Bruce Willis is one of those actors whose presence onscreen is one of reassurance. He’s now known mostly for his tough-guy roles but that not has always been the case. As was shown in The Movies That Made Us, when he made Die Hard, most test screen audiences laughed at his very presence, because they remember him as the guy from the television show, Moonlighting. He would go on to make movies that straddled the line between tough-guy and comic relief, but most of his fans love his action movies.
Even Sylvester Stallone saw his bankability to put Willis in one of his Expendables movies before their offscreen tiff. One of my favorite movies by him was a period drama called Last Man Standing where he played a rogue gunman in the middle of a turf war. His character, no matter what he did, got pulled in deeper before he had no choice but to pick sides. In the second issue of Cage, our protagonist finds a bird in a hand, and looks to live up to the title of Hero for Hire.
We find Luke in a conversation with a dirty cop that knows about the case he just took and the implications that would occur if he gets close to the truth, giving him fair warning before trouble is headed his way. A warning that Luke doesn’t take heed, but looks to make money from. Soon Luke plots The Italian Mob, against the gang that controls Harlem, to the dirty cops that run the neighborhood, with none the wiser. By the issue’s end, a miscalculation by Luke leads to a vital witness being fatally shot which changes his plans completely.
Overall, an engaging issue that plays out like some of the best crime noir thrillers of yesteryear. The story by Brian Azzarello is electrifying. The art by the creative team is gorgeous. Altogether, an issue in this story that ramps up the action.
Story: Brian Azzarello
Art: Richard Corben, Wes Abbott, and Jose Villarubia
Story: 9.5 Art: 9.5 Overall: 9.6 Recommendation: Buy