Tag Archives: IDW Comics

Mini Reviews and Recommendations For The Week Ending 09/18/2021

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling short reviews from the staff of the comics, or graphic novels, we just didn’t get a chance to write a full review for. Given the lack of new comics, expect this weekly update to begin featuring comics that we think you’ll enjoy while you can’t get anything new to read – only new to you.

These are Graphic Policy’s Mini Reviews and Recommendations.


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Eternals: Thanos Rises #1 (Marvel)– Only in comics can you have a prehistoric battle between immortal beings astride dinosaurs and a Platonic dialogue all under the same covers as Kieron Gillen, Dustin Weaver, and Matthew Wilson show the ideological and physical roots of one of pop culture’s greatest villains, Thanos, in Eternals: Thanos Rises #1. The conflict at the core of this issue, and honestly at the Eternals as a whole in Gillen’s run, is if immortal beings whose goal is to defend a kind of status quo (the machine) can change even in the slightest way. This way is having children, and as one can guess, it doesn’t turn out great. Weaver and Wilson’s visuals bring the power and mythic quality of the best Jack Kirby stories while having their own unique and slightly askew approach to storytelling. They’re influenced by the King and not a cover band for him. Also, it’s just plain cool and additive to the whole vibe of the Eternals to have characters based on the ancient Greek pantheon partake in the very ancient Greek activity of a philosophical dialogue. Eternals: Thanos Rises #1 adds context and scope to Kieron Gillen’s work on Eternals and features him, Weaver, and Wilson working in an epic mode. Overall: 9.4 Verdict: Buy

Black’s Myth #3 (Ahoy)– Strummer and Ben’s hunt for their client’s missing silver bullets (Apparently they were forged from the 30 pieces of silver that Judas received for betraying his Lord and Savior, but you know how there things are.) takes them to many interesting destinations, including a vampire bar and occult bookstore that’s more than meets the eye. Eric Palicki and Wendell Cavalcanti keep the action and mystery going at a nice clip lulling readers into a false sense of security before escalating the plot with a wallop in the last few pages. Also, Calvacanti gets to show off his fight sequence chops and channels Frank Miller and Klaus Janson in a nine panel grid vampire beatdown that shows that Strummer still has a relish for violence and is more werewolf than detective. In Black’s Myth #3, the pace never drags, the patter is always snappy, and Eric Palicki and Wendell Cavalcanti really up the danger quotient. Overall: 8.6 Verdict: Buy

Joker #7 (DC)– The shape of the conspiracy that Jim Gordon’s up against starts to slowly reveal itself in Joker #7 by James Tynion, Guillem March, and Arif Prianto. Like most issues of Joker, the book features multiple settings, narrators, and POVs as well as art styles from March, who does a James Bond/Avengers homage with Julia Pennyworth to tight grids and reflections in eye glasses as Gordon meets a potential new ally. He can get as much tension from a conversation as a silent martial arts fight aka Cassandra Cain in action. Joker #7 also features smart commentary about how the rest of the world sees Gotham (It hides social issues under masks and costumes.) and character moment payoffs like Pennyworth beating the shit out of some Bane theme park investors as payback for the villain killing her father back in the Tom King Batman run. One of the reveals that Tynion pulls is a little obvious (If keeping with his history on the Bat-family books), but I love the layered storyline he’s creating in this book that goes beyond a simple cat and mouse game. The Punchline backup from James Tynion, Sam Johns, and Sweeney Boo is quite entertaining as Harper Row tries to break out of prison creating an opportunity for clever layouts and a sense of urgency in that story’s plot. Overall: 8.5 Verdict: Buy

Godzilla Rivals: Vs. Mothra (IDW)– Mary Kenney, SL Gallant, Maria Keane, and Adam Guzowski turn in a celebration of the Queen of the Monsters in the one-shot Godzilla Rivals: Vs. Mothra. Before the titular battle, Kenney does a good job fleshing out this comic’s protagonist, Mima, a photographer who’s supposed to be doing a puff piece on the Japanese military and ends up learning about Mothra’s captivity attempting to free her. Like the best kaiju stories, Godzilla Rivals: Vs. Mothra ends up being a parable about how humanity cages nature and what we don’t understand instead of being curious like Mina, whose photojournalism career came out of a life time exploring the great outdoors with her parent. All is this is great, but Godzilla Rivals: vs. Mothra also has a curb stomp monster action courtesy of Gallant and Keane as Kenney shuts off the dialogue and captions and “lets them fight”. There is really clever use of Mothra’s cocoon and Godzilla’s nuclear breath, and the entire story ends up being a little bittersweet. This comic is a must-read if you like your kaiju fights with a side of emotional resonance. Overall: 9.2 Verdict: Buy

