Tag Archives: markisan naso

Review: Voracious: Feeding Time #5

voracious Feeding Time CoverI’ve been listening to a lot of Frank Carter and The Rattlesnakes lately, frequently playing the bands two albums in sequential order for hours on end through my headphones as I plug away at the Day Job and then as I walk home. I’ve described their music as akin to a pissed off Foo Fighters, but that doesn’t begin to do the chugging, fast paced groove laden songs any justice – the music has connected with me in a way that I can’t quite comprehend, and after listening to the two albums hundreds of times over the past couple of months, I’m showing no signs of fatigue. The music won’t be for everybody, and I’m well aware of that, but for me the two albums presently released represent just over an hour of the finest slice of anger and melody recorded. 

After only spending a few months with the music, I know that I’ll enjoy it for years to come.

I can just as easily say the exact same thing about Voracious.

There’s something about this series that has just clicked for me; the elevator pitch is usually enough to sell anybody on the story (time travelling chef hunts dinosaurs to serve in his diner), but after two miniseries that pitch doesn’t begin to do the story justice – and nor can I in a spoiler free review, because it’s hard for me to believe that this issue represents only the second time that Markisan Naso and Jason Muhr have finished a comic book miniseries. I don’t remember the last time that I read a story arc from either Marvel or DC that was told this well or illustrated as wonderfully as the first two chapters in the Voracious trilogy. Muhr’s layouts in the opening of this comic are wonderful; with a textless first page he tells a story that a thousand words would struggle to tell – I was genuinely in awe when reading the review copy, and were it not for a Diamond Distribution snafu with my LCS I’d have been sat staring at the comic already.

I’m always impressed when a page is laid out in an interestingly inventive way, and the first page of this comic is simple in it’s elegance – yet it’s all the stronger for it. But not only is Muhr on top form, but colourist Andrei Tabacaru brings the already great artwork into the level of sheer beauty that you don’t see as often as you’d like. I would recommend you buy this comic for the art alone, but Naso delivers another flawless issue. Honestly, at this point I’d be surprised if he didn’t.

This series has constantly impressed me over the course of it’s nine issues, and if memory serves, I don’t think I have ever rated a series as high as I have Voracious.  

Markisan Naso and Jason Muhr reminded me of why I loved comics with the first miniseries, and with Feeding Time they have reminded me of just how good sequential art can be. If this is what these men can do on their first and second story arc, then the industry can expect some bloody brilliant things from them in the future.

If I read a better series this year, then I’ll be shocked. Voracious: Feeding Time has set the bar pretty bloody high.

Story: Markisan Naso Art: Jason Muhr Colourist: Andrei Tabacaru
Story: 10 Art: 10 Overall: 10 Recommendation: Buy

Graphic Policy was provided a FREE copy for review, but I will be purchasing this issue when my LCS gets it in, as well as the trade.

Preview: Voracious: Feeding Time #5

VORACIOUS: FEEDING TIME #5

Writer(s): Markisan Naso
Artist Name(s): Jason Muhr
Cover Artist(s): Jason Muhr (Cover A), Markisan Naso (Cover B – 500 Copies)
32 pgs./ T+ / FC
$3.99 (reg.), $4.99 (var.)

Gus Horncrasher is determined to find Owen at any cost, but first he has to go through Captain Jim. Back in Blackfossil, the Sheriff begins to unravel Nate’s secrets, Starlee prepares to leave town and Maribel’s first encounter with Tony is revealed, as the second volume of VORACIOUS concludes.

Featuring a “Dead Leaves” variant cover by VORACIOUS writer Markisan Naso! Limited to just 500 copies!

Review: Voracious: Feeding Time #4

voracius feeding time 4The last issue of this comic knocked me down several times over. The creators were on the to of their game in every way; Markisan Naso‘s emotional story and character interactions gut punched me into next Thursday, only for Jason Muhr‘s art and layouts to bounce me through to the following TuesdayAndrei Tabacaru‘s coloring work was the cherry on top of an emotional thunder punch of a story that had me reeling for days afterwards. 

Voracious: Feeding Time #3 has a very real chance of remaining my favorite single issue of the year.

It therefore seems somewhat unfair to compare this issue to the last because the emotional roller coaster of issue three isn’t as immediately evident in the fourth issue, but before you start to think that makes Feeding Time #4 a lesser issue, stop. The fourth issue will still give you things to think about, albeit with a level of subtlety that requires you to give the issue some time to digest in your brain (unless you’re able to pick up on these things faster than I was).

