Tag Archives: birds of prey

Harley Quinn: Birds of Prey and the Fantabulous Emancipated Comics Critics

Perfectly choreographed fights against sexists who had it coming! Does DC Entertainment‘s Harley Quinn: Birds of Prey movie keep the spirit of the beloved comics alive? From the comics to the big screen we’ve got an expert panel: 

Nadia Shammas is an Arab-American comic writer and native Brooklynite. She’s best known for being the creator of CORPUS: A Comic Anthology of Bodily Ailments and the author/co-creator of SQUIRE, a YA Middle Eastern fantasy set from HarperCollins next year. You can find her and her movie takes on Twitter https://twitter.com/Nadia_Shammas_

Véronique Emma Houxbois is a fiercely queer critic, cartoonist, and consultant hosting Read From the Rafters on YouTube as her drag persona Judith Slays. Named one of SyFy’s Most Influential Women in Genre 2017, her credits include Love is Love for IDW/DC, Critical Chips Volume 2 for Shortbox, and Called into Being: 200 Years of Frankenstein. https://twitter.com/EmmaHouxbois

Sara Century is a writer of short stories, articles about comics and film, and many, many zines. She is an artist, comic creator, and filmmaker as well as co-host of the weekly podcast Bitches on Comics. https://twitter.com/saracentury

Join us for:

  • New Yorkers’ opinions on Harley’s accent & parking in Gotham 
  • “Disaster capitalism, Spirit Halloween costume” Emma on some of Harley’s prior unfortunate looks
  • A chaotic neutral Batman and Robin 
  • Asking for more explicit conversation about why cops are pigs
  • How I define Harley’s real superpower

Birds of Prey Drops to Second While Joker Gets a Bounce

Birds of Prey

It’s a tale of two R-rated films based on DC properties at the weekend box office. Despite positive reviews and a push from fans, Birds of Prey continues to struggle at the box office.

With about a 48% drop, the film brought in an estimated $17.1 million over the three days and $19.6 million for the four days. That brings the domestic total to $61.7 million. Internationally, the film added $23 million from 78 markets, about a 46% drop. The international total now stands at $83.6 million for a worldwide total of $145.3 million. The film should be well profitable by the time its run is over but the film will definitely send Warner Bros. back to the drawing board. The film opens in Japan on March 20.

Joker

Joker continues to wind down its run but saw a bit of a boost going into the Oscars.

Over the past week, the film earned about $170,000 domestically which is a decrease from the $200,000 it earned over the previous week. It’s the same amount as of two weeks ago. The film’s total now stands at $335.3 million.

Internationally, the film added $600,000 over the week which is up from the previous week’s $500,000. It’s earned $737.4 million internationally.

The movie’s $1.073 billion is an amazing haul for a movie whose budget was just $55 million. It caps off a record-setting year for films based on comics.

The movie is currently ranked #11 in worldwide total for a comic adaptation. It’s about $8.4 million from passing The Dark Knight Rises and will crack the top ten at that point. It’s unlikely to do so but you never know.

When it comes to DC films, it’s a most interesting one. The film is marching along and it’s possible it will pass Aquaman‘s domestic total by the time its domestic run is over:

FilmStudioDomestic Gross
Wonder WomanWB$412,563,408
AquamanWB$335,061,807
JokerWB$335,251,773
Batman v Superman: Dawn of JusticeWB$330,360,194
Suicide SquadWB$325,100,054
Man of SteelWB$291,045,518
Justice LeagueWB$229,024,295
Shazam!WB$140,371,656
Teen Titans Go! To the MoviesWB$29,790,236

Joker has been doing quite well in international earnings where Warner Bros. has had issues in the past. Aquaman indicates a shift for the company and lessons seem to be continued with Joker.

