Category Archives: Reviews

Review: Black Panther Vol. 2 A Nation Under Our Feet

Black Panther is coming to theaters and we’re reviewing each trade paperback volume of the current ongoing series from Marvel! We continue with the second volume of, “A Nation Under Our Feet.”

Black Panther Vol. 2 A Nation Under Our Feet collects issues #5-8 by Ta-Nehisi Coates, Chris Sprouse, Karl Story, and Laura Martin. It also features Jungle Action #6-7 by Don McGregor, Rich Buckler, Klaus Janson, Tom Orzechowski, and Glynnis Wein.

Get your copy. To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon/Kindle/comiXology or TFAW

 

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Review: Shade the Changing Girl/Wonder Woman Special “Milk Wars Part Three”

It’s Wednesday which means it’s new comic book day with new releases hitting shelves, both physical and digital, all across the world. This week we’ve got the third part of “Milk Wars”!

Shade the Changing Girl/Wonder Woman is by Cecil Castellucci, Mirka Andolfo, Marissa Louise, Magdalene Visaggio, and Sonny Liew.

Get your copy in comic shops today. To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon/Kindle/comiXology

 

DC Comics​ provided Graphic Policy with FREE copies for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Review: New Super-Man and the Justice League of China #20

It’s Wednesday which means it’s new comic book day with new releases hitting shelves, both physical and digital, all across the world. This week we’ve got the New Super-Man and the Justice League of China!

New Super-Man and the Justice League of China #20 is by Gene Luen Yang, Brent Peeples, Matt Santorelli, Hi-Fi, and Dave Sharpe.

Get your copy in comic shops today. To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon/Kindle/comiXology

 

DC Comics​ provided Graphic Policy with FREE copies for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Ms. Marvel #27

Where we last left off, Red Dagger has now come into the fray as a few of Ms. Marvel’s supporting cast have taken up the costume to pick up the slack of defending Jersey City as Ms. Marvel herself is missing. All while an old enemy of hers returns and is up to his old tricks once again.

This current arc of Ms. Marvel deals with the fallout of an issue that came before this current arc. Kamala felt underappreciated that she was old news-not helped by Red Dagger coming to Jersey City himself. So despite saving a runaway train and Red Dagger saying Ms. Marvel saved the day as it was her plan to stop the train, the press ignored her in favor of him. As a result-feeling dejected, Kamala feels she should take a break. It’s basically classic superhero stuff especially for the Marvel universe. I mean, Peter Parker has gone through this before.

While the book starts off with Naftali and Alanna searching for her and a cliffhanger to those pages, the rest of the book concentrates on the, and this will be my nickname for them, the Ms. Marvelous Wannabe Group and Red Dagger now looking for Zoe as she and Harold disappeared and surprise, surprise via GPS on Zoe’s phone, they found her, as well as the villain of this arc as also surprise, surprise, it’s The Inventor. Sort of. It’s technically Gregory Knox, his creator but he’s taken up the mantle which, kind of does fit in with the Marvel Legacy thing in an odd way.

And dear lord, what comes next after the group shows up to rescue Zoe and Harold is the weird insanity I adore so much from this book. Aside from the usual bots the Inventor dishes out, we have a giant friggin’ turtle that ends up going on a rampage. It is glorious to behold. But characters come first though and the book still delivers. A touching scene where Zoe felt if she put on the costume to help others, it’d recapture the same magic but realizes it’s Ms. Marvel herself who can bring in the magic but that doesn’t stop Zoe from trying though. She still stands up the Inventor even when tied to a chair.

G. Willow Wilson‘s writing is still at its strongest especially with how the characters bounce off each other between Red Dagger, Zoe, Nakia, Mike and Gabe especially with how they try to take care of the situation as well as the ending. I’ll get to that in a bit. But yes, this arc so far is showing the book is staying strong with its supporting cast being the focus this time around and how they’re trying their best to defend Jersey City themselves. Think of it as if some people decided to impersonate the Powerpuff Girls to defend Townsville themselves. That’s the equivalent right there.