With the fourth issue of the miniseries, Naso gives you a moment to catch your breath with a sequence that, despite the very science fiction setting and ominous overtones, evokes the same sense of innocence that Nate and Starlee’s banter does in earlier issues. Although there’s a much heavier taste of futuristic science fiction present in this issue the comic retains the distinctlyVoracious feel with it’s characterization and humanity. At first the conversations that the saurian scientists have in this issue and the earlier interactions between Nate and Starlee have very little in common with each other, but once you remove the context of each conversation the tone remains very familiar allowing the reader to gain a level of familiarity with these otherwise alien-to-us-beings on an instinctual level. 

Little touches like this are a prime reason as to why I am such a huge fan of the series; there are some brilliant moments in each issue that jump out at you the first time you read the comic, that you can sometimes miss the more subtle, but equally brilliant, moments littered throughout each comic. The fourth issue of Feeding Time was weighted toward the more subtler side of the coin, and although it did take me a second read to pick up, the comic is so much more if you give it time to percolate in your mind.

Jason Muhr and Andrei Tabacaru continue to deliver a visual treat with each issue, easily justifying the price of admission alone. Muhr is able to convey those unspoken words between characters, effortlessly moving the story along in the absence of words that showcases the synchronicity between the series creators as they continue to publish one of the most exciting books of the year.

I fucking love this book, and if you give it a chance then you will too.

Story: Markisan Naso Art: Jason Muhr Colours: Andrei Tabacaru
Story: 9.5 Art: 9.75 Overall: 9.5 Recommendation: Buy

Action Lab Entertainment provided Graphic Policy with a FREE copy for review.

Review: Voracious: Feeding Time #3

PrintMy first reaction upon reading this issue was, and I quote, Bloody Hell, Markisan. Bloody fucking Hell.

When was the last time you read a genuinely amazing comic that made your jaw drop so fast it nearly dislocated? For me it was ten minutes ago when I opened the PDF review copy of creators Markisan Naso and Jason Muhr’s Voracious: Feeding Time #3. It was an issue that I have been looking forward to for some time, and yet despite my high expectations, I was utterly blown away. I just…  it’s just so bloody awesome.

Markisan Naso has got to be one of the most exciting comic book writers to put pen to paper (or fingers to keyboard), and this is his second miniseries. He has an uncanny ability to convey so much emotion through his narration and dialogue, and you feel like you’ve known his characters all your life when you hear them speak, but watching them come alive with Jason Muhr’s artwork is astonishing. As much as the writing gets you into the characters, it’s Muhr’s layouts, and the way he composes his pages that elevate this comic into pure brilliance. I’m aware I’m sounding overly hyperbolic here, but Naso and Muhr have created a wonder comic here; Voracious: Feeding Time #3 is like a man who has been eating gas station beef jerky finally gets to eat a fillet mignon.

These are men you need to keep your eyes on.

Out of respect for the creators, joined again by colourist Andrei Tabacaru, I won’t spoil any thing about the issue. But it’s easily the best single issue I have read in a long time, with more nuances and subtle hints than you’d ever expect in a comic book. You often hear people say that something is the culmination of everything that came before it, and that has never been more accurate than with Feeding Time #3; if you’ve read the other issues of Voracious and Voracious: Feeding Time, then you’re going to thoroughly thoroughly enjoy every page of this issue.

It’s only February, and I’m pretty sure this will be the best single issue I’ll read all year; the bar has been set pretty fucking high from here on out. Having said that, if you intend on  reading this comic based entirely on this review without reading any of the previous issues, then you’ll be doing yourself, and the story, a huge disservice. This issue is a complete and utter work of art, and one of the most astonishing comics I’ve read in some time, but without reading at least the first two issues of this series then you’ll think I’m touched if read Feeding Time #3. It’s a phenomenal comic, but it’s not the best jumping on point. There’s not enough of you reading this series, and you’re all missing out.

I have no idea how Markisan Naso and Jason Muhr will top this, but I can’t wait to find out.

Story: Markisan Naso Art: Jason Muhr Colours: Andrei Tabacaru
Story: 11 Art: 10 Overall: 11 (that’s not a typo, this review goes to eleven) Recommendation: Buy

Graphic Policy was provided a FREE copy for review. I’m also buying a print copy when the comic is released because the art looks so much better on the paper than my laptop screen.

