Alex and Joe are joined by Rhode Island’s Own Peter Griffin to talk about AEW Full Gear.
You can reach Alex and Joe can be found on X respectively @karcossa and @FirstRonin4 if you feel the need to tell them they’re wrong individually, or by email at ItsThose2Geeks@gmail.com.
This is a column that focuses on something or some things from the comic book sphere of influence that may not get the credit and recognition it deserves. Whether that’s a list of comic book movies, ongoing comics, or a set of stories featuring a certain character. The columns may take the form of a bullet pointed list, or a slightly longer thinkpiece – there’s really no formula for this other than whether the things being covered are Underrated in some way. This week: Alphabetizing comics
As I was sat down trying to think of something to cover for this week’s column, I realized I hadn’t really read much this week other than the comics I’ve already reviewed or written a column about. Maybe you’ve seen the and, maybe you haven’t, but I didn’t want to retread the same comics here, regardless of whether they fit the theme or not. Which left me in a bit of a pickle as I really didn’t have any thing up my sleeve and I wasn’t particularly keen on rerunning a column from yesteryear.
It was then I realized that one of the biggest frustrations I have when looking at dollar bins in comic shops is the lack of alphabetization of the comics. I don’t expect much; my LCS has the dollar boxes separated out by letter, but doesn’t bother to make sure it’s 100% perfectly sorted because that’d be a loosing battle. But there’s at least some semblance of order there that enables customers to find the letter they’re looking for and then flick through looking for a good deal on X-Men or Batman comics. But when they’re thrown in the boxes willy nilly? Yeah, that sucks.
I get it, though. As a person who has to restock dollar boxes, I can tell you it is far easier to just dump them in and let the customers hunt. But what’s easier for me does not make for a good business practice in the long run.
For example, my wife and I stopped in at a shop a few months ago in a city we don’t visit all that often. In fact it was only the second or third time I’ve been to that specific shop in that city because the opening hours aren’t always compatible with the time and day we’re in said city. I digress. We stopped in the shop, and she was expecting me to go digging, which I did, and I knew she’d look for a bit before she eventually lost interest in the hunt (indeed, she actually found me a couple of absolute gems in their Free For The Taking box). She’s not a huge comic fan, and is certainly not fond of rooting through dollar boxes. Which allows me to circle back to my point; because the ten long boxes weren’t alphabetized, I had to look through each and everyone to find the hole-filling books for the series I was looking for.
And I did.
While I did find quite a lot of comics to plug the holes I was looking to fill, it irked me a little that I found an issue of X-O Manowar next to Moon Knight and Detective Comics. Rifling through those boxes left me less time to go through the other boxes, shelves and what have you that inevitably had a higher price tag (I always start in a dollar bin when hunting in a shop because you never know if the owner is using those to clear overstock of a book he’s got for $5 in marginally better condition). In this specific case the lack of alphabetization potentially cost the store further sales of more expensive product. I say potentially, because I don’t know if I’d have actually found anything else to pick up.
Alphabetizing, especially for stores, is a cheap and easy way to potentially increase sales. If nothing else, it also makes you look organized. Hence why it’s an appropriate subject for today’s column.
Unless the comics industry ceases any and all publication look for a future installment of Underrated to cover more comics that aren’t cracking the top 100.
We’re going back to early 2018 to revisit an old column this week, because if you listen to Those Two Geeks, then you’ll understand why this comic was so loved.
This is a column that focuses on something or some things from the comic book sphere of influence that may not get the credit and recognition it deserves. Whether that’s a list of comic book movies, ongoing comics, or a set of stories featuring a certain character. The columns may take the form of a bullet pointed list, or a slightly longer thinkpiece – there’s really no formula for this other than whether the things being covered are Underrated in some way. This week: Ivar, Timewalker
My comic shop recently got the deluxe hardcover edition of Valiant’s Ivar, Timewalker in on a special order for yours truly, which collects the entire twelve issue run in one place for $40. You can also pick up the series in three softcover trade paperbacks, if you’re so inclined, but I’ve become partial to the oversized hardcovers (especially because of the bonus material in the back, but then I love that stuff). I had already read the final four issues of the series long before I started reading the hardcover, which some would think would be foolish, but when you’re reading a book about time travel then it suddenly becomes less foolish.