There’s also some nice touching moments between Nakia and Zoe especially when the latter sees that Nakia strongly cares for her and returns the favor along with a cute and funny moment of Zoe giving the peace sign underneath the rubble ton indicate she’s unharmed. How Zoe survived being stomped on by a giant turtle, I don’t know, it’s superhero books.

As for the ending, I don’t want to give it away because it is a very nice surprise especially to fans of this particular character but I will say, it’s not Bruno. I know fans want him back but it’s not him but I argue it’s somebody better anyway. And given the cover of issue 28, I greatly anticipate what comes next but it’s a nice carryover from one of the previous arcs.

Nico Leon‘s art is exceptionally well done. The art and colors especially gel well with Wilson’s writing from the facial expressions to the overall pacing. It all looks distinct from a lot of other superhero books and there’s just something very charming about how this was drawn overall. I can’t explain it, it just fits the book overall. It feels like excellent chemistry between author and artist.

If you’re a fan of Ms. Marvel already, this issue does not disappoint. The mystery of this current arc is well handled thus far and I’m eager to read what happens next. Check it out.

Review: Sideways #1

It’s Wednesday which means it’s new comic book day with new releases hitting shelves, both physical and digital, all across the world. This week we’ve got Sideways, part of the “New Age of Heroes”!

Sideways #1 by Kenneth Rocafort, Dan DiDio, Justin Jordan, Daniel Brown, and Carlos M. Mangual.

Get your copy in comic shops today. To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon/Kindle/comiXology

 

DC Comics​ provided Graphic Policy with FREE copies for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Review: The Death of Stalin

Written by Fabien Nury and illustrated by Thierry Robin, The Death of Stalin graphic novel is the story of a dictatorship plunged into madness. And it’s all based on truth. Joseph Stalin, the “Father of the People,” the man who reigned in absolute power over the people of Russia, had a stroke in the middle of the night on March 2nd 1953. He was declared dead two days later. Two days of fierce competition for the supreme power, two days that encapsulated all the insanity, the perversity and the inhumanity of totalitarianism.

The Death of Stalin would feel like a political comedic parody if not for the fact it’s based on real-world events. The story itself at moments feels too unbelievable to be real as events first role out surrounding the death of the world leader and then into the aftermath including his funeral and eventual power struggle for leadership. Nury and Robin put it together in a way where the story begins like a comedic farce with decisions having to be made by council and each decision leading to a realization that previous policies have made things more difficult. It feels like an Abbott and Costello routine in some ways and had me both laughing and in awe of the stupidity.

The details of Stalin’s death eluded me and I did some research after reading the graphic novel. While details are fudged here and there, the comedic beginning of the graphic novel is a solid set up for the tragic turn later on as the power vacuum leads to jockeying for control and power. Power corrupts and we see that on display here in power plays and deals that lead to double crosses. It’s a slide into inhumanity for individuals who were already far from it and we see how absolutely power corrupts absolutely by the end of it all.

The Death of Stalin is a gripping story and eventually will be turned into a film, where I am sure to the story will be entertaining with its interesting balance of humor and seriousness. That seriousness extends to the brutal nature of the regime and individuals that led to the deaths, imprisonment, and torture of so many. While not front and center we are reminded of that over and over as things shake out.

The art by Robin is interesting working really well for both aspects of the story. Each person is unique and distinct and there’s a stark blandness in a way that feels like the time and location it’s depicting. Juxtapose that with the little opulence that’s shown as well and you have a graphic novel that depicts dual stories, that of Stalin’s death and that of the disconnect with the leadership vying for control after it.

I had very high expectations going into reading this and came out the other side wanting to read it again and share it with more people I know. It’s a fun take on history that’ll have you researching what’s true and what’s close to the truth. But the key is, through all the weird, the story is beyond entertaining.

Story: Fabien Nury Art: Thierry Robin
Story: 9.0 Art: 9.0 Overall: 9.0 Recommendation: Buy

Titan Comics provided Graphic Policy with a FREE copy for review

Review: Avengers #680

Avengers_Vol_1_680

Avengers: No Surrender continues with the stakes upped between the death of Johnny Storm and the return of the Black Order! But they are Avengers and they will fight to the end.