FilmStudioInternational Gross
AquamanWB$813,100,000
JokerWB$737,400,000
Batman v Superman: Dawn of JusticeWB$542,900,000
Justice LeagueWB$428,900,000
Suicide SquadWB$420,500,000
Wonder WomanWB$409,283,604
Man of SteelWB$377,000,000
Shazam!WB$225,600,000
Teen Titans Go! To the MoviesWB$22,300,000

The film is now one of the most profitable comic film adaptations of all time. With a reported budget of $55 million, the movie has a 19.5x return so far. That’s the highest factor for any movie based on a comic beating The Mask which was the previous leader with a 15.29x factor.

The film hasn’t earned the most compared to the budget, that record is held by Avengers: Endgame. Despite a $356 million budget, that movie earned a “profit” of $2.442 billion. Joker has cracked the top ten though having so far earned a “profit” of $1.018 billion.


Here’s where 2019’s comic films stand as far as the actual numbers.

Total Domestic Gross: $2.368 billion
Total International Gross: $4.962 billion
Worldwide Gross: $7.330 billion
Total Reported Budgets: $1.289 billion
Total “Profit”: $6.042 billion

Average Domestic Gross: $236.8 million
Average International Gross: $496.2 million
Average: Worldwide Gross: $733.0 million
Average Budget: $128.9 million
Average Profit: $604.2 million

Below is where the films released stand when it comes to being compared to this year’s averages. The bold numbers are above average while those below average are not.

FilmStudioDomestic Gross
Avengers: EndgameBV$858,373,000
Captain MarvelBV$426,829,839
Spider-Man: Far From HomeSony$390,532,085
Joker WB $335,251,773
Shazam!WB$140,371,656
Alita: Battle AngelFox$85,710,210
Dark PhoenixFox$65,845,974
Dragon Ball Super: BrolyFUNamation Films$30,712,119
HellboyLions$21,903,748
The KitchenWB$12,180,032
FilmStudioInternational Gross
Avengers: EndgameBV$1,939,427,564
Spider-Man: Far From HomeSony$741,396,434
JokerWB$737,400,000
Captain MarvelBV$701,444,955
Alita: Battle AngelFox$319,142,333
Shazam!WB$225,600,000
Dark PhoenixFox$186,597,000
Dragon Ball Super: BrolyFUNamation Films$83,390,702
HellboyLions$18,882,732
The KitchenWB$3,700,000
FilmStudioWorldwide Gross
Avengers: EndgameBV$2,797,800,564
Spider-Man: Far From Home Sony $1,131,928,519
Captain MarvelBV$1,128,274,794
Joker WB$1,072,651,773
Alita: Battle AngelFox$404,852,543
Shazam!WB$365,971,656
Dark PhoenixFox$252,442,974
Dragon Ball Super: BrolyFUNamation Films$114,102,821
HellboyLions$40,786,480
The KitchenWB$15,880,032
FilmStudioGross-Budget
Avengers: EndgameBV$2,441,800,564
JokerWB$1,017,651,773
Captain MarvelBV$976,274,794
Spider-Man: Far From HomeSony$971,9285,519
Shazam!WB$265,971,656
Alita: Battle AngelFox$234,852,543
Dragon Ball Super: BrolyFUNamation Films$105,602,821
Dark PhoenixFox$52,442,974
HellboyLions-$9,213,520
The KitchenWB-$21,119,968
FilmStudioGross/Budget
JokerWB19.50
Dragon Ball Super: BrolyFUNamation Films13.42
Avengers: EndgameBV7.86
Spider-Man: Far From HomeSony7.07
Captain MarvelBV4.61
Shazam!WB3.66
Alita: Battle AngelFox2.38
Dark PhoenixFox1.26
HellboyLions0.82
The KitchenWB0.43

Sonic the Hedgehog Runs Into First with a Record

Sonic the Hedgehog

Sonic the Hedgehog raced into first place at the box office. Over the four days, the film earned an estimated $68 million. It’s the fourth largest Presidents’ Day opening ever. It may go even higher once the final numbers come in. For the three days, the film earned $57 million making it the largest three-day opening ever for a video game adaptation.

