Category Archives: Underrated

Underrated: Radiant Black (Not So) Secret Origin

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This is a column that focuses on something or some things from the comic book sphere of influence that may not get the credit and recognition it deserves. Whether that’s a list of comic book movies, ongoing comics, or a set of stories featuring a certain character. The columns may take the form of a bullet pointed list, or a slightly longer thinkpiece – there’s really no formula for this other than whether the things being covered are Underrated in some way. This week: Radiant Black: (Not So) Secret Origin.

I’m not the biggest fan of the Power Rangers, but I’ve always thought about picking up a trade or two to check out the comic series, but I never quite think of doing that when I’m actively looking for something new to read at the shop. A week or two ago, when I was reorganizing the backstock trades in the basement, my eye was caught by the cover of Radiant Black: (Not So) Secret Origin, and I quickly spun the book to check out the blurb, and the price. As it turned out, the book is one of those that Image publishes and prices low to encourage a person to check out the book (I mean at $10, you can’t really argue the value of getting six comics for the price of three or so). Now, I’m not going to regurgitate the blurb on the back of the trade, or write a summary in slightly different words, but I will just copy it directly from the publisher’s website because who doesn’t love to be efficient?

Visionary writer KYLE HIGGINS (Mighty Morphin Power Rangers, Ultraman) and artist MARCELO COSTA reinvent super heroes for a new generation! Nathan Burnett has just turned 30, and things aren’t great—he’s working (and failing) at two jobs, his credit card debt is piling up, and his only move…is moving back home with his parents.

But when Nathan discovers the ethereal, cosmic RADIANT, he’s given the power to radically change his fortunes…unless the Cosmic Beings who created them succeed in taking them back by any means necessary. Oh, and did we mention there’s a RED RADIANT who wants Nathan dead? The next must-read comic book series STARTS HERE.

Cloaked, on the surface, reminded me of the heroes that inspired Batman; the Shadow, the Spider and the Black Bat. Men who were mostly powerless and used handguns to dish out justice to criminals to varying degrees of lethality. This story takes the form of a man trying to discover the legacy of the city’s masked hero by hiring an ex-cop private eye to find out why the hero disappeared. It’s through this lens that we get glimpses of the hero’s activities during the years he was active, told through the people who knew him the most (which, given that he kept his identity very close, isn’t many).

The book is very much what it says it is; something that fans of Invincible and the Power Rangers will find enjoyable (or at least, those were the vibes I got most from the pages of the trade, but since I’ve not really read much of either of the names inspirations, I can’t really confirm or deny the statement). The only downside to the book is that it doesn’t really end… the final chapter is very much an origin story for one of the characters and not a final chapter which feels a little less than satisfying. If nothing else it encourages you to pick up the next book, and ultimately that’s what we’re looking for in a book; do I want to read the next book? And the answer is “oh yes.”

Join us next week where there will doubtless be another movie, series, comic or comic related thing discussed that is, for whatever reason, Underrated.

Underrated: Warhammer: Crown Of Destruction

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This is a column that focuses on something or some things from the comic book sphere of influence that may not get the credit and recognition it deserves. Whether that’s a list of comic book movies, ongoing comics, or a set of stories featuring a certain character. The columns may take the form of a bullet pointed list, or a slightly longer thinkpiece – there’s really no formula for this other than whether the things being covered are Underrated in some way. This week: Warhammer: Crown Of Destruction.

It’s often easy to discount Games Workshop based comics as little more than a generic cash in with little appeal beyond those who already play Games Workshop games such as Warhammer. As you may have guessed by this collection featuring in Underrated, that’s not always the case. 

Although I found this in a thrift shop for $2, I was utterly captivated by it from start to finish. I tell you the price I paid more to give an indication of what I was willing to pay based on the cover and blurb on the back, not because I want to brag about my find. Any higher a price and I probably would have left it on the shelf – though seeing as how it was with the kids books I may have at least moved it to the adult section. 

As I may have indicated, I went into this book with pretty low expectations on the story (though oddly I would have been surprised if the art wasn’t at the very least “pretty damn good”). But given that this four issue collection was written by Kieron Gillen, I probably should have had higher expectations than I did. Yes, it’s the third book in the series, no that didn’t bother me any.