Yes, Johnny Storm is dead, though what the hell is going on with Marvel Two in One is anyone’s guess but I assume dude gets resurrected anyway since, well, it’s comic books. In superhero books, no one stays dead forever and this technically has happened to him before anyway. However, it doesn’t stop this issue from having heart to it. Because the character who is hurting the most is Rogue. In the very first issue, at least in the All-New All-Different Marvel era, Rogue had dated Johnny Storm but remained friends and in the Jim Zub run, there were more scenes of the two conversing and it’s clear what chemistry they originally had. And the writers do a good job conveying that loss and how far she went and boy do they show how far she went between the narration and the issue’s big action scene.

I admit, I’m taking about Rogue out of bias given she’s one of my favorite Marvel characters but Rogue is extremely well written here and how far she has been developed in other books since. Out of the three writers of this event, I think Zub understands her the most. He gets her voice very well, her actions are understandable within the context of the book and gave a lot of time for her to shine, it is glorious to behold and I felt for her through and through. And given a particular panel that I’ll mention later, there is promise of where Rogue could possibly go. It’s also why I feel Rogue as an avenger is well deserved than her as a member of the X-Men as by placing her on the Avengers, she not only has new people and scenarios to interact with but what she could also learn from them and how she deals with it. Rogue is a leader and she makes for a compelling leader and Zub is a writer who understands that and expands on the idea especially since given what had happened previously, it’s very personal.

But the other Avengers get a good amount of panels themselves as well however. We have sad moments with Nadia Pym/Wasp, Beast (that is the older, blue furry Beast) and Wonder Man (and it’s fun seeing the two together anyway especially with that hug which got a delightful chuckle out of me just thinking about it) which give the book some extra emotion. You really do get the sense of comradely with the Avengers in this event-probably even than before with the other books. Mark Waid, Al Ewing and Jim Zub are among the writers who understand character and really nail the humanity of these characters hard whether they’d be at their lowest or at their most promising like the pages with Scarlet Witch and Brother Voodoo. Though, Voyager, okay, who she has a long story if you haven’t caught up yet but I will say, I don’t dislike. In fact, there is story potential with her but I don’t feel the connection with her and the other Avengers yet. I think she’ll need to be developed further as this event goes along or if she’ll appear in a future Avengers book after this one. She’s not a bad character, far from it but I just don’t get the sense of her emotional connection even with her origin but hey, that could change.

I’d say overall, writers Mark Waid, Al Ewing, and Zub don’t skimp out in that department and the action scenes. The panels of Rogue taking on Corvus Glaive are appropriately brutal. It’s like you can feel the punches Rogue is delivering-especially the final blow and panel of Rogue standing on top of him. It’s a striking image. Really, nothing about this story feels slow, forced or even off. It feels like there is a lot of cohesiveness involved in what’s going on and the ending while obvious if you saw the marketing, does have some good build up to it.

The art by Kim Jacinto fits the tone of the story with its clean but also shaded look. The art adds to the writing especially with the aforementioned panels with Rogue which elevated than what was on page. Hell, the colors even add to the story’s epic tone.

Avengers: No Surrender continues to entertain but also provide emotion to the proceedings. Characters like Rogue are allowed to shine and be developed further that it’s not a bad event book for these specific titles. I’d say check it out-even if you’re just noticing this story.

Review: Kick Ass # 1

Kick-Ass is back but Dave Lizewski, the earnest, bespectacled, nerd of days past is gone. In his place is Patience Lee, a black woman and mother of two who leaves the military only to find that her husband has abandoned her to pursue a musical career. Faced with few options and mounting debt Patience decides to rob a gang to provide for her family.

Mark Millar is a divisive figure in the comics industry. While many people adore his high concepts and cinematic storytelling others are revolted by the mean streak that runs through most of his work and his tendency to fall back on highly problematic tropes of disability, race, sexuality and violence, especially towards women. As a reader I’m highly conflicted since it was Miller’s run on Marvel’s Ultimate X-Men that brought me back into the comic book fold and it was his MillarWorld forum that nourished my resurgent fandom. I want to like what he does but, sadly, I didn’t much like this.

One thing you have to give Millar credit for on the original Kick-Ass was it’s realism. For all that it could be offensive, it still had a solid emotional core that was grounded in the experiences of a lifelong fanboy. It’s story of a young man  trying to make a difference in the world in the only way he could conceive how was at once poignant and pathetic and gave that book some value despite the worst of its creator’s excesses.