Trial of Magneto #2 (Marvel)– Leah Williams, Lucas Werneck, and Edgar Delgado are back for another round of bombastic drama, action, and questionable morality. Trial of Magneto #2 adds the Avengers to the mix to complicate the murder investigation and also show how much Wanda Maximoff meant to the team as they share grief and space with the Krakoans. However, not everything is sunshine and daisies, and we get yet another Magneto vs. everyone fight scene like the previous issue. But Williams and Werneck switch things up by letting Northstar be angry when his husband Kyle is caught in the middle of things and is treated as less than by Magneto. Throw in an utterly chaotic last few pages plus couple moments that show how utterly morally bankrupt Krakoan leaders like Professor X and Emma Frost are, and you can see why Mystique (Who has a 1 panel cameo) wants to burn the place down. Overall: 8.0 Verdict: Buy


Well, there you have it, folks. The reviews we didn’t quite get a chance to write. See you next week!

Please note that with some of the above comics, Graphic Policy was provided FREE copies for review. Where we purchased the comics, you’ll see an asterisk (*). If you don’t see that, you can infer the comic was a review copy. In cases where we were provided a review copy and we also purchased the comic you’ll see two asterisks (**).

Review: Love is Love

loveislovefiOn June 12, 2016, a hateful man killed 49 people and wounded 53 at The Pulse, a gay club in Orlando, Florida. This was a terrible day for the LGBTQ community, and I was just plain sad. A couple weeks ago, I had celebrated getting a job and moving to a new city with a few friends at a couple gay clubs in my old home of Richmond, Virginia so a thought went through my head, “It could have been me.” Even though I am relatively privileged as a white cisgendered, relatively straight passing bisexual male, I had no queer friends in my new home to turn to and confide in after the events in Orlando. But what got me through was the queer comics and comics journalism community, and my Facebook inboxes and Twitter DM’s were filled with messages of hope and understanding. I may have felt alone in my current situation, but these beautiful people, many of whom I have never met in the flesh, got me through the tough days after the Pulse shooting.

The Love is Love comics anthology project from IDW Publishing with assistance from DC Comics, Archie Comics, Aftershock, and the Will Eisner estate gave me a similar feeling of the comics community coming together to mourn after The Pulse shooting. While reading the graphic novel, I simultaneously felt sadness and hope and remembered that despite the scandals that the comics industry has some great folks, whose excellent work appears in this comic. I enjoyed how well-represented all genders, races, sexualities, and religions were in Love is Love along with the different art styles and color palette. On a pure aesthetic level, most of the stories in Love is Love hit two of my favorite genre sweet spots: superhero and autobio, which made it a great read on both an emotional and intellectual level.

Honestly, I could write a book about the brilliant one to three page stories, poems, and pinups in Love is Love, and maybe I will one day. For the purpose of this review, I will hit on a few that affected me personally; those stories that through words, art, colors, and letters gave me comfort as I thought back to Orlando.

batwomanPaul Dini‘s Harley and Ivy story is insanely adorable and nails their romantic relationship in a nutshell with each one making compromises for the each other. For example, Harley goes vegetarian while Ivy is subjected to a Three Stooges marathon. Bill Morrison‘s art is very similar to the style of Batman: Animated Series and peppered with all kinds of background details to add to the humor. Another funny story (Albeit darker than Harley and Ivy shenanigans.) that provided some great comic relief in the midst of the emotionally headier material of Love is Love was a Deathstroke one by Taran Killam where he switches out his arsenal of guns for karate after the Pulse shooting. Gallows humor is a great way to stave off pain.

As someone whose sexuality is still not accepted by those close to me and was afraid to come out until I was 19, Love is Love‘s portrayal of homophobia is harrowing, yet all too relatable. Early, in the book, Daniel Beals and David Lafuente do a splitscreen story where two young boys see the same news coverage of The Pulse, but react in vastly different ways because of their parent’s homophobia and empathy respectively. Then, there is a nuanced story from Jeff King and Steve Pugh where a girl is sad about the shooting and wants to go to the memorial service, but her dad is uneasy about men kissing men. Later, he realizes how thoughtless he was and apologizes. I know Pugh from his superhero work on Fantastic Four and Detective Comics, and this appeal for forgiveness was just as fictional as Batman or Reed Richards in my own life.