Gillen’s story about disgrace, honour and cowardice is pure escapist fantasy, but it is solid and more than enjoyable. I loved the artistic direction of the book. Dwayne Harris, while not to everybody’s taste, encapsulates the visual feel I expected from a gritty comic that had some very loud 2000AD  echoes.

A lot of the folks I talk to at my LCS generally discount these comics as not being worth reading; and while they may not always be the best things you’ll ever read, they’re far better than most (including myself) give them credit for. That’s why I think these stories are Underrated. Next time a Warhammer comic looks interesting to you, check it out. You may find yourself enjoying it more than expected.

Join us next week when we look at something else that is, for whatever reason, Underrated.

Underrated: The Incredible Hulk

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This is a column that focuses on something or some things from the comic book sphere of influence that may not get the credit and recognition it deserves. Whether that’s a list of comic book movies, ongoing comics, or a set of stories featuring a certain character. The columns may take the form of a bullet pointed list, or a slightly longer thinkpiece – there’s really no formula for this other than whether the things being covered are Underrated in some way. This week: Incredible Hulk.

The Marvel Cinematic Universe started off with Iron Man in 2008. You all know that, I’m sure. Just as you know that the second film was Incredible Hulk, released just over a month later. Unlike the other Marvel movies, Bruce Banner is play by Edward Norton in this film, the actor’s only appearance as the jolly green giant. This movie is also slightly harder to find than the rest of the MCU movies because it’s the only one that Disney doesn’t own the distribution rights to, as Universal own the distribution rights to the Incredible Hulk – as well as first refusal on any Hulk movie (which is why you haven’t seen a Hulk movie since this one).

When I first saw this movie I remember thoroughly enjoying the near two hours I sat in the theater, thinking that Marvel had gone two for two with their opening salvo.

Back to the bullet points!

  • Don’t expect to see the humour from Mark Ruffalo’s Hulk. This movie has odd lighter moments, but for the most part it’s much closer to a straight action film featuring a very reluctant hero.
  • Edward Norton plays a very good Bruce Banner. The years of running and hiding are etched into his face and body – do I prefer him to Ruffalo? I don’t know – each man takes a very different approach to the character, neither of which I dislike.
  • Emil Blonsky. I haven’t read a lot of comics featuring Emil Blonksy or the Abomination, but the former marine’s decsent into a power hungry, uh, abomination felt quite believable as the movie progressed. You knew it was coming, it was never a surprise to anybody – except Thunderbolt Ross. But watching a slightly powered up Blonksy thinking he can go toe to toe with the Hulk is…. pretty awesome.
  • The Hulk looks awesome. I enjoy the look of the Hulk in the later MCU movies, but there’s something savage and raw about how this Hulk looks on screen.
  • The CGI holds up. Ten plus years is a long time in the world of technology, and the advancements are often noticeable in the films of yesteryear verses today. Not so here.

The movie does have its moments where it doesn’t quite measure up, though. The inherent charm of the early (and most of) the MCU movies is missing, but given that this is only the second movie that’s to be expected. the MCU hadn’t found its identity just yet. The chemistry between Liv Tyler’s Betty Ross and Edward Norton’s Bruce Banner is spotty at times, but it’s far from being a reason to avoid the movie.

There’s been a lot said over the years about the MCU, and a lot of people have, and will continue to, overlook this film because, they’ve heard it’s not as good as the rest of the movies released around this Phase in the MCU. It is. But as I mentioned before, it’s also harder to find; it isn’t on Disney+ right now, and I haven’t seen it on Netflix in awhile (bear in mind I live in Canada so this may be different for you).

Thankfully, I still have the DVD I purchased when the film first came out – one of only two MCU DVDs I have since I started going for Bluray with Iron Man 2. If you can find it, then it’s well worth checking out one of the most underrated movies in the Marvel Cinematic Universe.

Join us next week when we look at something else that is, for whatever reason, Underrated.