In this new book it feels like Millar has heard all the criticism about the lack of diversity in comics and tried to answer it. Unfortunately the result, while brilliant in concept, is sloppy in its execution. Patience feels less like a fully rounded character and more like a bucket full of cliches: a woman of color raising her kids alone because of a feckless spouse who has to turn to crime to make ends meet. He’s put a minority character into the spotlight but she’s never allowed to transcend the stereotypes of her race if not her gender (at least no one threatens to rape her in this first issue). Millar has veered so far out of his lane here that it feels like he’s gone right into oncoming traffic and that’s a shame because the idea of a veteran (and a female veteran of color at that) as a superhero is one that has a lot of potential for good storytelling.

One thing about which I can find no flaw here is the artwork. John Romita Jr continues to amaze and delight me with this new career resurgence he’s been on for the last year. His work, which felt boring and staid after too many years at Marvel, has come alive once again in his creator owned project and his work for hire at DC. He’s drawing like a much younger artist and the passion is evident where before there was a growing sense of a man who had been there and done that a thousand times before. This is Romita at his best, raw and unfiltered. The digital inks of Peter Steigerwald and Megan Madrigal keep his lines from straying and Steigerwald’s colors add to the comic’s already strong flavor of the cinema. It almost looks like you’re watching one of Netflix’s Marvel shows, an effect that I’m sure was intentional. Letterer John Workman is brilliant as always, with an understated hand for his craft that you can’t help but notice while you’re not noticing it.

Overall the new Kick-Ass is a mixed bag, a fumbled attempt at producing the kind of comic the industry needs with some really nice looking art. It might have been successful if Millar had bothered to delve a little deeper into the inner life of his protagonist and brought to light something that felt half as true as Dave Lizewski did at his best. He can do great stuff when he doesn’t try to outdo Garth Ennis in being edgy. I wish he would remember that.

Story: Mark Millar Artist: John Romita Jr
Ink: Peter Steigerwald and Megan Madrigal Lettering: John Workman
Story: 5.0 Art: 9.0 Overall: 7.0 Recommendation: Pass

Image Comics provided Graphic Policy with a FREE copy for review

Review: Captain America #698

Captain_America_Vol_1_698

When we last left Steve Rogers a.k.a Captain America, he had been hunted down by Kraven the Hunter under orders from Rampart and despite Cap’s efforts, he is caught and put on ice-literally.

So here’s the thing, Mark Waid and Chris Samnee took over Captain America from Nick Spencer (especially since this Waid’s second go around at writing a solo book for the character) after the whole Secret Empire event Spencer had set up since 2016. This book seemed to have started as a response or apology to the backlash where the character is now back to his roots while at the same time, tries to redeem the character for the readers who were displeased with Secret Empire.

And this is where things get interesting, the book starts out exactly as it does with Steve Rogers going on a redemptive road trip after the whole HYDRA Cap incident. And then he gets trapped in a black of ice and is then sent to the future. A dystopian future. That is a pretty big leap given how issue #696 started that I admit, I didn’t see coming but it did and it’s a curious direction.

Yeah, dear Steve once again is out of the ice (which, deja vu) and has now woken up to a dystopian future where the head of Rampart is now king. No more presidents, no more superheroes, no more law as we know it. It’s all run by this single jerk who wants to control everything. This book seems to be a response to the Trump administration and how it seems Waid is predicting where this country could go. And it’s not a bad idea and so far, I’m on board. Especially given the whole rebellion against rich monarchs plot where Cap joins in. It’s kind of an ideal scenario. Captain America was never about jingoism or sucking up to governments, the character always presents as we should aspire to be with our morals and Waid is still embodying that spirit, just with a different premise for the character.

In fact, I think this may be a solid Captain America as it goes on. There are no Avengers, no Sam Wilson or Bucky to help him, he has ordinary people like Liang and others as his comrades to help him fight against oppressive monarchies. And the rebels themselves are no pushovers, they still keep on fighting despite the odds against them. And with Cap on their side, they have a boost. Cap isn’t just a leader, he is a symbol of hope and given this country’s president promoting bigotry, hate and screwing over the lower class, we need to aspire to be like Cap and fight on against such oppressive forces.

