Tag Archives: robbi rodriguez

Review: Goddess Mode #2

Goddess Mode #2

Dragged violently into a secret world of monsters, magic, and metadata, Cassandra is asked to join the group of superpowered girls who saved her in their fight against the mysterious Daemons. But Cassandra has so many questions of her own to answer first-Why was she attacked? What is the omnipotent Hermeticorp up to? And most importantly, who are these girls anyway?

Goddess Mode #2 keeps up the action in an issue that explains a bit more of what’s going on and not enough at the same time. Writer Zoë Quinn delivers an issue that adds intriguing layers to this world but in the end comes off as a high-tech magical girl story. That’s not a bad thing but this feels like a series we’ve seen before but fantasy is replaced by technology.

Who were the girls Cassandra met and what’s going on? Quinn explains that, sort of, leaving open a lot of questions and also throwing in some things I hate considered, like is it all a hallucination? The concepts thrown out there are interesting, ghosts in the machine being daemons but there’s something about the series so far that feels all too familiar. Again, it’s not bad at all, just not as original as it may have first appeared.

The craziness that Quinn delivers succeeds due to the art of Robbi Rodriguez with color by Rico Renzi and lettering by Simon Bowland. The combination of art and color deliver a look and matches the frenetic and kinetic nature of Quinn’s storytelling. It’s a style that says cyberpunk but not at the same time. There’s a bit of Tron thrown in on top of things as well as popular designs from manga. It all comes together for a series that visually stands out.

Two issues in and Goddess Mode feels more like a mish-mash of a lot of different things from fantasy, cyberpunk, Tron, manga, magical girl trope, and more. It’s not necessarily unique but it delivers a blender full of concepts into something that’s a fun read and gets you to want to see what’s next.

Story: Zoë Quinn Art: Robbi Rodriguez
Color: Rico Renzi Letterer: Simon Bowland
Story: 7.0 Art: 8.5 Overall: 7.25 Recommendation: Read

DC Comics provided Graphic Policy with a FREE copy for review

Review: Goddess Mode #1

Technology is good. It’s at times magic. Magic is power. Goddess Mode explores the technology in our lives in what is and what might be with a bit of a fantasy twist.

Goddess Mode #1 is written by Zoë Quinn with art by Robbi Rodriguez, color by Rico Renzi, and lettering by Simon Bowland.

Get your copy in comic shops now! To find a comic shop near you, visit www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon/comiXology/Kindle
TFAW

DC Comics provided Graphic Policy with FREE copies for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Review: All We Ever Wanted

When it comes to how the future will look, most creators these days only show us how worse the world can get. This direction may be attributed to the decline of the environment and the primal predilection of man. Things don’t exactly look all that great for us. The stories usually involves zombies like The Walking Dead or the widening of the gap between the poor and rich like The Hunger Games. Rarely do they involve utopias as dystopias create the more interesting conflicts that drives our entertainment.

The thing is there was a time and place where we looked to the stars and though of the possibilities. This is why Back to The Future II was one of the most indelible movies of 1980s and probably most talked about out of that franchise. It gave us hope of what the world could be. Utopias for some reason seem out of reach to the modern imagination. In the latest anthology form A Wave Blue World, All We Ever Wanted, we get several different visions of life in the future where life can be better.

