Author Archives: Alex K Cossa

DC Rebirth Recap And Review For Comics Released 7/12

Welcome to Graphic Policy’s DC Rebirth: Recap And Review where we take a look at the comics released under DC‘s Rebirth banner and try to work out just how accessible they are for new readers – we’ll also be providing  recap of sorts for the relevant story beats up until the issue in question in order to help you figure out if the series is something you’re interested in.

Each comic will receive a rating of Friendly or Unfriendly based on how easy it was for

new readers to pick them up; the ratings are based solely on the issues released in the post-Rebirth ongoing series. More consideration regarding the comic’s accessibility will be given for the specific issue being read rather than the series overall, but if reading a back issue will help, then that will be mentioned. Generally, the quality of an issue won’t be discussed unless it directly impacts a new reader’s enjoyment of the series.

You may notice that not every comic is covered week to week, and that’s because I  sometimes forget to read them  (although that doesn’t happen often). If I have missed an issue, typically I won’t go looking for back issues to catch up on events – this feature is all about accessibility for new readers, after all.


 

AC_Cv983_open_order_varAction Comics #983 Superman has been attacked by his greatest enemies, and they;ve beaten seven shades of shit out of the Man Of Steel (it doesn’t help that he’ currently blind). Before the final blow came, the cavalry arrived…. it’s a Friendly comic. And really fun.s

Dark Days: The Casting #1 Just… not the best place to jump in. Unfriendly.

Detective Comics #960 I’ve never really been all that familiar with Azreal, nor his backstory, and this arc is pretty heavily steeped in both. An android/dude-in-a-mechsuit with a connection to Azreal’s former bosses has killed a bunch of ex-monks… and Batman’s talking to Zatanna. On the whole this is borderline Unfriendly.

Hal Jordan And The Green Lantern Corps #24  A Green Lantern murdered a Yellow Lantern, and Corps Leader Stewart just found out that a criminal was using this information to blackmail the murderous lantern – and threaten the precarious peace between the two corps.. This issue is Friendly enough.

Justice League Of America #10 Another first part, another chance for you to hop into a series that, personally, I dread reading every month. But you may like it, and if you do you, then I’m pleased for you.

New Super-Man #13 A wonderfully written series, New Super-Man finds our young heroes coming to grips with a foe that’s more powerful than any one of them – Emperor REDHOTO_Cv12.inddSuper-Man! This Friendly issue won’t be the easiest place to jump on, but it’s certainly doable.

The Flash #26 Uh… in a nutshell, Reverse Flash pulled the Flash into the future, revealed his identity to Iris and then decided to show him stuff. Depending on how you like your timey-wimey travel stuff done this is either Friendly and worth reading or best avoided. Personally, I enjoyed it.

Red Hood And The Outlaws #12 You can probably tell what the issue is about by the cover, and it’s homage to the Death Of Superman arc from the 90’s. Bizarro is suffering from cellular degeneration due to his limited life span as a clone, and his teammates aren’t too sure what to do. A Friendly issue in one of the most exciting Batbooks.

Titans #13 The Titans are currently attacking a facility to find Bumble Bee’s memories after they were siphoned off and emailed (or something) somewhere else. What results is an entertaining battle that feature’s a character eerily reminiscent of Valiant’s H.A.R.D. Corps. Is it Friendly kinda.

Wonder Woman #26 The first part of a new arc is always a decent place to hop on board, and this issue is no exception. Assuming you know who Wonder Woman is, this is a Friendly issue.

Mini Reviews For The Week Ending 7/15

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling short reviews from the staff of the comics, or graphic novels, we just didn’t get a chance to write a full review for.

These are Graphic Policy’s Mini Reviews.

