through the mushroom mines of Svartalfheim, Cul is in conflict between wanting to be feared and loving and between caring for his little brother and wanting to usurp his throne.

Although the flashbacks include Cul overhearing arguments between Odin and Thor that made him wish he had a son and dark temptations from Malekith, Thor #13 is an action-oriented issue tempered by soul searching narration from Aaron. Del Mundo’s Cul cuts a dark figure in the sickly green of the swamps of Svartalfheim where Dark Elf children, who have been called unworthy, help build Malekith’s empire. He wants to leave them to die, but in a moment of supreme character development hacks off their chains. This leads to a resistance movement even if Cul never sees the fruits of his actions. He was a never a “good guy”, but in a tough moment, he did one heroic thing and can die without wasting his life. Cul’s last stand against the Dark Elves is pretty damn noble as Del Mundo fills his panels with bodies, and combined with Aaron’s insightful writing earns Thor #13 an Overall Verdict of Buy.

Giant-Man #2

“War of the Realms”‘ most random tie-in continues in Giant-Man #2 where Leah Williams fits Scott Lang, Raz Malhotra, Atlas, and Tom Foster into a fantasy quest narrative, and Marco Castiello’s art is still so shadowy and less than detailed that it is still difficult at times to immediately know who’s talking. (Tom’s shirtlessness, Atlas’ septum ring, Scott’s Ant-Man helmet, and Raz’s Skyrim do help.) In Hero’s Journey and college movie tradition, they end up facing a threshold guardian, who needs them to pay a toll and drink way too much at a party.

Williams’ gift for humor shines through in Giant-Man #2 with Tom’s knack for karaoke coming in handy when faced by Frost Giant locals, and it’s nice to know that there are some Dolly Parton fans in Jotunheim. Castiello also turns the nine panel grid into a grid of debauchery as Atlas keeps downing pints while tired dad Scott Lang passes out early. Also, the drinking songs are cleverly weaved into the plot of the miniseries as the team literally learns how Frost Giants are made and end the penultimate issue with a shot of their final obstacle and a side of how utterly expendable they are. By leaning into fantasy genre trappings and its characters’ dysfunctional personalities, Leah Williams and Marco Castiello create a fun event tie-in that earns an Overall Verdict of Read.

Fantastic Four #10

One thing that I loved about Fantastic Four #10 is that write Dan Slott and artists Paco Medina and Kevin Libanda start out by telling the story of the Fantastic Four moving to Yancy Street and Franklin and Valeria Richards trying to fit in with “regular” kids after working with the Future Foundation out in the multiverse and don’t force a tie-in. Franklin is struggling with the dwindling nature of his powers and going through an emo phase, and there’s a block party. Then, Slott introduces all the baddies from “War of the Realms” and connect it to the strength and resolve of the people of Yancy Street as Franklin realizes that growing up in this neighborhood and learning to never give up made Ben Grimm a hero long before the Thing.

I love how Slott writes Franklin and Valeria as ungrateful adolescents and not just cute kids with big brains and godlike powers. Franklin’s almost limitless superpowers have gone to his head, and it’s nice to see some of the kids in the neighborhood cut him down to size when he brags about his abilities instead of helping with art classes at the Grimm Community Center. However, this story nails the awkwardness of moving to a new area when you’re a kid, getting used to new people, and ways of doing things. It also shows that New York didn’t roll over when Malekith invaded, and best of all, introduces a friendship/rivalry between Moon Girl and Valeria that I hope gets fleshed out in future issues. Most of “War of the Realms” has involved street level heroes fighting cosmic threats, but Slott, Medina, and Libanda turn the tables and have the Fantastic Four protecting their neighborhood. This earns Fantastic Four #10 an Overall Verdict of Buy.


Although Marco Castiello’s giant blue Paul Rudd will haunt my dreams, this was probably one of the best weeks for “War of the Realms” with issues that focused on character and story and not making the millionth Dungeons and Dragons/Lord of the Rings reference. Even if Jason Aaron’s War of the Realms mini ends up being a bust, it won’t tarnish his classic Thor run, which has done a great job showing the journey of side characters during this event. Also, Anthony Oliveira needs to write a Young Avengers run ASAP, and Nick Robles has definitely entered the pantheon of sexy Loki artists after his work on War Scrolls #2 and even made the horned helmet cute.