In “The Pilot,” a pilot controls a ship her VR glasses only to encounter an alien queen and her earthbound ally. In “The Weight of Time,” one scientist uses time travel to try and wipe out anti LGBTQ backlash but instead realizes the problem is actually ahead. In “Una,” an alien wins the hearts and minds of the citizens she protects, eventually becoming a citizen because of it. In “Seventeen Souls,” one hero risks it all to save one girl from certain death. In “It Looked like Our Dreams,” two siblings wonder about a future where humanity does save itself. In “Gaea,” mother nature and technology defeat an alien invader in which one protagonist uses to her advantage.  In “Bombs Away,” a world is imagined where violence no longer leads to advantages or problem solving but unity as it was always intended.  In “And The Rest Was Magic,” one woman finds out how it is when one doesn’t buy into the propaganda of a dire future. In “Everything I Own,” one self-admitted pariah slowly builds a community around herself while at the same time, evolving. In “The Inventor’s Daughter,” one woman reunites with her mother after death and returns her to the essence. In “Blackstar,” one man helps people see their future for a cost. In “Life’s A Devil’s Bargain,” one woman shows how hate is more of a choice than one realizes. In “Chat Room,” one awkward girl finds solace with a friend that met online. In “Can you See it Now,” one couple finds out an evil corporation is behind a friend’s death. In “Just Like Heaven,” one young man’s defiance leads to him finding out the secret to the utopia he is living in. In “Alternica,” a man wakes up from being frozen to a world where money doesn’t exist. In “Owning Up To The Past,” one man admits to his daughter, the unjust violence he committed. In “Good Time,” one man’s wish is to see his daughter years after he is released from jail. In “Day At The Park,” a young girl teaches a robot how to fly a kite. In “Choice,” one man designed a robot to have the power of free will, to only regret his decision immediately. In “Seeds,” the grim reaper reminds a retired superhero that there is more to life than regrets.  In “Two Left Feet,” two thieves steal for the love of dance.

Overall, the anthology is an excellent collection of stories that shows that the future can be bright and we all should wear shades. The stories are as diverse and extraordinary as each contributor showing off a wide range of voices and visions. The art by each creator is magnetic, alluring, and vivid. Altogether, the world needs more visions of utopias and this book more than proves it.

Story: Matt Miner, Eric Palicki, Tyler Chin- Tanner, Lucia Fasano, Tess Fowler, Eliot Rahal, Jason Copland, Jennie Wood, Vasilis Pozios, Chris Visions, Lela Gwenn, Alex Paknadel, Chris Peterson, Alisa Kwitney, Mauricet, Josh Gorfain, Matt Lejuene, Howard Mackie, Dean Trippe, Justin Zimmerman, Wendy Chin-Tanner, Toby Cypress, Paul Allor, Jarrett Melendez, Taylor Hoffman, Jonathan Brandon Sawyer, Rich Douek, James Maddox, Gavin Smith, Nadia Shammas, Erik Burnham, Kay Honda, Maria Frohlich
Art: Dean Trippe, Danica Brine, Chris Peterson, Robbi Rodriguez, Michael Wiggam, Maria Frohlich, David Stoll, Ryan Lee, Juan Romera, Tony Gregori, Tess Fowler, Chris Visions, Ethan Claunch, Jude Vigants,  K.R.Whalen, Matt Horak, Jeff McComsey,  Gavin Smith, Ryan Cody, Liana Kangas, Anthony Marques, Jason Copland, Eryk Donovan, Micah Meyers, Josh Jensen, Nick Wentland, Taylor Esposito, Matt Krotzer, Zakk Saam
Story: 10 Art: 9.5 Overall: 9.6 Recommendation: Buy

A Wave Blue World provided Graphic Policy with a FREE copy for review

Preview: Goddess Mode #1

Goddess Mode #1

(W) Zoe Quinn (A/CA) Robbi Rodriguez
In Shops: Dec 12, 2018
SRP: $3.99

Don’t miss the start of a new series by Hugo Award nominee Zo Quinn and Spider-Gwen co-creator Robbi Rodriguez!
In a near future where humanity’s needs are provided for by a godlike A.I., it’s one young woman’s horrible job to do tech support on it. But Cassandra Price’s life changes forever when she discovers a hidden digital world beneath our own, one where a group of super-powered women are locked in a secret war for the cheat codes to reality.

Advance Review: All We Ever Wanted

When it comes to how the future will look, most creators these days only show us how worse the world can get. This direction may be attributed to the decline of the environment and the primal predilection of man. Things don’t exactly look all that great for us. The stories usually involves zombies like The Walking Dead or the widening of the gap between the poor and rich like The Hunger Games. Rarely do they involve utopias as dystopias create the more interesting conflicts that drives our entertainment.