The film is doing well with reviews which point to a lot of gold rings in its future. The opening audience gave the film an “A” CinemaScore and the film has a 95% audience rating on RottenTomatoes. The film was 56% male with 70% aged under 25 years old.

The film launched in 40 markets earning an estimated $43 million delivering a weekend total over $100 million.

Birds of Prey dropped to second place with about a 48% drop. The film brought in an estimated $17.1 million over the three days and $19.6 million for the four days. That brings the domestic total to $61.7 million. Internationally, the film added $23 million from 78 markets, about a 46% drop. The international total now stands at $83.6 million for a worldwide total of $145.3 million. The film should be well profitable by the time its run is over but the film will definitely send Warner Bros. back to the drawing board.

Third place was a close one with Fantasy Island currently holding the spot with $12.4 million over the three days and $14 million over the four days. The film received a “C-” CinemaScore, a 9% critic rating on RottenTomatoes and a 45% audience score. The crowd was 52% female with 46% aged 25 or older. The film also launched in 35 markets with $7.6 million.

The Photograph was right behind that film with an estimated $12.3 million over the three days and $13.4 million over four days. The audience was 56% female and 64% were aged 25 and older.

Rounding out the top five was Bad Boys for Life which saw just a 6% dip and earning an estimated $11.3 million over three days and $12.8 million for the four days. It also added $11.1 million from overseas. It has now earned $182.8 million domestically and $187 million internationally and $369.8 million worldwide.

We’ll be back in an hour for a deeper dive into the comic films of 2019 and 2020.

Movie Review: Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)

Birds of Prey

If you go into Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) thinking it’s fanfic brought to life along with subpar cosplay costumes, cheesy dialogue, and gross misinterpretation of some of DC”s most iconic characters, then yes, the movie was good. If you go into the movie, thinking it should ONLY be called “The Fantabulous Emancipation of One Harley Quinn” or simply “Harley Quinn” instead of “Birds of Prey,” then yes, this was a good movie. If you are able to divorce the fact that you have been a fan of this particular comic series since 1998…if you are able to ignore the fact that there is no freakin’ Barbara Gordon as Oracle (you may remember her as the original pre-“New 52” Batgirl)…then yes, it was a good movie.

But let’s not call it “Birds of Prey”.

Sure, sure. I am aware of how they restructured the fan-favorite comic. I recall vaguely Harley Quinn is a member of the “New 52” version of the Suicide Squad. To be honest, I’m not sure how she ended up associated with Birds of Prey. Maybe when Poison Ivy, her bestie, joined the team? IDK. Even more reason for this movie to have its own title to focus solely on Harley Quinn. Because let’s face it: it was all about her emancipation and a motley crew of DC’s anti-heroines who were just along for the ride. And with all the said, I really enjoyed this movie more than I thought I would!

I don’t know what it was, but Margot Robbie seemed cooler as Harley Quinn than she did in Suicide Squad (which incidentally does not come anywhere close to how entertaining Birds of Prey was). She literally had me laughing out loud within the first few minutes especially when she was like “I’m telling the story the way I effin’ want to!” The more obvious attempts at humor like the Cheez Whiz and her getting super drunk or buying a hyena named Bruce was cute, but that didn’t tickle my funny bone. The more subtle humorous scenes made me bray like a donkey. Liiiike Harley jumping onto the driver’s legs, breaking them, then sitting on his lap and correcting him, telling him she has a Ph.D. (okay so maybe that was not meant to be subtle) or when she held the water with the huge cucumber in the bottle. But honestly, it was the egg sandwich with the possibly expired cheese that did it for me. Real tears. Y’all, she had real tears. And can I just say I literally exclaimed “yasss” EVERY TIME Harley was tearing up those kneecaps with aluminum baseball pats and sledgehammers? She was poetry in motion; violent gory poetry. And the lighter…! We got a chance to see her vulnerable side that finally sold me on Margot Robbie’s take on this hilarious epic character. The “Diamonds Are A Girl’s Best Friend” scene had me hype. So well done.