Underrated: Animosity Volume One: The Wake

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This is a column that focuses on something or some things from the comic book sphere of influence that may not get the credit and recognition it deserves. Whether that’s a list of comic book movies, ongoing comics, or a set of stories featuring a certain character. The columns may take the form of a bullet pointed list, or a slightly longer thinkpiece – there’s really no formula for this other than whether the things being covered are Underrated in some way. This week: Animosity Volume One: The Wake.

Animosity Volume One: The Wake

I’ve had this trade sat in my digital to-read pile for quite some time, and this week I finally got around to reading it. I could give you my take on the central premise, but it sounds so much better straight from the horses mouth (because I basically reworded this the first time I wrote the opening):

“One day, for no reason, the Animals woke up. They started thinking. They started talking. They started taking REVENGE. Collecting the first four issues of the best-selling series, plus the special one-shot issue ANIMOSITY: THE RISE. 

The world is plunged into chaos as the newly-intelligent Animals fight humanity, and simply fight each other, for their own life, liberty, and pursuit of happiness. In the midst of the turmoil is Jesse, an 11-year-old girl, and her dog, Sandor, who is devoted to her and her protection. One year after the incident, Jesse and Sandor begin a cross-country journey to find Jesse’s half-brother, Adam, who is living in San Francisco.”

To be honest I actually went into this series knowing only the bare minimum about it, so when the animals woke up I was actually taken aback by the entire thing. I know. The entire premise of the comic caught me off guard when it happened on the opening few pages of the story. It makes me laugh a little, too.

Centering around Jesse and her beloved dog Sandor’s relationship, and his overwhelming desire to protect her because she loves him. He’s one of the few animals not to hate humanity, and others who are still somewhat fond of humans are typically those who weren’t abused or mistreated in any way – and sadly, humans have done far too much of that in our time on this planet. Marguerrite Bennett‘s script is remarkable; she touches on the bigger impact of animals gaining sentience and the political and economical ramifications of this often in passing but with enough detail to answer some of the questions you’ll be having regarding food sources, population control… there’s a lot to set up in this trade, and for the most part the four issues of the main series collected here succeed in doing that.

There is a time jump that some may find jarring, but as with  any time jumps it will give us something to flash back to in subsequent trades and issues.

Artistically, Rafael De La Torre and Rob Schwager deliver. Their animals are able to convey the requisite emotions and atmospheric design needed to pull you from page to gorgeous page. Animosity‘s first volume is remarkably solid and enjoyable – and well worth checking out.

Join us next week where there will doubtless be another movie, series, comic or comic related thing discussed that is, for whatever reason, Underrated.

Underrated: The Astounding Wolf-Man Volume One

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This is a column that focuses on something or some things from the comic book sphere of influence that may not get the credit and recognition it deserves. Whether that’s a list of comic book movies, ongoing comics, or a set of stories featuring a certain character. The columns may take the form of a bullet pointed list, or a slightly longer thinkpiece – there’s really no formula for this other than whether the things being covered are Underrated in some way. This week:  The Astounding Wolf-Man

atounding wolf-man.jpg

Born from Robert Kirkman‘s desire to see comic books on the rack that are easily identifiable from the cover and the title, The Astounding Wolf-Man is a comic about a werewolf superhero. The complete twenty five issue run is collected across four volumes, all published by Image. The series originally ran in the mid 2000’s, culminating with the 25th issue in 2010. The Astounding Wolf-Man mixes the supernaturally traditional horror monsters (basically werewolves and vampires) in with the traditional cape and cowl crowd in ways that you may not have necessarily encountered before within the Marvel or DC universes. Kirkman establishes the existence of the monsters long before he does the heroes, which has the effect of grounding the world in the supernatural long before we see the heroes – so while the reader is used to and has accepted the existence of werewolves, the heroes are left to question the very nature of Wolf-Man much longer into the series.

The origin of Wolf-Man is told succinctly, with Kirkman never allowing the origin to feel overly drawn out or excessive – the story is well paced from start to finish, and it all begins with the origin.

Who is the Wolf-Man?

Gary Hampton. A man who was mauled by a werewolf while out camping with his family, and chooses to use his newfound powers for good by becoming a superhero. But there are dangers with being a heroic werewolf, both the physical reactions of those he confronts, and from the reactions of those around Gary Hampton. Kirkman stays true to the horror stories that have made him famous by injecting a touch of the emotional tension from The Walking Dead as the audience witnesses Wolf-Man’s world adjust to who and what he is.