The thing is there was a time and place where we looked to the stars and though of the possibilities. This is why Back to The Future II was one of the most indelible movies of 1980s and probably most talked about out of that franchise. It gave us hope of what the world could be. Utopias for some reason seem out of reach to the modern imagination. In the latest anthology form A Wave Blue World, All We Ever Wanted, we get several different visions of life in the future where life can be better.

In “The Pilot,” a pilot controls a ship her VR glasses only to encounter an alien queen and her earthbound ally. In “The Weight of Time,” one scientist uses time travel to try and wipe out anti LGBTQ backlash but instead realizes the problem is actually ahead. In “Una,” an alien wins the hearts and minds of the citizens she protects, eventually becoming a citizen because of it. In “Seventeen Souls,” one hero risks it all to save one girl from certain death. In “It Looked like Our Dreams,” two siblings wonder about a future where humanity does save itself. In “Gaea,” mother nature and technology defeat an alien invader in which one protagonist uses to her advantage.  In “Bombs Away,” a world is imagined where violence no longer leads to advantages or problem solving but unity as it was always intended.  In “And The Rest Was Magic,” one woman finds out how it is when one doesn’t buy into the propaganda of a dire future. In “Everything I Own,” one self-admitted pariah slowly builds a community around herself while at the same time, evolving. In “The Inventor’s Daughter,” one woman reunites with her mother after death and returns her to the essence. In “Blackstar,” one man helps people see their future for a cost. In “Life’s A Devil’s Bargain,” one woman shows how hate is more of a choice than one realizes. In “Chat Room,” one awkward girl finds solace with a friend that met online. In “Can you See it Now,” one couple finds out an evil corporation is behind a friend’s death. In “Just Like Heaven,” one young man’s defiance leads to him finding out the secret to the utopia he is living in. In “Alternica,” a man wakes up from being frozen to a world where money doesn’t exist. In “Owning Up To The Past,” one man admits to his daughter, the unjust violence he committed. In “Good Time,” one man’s wish is to see his daughter years after he is released from jail. In “Day At The Park,” a young girl teaches a robot how to fly a kite. In “Choice,” one man designed a robot to have the power of free will, to only regret his decision immediately. In “Seeds,” the grim reaper reminds a retired superhero that there is more to life than regrets.  In “Two Left Feet,” two thieves steal for the love of dance.

Overall, the anthology is an excellent collection of stories that shows that the future can be bright and we all should wear shades. The story are as diverse and extraordinary as each contributor showing off a wide range of voices and visions. The art by each creator is magnetic, alluring, and vivid. Altogether, the world needs more visions of utopias and this book more than proves it.

Story: Matt Miner, Eric Palicki, Tyler Chin- Tanner, Lucia Fasano, Tess Fowler, Eliot Rahal, Jason Copland, Jennie Wood, Vasilis Pozios, Chris Visions, Lela Gwenn, Alex Paknadel, Chris Peterson, Alisa Kwitney, Mauricet, Josh Gorfain, Matt Lejuene, Howard Mackie, Dean Trippe, Justin Zimmerman, Wendy Chin-Tanner, Toby Cypress, Paul Allor, Jarrett Melendez, Taylor Hoffman, Jonathan Brandon Sawyer, Rich Douek, James Maddox, Gavin Smith, Nadia Shammas, Erik Burnham, Kay Honda, Maria Frohlich
Art: Dean Trippe, Danica Brine, Chris Peterson, Robbi Rodriguez, Michael Wiggam, Maria Frohlich, David Stoll, Ryan Lee, Juan Romera, Tony Gregori, Tess Fowler, Chris Visions, Ethan Claunch, Jude Vigants,  K.R.Whalen, Matt Horak, Jeff McComsey,  Gavin Smith, Ryan Cody, Liana Kangas, Anthony Marques, Jason Copland, Eryk Donovan, Micah Meyers, Josh Jensen, Nick Wentland, Taylor Esposito, Matt Krotzer, Zakk Saam
Story: 10 Art: 9.5 Overall: 9.6 Recommendation: Buy

A Wave Blue World provided Graphic Policy with a FREE copy for review

A Wave Blue World offers Free Comics to Supporters of Mark Waid’s Legal Fund

A Wave Blue World (AWBW), publisher of anthologies such as Broken Frontier, All We Ever Wanted: Stories of a Better World, and the upcoming Death of the Horror Anthology, announces they will send free digital copies of This Nightmare Kills Fascists and a special color version of the All We Ever Wanted ashcan edition to anyone who donates $15USD or more to Mark Waid‘s legal fundraiser.