Alex

SpiderMenII-Turner-aSpider-Men II #1 (Marvel) When the first Spider-Men came out I was reading a lot of Spider-Man comics, but I have since dropped off from the series (a couple years ago, actually). Still, I wanted to see whether we’d finally find out who the Marvel 616 version of Miles Morales is, so I picked this issue up  –  and I’m glad I did. This comic was entertaining, enjoyable, and almost without any real substance. I loved it in the way you like a movie you can turn your brain off and not have to think too hard. Overall: 7.75 Recommendation: Read

X-Men Blue #7 (Marvel) You know sometimes you read a comic, kinda enjoy it, but then you kinda don’t because you don’t give a shit about the event it’s tying into? That’s exactly how I felt about this comic. Overall: 7 Recommendation: Read

George

DDCAST_Cv1_ds V3Dark Days: The Casting #1 (DC) I was really impressed with the the first part of this storyline, so naturally I was a bit let down with this one just being more of the same plot advancements that could have been put into the first issue. The artwork is still solid and there are a nice couple of bits but DC really just stretched this for another 4.99. I would get it for the art but story wise nothing that wasn’t really covered in the first part.

Christopher

Dept H #16 (Dark Horse) Writer and Artist: Matt Kindt Dark Horse Mia’s early life and her relationship with her father. How she learned more about him through interviews and journals than by spending time with him. Along with revealing how Roger and Mia’s father met in the process. Which does leave one to wonder given how complicated Mia’s relationship with her seems, why is she so intent on catching the killer. Is it to get justice, or to thank them for freeing her from her father’s shadow? Overall: 8.5 Recommendation: Buy

Ryan C

dept h 16Grass Kings #5 (Boom! Studios)** – The shit begins to hit the fan in the fifth issue of Matt Kindt and Tyler Jenkins’ family drama set in a breakaway, “off-the-grid” community, and while it’s certainly exciting and visually interesting, a poorly-timed composite flashback/present-day “mash-up” scenario at the end that features actions that don’t quite line up with each other dulls the impact somewhat and places this installment just a notch below the previous four. Overall: 6.5 Recommendation: Read

Briggs Land: Lone Wolves #2 (Dark Horse)** – Speaking of “off-the-grid,” the second issue of the second arc in Brian Wood and Mack Chater’s long-form series sees the walls begin to close in around the separatist Briggs clan as a de facto hostage situation turns into a lot more than anyone bargained for once the feds get involved. Chater’s art is a bit more generic in its appearance this time out, but it’s still more than solid, as is Wood’s pacy, dynamic script. Overall: 7.5 Recommendation: Buy

World Reader #4 (Aftershock)** – Jeff Loveness’ script gets out of the way and lets Juan Doe’s amazing, borderline-psychedelic art do the bulk of the storytelling in this issue, as we finally meet a “psychic survivor” of sorts from the genocidal intergalactic force that’s been wiping out all life on one planet after another. The book takes all of about five minutes to read, but it’s worth going back and looking at time and time again to fully absorb the gorgeous images. Overall: 7.5 Recommendation: Buy

The Divided States Of Hysteria #2 (Image)** – Howard Chaykin’s been getting more Briggs_Land_Lone_Wolves_2Apublicity than at any point since the early days of “American Flagg!” with this one, and while most of it has been understandably negative (that sickening, since-pulled cover was the very definition of “not a good idea”), it’s also beginning to look like both “camps” in the controversy surrounding this series are wrong. There was no gang-rape of a transgender woman last issue — in fact, she killed everybody trying to abuse her before they could — while at the same time, the right-wingers who were bitching about the cover to the first issue, which featured a Muslim woman in a red-white-and-blue burqa, were eager to defend the aforementioned no-longer-forthcoming cover to issue four, which featured a lynched Pakistani man with his balls cut off.

So, ya know, these fuckheads are pretty much as racist as we always knew they were.

In any case, at the end of the day, it seems that Chaykin played both sides like a fiddle in a move that would make “B-movie” huckster William Castle proud. This time out we finally get to see the ties that bind our disgraced former CIA operative and the various serial/spree killers together, as Chaykin sets up his ultra-violent, non-super-powered “Suicide Squad” premise more fully. The art is noisy, cluttered, and ugly — as it’s supposed to be — but all my fellow leftists who walked away from this comic after last month (assuming they ever read it at all) are missing out on a pointed critique of the privatized, for-profit prison system, the mercenary-for-hire industry exemplified by the likes of Erik Prince’s notorious Blackwater, and the racism and Islamophobia that Trump rode all the way to the White House. This book’s politics are worn openly and proudly on its sleeve, and I have to admit I get a chuckle imagining all the “alt-righters” who have flocked to Chaykin in recent days and weeks having their blood pressure raised when they actually sit down to read his story. There’s some sort of method to all this madness, and while it hasn’t revealed itself fully yet, it’s fascinating to watch it all unfold. And Ken Bruzenak is just plain killing it and earning every dime (and then some) with his awesomely garish lettering and effects.