Joining Kirkman in this venture is artist Jason Howard. Howard was a relative newcomer at the time of the series publication, but has gone on to work on Super Dinosaur, also with Kirkman, and Trees with Warren Ellis. His style throughout the comic reminded me a lot of Batman: The Animated Series in how the characters had a weight to them, and their kinetic energy as they dance their often violent dance across the pages of the graphic novel. Obviously, given the nature of the titular hero, one should expect a judicious use of red ink on these pages as Wolf-Man slices his way through various opponents of varying degrees of villainy.

So the question now, is why is this underrated? Because aside from it being an incredibly fun read, I hadn’t heard of it until I saw the collection on the used shelf at my local comic shop. It turned out that the fresh take on supernatural superheroes was far more entertaining than I had initially expected, and given the fame of some of Kirkman’s other work, I was a little surprised that the twenty five issue run ofThe Astounding Wolf-Man hadn’t gained any real stream before. 

If you get a chance to read this, then do so. You’ll find an Underrated gem just waiting for you.

Join us next week when we look at something else that is, for whatever reason, Underrated.

Underrated: Graphic Novel Biographies

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This is a column that focuses on something or some things from the comic book sphere of influence that may not get the credit and recognition it deserves. Whether that’s a list of comic book movies, ongoing comics, or a set of stories featuring a certain character. The columns may take the form of a bullet pointed list, or a slightly longer thinkpiece – there’s really no formula for this other than whether the things being covered are Underrated in some way. This week: Graphic Novel Biographies.

Biographies aren’t always the first thing you think  of when you think of graphic novels, and vice versa. But the thing is a graphic novel is a fantastic way to tell a person’s life story, or a portion there of, that isn’t often used as much as it could be. Graphic novel biographies are a wonderfully unique way of telling a story that you really can’t capture the same way with a prose book. By utilizing the graphic novel format, the creative team have the opportunity to bring the story to life with picture, or temper  the harshness of what the biography’s subject went through so that the reader can take more of the story in (seriously, imagine the first entry with realistic artwork). Or the artwork can tell give you a subtlety that’s missing in other mediums as you’re more readily able to spend time pouring over the images in front of you. Yeah, I think it’s safe to say that I think graphic novels are an underrated method of telling a biographical story.

So I present to you here a short list of graphic novel biographies. 

A few things before we start; firstly, these biographies are all told primarily in the graphic novel format, but they my not encapsulate  the entirety of the subjects life. Secondly, because I’ve got eclectic taste these selections may not be for everybody so be prepared for some potentially foolish claims. Lastly, this isn’t a complete, or inclusive, list and it is completely subjective.

Maus (Pengiun)
Lets’s be honest here, Maus is far from underrated as a comic book. It’s one of the prime examples of excellence in the medium, and for good reason; this is a book that tackles the harsh realities of life in a concentration camp, and is still every bit as relevant now as it it ever was. So its far from underrated as a comic, but as a biography? It’s not often thought of in that way, especially by non comics fans.  Granted, this book takes a spot in this weeks Underrated simply because it’s a graphic novel that really exemplifies the mediums power, but also because when those outside of comics think of a biographical tale seldom does a graphic novel crop up. It’s for this reason that Maus is on the list.

Andre The Giant: Closer To Heaven (IDW)
You don’t need to be a wrestling fan to appreciate this story, but I won’t deny that it helps. I am not a wrestling fan any more (though I still appreciate the talent these men and women have to do what they do), but I found Closer To Heaven is an incredibly touching tribute to a great man. A giant who entertained millions of people around the world, while suffering an incredible amount of pain because of his gigantism. Andre is a truly inspiring figure, and this is a fantastic way to honour his story. It’s not the only biography of Andre released in graphic novel form, but it is the only one that I have read.