The stories that bypassed my head and went straight to my heart strings were ones that focused on queer clubs as sanctuaries. In six pulsing panels and two pages, comics legends Grant Morrison and Jesus Merino capture the beat with alternating colors and skeletons in the background. Without a word, an image engulfed my mind and reminded me of fog lights, cute boys, and too many Long Island ice teas. In a similar vein, Emma Houxbois and Alejandra Gutierrez looked at the escapism of a queer club experience complete with cuties and the sad realities of the morning after. (Full disclosure: I worked closely with Emma on the Fantheon podcast and at the websites The Rainbow Hub and Pop Optiq and she has contributed to this site.) The comic had a soft color palette and intelligent narration while still connecting to my personal experiences and of other LGBTQ people. And it was followed by a silent comic by Brian Michael Bendis, his daughter Olivia Bendis, Michael Oeming, and Taki Soma that captured the joy and energy of a queer night club with people dancing with they wanted to and bright colors everywhere courtesy of Soma.

Many of the creators, who were from Florida, had very personal stories to share about the LGBTQ community of Orlando, which were sad and enjoyable, like Scott Snyder, who wrote a prose piece with a spot illustration by Jock about working at Disney World, and how some of the queer employees, who played various Disney characters, would invite him to a gay bar every Thursday and accept him.

Love is Love gave me an opportunity to listen to the stories of some queer comics creators that I have admired for quite some time, like James Tynion and Phil Jimenez. Tynion’s story was drawn in black and white by artist Molly Ostertag except for splotches of rainbow in the bracelet that he got as a youngster. It skips time frantically in a two page story as he comes to terms with his sexuality cutting from him spending time with his friends at Pride to facing the fact that he is a bisexual boy at an all-boy’s Catholic school. Jimenez did his comic with his writer friend David Kim and talked about how they had grown up from using codenames to show that they are dating men to being out and proud DC Comics creators. The comic is filled with snatches of conversations they had about relationships and even superhero oddities as they reflect on their friendship after the events in Orlando. Jimenez also excels at wispy, life drawing as well as superheroes, Amazons, and the Invisible College.

The queer DC Comics character that means the most to me is definitely Midnighter, and I was happy to see him featured in a couple of the Love is Love stories. The first one is by Dan DiDio and Carlos D’Anda and acts as a crash course in DC’s LGBTQ characters. It’s pretty amusing and features Midnighter and Apollo doing shots of tequila and getting on the dance floor with Batwoman as Renee Montoya snarks from the sides. The other one was my favorite story of the entire Love is Love collection from Tom Taylor, Emily Smith, and Michael Garland. Midnighter was angry after The Pulse shooting just like I was angry, and Garland punctuates his anger with a red background. He’s just punching aimlessly when Apollo shows up and says that he is not alone and will be safe with him. This kind of solidarity between queer people in the face of death and tragedy truly empowered me as Taylor makes good use of Midnighter’s vulnerable side that is the emotional center of Steve Orlando’s current work on his title.

Other highlights of Love is Love included Tom King and Mitch Gerads doing a rainbow-tinted Batman tale, Sterling Gates returning to Supergirl and writing about how she failed to save the day, married couple Amanda Seibert and Cat Staggs showing Batwoman comforting a child, whose mother died at The Pulse, and much more. There’s even a wonderful, yet vulnerable riff on Beauty and the Beast from Marguerite Bennett and Aneke where Bennett, and an LGBT-inclusive riff on DC’s old romance comics from project creator Marc Andreyko with art from George Perez, Karl Kesel, and Laura Allred.  A full list of collaborators on Love is Love can be found here, and I definitely plan on delving into their other work.

Love is Love is personal, beautiful, and tragic collection of comics that really affected me despite their being more “ally” creators than LGBTQ ones. I hope it will make the world a more loving and inclusive place even in the shadow of the election of two homophobes to the office of president and vice president.

As Batman says in King and Gerads’ story, “Today, I will get up. Today, I will face their hate… And I will again fight for my love.” Visual and verbal moments like that are why I love comics.

Story: Various Art: Various
Story: 9.5 Art: 10 Overall: 9.8 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review