The rest of the cast was a mixed bag of nuts. And not the good kind.

I’ll start off with this: I am NOT a fan of when they change the ethnicity of a particular character. Especially ones you’ve grown up knowing and loving. With that said, I was not a fan of Jurnee Smollett-Bell being cast as Dinah Lance a.k.a. Black effin’ Canary. But what can you do, right? Also, I was not a fan of the changed origin. But I will give credit where it is due. Jurnee did a good job and the way she kicked some ass was reminiscent of the Black Canary I know and love. I mean, who else can fight like that while wearing stylish tight as hell pants? And she really can sing!

“They call me…Ramona Flowers”. Let me stop, haha. Mary Elizabeth Winstead as Huntress gave me mixed feelings. On one hand, Helena Bertinelli has been a fave of my since my teens so seeing her on the screen was nice. It would have been nicer if she actually, I dunno,  resembled her comic book counterpart? How are you going to go around assassinating people while wearing a Missy Elliot garbage bag poncho and no mask? She was like a lazy cosplayer. I’m sure the comic book version would have used the crossbow on the movie version. I must admit, she does redeem herself. Just a little too late.

Rosie Perez’s Renee Montoya actually surprised me. She was gritty, oddly funny, and true to character. She put me in the mind of Renee’s journey of redemption in 2006’s much-lauded “52” series. I actually sighed with relief when the movie touched on one major part of her character growth. And yes, that tied to the “52” book. I won’t say what it was. I won’t spoil. I’m not a savage. And may I add that Rosie Perez still looks amazing? She was certainly “fighting the power” in this movie. But there was no dancing like in Spike Lee’s “Do The Right Thing”.

And then there’s Cassandra Cain played by Ella Jay Basco. Cute kid. She was your average Forever 21 shopper specializing in early 90’s fashion. Like I said: cute kid. Only the Cassandra Cain we know used to run around in a featureless snitched Batgirl mask and kick some serious ass. We got none of that in this movie! She was a liability throughout the entire movie. If she was not so integral to the plot (stay with me) I would have dragged her by her arm cast to No Man’s Land myself.

Now for the “Big Bad”: Roman Sionis/Black Mask portrayed by the truly versatile Ewan McGregor. He was actually a delight to watch on screen. He was funnier than Jared Leto’s Joker without even trying. I loved his sense of style and his BDSM-esque art involving the black mask was appropriate. Also, I’m positive Chris Messina’s Victor Zsasz was secretly in love with him. He kept saying “eww” and “kay” which was hilarious. But honestly, McGregor has always had the singular talent of becoming whomever he played in a movie. This experience was no different. Birds of Prey is the better for it.

The film didn’t deserve the measly $33 million it grossed opening weekend. As stated before, I so thoroughly enjoyed the insane hijinks of this wildly unpredictable, satisfying, but fanfic-y take on Birds of Prey. I was prepared to go into this movie hating it, but it had the opposite effect. The non-linear storytelling, overall fun and engaging characters, and the fantastic fight scenes (especially when Harley was fighting solo) was something right up my alley. The camaraderie and sense of sisterhood and women empowerment was unmistakable and I’m totally here for that! I would love to see a sequel or spin-off movies. It’s deserving of that. Also, is there a post-credits scene? Yes and no. Go check it out. And let me know what you thought, puddin’.

Birds of Prey Debuts While Joker Continues to Roll in Cash

Birds of Prey

It was a tale of two R-rated films based on DC properties at the weekend box office. Despite positive reviews, Birds of Prey fell short with an estimated $33.3 million opening weekend. This was far below the studio’s expected $45 million.

This is despite good reviews, even from critics. The film received an 81% on RottenTomatoes and a 60 on Metacritic. Opening day audiences gave it a “B+” CinemaScore and audiences have given it an 83% score on RottenTomatoes.