world reader 4.jpegI can sympathize with those who were offended by that cover that was probably never going to come out anyway (although I do have to wonder what these outraged individuals would make of the work of Johnny Ryan, S. Clay Wilson, Mike Diana, and even Crumb — seriously, people, read some undergrounds, it’ll broaden your horizons!), but there’s a “sweet spot” that’s being hit here for what few left-leaning readers of this comic remain : this is confrontational, in-your-face, unflinching stuff that effectively rebukes every single politically conservative position it takes aim at. In vintage Chaykin style, he’s managed to piss off all his allies and fleece all his true foes. I’m not sure I’d go so far as to say that I admire that by any means, but his willingness to stand alone takes some guts, that’s for sure. Overall: 8. Recommendation: Buy.

Shean

The Defenders #3 ( Marvel) – We catch up with the gang shortly after an attempt by Diamondback to kill Luke Cage, whose confrontation was disturbed by Punisher. They slowly look for answers on the Punisher’s motivation while Diamondback questions Black Cat’s reason for saving Luke.They soon catch up with the Punisher, who gets close but are stopped by the Defenders. By issues end, Iron Fist gets into a fight with Diamondback and finds a supreme opponent. Overall: 10 Recommendation: Buy

defenders3Black Panther and the Crew #4 (Marvel) – In this issue, we get a flashback and a catch up for readers. In the flashback, the OG Crew, deals with some unsavory characters in Mississippi, as they say struggle with having Northern sensibilities in Jim Crow South. In the present day story, Luke Cage and Misty Knight look for answers about the mysterious corporation who runs Americops and where their true interests lie. By issue’s end, both generations of the Crew meet, and what could happen next probably will be the game changer. Overall: 10 Recommendation: Buy

Patrick

Kill or Be Killed #10 (Image)** – Following hard on last issue’s massive cock-up, we find out from Ed Brubaker in one simple phrase how Dylan keeps getting away with murder: “They were too busy trying to be super-cops.” What’s fascinating to me about this series is how the noose keeps getting slowly tighter even as the actions of the cast of characters get looser, and good intentions are continually translated into really bad ideas. Sean Phillips and Elizabeth Breitweiser give us a rainy, grey cemetery of an issue on the art right until the explosion of hellfire-framed-in-white on the last page. Overall: 9 Recommendation: Buy

Cinema Purgatorio #11 (Avatar)** – Moore & O’Neill give us a movie musical version of the Black Dahlia murder (and very few comics writers do musical comics as well as Alan Moore). I could go for more of this, as I start to wonder what if Fox had made musicals of its films noir (as, despite the “My Fair Dahlia” title, this is not MGM). In “Code Pru”, we get a good look at the boss, who is even more monstrous than any of Pru’s patients. There’s a mystery brewing as to the circumstances and purposes of Pru’s job, but she seems to be too pissed off at her situation to see it… And over in cinema 3 of this multiplex, “Modded” goes shopping, but Fringe is more chosen than choosing. And just what is chainsaw rhythm reggae action? “… the daemonatrix lingo is more about exciting nouns than actual descriptive content.” But I’ll take exciting nouns over boring adverbs any day. (As usual, I skipped “A More Perfect Union” – if these guys would give me a straight history of the Civil War, I’d be interested – and “The Vast”, which is about boring adverbs in comics form). Overall: 7 Recommendation: Read

Mage: The Hero Denied #0 (Image)** – Matt Wagner returns to the adventures of Kevin Matchstick for one last series. This is a fun preview (featuring oh-so-90’s skateboarding warrior “The Steeze” – who Matchstick winkingly refers to as “youngblood” before sending him home). I have a weakness for heroes who can just do what they do without a lot of posing and wasted energy (must be my own middle age showing), and if Kevin does have better things to do with his time than fight stone-ogres, I’m very curious to know what they are. Overall: 8.5 Recommendation: Buy

kajumax s3 1Kaijumax Season 3 #1 (Oni Press)** – Zander Cannon continues to amaze with a heartfelt, humorous, horrible monster story that starts with a cabin in the woods, takes what appears to be a long detour through the story of a poor, put-upon giant goat, gets lost near a mysterious lake in Minnesota and then – oh my Goj – comes together and sets up the rest of the story in a great twist. Get on this. Overall: 9.5 Recommendation: Buy


 

Well, there you have it, folks. The reviews we didn’t quite get a chance to write. See you next week!