In order to give you a bit of context, you’ll find the preview text for the series below.
“At this very moment in Geneva, Switzerland, history is being made. A thousand meters underground inside the Large Hadron Collider, researcher Neela Sethi is about to discover time travel – and jeopardize her life in the process. But she doesn’t know that yet. Ten minutes from now, every deadbeat chrononaut, wannabe conqueror, and misguided protector of the timestream will be banging down her door. Good thing that the legendary Ivar, Timewalker, got there first…right? Now it’s down to history’s most jaded, most tempestuous time traveler to stop the worst of everything that is, was, and will be…before time runs out!“
The series was written by Fred Van Lente, who was joined by Pere Perez, Francis Portella and Clayton Henry with Robert Gill, the first issue being released in January 2015, with the final issue coming in December of that year. The twelve issue series is one of the more underrated offerings from Valiant Entertainment, as many people don’t tend to think about Ivar, Timewalker when talking about the great comics to have come from this publisher – myself included.
As a story about time travel, Ivar, Timewalker is a series that rewards multiple readings – indeed, you could reasonably start at the beginning of any of the three arcs within the series, though this is admittedly more difficult to do with the deluxe edition than the single issues or the trades. Van Lente put together a story that will leave you with as many questions as it will provide answers with an intelligent script that effortlessly blends a heartbreaking story of loss, hope and determination with a sly wit that will have you laughing out loud more often than you would expect in a series that, technically, isn’t a comedy.
Time travel, and effects travelers can have on history are touched on, and often provide some interesting flashes to a story that at its heart is a tale of two incredibly different people; Ivar himself, and Neela Sethi – the scientist who will invent time travel. For as fantastical as the scenery is in this series (and thanks to the artists, it truly is phenomenal), the true draw is the relationship between the two leads.
And that relationship is why you need to read this wonderful story at least twice. I didn’t realize how good this book was when I first read it, and I dare say it’ll only get better with time. Pardon the pun.
Time travel has never been so wonderful.
Join us next week where there will doubtless be another movie, series, comic or comic related thing discussed that is, for whatever reason, Underrated.
Alex and Joe talk about the recent AEW Collision recording that Joe had recently attended.
You can reach Alex and Joe can be found on X respectively @karcossa and @FirstRonin4 if you feel the need to tell them they’re wrong individually, or by email at ItsThose2Geeks@gmail.com.
This is a column that focuses on something or some things from the comic book sphere of influence that may not get the credit and recognition it deserves. Whether that’s a list of comic book movies, ongoing comics, or a set of stories featuring a certain character. The columns may take the form of a bullet pointed list, or a slightly longer thinkpiece – there’s really no formula for this other than whether the things being covered are Underrated in some way.
This week: Snow, Glass Apples.
We all know the story of Snow White at this point. Whether that’s from the Disney version, the original Grimm Brothers story, or one of the other iterations released over the years, I would be surprised if you didn’t have some level of familiarity with the story, so I won’t bother to recap or copy and paste a synopsis here because it’s ultimately a moot point.
Neil Gaiman clearly assumes the same, as Snow, Glass, Apples builds upon that innate knowledge of the fairytale by telling the story from the perspective of the Evil Queen. Originally conceived as a short story in 1994, the book I read this morning was adapted from that story, and fleshed out with illustrations by the fantastically talented Colleen Doran.
I’m not entirely sure if I’d classify this as a graphic novel or an illustrated novel, and ultimately it’s a moot point because I enjoyed the shit out of how the words and art interplay across the page.
There’s more of a classic art style to the book, and while it wouldn’t be my cup of tea in, say, a Wolverine story, it’s perfectly suited to the reinterpretation of a classic fairytale.