Storywise, Waid does offer plenty of set up and intrigue especially given his choice of year for when Cap wakes up, that’s an interesting choice of year but I won’t reveal it. And really, nothing ever seemed forced. Everything just comes naturally especially one of my favorite scenes being a kid and his mother rescued by Cap himself just as a drone was closing in on them. There’s even a cute touch of him going along taking a picture with the kid. Given the circumstances, he suggested to take it quick but he obliged all the same but he wasn’t annoyed-even gave a smile too. Those single pages and panels feel like Captain America as he should be and Waid is extremely good at that. It just feels like Cap is Waid’s bread and butter as opposed to others he has written in the past.

New characters work well as much too like Liang, she’s a character people can relate to and her motivations and actions are understandable and she gels well with Cap himself. Liang is certainly promising among the Marvel universe’s stable of awesome women.

Chris Samnee’s art certainly helps matters with plenty of shading, looks pretty stylized that it fits the tone of the book Waid is going for and he stages the action scenes well enough, probably elevated the staging on what was written on page. Even his use of shadows works well to good effect especially given the colors look a bit degraded but again, fit the tone of the book Waid is going for. So it’s another Marvel book where it feels like the artist and writer are in sync with each other, neither feel contradicting to each other.

If you’re a fan of the character and looking for a return to form of sorts if you hated Secret Empire, this new arc, and this issue, is not a bad way to go with. Check it out!

Review: Death of Love # 1

Philo Harris is a man in love with the owner of a local coffee house. He buys her gifts, listens to her gripe about her boyfriend and occasionally pet-sits for her cat. Philo is a “nice guy” and not in a good way. After a night of hard drinking with some friends,  a mysterious stranger offers him some red pills to help his love life. Philo takes them and the next thing you know he’s in the bathroom staring down a very pissed off looking cherub with a bow and arrow.

Writer Justin Jordan is no stranger to gallows humor. It runs like a black thread through much of his catalog but Death of Love is the first time, to my knowledge, that he’s attempted a straight up satire and it works pretty well. While a lot of the laugh out loud moments are in-jokes for those who follow him on social media, Jordan has a fine grasp of the dark absurdity baked into his scenario and produces a piece of work that is more akin to the Coen brothers than it is to the Farrelly brothers. While it wears its point of view on its sleeve, the characters are fleshed out and compelling enough that it never feels like a polemic.

Artist Donal Delay is a relative newcomer to mainstream American comics but he’s the perfect collaborator for this project. His work here recalls Rob Guillory’s early issues of Chew with just a dash of Venture Brothers thrown into the mix. There’s a quiet confidence to his line and his layouts are interesting to look at in themselves without ever being distracting from the story. The first two page spread is also one of the most inspired pieces of mayhem I’ve seen for a long time: equal parts Quentin Tarentino and Chuck Jones. I predict we’ll see a lot of big things from him in the next few years as more people take notice of his obvious skills.

The colors (by Felipe Sobreiro and Omar Estévez) really help to set the scene. A different palette is used for every venue, and this is used to great effect to quickly ground the reader in the particular ambience of what is going on. Letterer Rachel Deering adds a touch of much needed subtlety with a few understated sound effects that actually force you to pay more attention to the edges of every panel lest you miss something. It’s a nifty trick and something I’ve never seen used by a letterer to help the artist.   

In a time when toxic masculinity has become a subject of regular discussion and female creators across all media come under regular attack for daring to even point it out, Death of Love is both a cogent and relevant critique of sexual relations wrapped up in what promises to be a brilliant (and bloody) farce. It is at once a great big middle finger in the face of Gamergaters, MRAs, “nice” guys and a valentine for everyone who despises them… or for anyone who just wants to see some angels cut down with a chainsaw.  

Story: Justin Jordan Art: Donal Delay
Color: Felipe Sobreiro and Omar Estévez Lettering: Rachel Deering
Story: 8.0 Art: 8.0 Overall: 8.0 Recommendation: Buy

Image Comics provided Graphic Policy with a FREE copy for review.

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