Bill The Boy Wonder: The Secret Co-Creator Of Batman (Charlesbridge)
Perhaps the most powerful book on this list that isn’t Maus, Bill The Boy Wonder tells the story of Bill Finger, and his integral role in creating Batman that went largely known know, and entirely uncredited, until last year. This is a must read for any fans of Batman who want to know the true origin story of the caped crusader, and for those who want to read the book that helped Bill Finger get the recognition he deserves.

Dark Night:  A True Batman Story (Vertigo)
Telling the story of the night that legendary Batman writer Paul Dini was mugged, this book is honestly hard to read at times thanks to it’s frank and honest depiction of one man’s struggle to overcome one of the mot traumatic nights of his life, and how Batman inspired him to get back up.

March (Top Shelf Productions)
This is a bit of a cheat because March is actually a three volume graphic  novel that tells the story of congressman John Lewis, a congressman in the state of Georgia. Each volume in this series is amazing, and delivers to an incredible reading experience about an American icon. Brett has an incredible series of reviews on this modern classic that can all be found within the first paragraph here, so if you want to know why you should read these books then read those.

There we have it – some of the best of the graphic novel biographies. Not all are underrated in the typical sense as relates to this column, (Mausfor example is one of the most respected graphic novels around), but all are worth reading. There are without a doubt other graphic novel biographies that I missed, so there’s a good chance there will be a second (or third) part to this list eventually.

In the meantime, Underrated will return to highlight more comic book related stuff  that either gets ignored despite it’s high quality, or maybe isn’t quite as bad as we tend to think it is.

Underrated: Autumnlands: Woodland Creatures

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This is a column that focuses on something or some things from the comic book sphere of influence that may not get the credit and recognition it deserves. Whether that’s a list of comic book movies, ongoing comics, or a set of stories featuring a certain character. The columns may take the form of a bullet pointed list, or a slightly longer thinkpiece – there’s really no formula for this other than whether the things being covered are Underrated in some way. This week:  Autumnlands: Woodland Creatures

 Autumnlands: Woodland Creatures

A few weeks ago I wrote about the first volume of The Autumnlands  in this column (which you can find in a horribly typo filled post here because apparently I forgot to spell check). I was quite taken with the book, and remarkably surprised that I’d never come across the story before, and as I’m sure you’ve figured out, I picked up the second trade. This time for full price.

The second trade, Woodland Creatures picks up, with the aftermath of the bridge battle sending Dusty and Learoyd left abandoned on the ground as the rest of the citizens are rehomed.

Whereas the first volume touched on the divide of rich and poor in a class-based society, the second really drives home the differences between the magic users and the rest of the woodland creatures, culminating in a shocking and remarkably relevant commentary on the imposition of one’s will over another.

Slavery, class divide, religion, environmental damage and technological abuses are all touched upon here in a way that doesn’t come off as Kurt Busiek standing on a soapbox, but rather encouraging us to think about the world around us. Maybe something that seems impossible has a rather obvious solution when approached from a different angle.

If you’re looking for a fun fantasy story, then you will find what you’re looking for with the second volume in the Autumnlands saga. Without question, this is a top notch comic book. But like any great science fiction or fantasy series, the messages barely beneath the surface are more powerful and relevant for their seemingly innocuous delivery and framing within the confines of the story.

As with all great works of fiction, Woodland Creatures asks exactly as much of the reader as it needs to in order to encourage you become a better person. Yup. But as deeply as I have read into this book, and possibly far deeper than I should have, you don’t need to do that. This is a book that can be enjoyed solely as a great story.

Image has a vast library of great books, and while we’re still waiting on the third volume of the series, this book is worth reading now. Yes, there’s a set up for the following issue, and yes there are unanswered questions, but nothing that will haunt you long into the night (though the wait for the next chapter  will suck).

As with most books covered in this column, it’s a book I don’t see getting the love it deserves – that’s why the book is Underrated. Go read it now. You won’t regret it.

Join us next week when we look at something else that is, for whatever reason, Underrated.

