Tag Archives: farrar straus and giroux

Dante N. Ferno is Not a Loser is a solid and entertaining book for middle grade readers!

Dante N. Ferno is trying to be a winner. Ever since his pants fell down in front of the entire school, Dante’s life has been nothing short of embarrassingly uncool. Never fear, once he starts sixth grade, Dante has a 100% fool-proof plan to become the Most Popular Kid at his new school:

  1. Completely reinvent himself.
  2. Make a ton of new friends and accept his nomination as their honorary leader.
  3. Become good at sports and win all the game things.
  4. Rub his newfound popularity in the face of all the haters he grew up with.

Sounds easy, right? Well, think again. Purg Middle School is full of infamous creatures from myths and legends, like the grim-reaper bus driver, Mr. Charon, and Dante’s angelic new friend, Virgil. Many of them won’t let Dante escape his beast of a reputation so easily.

By: Brian Gordon

Get your copy!

Bookshop
Amazon


Farrar, Straus and Giroux provided Graphic Policy with a FREE copy for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Tessa Hulls wins the Pulitzer for graphic novel Feeding Ghosts

Feeding Ghosts, A Graphic Memoir

The Pulitzer has a few ways to win for comic creators/cartoonists and most would think of political cartoons when thinking “comics” and that award. On Monday it was announced that Tessa Hulls had won a 2025 Pulitzer in “Memoir or Autobiography” for Feeding Ghosts, A Graphic Memoir, the second original graphic novel to win one. Art Spiegelman’s Maus was the first to win thirty-three years ago. Welcome to the New World won in 2018 for “Editorial Cartooning” and I Escaped a Chinese Internment Camp won in 2022 for “Illustrated Reporting and Commentary.”

An affecting work of literary art and discovery whose illustrations bring to life three generations of Chinese women – the author, her mother and grandmother, and the experience of trauma handed down with family histories.

Hulls’ graphic novel, almost 10 years in the making, follows three generations of Chinese women. Her grandmother was a journalist during the Communist revolution who escapes to Hong Kong but suffers a mental breakdown. The story is of Hulls’ grandmother, her mother, and herself as they attempt to survive. Its won numerous awards including the National Books Critics Circle John Leonard Prize, the 2025 Anisfield Wolf Prize, the Libby Award For Best Graphic Novel and the shortlist for the Carnegie Medal.

Hulls learned of the news will working at the Legislative Lounge in the Capitol building in Juneau. She started to receive calls and text messages congratulating her but she was busy preparing the daily special, beef stew and salmon Alfredo linguine.

It was state Rep. Justin Ruffridge who informed Hulls after looking up the news on his phone. Hulls still went about her day doing her job, a seasonal contract gig. Hulls wants to become an embedded comics journalist working with field scientists focused on climate change and ecological resilience, a job that doesn’t really exist, but we fully expect to see her will it into existence.

Feeding Ghosts, A Graphic Memoir is available through Bookshop, Amazon, your local comic shop or bookstore, and more.

(via Anchorage Daily News)

Visitations is an interesting read that gets rather frustrating by the end

Corey’s mom has always made him feel safe. Especially after his parents’ divorce, and the dreaded visitations with his dad begin. But as Corey grows older, he can’t ignore his mother’s increasingly wild accusations. Her insistence that God has appointed Corey as his sister’s protector. Her declaration that Corey’s father is the devil.

Soon, she whisks Corey and his sister away from their home and into the boiling Nevada desert. There, they struggle to survive with little food and the police on the trail. Meanwhile, under the night sky, Corey is visited by a flickering ghost, a girl who urges him to fight for a different world–one outside of his mother’s spoon-fed tales, one Corey must find before it’s too late.

Story: Corey Egbert
Art: Corey Egbert

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Bookshop
Amazon
Kindle


Farrar, Straus and Giroux provided Graphic Policy with a FREE copy for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Visitations is an interesting read that gets rather frustrating by the end

Corey’s mom has always made him feel safe. Especially after his parents’ divorce, and the dreaded visitations with his dad begin. But as Corey grows older, he can’t ignore his mother’s increasingly wild accusations. Her insistence that God has appointed Corey as his sister’s protector. Her declaration that Corey’s father is the devil.

Soon, she whisks Corey and his sister away from their home and into the boiling Nevada desert. There, they struggle to survive with little food and the police on the trail. Meanwhile, under the night sky, Corey is visited by a flickering ghost, a girl who urges him to fight for a different world–one outside of his mother’s spoon-fed tales, one Corey must find before it’s too late.

