Category Archives: Reviews

Absolute Batman #20 is a nice piece of the puzzle but a bit overhyped as to what to expect

As the dust settles in the city of Gotham after the loss of [redacted], Robins enter the scene ready to hunt and more than one secret will be revealed in this seminal issue.

Story: Scott Snyder
Art: Nick Dragotta
Colors: Frank Martin
Letters: Tom Napolitano

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Zeus Comics
Kindle


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Transformers #32 is a bit of a clunker of an issue as the series begins to lose steam

Elita returns to Cybertron with a surprising new Autobot team – and their first mission is to defeat the Decepticons led by Shockwave.

Can an unexpected weapon turn the tide in their favor?

Story: Robert Kirkman
Art: Jason Howard
Color: Mike Spicer
Letterer: Rus Wooton

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics
Kindle


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Early Review: White Boat #3 wraps up the series focusing on the motivation of the super rich

White Boat #3

After learning the dark secrets of the mysterious island, Lee is left to decide if he wants to join these cosmic cultists or make a break for freedom. But when he’s unwilling to leave his metamorphic monster of a brother behind, he will make a fateful decision that might save their necks but doom the entire planet! White Boat #3 is an intriguing finale that feels like a mix of aspiration, condemnation, and monster horror.

White Boat has been an interesting series, a solid concept that feels like it’s far more complicated than it needs to be. Written by Scott Snyder, the series follows a reporter who has been trying to find out about White Boats, mega-yachts that the super-rich use. After finally being able to explore one, he was kidnapped and brought to a remote island. There we find out about a rich society, a cult that has existed for millennia working on “The Human Project.” Their goal is to bring about paradise, but as we learn in White Boat #3, their goal is a bit sinister underneath.

The series has had a mix of ideas behind it, a little Jurassic Park, a little Jim Jones, a little The Prisoner, it’s been an ever expanding mystery. White Boat #3 brings things together as Lee learns the truth of it all and has to make a decision if he wants to risk everything or live his life with the brother he thought he loss.

At its heart, White Boat #3 shines a spotlight on a story of the super-rich whose entire motivation is what benefits themselves, and themselves only. It brings the real world debate we have about the ultra wealthy and the hoarding of not just their money but their focus on only enriching themselves further instead of benefiting society as a whole. It’s a worthy concept to discuss and explore, and unfortunately it’s touched upon as motivation instead of a major discussion in the finale. There are some flaws in that finale beyond that. Lee takes what he’s told without any exploration or examination to see if claims are real. It’s a leap that needed to be justified in some other way to really understand Lee’s internal debate as to what to do. The issue about have been helped by adding a few more pages to flesh that and more out, decrease a slight choppiness, including an ending that feels like it’s a bit rushed to wrap things up nicely when a more nebulous and open ending could have been more interesting.

Francesco Francavilla‘s art is solid as expected. With color by Francavilla and lettering by Andworld Design, the comic has the horror/monster vibe that Francavilla shines. There’s some great panels and moments of coldness in the characters’ expressions or abject terror that drives home the situation. Overall, the art feels like it mines more classic monster horror than anything else, especially when things begin to unravel into chaos.

White Boat #3 is an interesting finale that wraps things up but overall feels a little rushed. It could have benefited from a fourth issue or at least an expanded third issue to flesh out some moments, motivations, and the actual ending. As is, it’s entertaining and has some great ideas and an interesting theme underneath, but it’s not the strongest release from this creative team.

Story: Scott Snyder Art: Francesco Francavilla
Color: Francesco Francavilla Letters: Andworld Design
Story: 7.5 Art: 7.5 Overall: 7.5 Recommendation: Read

DSTLRY provided Graphic Policy with a FREE copy for review


Pre-Order: Third Eye Comics

The Planet Hulk Marvel Premier Collection is a pretty solid new printing of the popular story

Betrayed by Earth’s heroes and exiled into outer space, the man-monster Hulk has landed on the distant planet Sakaar, ruled by the tyrannical Red King. Sold into slavery, Hulk becomes the Green Scar, the planet’s mightiest gladiator — but his new masters get more than they bargained for when he forges a bond of brotherhood with his fellow fighters: crafty insectoid Miek, the horrific Brood, wise rock-man Korg, shadow warrior Hiroim and noble-born rebel Elloe and her loyal guardsman Skee. Together, these gladiators start a revolution that could change their entire world — or destroy it. It’s savage sci-fi fantasy by award-winning writer Greg Pak, guest-starring the Silver Surfer!