The film’s audience was 51% female and 65% of the audience was age 25 or older. Theories blame the R-rating for the struggles but that’s easily blown out of the water by the earnings of Deadpool, Logan, and last year’s Joker. The latter film has earned over $1 billion at the box office with a similar budget. The fact it’s a female lead film is also debunked when one can point to Wonder Woman and Captain Marvel as recent successes.

Internationally, the film opened in 78 markets earning $48 million. Japan will be the final market and opens on March 20.

With a budget of $84.5 million, Birds of Prey should make its money back easily but the debut will surely get studios to rethink their future plans.

Joker

Joker continues to wind down its run but saw a bit of a boost going into the Oscars.

Over the past week, the film earned about $200,000 domestically which is an increase from the $170,000 it earned over the previous week. The film’s total now stands at $335.1 million.

Internationally, the film added $500,000 over the week down from the previous week’s $600,000. It’s earned $736.8 million internationally.

The movie’s $1.072 billion is an amazing haul for a movie whose budget was just $55 million. It caps off a record-setting year for films based on comics.

The movie is currently ranked #11 in worldwide total for a comic adaptation. It’s about $9.2 million from passing The Dark Knight Rises and will crack the top ten at that point. It’s unlikely to do so but you never know.

When it comes to DC films, it’s a most interesting one. The film is marching along and it’s possible it will pass Aquaman‘s domestic total by the time its domestic run is over:

FilmStudioDomestic Gross
Wonder WomanWB$412,563,408
AquamanWB$335,061,807
JokerWB$335,084,607
Batman v Superman: Dawn of JusticeWB$330,360,194
Suicide SquadWB$325,100,054
Man of SteelWB$291,045,518
Justice LeagueWB$229,024,295
Shazam!WB$140,371,656
Teen Titans Go! To the MoviesWB$29,790,236

Joker has been doing quite well in international earnings where Warner Bros. has had issues in the past. Aquaman indicates a shift for the company and lessons seem to be continued with Joker.

FilmStudioInternational Gross
AquamanWB$813,100,000
JokerWB$736,800,000
Batman v Superman: Dawn of JusticeWB$542,900,000
Justice LeagueWB$428,900,000
Suicide SquadWB$420,500,000
Wonder WomanWB$409,283,604
Man of SteelWB$377,000,000
Shazam!WB$225,600,000
Teen Titans Go! To the MoviesWB$22,300,000

The film is now one of the most profitable comic film adaptations of all time. With a reported budget of $55 million, the movie has a 19.49x return so far. That’s the highest factor for any movie based on a comic beating The Mask which was the previous leader with a 15.29x factor.

The film hasn’t earned the most compared to the budget, that record is held by Avengers: Endgame. Despite a $356 million budget, that movie earned a “profit” of $2.442 billion. Joker has cracked the top ten though having so far earned a “profit” of $1.017 billion.


Here’s where 2019’s comic films stand as far as the actual numbers.

Total Domestic Gross: $2.368 billion
Total International Gross: $4.962 billion
Worldwide Gross: $7.329 billion
Total Reported Budgets: $1.289 billion
Total “Profit”: $6.041 billion

Average Domestic Gross: $236.8 million
Average International Gross: $496.2 million
Average: Worldwide Gross: $732.9 million
Average Budget: $128.9 million
Average Profit: $604.1 million

Below is where the films released stand when it comes to being compared to this year’s averages. The bold numbers are above average while those below average are not.