Panel of the Week

If this panel doesn’t make you miss Gillen, McKelvie, and Wilson’s Young Avengers, you have soul. (War of the Realms: War Scrolls #2, Art by Nick Robles and Cris Peter)

Review: Venom Vol. 2 The Abyss

Venom has battled a god but where does he go from there? How about dealing with his past? Eddie Brock and Venom head to his childhood home and faces his family.

Story: Donny Cates
Art: Iban Coello, Ryan Stegman, Joshua Cassara
Ink: Iban Coello, JP Mayer, Joshua Cassara
Color: Andres Mossa, Frank Martin
Letterer: Clayton Cowles

Get your copy in comic shops and book stores now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon
TFAW

Marvel provided Graphic Policy with FREE copies for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Review: Web of Venom: Cult of Carnage #1

Web of Venom: Cult of Carnage #1

A new terror has risen on the fringes of the Marvel Universe, stirring in the depths of space. But evil is also rising on Earth, claiming one victim at a time in the name of the killer called CARNAGE!

I’ve never been much of a fan of Carnage. When he was introduced, I wasn’t reading Spider-Man and he seemed like that extreme derivative character that was a popular concept at the time. I’ve read some stories since then featuring him and generally have enjoyed them, though can’t say I’ve been blown away. Web of Venom: Cult of Carnage #1 is the type of comic I’d normally skip over but it’s clear that something is brewing in the Marvel Universe when it comes to Venom and the new concepts introduced around that character. Carnage will obviously be a player in what’s coming due to his history.

The comic, is actually pretty solid whether you’re interested in the meta or not.

Written by Frank Tieri, the issue focuses on Misty Knight who’s on a case trying to find her partner, John Jameson, who has gone missing. The issue weaves through some Carnage history (and ironically one of the few Carnage stories I’ve read) as she, and eventually her partner, discuss what happened.

What Tieri does well is build the suspense as things progress and we get to the end which is somewhat predictable. The comic isn’t original and there’s a lot there that’s easy to guess, but it’s done in a way that builds on what has come before and ups the terror. It’s a smart bridge to what has come before and what will be and intelligently uses a past story to build a greater story when there really wasn’t an obvious one.

The art by Danilo S. Beyruth, with color by Andres Mossa and lettering by Clayton Cowles, is good. It doesn’t quite fit the horror genre but something about it works as it first plays off the humor present in the story but eventually gets to the creepy horror part of it all.

The issue is a good one and actually has me wanting to go back and read about the return of Carnage and of course what comes next. It also has me excited to see what is coming when it comes to Venom as this miniseries builds off the new concepts introduced there. This is one that may fly under the radar but it’s one that may wind up being an important piece of the bigger puzzle.

Story: Frank Tieri Art: Danilo S. Beyruth
Color: Andres Mossa Letterer: Clayton Cowles
Story: 8.0 Art: 7.5 Overall: 7.85 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review

Review: Uncanny X-Men by Kieron Gillen The Complete Collection Vol. 1

Kieron Gillen steers the X-Men through Fear Itself, Schism, and Regenesis! Plus, Beast and Abigail Brand must save S.W.O.R.D. when Peter Gyrich stages a coup!

Collecting S.W.O.R.D. #1-5, UNCANNY X-MEN (1981) #534.1 and #535-544, X-MEN: REGENESIS and UNCANNY X-MEN (2011) #1-3.

Story: Kieron Gillen
Art: Steve Sanders, Billy Tan, Carlos Pacheco, Terry Dodson, Jorge Molina, Rodney Buchemi, Ibraim Roverson, Paco Diaz, Greg Land, Jamie McKelvie
Ink: Craig Yeung, Cam Smith, Dan Green, Nathan Lee, Rachel Dodson, Roger Bonet, Walden Wong, Jorge Molina, Paco Diaz, Jay Leisten
Color: Matthew Wilson, Andres Mossa, Frank D’Armata, Justin Ponsor, Rachelle Rosenberg, Jim Charalampidis, Jorge Molina, Dommo, Rex Lokus
Letterer: Dave Lanphear, Rob Steen, Joe Caramagna

Get your copy in comic shops today and book stores on March 5! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon
TFAW

Marvel provided Graphic Policy with FREE copies for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Review: Marvel Tales Featuring: Black Widow

Marvel continues to celebrate 80 years with the latest Marvel Tales, this one featuring Black Widow!