COLLECTING: Incredible Hulk (1999) #92-105 and material from Giant-Size Hulk #1.

Story: Greg Pak
Art: Carlo Pagulayan, Michael Avon Oeming, Alex Nino, Marshall Rogers, Gary Frank, Aaron Lopresti
Ink: Jeffrey Huet, Michael Allred, Alex Nino, Tom Palmer, Jon Sibal, Danny Miki, Sandu Florea
Color: Chris Sotomayor, Laura Martin, Lovern Kindzierski
Letterer: Randy Gentile, Joe Caramagna

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics
Bookshop
Amazon


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Queer and How We Got Here: A (Personal) History is really entertaining and educational

More than a historical narrative, this story of queer identity interweaves the author’s personal history, showing queerness as both a community endeavor and deeply personal journey.

When Hazel was twelve years old, they came out as bisexual to their parents. At the time, they couldn’t have imagined who they are today: a nonbinary, transmasculine person in a loving queer relationship.

In seeking to understand their own history, Hazel takes readers on a parallel journey through queer history—from the origins of Western concepts of sexual orientation, to the synthesis of hormones, to the evolution of trans health care. They unpack the economic underpinnings of gender roles. They dive into the origins behind our concept of “coming out,” the history of “female husbands,” neopronouns, and the emergence of drag kings.

As Hazel grows and changes, so does their understanding of those who came before them, and the interweaving of both narratives gives the reader a powerful entryway into not just Hazel’s journey of self-actualization, but the queer community at large.

Story: Hazel Newlevant
Art: Hazel Newlevant

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Bookshop
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LB Ink provided Graphic Policy with a FREE copy for review
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Olivia Sullivan’s Oracles has great art and feels like a mix of graphic novel and poetry

Overwhelmed by the weight of everyday life, our narrator leaves the familiar and steps into the wild unknown.

From forests to deserts, oceans to mountains, each landscape reveals hidden truths that reshape their understanding of grief, healing, and who they are becoming. As they travel, sage creatures, whispering mushrooms that glow with memory, and churning whirlpools guide them through moments of fear, wonder, and quiet reflection. The journey becomes a deeper reckoning with loss―and a search for meaning in what remains.

With evocative artwork and lyrical, contemplative prose, this graphic novel charts a path from uncertainty to connection, and from being lost to finally being found.

Story: Olivia Sullivan
Art: Olivia Sullivan

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Bookshop
Amazon


Avery Hill Publishing provided Graphic Policy with a FREE copy for review
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Unicorn Boy and the Slumber Part of Doom! expands the world and has us excited for more

Brian Reyes always felt a bit different―even before growing a unicorn horn, discovering a talking muffin, and swallowing the ruler of the Underworld to save his BFF. So when he receives a mysterious invitation for a Unicorn-Only Sleepover, Brian wonders if these fellow magical creatures might help him make sense of his increasingly odd world. Held in an enchanted castle in the clouds, not everything at this glitzy, glamorous party is as it seems, and Brian will have to fend off increasing social anxiety, ignore the negative feelings in his gut, and stay true to himself if he’s going to survive the night!

With a wave of his magic pen, Dave Roman has created a cast of charming oddballs reckoning with normal, every day problems―you know, things like heroic destinies and the fate of all magic in the universe.

Story: Dave Roman
Art: Dave Roman
Color: Heather Mann

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Bookshop
Amazon


First Second provided Graphic Policy with a FREE copy for review
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Captain America #11 Delivers Some Awe as Armageddon Looms

Captain America #11

Steve puts aside his mission to protect Victor Von Doom’s ultimate weapon from both the U.S. and Latveria, which puts him on a dangerous collision course with RED HULK’S ALL-NEW, ALL-HULK strike team! But there are some wars not even Captain America can win… Captain America #11 delivers the sparks that feel like they really kick off the upcoming event, “Armageddon.”

With a major event that sounds like it’ll shake things up coming, I wanted to check out Captain America, one of the key series leading up to whatever’s happening. This issue sounded like it’s a key one as it focuses on whatever “ultimate weapon” Doom has left behind. Add in a confrontation between Captain America and the Red Hulk, the issue felt like it might be important. I can’t quite speak to that, but I can say it’s exciting, even if you haven’t kept up with what’s going on.