Preview: Voracious: Feeding Time #3

VORACIOUS: FEEDING TIME #3

Writer(s): Markisan Naso
Artist Name(s): Jason Muhr
Cover Artist(s): Jason Muhr, Kristen Gudsnuk
32 pgs./ T+ / FC
$3.99 (reg.), $4.99 (var.)

Imprisoned, analyzed and interrogated by the Saurians, Nate is forced to face the monstrous effects his dinosaur hunts have had on the future of another world.

Featuring a “Midnight Special” variant cover by Henchgirl creator Kristen Gudsnuk! Limited to 1,500 copies!

Print

Listen to Markisan Naso and Jason Muhr Talk Voracious on Demand

On demand: iTunes ¦ Sound Cloud ¦ Stitcher ¦ Listed on podcastdirectory.com

JURASSIC PARK MEETS TOP CHEF! Haunted by the death of his sister, Chef Nate Willner has lost his desire to cook. Forced to move back to his hometown in Utah and work at a coffee shop, Nate’s life is quickly becoming a dead end. But when he unexpectedly inherits a time travel suit that takes him to the age of dinosaurs, Nate’s passion for cooking is reignited! Voracious is the critically-acclaimed comic series by Markisan Naso and Jason Muhr which is back with its second volume Voracious: Feeding Time.

Naso and Muhr join Graphic Policy Radio with host Brett who is joined by GP contributor Alex.

Markisan Naso is the writer of the critically-acclaimed comic book series, VORACIOUS, published by Action Lab Entertainment. He is also an editor and publishing expert who has managed and revitalized national publications such as Knowledge Quest and School Library Research for the American Library Association. An accomplished journalist, Markisan has authored more than 150 features in print and on the web, covering subjects as diverse as EF5 tornadoes, death metal and Superman. Most recently he wrote a tribute to the late Darwyn Cooke for The Comics Journal. Markisan has also edited over a dozen books, including The Anatomy of Zur-en-Arrh: Understanding Grant Morrison’s Batman and Voyage in Noise: Warren Ellis and the Demise of Western Civilization for the Sequart Organization. In his spare time he interviews comic book creators for his podcast, COLLOQUIUM. He loves kitties and metal.

Voracious_Vol.2_01_KS_VariantTo find out more about Markisan, visit his website, www.markisan.com. Follow him on twitter: @DarthSan and Facebook facebook.com/MarkisanNaso

Jason Muhr is the artist, designer and letterer for the critically-acclaimed comic book series, VORACIOUS, published by Action Lab Entertainment. He has also worked for Marvel Comics and Valiant Entertainment, and co-created the short story “Like Giants” with Mark Waid for Thrillbent. Jason has a decade of experience as a professional illustrator and graphic designer, providing companies with logo and concept designs, and art for products such as plush toys, remote-control robots, interactive games, garden accessories, pottery and candy. Prior to entering the art and design world, Jason spent six years on the retail side of the comic book market, as an assistant manager at the Graham Crackers Comics chain of Chicagoland comic shops.

To find out more about Jason, visit his website, www.jasonmuhr.com. Follow him on Twitter @JasonMuhr and Facebook facebook.com/jason.muhr.

Also follow the series on Twitter @VoraciousComic and Facebook facebook.com/VoraciousComic.

Markisan Naso and Jason Muhr Talk their comic series Voracious LIVE this Monday

GP Radio pic MondayJURASSIC PARK MEETS TOP CHEF! Haunted by the death of his sister, Chef Nate Willner has lost his desire to cook. Forced to move back to his hometown in Utah and work at a coffee shop, Nate’s life is quickly becoming a dead end. But when he unexpectedly inherits a time travel suit that takes him to the age of dinosaurs, Nate’s passion for cooking is reignited! Voracious is the critically-acclaimed comic series by Markisan Naso and Jason Muhr which is back with its second volume Voracious: Feeding Time.

Naso and Muhr join Graphic Policy Radio with hosts Elana and Brett who are joined by GP contributor Alex.

The show airs LIVE this Monday at 10pm ET.

Markisan Naso is the writer of the critically-acclaimed comic book series, VORACIOUS, published by Action Lab Entertainment. He is also an editor and publishing expert who has managed and revitalized national publications such as Knowledge Quest and School Library Research for the American Library Association. An accomplished journalist, Markisan has authored more than 150 features in print and on the web, covering subjects as diverse as EF5 tornadoes, death metal and Superman. Most recently he wrote a tribute to the late Darwyn Cooke for The Comics Journal. Markisan has also edited over a dozen books, including The Anatomy of Zur-en-Arrh: Understanding Grant Morrison’s Batman and Voyage in Noise: Warren Ellis and the Demise of Western Civilization for the Sequart Organization. In his spare time he interviews comic book creators for his podcast, COLLOQUIUM. He loves kitties and metal.