I featured Snow, Glass, Apple this week not because I think Neil Gaiman or Colleen Doran are an underrated pair of creators, but because this is the kind of book that can easily be missed or skipped over by those who don’t feel the strike of curiosity as they see the cover, and that’s a shame. This is a solid book, and I’m glad my LCS added it to the list of things that they recommended to me.
Join us next week when we look at something else that is, for whatever reason, Underrated.
Alex and Joe decide to talk about their favourite horror and Halloween movies.
You can reach Alex and Joe can be found on X respectively @karcossa and @FirstRonin4 if you feel the need to tell them they’re wrong individually, or by email at ItsThose2Geeks@gmail.com.
This is a column that focuses on something or some things from the comic book sphere of influence that may not get the credit and recognition it deserves. Whether that’s a list of comic book movies, ongoing comics, or a set of stories featuring a certain character. The columns may take the form of a bullet pointed list, or a slightly longer thinkpiece – there’s really no formula for this other than whether the things being covered are Underrated in some way. This week: the Dark Horse Comics’ hardcover collection Beasts Of Burden: Animal Rites.
I’m willing to bet that a lot of you have never heard of this set of stories. Until recently, I hadn’t either.
A few months ago, the proprietor of my Local Comic Shop told me that I should read a hardcover graphic novel called Beasts Of Burden. It was still shrink wrapped, so I had no idea what is was about other than it featured talking cats and dogs, and that it was apparently right up my alley. It took me almost two weeks before I finally caved and plonked down the $25 for the comic, an another week before I removed the shrink wrapped outer cover.
Upon cracking the cover and reading the small print (I like knowing what issues have been collected…) I found out that Beasts Of Burden Animal Rites collects eight stories from the series first appearance in the Dark Horse Book Of Hauntings released in 2003 to the first four issue miniseries from 2009, and tells the story of the pets of a sleepy neighbourhood called Burden Hill, and the adventures they get up to while their owners are asleep or at work. Beasts Of Burden: Animal Rites may look like it’s geared toward a younger audience based on the colourful artwork adorning the pages of the trade, but there’s a distinctly mature feel underpinning the comic as the characters deal with subjects that may surprise you.
There’s more than 150 pages of story in the graphic novel (there may be upwards on 170, but the trade is upstairs and I’m not so I can’t verify the story to bonus materials ratio so I guessed conservatively), and I read them all in a single sitting.
Up until the owner of my LCS recommended the collected edition to me, I had never seen any talk about the series anywhere before, which is a genuine shame because Beasts Of Burden: Animal Rites is a fantastic experience. Jill Thompson’s art won three Eisner awards, and it’s easy to see why she received the wins (the collected edition was also nominated for Best Anthology in 2007). Below is a sample from one of the early pages in the collected edition that will give you a feel of how good the artwork is.
You may notice the Orphan casually licking himself in the bottom left panel; it’s one of the numerous examples of the audience being reminded that these characters may be talking animals, but that they’re not just humans in animal form. Evan Dorkin infuses such personality into these domesticated little fluff bags with his writing, that by the time we get to experience the comic the resultant final product is frankly just phenomenal.
This collection is about as far from my typical comic book reading as you can get – the majority of my weekly reading is made up of spandex and capes – but there’s something refreshing about reading a collection of almost completely standalone stories featuring the same characters. There is some bleed over, and previous events do impact subsequent issues, but for the most part you could have happily read any issue of the series when initially released without reading the previous. This style gives the collection a really rewarding feeling as you go through it; you’ll notice subtleties to the art and writing that may not impact the stories hugely, but certainly add to the enjoyment of those who pick up on them.
Thematically, the stories touch on some very relatable topics, from acceptance, companionship and the need to help others, to the more supernatural side of things. Following the journey of these characters is incredibly rewarding, and at times touching, especially for those of us who have a pet at home (ironically enough my cat is sleeping on my lap as I write this). If you prefer a more typical-to-comics superhero style story, there is still something here for you; the Burden Hill gang feel very much like a classic super team where almost everyone gets along.
There’s genuinely something here for all walks of comic fandom to enjoy.
