It’s time to return to the Wastelands! Marvel Entertainment and SiriusXM have launched their newest original scripted podcast, Marvel’s Wastelanders: Wolverine. Marvel’s Wastelanders: Wolverine is the fourth installment in the “Marvel’s Wastelanders” audio epic, following the success of Marvel’s Wastelanders: Star-Lord, Marvel’s Wastelanders: Hawkeye, and Marvel’s Wastelanders: Black Widow. The all-new 10-episode series is written and directed by Peabody Award winner Jenny Turner Hall, with sound design by Michael Odmark and Daniel Brunell, and original music by Rhett Miller and John Burdick.
The series stars Robert Patrick as Wolverine, and features performances by Ashlie Atkinson (Kitty Pryde), Rachel Crowl (Red Skull), Isabella Ferreira (Sofia), Jennifer Ikeda (Rachel Summers), Justin Min (Justin), Clarke Peters (Professor X), Daniel Sunjata (Cyclops), and Carl Tart (Kevin).
Thirty years ago, Super Villains did the unthinkable, they won. After killing the Avengers, the X-Men, and nearly every other Super Hero, Red Skull assumed the office of President of the United States. Since that day, a traumatized Wolverine (Robert Patrick) has wandered in a daze of survivor’s guilt and self-loathing over his failure to protect his fellow X-Men and their mutant students.
Wolverine encounters Sofia, a young mutant in-hiding and vows to transport her into the safe hands of estranged former X-Men Kitty Pryde and Rachel Summers. When the Red Skull and his top lieutenant Crossbones frame Wolverine and escalate anti-mutant sentiment to dangerous new levels, our hero realizes that his only option may be to face Red Skull and his savage allies head on. But a shocking, terrible truth may destroy Wolverine first…
On the series, writer and director Jenny Hall says, “Fans are going to lose it over Robert Patrick as Old Man Logan! You cannot stop listening to his gritty timbre — he is Wolverine — and Logan’s story here will shock you to your core!” She continued, “From a directing standpoint, this series is epic — a lot of characters, settings, and action. I can’t wait for fans to listen to this series. I hope it’ll blow your mind, break your heart, and give you something to believe in.”
The series will initially be available exclusively on the SXM App and Marvel Podcasts Unlimited on Apple Podcasts. Episodes will be widely available one week later on Pandora, Stitcher, and all major podcast platforms in the U.S.
Spike Lee’s Da 5 Bloodsis a new Vietnam War movie classic, worthy of a spot among Apocalypse Now, Full Metal Jacket, and Platoon. These movies all stand on their own and are inherently different because Vietnam itself was so unlike conventional warfare. It quite simply resists a particular storytelling mold due to it being a very singular kind of conflict, a different species of war. For Lee’s movie to make it into that list it needed to honor that same level of uniqueness present in those other films. I can gladly say it overwhelmingly achieves this.
Da 5 Bloods follows a group of four black Vietnam War veterans that go back to Vietnam to look for a box full of gold they buried during a mission with the intention of retrieving it later on. The group is led by Stormin’ Norman, played by an intensely magnetic Chadwick Boseman, a leader/teacher figure that basically acts as the Bloods’ own war version of Malcom X and Martin Luther King.
The film alternates between flashbacks and the present time (where it spends the majority of its time), with no de-aging tech used for the four main guys during flashbacks. Boseman’s character is the only one that looks young in the flashbacks because he’s the only one who didn’t make it out of the war.
It was so refreshing not being distracted by any de-aging techniques, which made The Irishman such a frustrating watch for me. I couldn’t go five minutes at a time without asking myself why a another actor wasn’t cast in the role of the younger Robert DeNiro.
In fact, the decision not to make the four main characters younger digitally also plays into some of the film’s strongest themes: combat memory and PTSD. That the same actors played both past and present versions of their characters gave the flashbacks a tragic sense of remembrance that communicated the very rough reality of how combat vets never truly leave the war behind. It’s a constant thing that makes vets think their wars never really end (another theme explored in the movie).
As stated earlier, the story stays the great majority of its time in the present. Their final mission in Vietnam–the retrieval of the buried gold–brings with it discussions on reparations and why black soldiers specifically deserve what’s rightfully theirs due to fighting for an America that didn’t respect them nor acknowledged their sacrifices back on the homefront.
This theme stuck with the movie throughout, making sure it was a part of every discussion that took place between the four vets. Spike Lee makes the point come across even clearer with his signature cuts to archival footage of black protests and black leaders like MLK and Malcom X adding their two-cents on any given discussion, even if it’s in presence alone. It evokes a kind of continuity for the black soldiers, seeing in Vietnam a contradiction of the very idea of military service. Why fight when black lives are being disregarded back home? Why not find this gold and give it back to the people? These questions lie at the heart of the film.
Black Lives Matter discourses are also echoed throughout the film thanks to its aggressive focus on how black military service means an entirely different thing altogether when compared with white military service. This sets this particular Vietnam War movie apart from the others, making it so different and unique in its own right. Apocalypse Now, for instance, explores war as madness. Platoon goes for misguided leadership, the absence of order, and a complete lack of accountability in war. Full Metal Jacket approaches the war as a morally corrupt and senseless act of mass violence that’s too far gone for it to be redeemed. Da 5 Bloods is about how something as historically charged as race in America completely changes what soldiers fight for. How society treats these soldiers at home will determine how their war is fought on the battlefield.
In other words, America brings a multitude of Americas to war, each meaning something different depending on who you ask and what color their skin is.
Delroy Lindo’s character, Paul, best exemplifies all of these metaphors. Paul is the character that most visibly carries the trauma of war on his persona. He’s unstable, angry, and resistant to help from the other vets. He’s a challenging character to engage with, but the movie’s genius is often seen through him as we go from being frustrated with Paul to understanding why it’s been so hard for him to leave the war behind.
Lindo puts on a performance for the ages. He grabs the audience and pulls them in close to him whether they want to or not, but it’s all for a cause. Spike Lee entrusts him with his signature monologue sequences, in which an actor stares straight to the camera to address a problem head-on and without restraint. Lindo steps up to the challenge and gives a monologue that we should be discussing for years to come as it ruminates on what happens when a country asks its most oppressed communities to go to war in its name. The monologue ties in well with the opening scenes of the movie in which we see archival footage of Muhammad Ali explaining why he refused to serve in the Vietnam War is shown.
Actors Isaiah Whitlock Jr., Norm Lewis, and Clarke Peters all do a fantastic job stepping into the shoes of the other three vets. They represent a cohesive unit that also struggles with leaving the war behind while also representing what Vietnam meant to them through their own character arcs. Clarke Peters in particular always keeps up with Lindo’s intensity, playing the part of the moral compass without falling to the trappings of passing judgment on any of his friends. Jonathan Majors as Paul’s son also becomes a mayor player as his fractured relationship with his father manifests and changes as the movie progresses. To a point, he represents inherited trauma and how the war extends beyond the combat veteran’s experience to become a generational problem.
Da 5 Bloods is a powerhouse of emotion, politics, and black history that easily fits in with the Black Lives Matter movement currently voicing their anger on the streets today, but it never takes for granted that it’s first and foremost a Vietnam War movie. It’s important it doesn’t run away from that as the black experience in war has seldom been explored with the seriousness it deserves.
Vietnam War cinema in America has largely been dominated by white experiences of it. Spike Lee’s Vietnam War movie is invaluable because it sheds light on why it’s important everyone knows that not every soldier fights for their country for the same reasons. The color of a soldier’s skin dictates which version of America they’re fighting for, and they all differ on their definition of freedom.