FilmStudioDomestic Gross
Avengers: EndgameBV$858,373,000
Captain MarvelBV$426,829,839
Spider-Man: Far From HomeSony$390,532,085
Joker WB $335,084,607
Shazam!WB$140,371,656
Alita: Battle AngelFox$85,710,210
Dark PhoenixFox$65,845,974
Dragon Ball Super: BrolyFUNamation Films$30,712,119
HellboyLions$21,903,748
The KitchenWB$12,180,032
FilmStudioInternational Gross
Avengers: EndgameBV$1,939,427,564
Spider-Man: Far From HomeSony$741,396,434
JokerWB$736,800,000
Captain MarvelBV$701,444,955
Alita: Battle AngelFox$319,142,333
Shazam!WB$225,600,000
Dark PhoenixFox$186,597,000
Dragon Ball Super: BrolyFUNamation Films$83,390,702
HellboyLions$18,882,732
The KitchenWB$3,700,000
FilmStudioWorldwide Gross
Avengers: EndgameBV$2,797,800,564
Spider-Man: Far From Home Sony $1,131,928,519
Captain MarvelBV$1,128,274,794
Joker WB$1,071,884,607
Alita: Battle AngelFox$404,852,543
Shazam!WB$365,971,656
Dark PhoenixFox$252,442,974
Dragon Ball Super: BrolyFUNamation Films$114,102,821
HellboyLions$40,786,480
The KitchenWB$15,880,032
FilmStudioGross-Budget
Avengers: EndgameBV$2,441,800,564
JokerWB$1,016,884,607
Captain MarvelBV$976,274,794
Spider-Man: Far From HomeSony$971,9285,519
Shazam!WB$265,971,656
Alita: Battle AngelFox$234,852,543
Dragon Ball Super: BrolyFUNamation Films$105,602,821
Dark PhoenixFox$52,442,974
HellboyLions-$9,213,520
The KitchenWB-$21,119,968
FilmStudioGross/Budget
JokerWB19.49
Dragon Ball Super: BrolyFUNamation Films13.42
Avengers: EndgameBV7.86
Spider-Man: Far From HomeSony7.07
Captain MarvelBV4.61
Shazam!WB3.66
Alita: Battle AngelFox2.38
Dark PhoenixFox1.26
HellboyLions0.82
The KitchenWB0.43

Birds of Prey Stumbles But Still Takes First

Birds of Prey

Despite positive reviews, Birds of Prey fell short at the weekend box office with an estimated $33.3 million. This was far below the studio’s expected $45 million.

This is despite good reviews, even from critics. The film received an 81% on RottenTomatoes and a 60 on Metacritic. Opening day audiences gave it a “B+” CinemaScore and audiences have given it an 83% score on RottenTomatoes.

The film’s audience was 51% female and 65% of the audience was age 25 or older. Theories blame the R-rating for the struggles but that’s easily blown out of the water by the earnings of Deadpool, Logan, and last year’s Joker.

Internationally, the film opened in 78 markets earning $48 million. Japan will be the final market and opens on March 20.

In second place was Bad Boys for Life which earned an estimated $12 million in its fourth week bringing its total to $166.3 million domestically. Internationally, the film added $15.8 million to bring that total to $170 million and $336.3 million worldwide.

1917 continues to get award buzz as the film saw little drop earning an estimated $9 million to come in third. The film has brought in $132.5 million domestically. Internationally, it earned $15 million to bring that total to near $154.8 million. It launches in Japan, its final market, next weekend.

Dolittle is fighting for every dollar coming in fourth with an estimated $6.7 million. That brings its domestic total to just shy of $64 million. The film opened in the UK and France over the weekend helping to bring the international total for the weekend to $19 million. Internationally it has earned $94.7 million. It has yet to release in Brazil, Russia, Japan, and China.

Rounding out the top five was Jumanji: The Next Level which earned an estimated $5.5 million. Domestically, it has earned $298.5 million. Internationally, it added $3.3 million to its total from 58 markets to bring that amount to $470 million for a worldwide total over $768 million.

We’ll be back in an hour to take a deeper look at 2019 and 2020’s comic film adaptations.