Please note that with some of the above comics, Graphic Policy was provided FREE copies for review. Where we purchased the comics, you’ll see an asterisk (*). If you don’t see that, you can infer the comic was a review copy. In cases where we were provided a review copy and we also purchased the comic you’ll see two asterisks (**).

Gotham Weekly With Alex And Joe Episode Nine

Gotham Weekly Sometimes returns to brighten your Sunday! While the hosts strive to one day live up to the Weekly part of the name, Alex and Joe are back with more Batman chat and their customary tangents!

This week the comics on the docket are: the last few issues of Batman, Batman And The Shadow #3, Nightwing #23, Batman/Elmer Fudd #1, Batman Beyond #9… and a few tangents about things I don’t remember!

Episode recorded: June 28th.

 

 

Underrated: The Amazing Spider-Man

This is a column that focuses on something or some things from the comic book sphere of influence that may not get the credit and recognition it deserves. Whether that’s a list of comic book movies, ongoing comics, or a set of stories featuring a certain character. The columns may take the form of a bullet pointed list, or a slightly longer thinkpiece – there’s really no formula for this other than whether the things being covered are Underrated in some way. This week: The Amazing Spiderman


amazing-spider-man-movie-posterToday I wanted to talk about the first reboot of the Spider-Man movie franchise from waaaaaaaay back in 2012. After the Sam Raimi trilogy which, lets be honest, didn’t exactly end on a high note, Sony would eventually decide to relaunch the Spider-Man movie franchise, and it’s the result of that reboot that I wanted to talk about today.

If you’re surprised that this is the movie we’re focusing on today, then you may have missed that the Marvel Studios/Sony collaboration Spider-Man Homecoming is in theaters  (and the MCU!) now; and you may also have been unaware of the amount of people who are now complaining about this movie (or maybe that’s just the people I hang out with?) – or you may have never really enjoyed this movie. But regardless of where you sit, I’ve always really enjoyed this movie, and feel that it’s stronger than a lot of people give it credit.

Why? To the bullet points!

The chemistry between the leads
One of the strongest aspects of the Amazing franchise is the relationship between Andrew Garfield’s Peter Parker and Emma Stone’s Gwen Stacy. Their interactions on screen approach poetry in some scenes, and without a doubt these two actors elevate the film beyond what a typical pair of romantic leads can do.

 Andrew Garfield’s Spider-Man
Garfield may have been to cool to genuinely pull off a nerdy Peter Parker, but his Spider-Man was top notch; his boundless energy and fast mouth was unlike anything we had seen before in live action, and Garfield pulled it off spectacularly. This was a Spider-Man whose failures were a palpable weight on his spandex clad shoulders, and in the quiet moments throughout the movie you can genuinely sense that through Garfield’s body language.

 The webswinging
The effects team did a wonderful job guiding Spider-Man’s journey through the skies in what is, for my money, the most realistic depiction of a man flying through the air on super strong glue to date.

 The costume
I’m kidding. I wasn’t exactly fond of this movie’s Spider-Man look.

 The lack of the actual words “With great power there must also come great responsibility”
I know this is probably a contentious point to make, but loved that Peter learned this lesson throughout the film without having the quote used just for the audience who feel they must hear those words in the movie. It was far more powerful for Peter to learn it through his actions and reactions than have the lesson spelled out in what could have been an awkward and stilted scene. Plus, it lent a much heavier weight to Uncle Ben’s voice message at the end.

There are quite a few aspects of The Amazing Spider-Man that I thoroughly enjoyed, more than I should probably talk about in this article, but I’m aware that this isn’t a flawless movie – it’s not even the best Spider-Man movie- that honour is reserved for Sam Raimi’s Spider-Man 2. Yes, The Amazing Spider-Man  did have its issues; the Lizard wasn’t the most compelling villain, and his design was somewhat weak, but he isn’t the weakest in any of the Spider-Man movies (Topher Grace a Venom will hold that title for quite some time). His rationale is still just understandable enough when you break it down for yourself, but you do need to be aware of his misguided, yet deeply hidden altruistic thought process. And only a few years removed from Spider-Man 3, did we really need to see Uncle Ben die again? Not really.