Voracious_Vol.2_01_KS_VariantTo find out more about Markisan, visit his website, www.markisan.com. Follow him on twitter: @DarthSan and Facebook facebook.com/MarkisanNaso

Jason Muhr is the artist, designer and letterer for the critically-acclaimed comic book series, VORACIOUS, published by Action Lab Entertainment. He has also worked for Marvel Comics and Valiant Entertainment, and co-created the short story “Like Giants” with Mark Waid for Thrillbent. Jason has a decade of experience as a professional illustrator and graphic designer, providing companies with logo and concept designs, and art for products such as plush toys, remote-control robots, interactive games, garden accessories, pottery and candy. Prior to entering the art and design world, Jason spent six years on the retail side of the comic book market, as an assistant manager at the Graham Crackers Comics chain of Chicagoland comic shops.

To find out more about Jason, visit his website, www.jasonmuhr.com. Follow him on Twitter @JasonMuhr and Facebook facebook.com/jason.muhr.

Also follow the series on Twitter @VoraciousComic and Facebook facebook.com/VoraciousComic.

Tweet your questions to @graphicpolicy and listen in this Monday at 10pm ET.

Review: Voracious: Feeding Time #1

Voracious_Vol.2_01_KS_VariantWhen I read the first issue of Voracious, the four-issue miniseries by writer Markisan Naso, artist Jason Muhr and colourist Andrei Tabucaru I immediately fell in love with the series’ incredibly well crafted story, the luscious artwork, and the humour that seemed to flow from the pages with such an incredibly deft pace. In a year with some truly brilliant stories released in comics, from Valiant’s Divinity II, Titan Comics’ Johnny Red and Image’s The Goddamned and Huck, the first Voracious miniseries is still the one sitting at the top of my Best Of 2016 List, in part because of the notion of a dinosaur sandwich, but more so because of the sheer enjoyment each and every comic gave me.

Needless to say when I saw that Markisan Naso and Jason Muhr had launched a Kickstarter to fund the second series, given how much I enjoyed the first series, backing the comic was a no-brainer.

There’s going to be minor spoilers for the first series from here on out, so if you haven’t read that yet, do so. Then go buy this issue.

Still with me? Awesome.

As ingenious as the concept of time-traveling chef Nate Willner opening a diner using dinosaur meat is, it was the subtle, almost throwaway line that while killing things in the past may not be the best idea (what with the future consequences, and all), hunting dinosaurs in the past won’t have any impact on our future because the asteroid destroys everything anyway, so why worry?

But what if it wasn’t our past that Nate was returning too? What if his actions were having unintended consequences that he was utterly oblivious too?

That’s the question that Naso asked in the final pages of the original Voracious, and there’s no time wasted as Feeding Time #1 begins in a wonderfully realized alternate timeline introducing Gus Horncrusher, an evolved dinosaur detective who is struggling to remember something that he’s forgotten. It doesn’t take long to figure out why he’s forgotten what he has or who’s fault it is, but by emphasizing the obvious emotional thoughts that Gus is going through Naso allows the audience to immediately switch our position on the dino detective (I can’t be the only one who assumed he’d be the villain in this arc); his ability to infuse so much personality and emotion into the character in such a short time is nothing short of amazing.

A big part of the immediate sense you get of knowing Gus and his partner is down to Jason Muhr’s artwork. I’m reminded page after page just how good this guy is at what he does, whether it’s because of the all-too-human expressions on the very non-human faces, the glimpses of forgotten memories, or the panel layouts, Muhr has delivered the best looking comic in the series to date. But if Jason Muhr has hit a home run, then Andrei Tabucaru has sent the ball out of the park with his colouring work. I wouldn’t be surprised to see his name on the Eisner nominations next year.

While both Naso and Muhr have said that Voracious: Feeding Time can be read independently of the first miniseries, you can pick the first trade up at your local comic shop for a very reasonable $15. It’s worth every penny for you to get the most out of this comic.

A comic with only one, albeit pretty major, downside: the long wait to the second issue. I may have already waited a month or so since reading the first issue, but it’s the next month that’ll kill me.