For those who grabbed Marvel’s “Comic Giveaway Day” release, you have a sense of what’s coming in “Armageddon.” Red Hulk has taken on the task to bring peace to the world and does so through tyranny, much like Doom recently did. There seems to be more to it, but we know who the villain likely is. The concept seems interesting, though also a bit of a retread of the recent “One World Under Doom.”

Written by Chip Zdarsky, Captain America #11 is part of the lead up to all of that with Captain America attempting to bring some order to the fractured Latveria but Red Hulk in this issue makes his move. The issue is packed with surprises and moments that feel like they’re tailor made for the big screen. And that’s what stands out in this comic, it feels like the moment just before all hell breaks loose and then the initial chaos of disaster.

Zdarsky does an excellent job of keeping things off kilter as Steve must figure out what to do about a clone of Doctor Doom that’s a kid and whatever mysterious package he has. Red Hulk sees a threat in this young Victor Von Doom, and we the readers are given a spin on “would you kill Hitler as a child to prevent what he does as an adult?”. But, this scenario is different as it’s a clone and not guaranteed to grow up to be the tyrant Doom was. Steve sees that while Red Hulk doesn’t showing a direct split in how they each view the world.

But, where the issue stands out is that disaster aspect. All hell breaks loose as the Red Hulk and his troops attack to bring order and take control of Latveria. It’s a moment of shock and awe with Steve doing what he can to protect the innocent and heroes coming in to do what they can to save the day. The moments stack up visually with many leaving you lingering on the page.

That’s due to the art of Valerio Schiti who gives us summer popcorn visuals. Schiti is joined by Romulo Fajardo Jr. on color and Joe Caramagna on letters. The trio come together to nail the art and give us epic moments. Red Hulk and his team descending on Latveria looks great. A certain hero coming in to save Steve nails the moment with the lettering emphasizing it all and really delivering the “fuck yeah” to a simple panel. It all looks great with a slightly ominous feel to it all but making sure to really emphasize and deliver the action.

Captain America #11 is a solid issue that’ll have you wanting to go back and check out Zdarsky’s run from the first issue. If this is what we can expect in the upcoming event, I’m here for it and where that ending leaves us, I want to find out what happens next. This is fun popcorn comics that deliver on the action, the awe, and the excitement.

Story: Chip Zdarsky Art: Valerio Schiti
Color: Romulo Fajardo Jr. Letters: Joe Caramagna
Story: 8.0 Art: 8.4 Overall: 8.15 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

Destination Kill #1 is Future Pop Action Rooted in Today’s Ills

Destination Kill #1

The year is 2125, and the all-powerful corporation Overcon uses its robot workers to pour our drinks and dispense our meds, all while rebuilding London’s Central City into a hyper-modern megalopolis bolted together in its own image. But as Overcon prepares to celebrate the first year of its Paradise Loop—a superfast transatlantic train that connects the Central City to New York in under 60 minutes—an unwieldy army of displaced human workers floods the streets with weapons, plotting an attack at the anniversary gala. Enter: Gina Serene, a stressed-out, pill-popping police detective in desperate need of a vacation and her ex-partner turned P.I., Lance Wingman—who are now the only thing standing between Overcon’s skyscraper-sized fist and the worker uprising that threatens to bring Britain’s capital crashing down around them. Destination Kill #1 takes us to the future for a story rooted in today’s economic and political climate.

Written by Joe Palmer, Destination Kill #1 is an interesting debut with a style about it that would feel right at home with something like 2000 AD or Heavy Metal. Set in the future, a corporation has taken over major cities and rebuilt them with robots. Those robots seemingly have displaced human workers who are fighting back against the corporate overlords. While we haven’t quite gotten to full scale assaults, the series feels like it’s rooted in the unease of today. Technology, particularly AI, is displacing workers adding to an already shaky economic reality.

At the center of the comic is a police detective, Gina Serene, who wants a vacation but gets dragged into the current conflict. There’s a rather interesting aspect to the comic with the center being a police officer, a position and job that today is met with skepticism and full of abuse. Serene does come off as a likely clean but flawed cop in a department where something is off. The police go overboard in their reactions and the response to the current rise of the workers feels odd overall. It creates suspicion but also lifts Serene up as a character we might be able to generally trust.