Underrated: Autumn Lands: Tooth And Claw

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This is a column that focuses on something or some things from the comic book sphere of influence that may not get the credit and recognition it deserves. Whether that’s a list of comic book movies, ongoing comics, or a set of stories featuring a certain character. The columns may take the form of a bullet pointed list, or a slightly longer thinkpiece – there’s really no formula for this other than whether the things being covered are Underrated in some way. This week:  Autumn Lands: Tooth And Claw

In another case of “Alex bought something for Underrated without knowing anything about it beforehand,” we have The Autumn Lands: Tooth And Claw by Kurt Busiek, Benjamin Dewey, Jordie Bellaire and John Roshell of Comicraft. I had never heard of this series before spotting it at my LCS last week as I restocked the trade shelves (I’m not a nice person, they pay me to do it). Then this week a used copy came in, and I couldn’t turn down a half priced trade.

It didn’t take long for me to realize that $5 was an utter steal for this book. Within four pages I had become absorbed into this wonderfull world of anthromorphic animals, magic and class based society.

Autumnlands is published by Image, with the first volume being released in 2015 that collects the six issues released from November 2014 to June 2015. There was a second volume released in 2017 that collects the eight issues released from November 2015 to January 2017. As a person who only recently discovered the series, I can imagine that the less than frequent release date didn’t help garner Autumnlands much buzz – but I could easily be wrong here as it is entirely possible I just missed it. Like I missed the comics.

Magic is failing in the world, and a group of sky-city dwelling wizards want to bring back the Great Champion so that he can show them how to return the world’s magic. Only… the wizards didn’t bring back a savior, they snagged themselves a soldier. An effective soldier, but a soldier nonetheless. From anther world, or time, or dimension. Into this new world, then, the soldier finds himself embroiled in the politics of a city (or he would if he seemed to care about such things), and it’s through the uses of the types of animals that we can see a class-based commentary begin to form.

Although this is more a rule of thumb than specifically stated, meat eaters, generally, seem to be at the top of the hierarchy, while herbivors are (quite literally) at the ground level. There are exceptions to this, including a wizarding giraffe, however. But put the politics and commentary aside, and you still have a solid fantasy story about a hero who finds himself alone in a strange world who must somehow protect and save those who need him. Busiek delivers on multiple levels with this book, and it’s easy to see why there’s a cover quote telling us it’s his best work in some time.

Likewise, there’s also a cver quote extolling Benjamin Dewey’s art work, and rightly so, as he and colourist Jordie Bellaire deliver the second punch with their all out visual assualt. Rarely have I been so surprised by a book’s visual impact as I was when reading this.

Autumnlands: Tooth and Claw is fatastic, and I’d have been supremely happy with this at twice the price – I’m pretty sure my LCS has volume two (or they did when I put it on the shelf), so I’ll be picking that up this weekend, too. Volume one is going to set you backaroud $10 new, which is an astounding deal for six issues, let alone six issues of this quality. Autumnlands: Tooth and Claw is a really good read, phenomenl, even.

But as with most books covered in this column, it’s a book I don’t see getting the love it deserves – that’s why the book is Underrated. Go read it now. You won’t regret it.

Join us next week when we look at something else that is, for whatever reason, Underrated.

Underrated: Thrud the Barbarian

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This column is a rerun from late 2018. Enjoy!

This is a column that focuses on something or some things from the comic book sphere of influence that may not get the credit and recognition it deserves. Whether that’s a list of comic book movies, ongoing comics, or a set of stories featuring a certain character. The columns may take the form of a bullet pointed list, or a slightly longer thinkpiece – there’s really no formula for this other than whether the things being covered are Underrated in some way. This week:  Thrud the Barbarian

Another week, and yet another case of “Alex bought something for Underrated without knowing anything about it beforehand,” or it would be had Alex not received Carl Critchlow‘s Thrud the Barbarian  a few years  ago from the now defunct Comic Bento. Published by Titan Comics, the trade paperback collects the original Thrud the Barbarian five issue miniseries, as well as a couple of single page shorts from White Dwarf magazine, and was originally published in 2013. If you missed this when it first came out, don’t be surprised – I’m not sure it was ever released on a large scale outside Britain.

Thrud the Barbarian is what I’d consider a quintessentially British comic; it blends in equal parts the violence , chaos and destruction that one would expect from a Conan parody with the silliness and tongue in cheek humour that wouldn’t feel out of place in a Monty Python skit. But with a lot more smashed heads and limbs flying free of bodies. The Titan Comics collection consists of five stories that can be read independently of each other (seven if you’re counting the bonus strips), or in one go – which is what I did when rereading it recently.