Preview: Harley Quinn and the Birds of Prey #1 (of 4)

Harley Quinn and the Birds of Prey #1 (of 4)

(W) Amanda Conner, Jimmy Palmiotti (A/CA) Amanda Conner
In Shops: Feb 12, 2020
SRP: $5.99

DC Black Label Prestige Plus 8.5″ x 10.875″

The creative team that transformed Harley Quinn forever returns to shake up her world once more-and this time, the gloves are off! Harley Quinn has avoided Gotham City ever since she broke up with The Joker and found a home, and a kind of family, in Coney Island. But when she gets an offer she can’t refuse, she has no choice but to slip back into the city as quietly as she can, hoping to be gone before anyone – especially her ex – learns she’s been there. But for Harley, “as quietly as she can” is plenty loud… and before she can say “Holee bounty hunters, Batman,” The Joker’s sicced every super-villain in the city on her pretty ombré head-and the only team tough enough (or crazy enough) to come to her defense is the Birds of Prey! The foul-mouthed, no-holds-barred sequel to one of DC’s raciest runs is here! Get on board early, before we come to our senses!

Harley Quinn and the Birds of Prey #1 (of 4)

It’s Bad Boys for Life Three Weeks in a Row

Bad Boys for Life

Bad Boys for Life topped the weekend box office for the third weekend in a row. The film earned an estimated $17.7 million putting it near $150 million domestically after three weeks. Internationally, the film added an estimated $30.8 million to bring that total to $142.7 million. That’s a franchise-best of $290.8 million besting the second film’s $273.3 million worldwide in 2003.

1917 came in second place adding $9.7 million to its domestic total to bring that to $119.2 million. The film will likely do well at the upcoming Oscars where it’ll receive a nice boost. Internationally, the film added $20.9 million from 61 markets to bring that total to $129.8 million.

In third place was Dolittle which added $7.7 million. It also added $17.7 million from 63 markets internationally. The movie’s $55.2 million domestic total and $71.4 million for a worldwide $126.6 million after three weeks normally would be good but with a budget of $175 million, the film will have to fight to get there.

Gretel & Hansel debuted in fourth place with an estimated $6.1 million. The film received a “C-” CinemaScore and 20% on RottenTomatoes, so don’t expect it to light any fires over the next few weeks. The audience was 53% female and the audience was 73% aged less than 35 years old.

Fifth place may change when final counts are in. The Gentlemen earned an estimated $6.01 million while Jumanji: The Next Level earned an estimated $6 million.

We’ll be taking a deeper dive into this year’s comic films in an hour as we await 2020’s first comic adaptation in Birds of Prey which opens this week.

T-Shirt of the Day: Birds of Prey Names

Finnyproductions keeps it simple with this design that allows you to easily show off your excitement for the upcoming Birds of Prey film. Get it now so you can rock it on opening night!

Get it as t-shirt, hoodie, phone case, mug, and more!

You can order yours now.

This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site.

Birds of Prey Gets a Second Trailer

With less than a month to go, Birds of Prey has gotten a second trailer giving us a better idea as to what we can expect. Gotham’s worst brings out their best. Meet Harley Quinn, Black Canary, Huntress, Renee Montoya, and Cassandra Cain.

You ever hear the one about the cop, the songbird, the psycho and the mafia princess? Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) is a twisted tale told by Harley herself, as only Harley can tell it. When Gotham’s most nefariously narcissistic villain, Roman Sionis, and his zealous right-hand, Zsasz, put a target on a young girl named Cass, the city is turned upside down looking for her. Harley, Huntress, Black Canary and Renee Montoya’s paths collide, and the unlikely foursome have no choice but to team up to take Roman down.

Margot Robbie returns as Harley Quinn, alongside Mary Elizabeth Winstead as Huntress; Jurnee Smollett-Bell as Black Canary; Rosie Perez as Renee Montoya; Chris Messina as Victor Zsasz; and Ewan McGregor as Roman Sionis. Newcomer Ella Jay Basco also stars as Cassandra “Cass” Cain in her feature film debut.

Directed by Cathy Yan from a script by Christina Hodson, the film is based on characters from DC Comics.

Birds of Prey is in theaters February 7, 2020.

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