Story: Markisan Naso Art: Jason Muhr Colourist: Andrei Tabucaru
Story: 9 Art: 10 Overall: 9.5 Recommendation: Buy

Preview: Voracious: Feeding Time #1

VORACIOUS: FEEDING TIME #1

Writer(s): Markisan Naso
Artist Name(s): Jason Muhr
Cover Artist(s): Jason Muhr
32 pgs./ T+ / FC
$3.99 (reg.), $4.99 (var.)

VORACIOUS: Feeding Time picks up right where the hit series, VORACIOUS, left off! Chef Nate Willner hunts dinosaurs in the past and secretly serves them at his restaurant in the present. But unbeknownst to him, he’s actually been hunting in an alternate reality – a world where dinosaurs evolve into Saurians, a technologically advanced race that rules the far future! Some of these Saurians have mysteriously started disappearing from Cretaceous City and the local authorities are not happy about it…

Featuring a wraparound “Smiths ‘Meat is Murder’ Tribute” variant cover by Wuvable Oaf creator Ed Luce! Limited to 1500 copies!

Print

Advanced Review: Voracious Feeding Time #1

Voracious_Vol.2_01_KS_VariantWhen I read the first issue of Voracious, the four-issue miniseries by writer Markisan Naso, artist Jason Muhr and colourist Andrei Tabucaru I immediately fell in love with the series’ incredibly well crafted story, the luscious artwork, and the humour that seemed to flow from the pages with such an incredibly deft pace. In a year with some truly brilliant stories released in comics, from Valiant’s Divinity II, Titan Comics’ Johnny Red and Image’s The Goddamned and Huck, the first Voracious miniseries is still the one sitting at the top of my Best Of 2016 List, in part because of the notion of a dinosaur sandwich, but more so because of the sheer enjoyment the series gave me.

I honestly couldn’t believe it was the creators Markisan Naso and Jason Muhr‘s first published comic. So when I saw that the two had launched a Kickstarter to fund the second series, I jumped at the chance to back what turned out to be my first Kickstarter, only to find out that there was no international shipping (I live in Canada). After a quick email or two, a solution was found, I made  my pledge, and did a little to help the comic get successfully backed.

The digital Kickstarter rewards have been emailed out, including the first issue of Voracious: Feeding Time; a comic that I’ve read twice since receiving it in my inbox.

There’s going to be spoilers for the first series from here on out, so if you haven’t read that yet, do so. Do so now.

As ingenious as the concept of time-traveling chef Nate Willner opening a diner using dinosaur meat is, it was the subtle, almost throwaway line that while killing things in the past may not be the best idea (what with the future consequences, and all), hunting dinosaurs in the past won’t have any impact on our future because the asteroid destroys everything anyway, so why worry?

But what if it wasn’t our past that Nate was returning too? What if his actions were having unintended consequences that he was utterly oblivious too?

That’s the question that Naso asked in the final pages of the original Voracious, and there’s no time wasted as Feeding Time #1 begins in a wonderfully realized alternate timeline introducing Gus Horncrusher, an evolved dinosaur detective who is struggling to remember something that he’s forgotten. It doesn’t take long to figure out why he’s forgotten what he has or who’s fault it is, but by emphasizing the obvious emotional thoughts that Gus is going through Naso allows the audience to immediately switch our position on the dino detective (I can’t be the only one who assumed he’d be the villain in this arc); his ability to infuse so much personality and emotion into the character in such a short time is nothing short of amazing.

A big part of the immediate sense you get of knowing Gus and his partner is down to Jason Muhr’s artwork. I’m reminded page after page just how good this guy is at what he does, whether it’s because of the all-too-human expressions on the very non-human faces, the glimpses of forgotten memories, or the panel layouts, Muhr has delivered the best looking comic in the series to date. But if Jason Muhr has hit a home run, then Andrei Tabucaru has sent the ball out of the park with his colouring work. I wouldn’t be surprised to see his name on the Eisner nominations next year.

While both Naso and Muhr have said that Voracious: Feeding Time can be read independently of the first miniseries, you can pick the first trade up at your local comic shop for a very reasonable $15. It’s worth every penny for you to get the most out of this comic.

A comic with only one, albeit pretty major, downside: the long wait to the second issue. Y’see, with issue #1 hitting shelves in December, the disadvantage to the Kickstarter reward is that there’s going to be at least a two month wait until I get my hands on the second issue.

Story: Markisan Naso Art: Jason Muhr Colourist: Andrei Tabucaru
Story: 9 Art: 10 Overall: 9.5 Recommendation: Buy

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