Palmer also provides the art the lettering and joined on color by Folasade Olaseni. The style of the comic has a bit like Simon Bisley’s work on Lobo and would fit neatly into 2000 AD or Heavy Metal like the general story. There’s something chaotic about the art that fits so well in a society that itself is melting down. The designs are intriguing in that the comic looks very futuristic but it doesn’t distract as well. There’s a lot of detail and work to give you an idea of the world but it’s done to help shape the world as opposed to really drive home the story itself.

Destination Kill #1 is a nice debut that’s entertaining and shows off a lot of potential. It has a rather kinetic and frenetic feel to it all as the story itself spins into chaos. It’s a solid read for those that enjoy futuristic stories with something to say about our current world, luckily it also entertains with madcap action.

Story: Joe Palmer Art: Joe Palmer
Color: Folasade Olaseni Letters: Joe Palmer
Story: 7.75 Art: 8.0 Overall: 7.75 Recommendation: Read

Oni Press provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

The Spectacular Spider-Man: Brand New Day #1 returns us to THAT time, but did we need to go back?

The Spectacular Spider-Man: Brand New Day #1

Revisit one of the most transformative periods of Spider-Man history with some of the creators who made it happen! Spider-Man discovers one of the most valuable items the Kingpin, aka Wilson Fisk possesses – THE LEXICON. This directory of the Kingpin’s criminal enterprise could destroy the criminal landscape of New York City, and that’s Spider-Man’s goal when he takes it. But Fisk isn’t the only person who wants the Lexicon… Mr. Negative would love his competitor’s secret information, but so would Frank Castle, A.K.A. THE PUNISHER. Taking the Lexicon sure seemed like a good idea to make the city safer, but it’s painted the biggest target ever on Spider-Man’s back! The Spectacular Spider-Man: Brand New Day #1 is the latest series that takes us back to a key time in a character’s history adding to it with an in-continuity tale.

Spider-Man is a character that I dip in and out of when it comes to the various series. He’s not a character whose adventures I’ve read for a long time, the exception being Dan Slott‘s Superior Spider-Man run. So, seeing Slott take on one of the more controversial periods for the character left me intrigued. I enjoy his writing and have liked his previous work for the character. But, while The Spectacular Spider-Man: Brand New Day #1 has its moments, overall it doesn’t feel like anything vital that had to be told.

The Spectacular Spider-Man: Brand New Day #1 isn’t bad, but it feels like the type of miniseries put together specifically to tie into something else going on, in this case the upcoming film Spider-Man: Brand New Day which also features the Punisher who is in this comic as well. The cynical part of me says that’s the driver of this series, as opposed to really adding to Spider-Man’s history in an interesting way that impacts the character today or something really original, it had to be done.

“Brand New Day” was a storyline post “Civil War” that had Spider-Man striking a bargain where everyone forgot who he was and it dealt with that aftermath. We see that in this comic with so many feeling like they remember Spider-Man unmasking but not who was under it. It does its best to catch readers up on what is a rather complicated storyline. Mephisto isn’t mentioned at all to keep it all simpler and reflect Peter’s memories of how things went down.

There is some aspects that are interesting in the comic though. The idea of Spider-Man having this book of crime and using to to break up major operations is actually an intriguing idea. Spider-Man working with the police to do so and leaving the criminals to the justice system while the Punisher would rather have a more permanent solution is also interesting. But, the comic feels like there’s little point to its setting in the timeline so far. It could happen at any point, for the most part, it being “Brand New Day” doesn’t feel like it’s mandatory other than tying into the upcoming film in another way.

The art by Marcus To is pretty good. He’s joined by Alex Sinclair on color and Joe Caramagna on lettering. Marcos Martin and Muntsa Vicente provide some art going over the rather complicated history. Visually, the comic looks good with some decent action. The art is crisp but lacks a certain flair to it that we’ve seen in other Spider-Man comics. Like the story itself, it’s fine but doesn’t really stand out as anything truly special.

The Spectacular Spider-Man: Brand New Day #1 isn’t a bad debut and for those that really dig the time period or character it could work. But, it feels like its primary focus is giving those who see the upcoming movie a comic they might be drawn to. In that case again, it’s not something that will likely hook those readers to come back or seek something else out. Overall, it’s a perfectly fine read that’s also rather forgettable, like Peter’s identity.

Story: Dan Slott Art: Marcus To, Marcos Martin, Muntsa Vicente
Color: Alex Sinclair Letters: Joe Caramagna
Story: 7.5 Art: 7.5 Overall: 7.5 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

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