I’m aware that it had it’s problems, but I don’t care; I love it anyway.

 


There we have it. Are there other comic book related stuff out there that is, for whatever reason, underrated and under-appreciated?

Absolutely.

Because of that, Underrated will return to highlight more comic book related stuff  that either gets ignored despite it’s high quality, or maybe isn’t quite as bad as we tend to think it is. In the meantime, though, if you do get a chance check out the characters in thisUnderrated, then you may need to hunt through the back issue bins for some, but others do have some stories collected in trades.

Until next time!

Spoiler Free Review: Harbinger Renegade #5

HR_005_COVER-A_ROBERTSON“Toyo Harada’s former protege – Alexander Solomon, a “psiot” with the ability to predict and analyze potential futures – has been waiting for this moment. With the Harbinger Renegades – Peter Stanchek, Faith, Kris Hathaway, and Torque – now reunited as a result of his covert manipulations, his ultimate gambit can now begin. But he’s not the only one who has been watching. Major Charlie Palmer has just re-assigned a new division of the militarized psiot hunters codenamed H.A.R.D. Corps to active duty…and they’re about to bring a torrent of blood and calamity roaring into the streets of a major American metropolis for an all-out firefight.

The Harbinger Renegades. Livewire. Alexander Solomon. Generation Zero. Toyo Harada. Secret Weapons. Imperium. None of them are safe…and, when the smoke clears, a pivotal Valiant hero will become the first sacrifice of the massive Harbinger War that is to come.”

I will tell you right now: I was really excited to read this issue – so much so that I literally dropped the other features (because I frequently have multiple balls in the air at once) to read the comic. Understandably, Valiant are extremely cautious about spoilers for this issue, so I won’t reveal anything about the story itself beyond the preview text above. However, it will certainly help your enjoyment of the comic if you’re familiar with some, or all, of the comics and characters mentioned above (The Harbinger Renegades. Livewire. Alexander Solomon. Generation Zero. Toyo Harada. Secret Weapons. Imperium.)

HR_005_COVER_ADVISORY-OVERLAP

The comic comes with this as a wrap around cover to warn the audience as to the content inside.

So what can I say about this comic? Well it was perfectly okayRafer Roberts has written a story doesn’t quite live up to the hype generated by the machine Valiant set in motion for Harbinger Renegade #5, although it’s pretty solid, and honestly I needed multiple readings to really get the most out of it. Obviously I can’t tell you why without risking the spoilers – nor can I tell you some of the reasons I felt the issue didn’t work. Instead, I’ll move on. Artistically, the comic isn’t anything spectacular, but nor is it unremarkable; it’s just about good enough to serve the story without any major hiccups (but again I can’t discuss those). Essentially, where as a good story can lift a comic where the art struggles and vice versa, both story and art are on the same level here; they’re both just hovering between okay and good.

Out of respect for Valiant and their wishes I’ve avoided spoilers, probably far more than I needed to, so what I can say is limited. At the end of the day, this is the weakest of the five Renegade books that have been released thus far, which is a shame given the amount of push that Valiant have out behind it. Though I do wonder if that is a result of Harbinger Renegade #5 simply being a book that didn’t deliver verses it being a comic that just wasn’t able to live up to the hype. I’m edging toward the latter.

If you’re a Valiant fan, whether of the publisher in general or of this property, then you’re going to want to read this. Be prepared for it to be a little disappointing given all the buzz, but I also expect this to fly off the shelves because of the warning on the cover.

Story: Rafer Roberts Art: Darick Robertson
Inks: Richard Clark Colours: Diego Rodriguez
Story: 7.0 Art: 7.5 Overall: 7.25 Recommendation: Buy

Valiant provided Graphic Policy with a FREE copy for review.

DC Rebirth Recap And Review For Comics Released 7/5

Welcome to Graphic Policy’s DC Rebirth: Recap And Review where we take a look at the comics released under DC‘s Rebirth banner and try to work out just how accessible they are for new readers – we’ll also be providing  recap of sorts for the relevant story beats up until the issue in question in order to help you figure out if the series is something you’re interested in.