Story: Corey Egbert
Art: Corey Egbert

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Bookshop
Amazon
Kindle


Farrar, Straus and Giroux provided Graphic Policy with a FREE copy for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Weekly preview. A lot of graphic novels!

There are a lot of comics coming out every week to be covered. Check out some of what we’ll be reviewing and this is only the beginning!

This week’s reviews include:

  • All is Nat Lost (Scholastic)
  • Absolute Zeros (Little Brown and Company)
  • The Baker and the Bard (Feiwel and Friends)
  • Feeding Ghosts (Farrar Straus and Giroux)
  • Forsynthia: Rise of the Cupcakes (Paw Prints Publishing)
  • Making Friends: Together Forever (Scholastic)
  • Table Titans Club (Holiday House)

Feiwel and Friends, Scholastic, Little Brown and Company, Farrar Straus and Giroux, Paw Prints Publishing, Holiday House provided Graphic Policy with FREE copies for review

Weekly Preview! AfterShock, Plague, and Rock!

There’s a lot of comics coming out this week to be covered. Check out some of what we’ll be reviewing and this is only the beginning!

This week’s reviews include:

  • All My Friends (Farrar, Straus, and Giroux)
  • Almost American #4 (AfterShock)
  • A Diary of the Plague Year: An Illustrated Chronicle of 2020 (Metropolitan Books)
  • Pyrate Queen #4 (Bad Idea)
  • Search for Hu #5 (AfterShock)
  • The Walking Dead Deluxe #31 (Image Comics)

Farrar, Straus, and Giroux, AfterShock, and Metropolitan Books provided Graphic Policy with FREE copies for review

Weekly Preview! AfterShock, First Second, Valiant, and Farrar, Straus, and Giroux!

There’s a lot of comics coming out this week to be covered. Check out some of what we’ll be reviewing and this is only the beginning!

This week’s reviews include:

  • Beyond the Breach #4 (AfterShock)
  • Clans of Belari #4 (AfterShock)
  • Horse Trouble (First Second)
  • Marshmellow & Jordan (First Second)
  • Shadowman (Valiant)
  • Why is Everybody Yelling? (Farrar, Straus, and Giroux)

AfterShock, First Second, Valiant, and Farrar, Straus, and Giroux provided Graphic Policy with FREE copies for review

Review: Speak: The Graphic Novel

The recent revelations that have been hitting the news has taken over the news cycle at a rapid rate. The revelations I have been talking about is those of the #MeToo movement, one where hundreds of thousands of victims of sexual harassment/violence have spoken up about situations where sex was used as a means of intimidation. I can honestly say, I have friends who have had this happen to them, and not until recently, they felt somewhat comfortable to be forthcoming about what happened to them. This became even more prevalent, when Netflix adapted 13 Reasons Why, which help start the conversation around suicide, mental health, but also sexual violence.

The issue became even more tangible as real-life victims came out in droves and continue to this day, as they no longer had any reason to feel unsafe or to be silenced. As this was a culture that has been cultivated for centuries, an anachronistic behavior, that was commonplace which has been quietly accepted for fear of retaliation. Though it been recently public abhorred, this “monster under the bed” is still very present. Therefore, when I recently heard of Emily Carroll’s graphic adaptation of Laurie Halse-Anderson’s distressing account of living life after rape in Speak, it became essential reading.

We meet Melanie, a young lady starting her freshman year at Merryweather High, whose life has changed dramatically and one she suffers in silence. As she struggles to become invisible, everywhere she goes, at school, where the person who caused her harm, she sees every day and at home, where her parents are always at odds, her life feels like a living nightmare, one she must either endure or find a way to change. She eventually makes some new friends but also reconnects with some old ones, one who she thought had become too popular to know her. By book’s end, she becomes empowered, no longer demure and eventually confronts her attacker, in a near deadly conflict.

Overall, a book, that although written in the 1990s, is very relevant today, as the silences of sexual violence victims, have become even louder since the publication of this book. The story by Halse-Anderson is significant, melancholy and eventually inspirational. The art by Carroll feels very in tune with the story signifying the emotional highlights while capturing the protagonist’s existential dread and eventual rise. Altogether, a story that speaks to every victim of sexual violence, that shows readers no one should ever be silent when evil takes place.

Story: Laurie Halse Anderson Art: Emily Carroll
Story: 10 Art: 10 Overall: 10 Recommendation: Buy