The longstanding comic book pro is currently being sued by one of the perceived leaders of the online harassment movement called ‘ComicsGate’. To fund his defense against the suit, Waid has launched a crowdfunding appeal on Go Fund Me.

Curated and edited by Matt Miner (GWAR, Poser) and Eric Palicki (No Angel, Atlantis Wasn’t Built For Tourists), This Nightmare Kills Fascists is a horror anthology in the style of Creepy and Eerie, told against the backdrop of modern politics.  It boasts stories from a plethora of hot creators including Vita Ayala, Tini Howard, Justin Jordan, Ariela Kristantina, Ryan Ferrier, and many, many more.

All We Ever Wanted: Stories of a Better World is an upcoming anthology spearheaded by the same editorial team plus AWBW publisher Tyler Chin-Tanner that looks into a more hopeful and positive future, and has been described as “less Mad Max, more Star Trek.”  Currently available to order in the October issue of Previews, the anthology is set to hit stores in December.

The print version of the ashcan was an exclusive for NYCC ‘18, but can now be obtained digitally only by those who support this fund. It contains three of the stories from the anthology by creators Robbi Rodriguez, Tyler Chin-Tanner, Paul Allor, Juan Romera, Eric Palicki, and Eryk Donovan.

AWBW publisher Tyler Chin-Tanner said in the release:

Over his entire career, Mark Waid has always been a champion for creators’ rights and now he’s standing up for them against bullying and harassment. It’s important for us to come together now as a comics community to support him.

Comic creator Matt Miner added:

If our fascist-smashing anthology can help Mark Waid fight against actual fascists in comics then I’m all for it. I stand with my LGBT family and trans friends in denouncing comicsgate and all the hate that they spew.

Comic creator Eric Palicki also said:

I don’t know Mark personally, but I’ve followed his work for as long as I’ve been reading comics. It’s no surprise a writer who understands Superman or Daredevil so profoundly would devote so much of himself to standing up to real-life bullies, and I’m proud to help Mark in any way I can.

To obtain the PDFs for This Nightmare Kills Fascists and the All We Ever Wanted ashcan, please send a screenshot of your receipt of your donation of $15USD or more to Mark Waid’s fundraiser to tyler@awbw.com.

Review: Spider-Gwen Vol. 6 The Life of Gwen Stacy

Lost in the multiverse with existence on the line. Wracked with guilt and willing to reveal her identity to the world. There’s a lot in volume 6 in Spider-Gwen by Jason Latour, Robbi Rodriguez, Chris Visions, Rico Renzi, and Lauren Affe.

The trade collects issues #30-34.

Get your copy in comic shops and book stores today. To find a comic shop near you, visit www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon/Kindle/comiXology or TFAW

 

Marvel provided Graphic Policy with FREE copies for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Vertigo is Relaunching With 7 New Titles

DC Entertainment‘s Vertigo imprint is celebrating their 25th anniversary and this fall the line of comics will relaunch with seven original series that look to take on hot button topics. The creators attached feature long time comic creators as well as new voices such as Zoe Quinn, Nine Inch Nails art director Rob Sheridan, and sex education podcaster Tina Horn. The comics have no problem taking on touchy subject matter like white supremacy, virtual reality deities, and sex work. DC describes the line as “modern, socially relevant, and high-concept.”