Beasts Of Burden: Animal Rites can be found for between $20-25 at your local comic store, depending on where you are (I’m in Canada and the hardcover cost me $25ish – your LCS may have discounted graphic novels).
So why did I want to spend an entire Underrated talking about Beasts Of Burden: Animal Rites? Because it’s one of the best collected editions that you’ve probably never heard of. I do not exaggerate when I say this was one of the best hardcover collections I’ve read, and held, in my hands in a long time – both because of the content and the presentation.
And that, my friends, makes it criminally Underrated.
Alex and Joe are joined by Stevie Oaks, Rhode Island’s own Peter Griffin, to talk about the upcoming Rhode Island Comic Con. Of course, there are tangents galore but then what else would you expect?
Y’all can find Stevie at the following:
X (the app formerly known as Twitter): @RIPETERGRIFFIN
TikTok: @stevieoaks401
You can reach Alex and Joe can be found on X respectively @karcossa and @FirstRonin4 if you feel the need to tell them they’re wrong individually, or by email at ItsThose2Geeks@gmail.com.
This is a column that focuses on something or some things from the comic book sphere of influence that may not get the credit and recognition it deserves. Whether that’s a list of comic book movies, ongoing comics, or a set of stories featuring a certain character. The columns may take the form of a bullet-pointed list, or a slightly longer thinkpiece – there’s really no formula for this other than whether the things being covered are Underrated in some way. This week: God Country
God Country has one of the more interestingly unique concepts in comics; that of an Alzheimer’s patient who is cured when his hand touches a twelve foot sword, only to be drawn into the soap opera like world of space gods that have more than a passing resemblance to the Greco-Roman pantheons. Written by Donny Cates, who also co-wrote The Paybacks with Eliot Rahal; that series looked at the other side of superheroing with a starkly funny focus on a group of knock off characters serving as superpowered repomen (and women) struggling to emerge from the crippling debt their equipment put them in. On the surface, God Country may have little in common with The Paybacks other than half of the writing team (and Geoff Shaw‘s art), that’s certainly true on a superficial thematic level, but at their core both series focus on something quite relatable: people and their struggles against every day adversity.
There is every chance that you probably recognize Cates’ name from his work on Venom, Thor and King In Black, and I’ll admit that it feels strange to write about something Donny Cates has written as being underrated, but this is a book that I don’t see people talk about as much as they should.
Emmet Quinlan’s family have been struggling with the horror of watching a loved one slip away whilst suffering from Alzheimer’s, and their struggles are haunting – if you’ve ever had to watch a loved one slip away while suffering this horrible disease as I have, then you’ll understand immediately how hard it can be. Donny Cates treats the subject with the respect it deserves without sugar coating the emotions that Emmet’s family face.
Of course, with this being a comic book called God Country, that’s not what the comic is about.
At least not in it’s entirety. You see Emmet finds a giant sentient sword that restores his mind in its entirety. While Emmet’s disease does form the backbone of his desire to keep his hand on the sword that returned his mind, it’s the conflict with the space gods who want the sword back that provides the more immediate physical threat.
If you enjoyed Jason Aaron’s run on Thor: God Of Thunder then you’re going to find a lot to love here, from the heavily emotional sequences in the first issue to the more operatic space god scenes in subsequent comics, this is a powerful series – indeed, without Cates wry humour that appears every so often throughout the series, then this could easily become an almost too heavy story.
Ultimately though, this story is so much more than it seems on the surface.
God Country is that rare beast that uses a well thought out high concept science fiction or fantasy premise to tell the most human of stories. It is truly a work of art that had my eyes sweaty with respect – and that doesn’t happen very often when I read comics.
Join us next week when we look at something else that is, for whatever reason, Underrated.
Alex and Joe hang out and talk about the toy reveals from New York Comic Con, and then start talking about videogames and even some wrestling at the end.
You can reach Alex and Joe can be found on X respectively @karcossa and @FirstRonin4 if you feel the need to tell them they’re wrong individually, or by email at ItsThose2Geeks@gmail.com.