Honestly, I reread it because I was reorganizing my bookcase and saw the cover again and wanted something fun, easy and not too deep or involved to read. Thrud was certainly that, and I loved every irreverent thought, every stunningly painted cover, and the computer coloured artwork. It was exactly the kind of book that I needed to read after a busy week, a book that I am glad I own, and one I am even happier that I noticed on the shelf.

Thrud2

As a fan of heroic fantasy books, I loved Critchlow’s send up of the genre; the visualization and sight gags and some brilliant punchlines across all the stories in in the collection. I loved every aspect of this book; the sound effects, the dumb-as-a-post hero just wants his beer and the cartoon-like hyper violence that ties it all together in such a lovely package.

Without a doubt this is one of my favourite books I’ve ever written about for this column, even if I did forget I owned it for a little while.

And yet, had it not been for the Bento box, I would never have heard of this book. Which is easily one of the best aspects of the online blind box subscription thingies – the introduction to new and exciting books and comics you otherwise would never have been exposed to. Consequently, this is a book I don’t see getting the love it deserves – that’s why the book is Underrated.

Join us next week when we look at something else that is, for whatever reason, Underrated.

Underrated: (Your Favorite Comic) Animated Series

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This is a column that focuses on something or some things from the comic book sphere of influence that may not get the credit and recognition it deserves. Whether that’s a list of comic book movies, ongoing comics, or a set of stories featuring a certain character. The columns may take the form of a bullet pointed list, or a slightly longer thinkpiece – there’s really no formula for this other than whether the things being covered are Underrated in some way. This week: Animated Series

I woke up stupidly early this morning, and as I sat on the couch waiting for the kettle to boil ignoring my cats I realized that when I was a kid I would often be up at this time willingly for one reason and one reason only: cartoons.  I’ve always felt that superhero cartoons were somewhat looked down upon when I was younger, and while that may not be the case now, that still means there’s a wealth of animate superhero adventures out there that may not have the same cult following as Batman: The Animated Series.

And yes, I’ll use cartoons and animated series interchangeably.

A few things before we start; firstly, these animated series may not be strictly underrated, but rather they may not be fore front on your mind any more. Secondly, I’ve got eclectic taste so these may not be for everybody so be prepared for some potentially foolish claims. Thirdly, these cartoons are all upwards of five or more years old. Lastly, this isn’t a complete, or inclusive, list and it is completely subjective.

X-Men: The Animated Series
Debuting in the early 90’s, this show has one of the greatest opening theme tunes of any cartoon before or since. Perhaps not solely responsible for my love of comics, and despite it being slightly over shadowed by some more modern cartoons, it remains to this day one of my most fondly remembered cartoon versions of an X-Men comic.

Spider-Man: The Animated Series
Spider-Man, Spider-Man… the theme tune here was my ring tone for years. What’s more impressive is that I had to actually compose it using the Nokia phone’s number pad. That this was also a brilliantly enjoyable TV show that provided numerous hours of enjoyment is a happy after thought. 

The Batman
Okay, so nothing will ever compare to the Batman: The Animated Series, but this short lived cartoon was pretty enjoyable. A young Batman finding his way in Gotham City gave this show a very Batman Begins like feel without the gritty realism; it was a fun look into the Caped Crusader’s early years. Oddly significantly better than Gotham, a much darker live action TV show released years later.

Defenders Of The Earth
The first time I was ever exposed to the Phantom was with this cartoon (get your mind out of the gutter), and he’s been one of my favourites ever since. This may not hold up as well now as some of the others from that era, but I’ll always remember it fondly.

There we have it – a mere handful of underrated animated comic book adaptations that I was thinking of over my morning cup of tea. There are undoutedly more cartoons influenced by comics that are worth watching, so there’s a good chance there will be a second (or third) part to this list eventually when I’m not reminiscing over bygone years.

In the mean time, Underrated will return to highlight more comic book related stuff  that either gets ignored despite it’s high quality, or maybe isn’t quite as bad as we tend to think it is.

Until next time!

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