Marvel Tales Featuring Black Widow features Mystic Comics #4, Tales of Suspense #52, Amazing Spider-Man #86, Amazing Adventures #1, Marvel Fanfare #10, and Red Widow: First Strike by George Kapitan, Harry Sahle, Stan Lee, Don Rico, Don Heck, Sam Rosen, John Romita, Jim Mooney, Gary Friedrich, John Buscema, John Verpoorten, Art Simek, Ralph Macchio, George Perez, Brett Breeding, Petra Scotese, Tom Orzechowski, Margaret Stohl, Nico Leon, Andres Mossa, and Travis Lanham.

Get your copy in comic shops today! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

TFAW

Marvel provided Graphic Policy with FREE copies for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Review: Old Man Quill #1

We’ve seen Old Man Logan and Old Man Hawkeye and now… Old Man Quill! What’s Star-Lord up to in this future timeline? Find Out!

Old Man Quill #1 is by Ethan Sacks, Robert Gill, Andres Mossa, and Joe Caramagna.

Get your copy in comic shops February 6! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon/comiXology/Kindle
TFAW

Marvel provided Graphic Policy with FREE copies for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Review: War is Hell #1

War is Hell #1

In honor of Marvel’s 80th Anniversary and history with War Comics comes a brand new edition of War is Hell with two fascinating and soul-crushing tales of War. “In the Mood” by Howard Chaykin takes you to the skies as the Luftwaffe and RAF battle over the English Channel for a battle tale of bitter irony and “War Glammer” by Phillip Kennedy Johnson brings you back to Earth in modern day Afghanistan with a story that will chill you to the bone.

War Is Hell #1 is a comic of two stories – quite literally. Paying homage to the publisher’s roots, we get two separate and distinct stories decry the horrors of war. The second is far more brutal than the first, and is set up as a narration over imagery as a group of US soldier embark on a raid in Afghanistan. The story, War Glammer is written by Phillip Kennedy Johnson and features art by Alberto Alburquerque with colours by Andres Mossa. It’s easily the darker of the two in terms of subject matter and the visuals used – which are really quite solid – and doesn’t try to gloss over the soldier’s experience.

Look, I need to be utterly clear here: I am not, nor have I ever been, a member of the armed forces. I genuinely don’t know what war is like beyond news reports and stories online, so while this story fills my impression of war, my impression could be very, very wrong.

That said, War Glammer is a good story, fully contained with a powerful impact on the reader (especially upon the second read through).

Howard Chaykin’s story, In The Mood takes place over several years in the Second World War and follows a German fighter pilot who disagrees with the Nazi philosophy, but takes pride in serving his country (“Germany, not Nazi-Germany”) well. This short story feels very much like the older stories that this book is paying homage too, both in setting and the content of the story. In The Mood is much lighter than the follow up, again both visually and in subject matter, but leaves no less an impact upon the reader as the story reminds us that our actions have consequences.

War Is Hell #1 is a really interesting comic, and the dual story nature of it forces both writers to trim the chaff – neither is forced to extend their stories to fill the space within, and the comic is stronger for it. If you’re interested in a couple of really good short stories, then this is worth picking up; I was going to recommend this when I assumed it was $6, but after a quick fact check, it’s only $4.

Story: Howard Chaykin and Phillip Kennedy Johnson
Artist: Howard Chaykin and Alberto Alburquerque
Colourist: Edgar Delgardo and Andres Mossa Letterer: Ken Bruzenak Story: 7.9 Art: 8.3 Overall: 8.0 Recommendation: Read.

Marvel provided Graphic Policy with a FREE copy for review.

Review: Edge of Spider-Geddon

Spider-Geddon is coming but before that event get to know Spider-people from around the multiverse in this trade paperback collecting the four issue series and Superior Octopus #1.

Edge of Spider-Geddon is by Jed McKay, Lonnie Nadler, Zac Thompson, Gerard Way, Jason Latour, Aaron Kuder, Christos Gage, Gerardo Sandoval, Alberto Alburquerque, Tonci Zonjic, Will Robson, Mike Hawthorne, Mark Bagley, Brahm Revel, Craig Yeung, Wade Von Grawbadger, Brian Reber, Triona Farrell, Ian Herring, Andres Mossa, Jordie Bellaire, and Dono Sanchez-Almara.

Get your copy in comic shops now and in book stores January 15th! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon/comiXology/Kindle
TFAW

Marvel provided Graphic Policy with FREE copies for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

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