These seven new series are on top of the new line of Sandman titles previously announced. In the announcement Vertigo executive editor Mark Doyle said:

It’s time to rebuild DC Vertigo. We’re returning to our roots by spotlighting the most exciting new voices in comics, as well as bringing new voices to comics. From the corners of television, games, music, activism, podcasting, comics and more, all of our creators are passionate and have something to say. These sophisticated stories have amazing new characters and vast worlds to explore. That’s what it has always been about for me — new stories, new voices, new possibilities. We’re creating a new generation of DC Vertigo classics for readers of all genres.

Vertigo launched in 1993 to publish more adult and graphic content that couldn’t be printed under the Comics Code Authority. It allowed more freedom than the DC line would allow. The line saw such titles as Sandman, American Vampire, Astro City, Daytripper, 100 Bullets, DMZ, Human Target, iZombie, Northlanders, Y: The Last Man, Sweet Tooth, and so much more by some of the best in the buesiness.

The series are:

Border Town by Eric M. Esquivel and Ramon Villalobos

When a crack in the border between worlds releases an army of monsters from Mexican folklore into the small town of Devil’s Fork, Arizona, the residents blame the ensuing weirdness—the shared nightmares, the otherworldly radio transmissions, the mysterious goat mutilations—on “God-dang illegals.” With racial tensions supernaturally charged, it’s up to new kid in town Frank Dominguez and a motley crew of high school misfits to discover what’s REALLY going on. (September 2018)

Hex Wives by Ben Blacker and Mirka Andolfo

“The women are too powerful. They must be tamed.” A malevolent conspiracy of men brainwashes a coven of witches to be subservient, suburban housewives. But it’s only a matter of time before the women remember their power… (October 2018)

American Carnage by Bryan Hill and Leandro Fernandez

In this thrilling crime saga, disgraced FBI agent Richard Wright, who is biracial but can pass for white, goes undercover in a white supremacist group believed to be responsible for the death of a fellow agent. (November 2018)

Goddess Mode by Zoë Quinn and Robbi Rodriguez

In a near future where all of humanity’s needs are administered by a godlike A.I., it’s one young woman’s horrible job to do tech support on it. But when Cassandra finds herself violently drawn into a hidden and deadly digital world beneath our own, she discovers a group of super-powered women and horrific monsters locked in a secret war for the cheat codes to reality. (December 2018)

High Level by Rob Sheridan and Barnaby Bagenda

Hundreds of years after the world ended and human society was rebuilt from scratch, a self-interested smuggler with a price on her head is forced to traverse a new continent of danger and mystery to deliver a child messiah to High Level, a mythical city at the top of the world from which no one has ever returned. (2019)

Safe Sex by Tina Horn and Mike Dowling

A dystopian sci-fi thriller about a ragtag team of sex workers fighting for the freedom to love in a world where sexual pleasure is monitored, regulated and policed by the government. (2019)

Second Coming by Mark Russell and Richard Pace

God sends Jesus to Earth in hopes that he will learn the family trade from Sun-Man, an all-powerful superhero, who is like the varsity quarterback son God never had. But, upon his return to Earth, Christ is appalled to discover what has become of his Gospel and vows to set the record right. (2019)

Preview: Spider-Gwen #31

Spider-Gwen #31

(W) Jason Latour (A/CA) Robbi Rodriguez
Rated T
In Shops: Apr 25, 2018
SRP: $3.99

GWENOM PART 6
• Gwen’s on a one-way road into darkness. If anyone can help her find her way back into the light…
• It’s. GWEN. STACY.
• But is the universe trying to save her, or does fate only hold one end for Gwen?

Spider-Gwen #34 Reveals Gwen Stacy’s Biggest Challenge Yet!

Gwen Stacy’s adventures on the alternate universe of Earth-65 have included battling against Matt Murdock as Kingpin, being bitten by the Venom symbiote, and teaming up with fellow webslinger warriors Silk and Spider-Woman. Now, in Spider-Gwen #34, Gwen’s going to have to face her biggest battle yet – and she’ll have to do it without a mask or a secret identity!

Writer Jason Latour calls it an “incredible journey.”

All the epic adventure, all the crazy crossovers – it’s all been leading to this. Spider-Gwen #34 is out July 18th from writer Jason Latour and artist Robbi Rodriguez.

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