Each comic will receive a rating of Friendly or Unfriendly based on how easy it was for

new readers to pick them up; the ratings are based solely on the issues released in the post-Rebirth ongoing series. More consideration regarding the comic’s accessibility will be given for the specific issue being read rather than the series overall, but if reading a back issue will help, then that will be mentioned. Generally, the quality of an issue won’t be discussed unless it directly impacts a new reader’s enjoyment of the series.

You may notice that not every comic is covered week to week, and that’s because I  sometimes forget to read them  (although that doesn’t happen often). If I have missed an issue, typically I won’t go looking for back issues to catch up on events – this feature is all about accessibility for new readers, after all.


batman 26Batman #26 Batman proposed to Catwoman, but before we find out the answer, Bruce is telling Selina about a time when he was caught between the Riddler and the Joker. The slow pace to the story makes this Friendlier than you’d expect.

Deathstroke #21 Deathstroke turned good after a life changing event in the previous crossover with the Teen Titans and the Titans, so he’s created a superteam…. it’s as Friendly a place to start as you’ll find.

Green Arrow #26  Ollie Queen has been framed for murder, had his death faked and turned himself in. Then he decided he didn’t want to wait for the trial and left to stop the Evil Organisation behind his woes and the destruction of Seattle Star City. It’s Friendly, but is it worth reading?

Green Lanterns #26 An interesting look into the history of Volthoom, the First Lantern, this comic is relatively Friendly, but possibly not the best place to start – which is a contradiction I’m having a chuckle at now.

Justice League #24  A brilliantly fun issue that’s a Friendly introduction to the future (possibly) direction of this series.

Nightwing #24 Nightwing was tricked by Blockbuster into arriving in the middle of a secret meeting of supervillains as the entertainment – by which I mean they’re going to test a new weapon on the superhero. This is a Friendly issue, and jam packed full of quick action sequences coupled with Dick’s narration that will help you slide right into the story.

Superman #26 Friendly story that takes place after an arc in which Superboy got mind controlled. It’s a nice breather, and has some great moments for the father and son dynamic of Clark and Jon Kent.

Mini Reviews For The Week Ending 7/8

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling short reviews from the staff of the comics, or graphic novels, we just didn’t get a chance to write a full review for.

These are Graphic Policy’s Mini Reviews.

 


 

Ryan C

unsound2The Unsound #2 (Boom! Studios)** – I thoroughly enjoyed the first issue of Cullen Bunn and Jack T. Cole’s horrific take on Milos Forman’s “One Flew Over The Cuckoo’s Nest,” but the second sees the story take a rather dramatic leap forward that feels more forced by pacing concerns than it is achieved through anything like a natural transition. We’ll see where it goes, though, since it’s not a “deal-breaker” by any means and Cole’s art remains absolutely gorgeous. Overall: 7 Recommendation: Read

Green Arrow #26 (DC)** – Hmmm — Ollie hits the road with a fellow super-hero in tow : where have we heard this one before? The Flash steps — sorry, runs — into the role formerly occupied by Green Lantern in this one, but lackluster story and art from Benjamin Percy and Stephen Byrne ensure that nobody will be forgetting about Denny O’Neil and Neal Adams anytime soon. Overall: 4.5 Recommendation: Pass

Babyteeth #2 (Aftershock)** – Another agreeable (if far from memorable) installment in Donny Cates and Garry Brown’s new “Teen Mom” meets “The Omen” horror series is equally divided between moving the story forward at a natural rhythm and forcing some long-range foreshadowing into the proceedings, which actually succeeds at what it’s trying to do reasonably well despite the fact that it probably shouldn’t. Brown’s art remains pitch-perfect for the content and Cates’ characterization is strong enough to keep this reader on the hook for at least a bit longer. Overall: 7.5 Recommendation: Buy

Snotgirl #6 (Image) – It took a long time for Bryan Lee O’Malley and Leslie Hung’s somewhat surreal series to grow on me, given that it sure reads more like what 40-year-olds think 20-something fashion bloggers live like rather than it does anything like how they actually live, but if you can get over the absurdity of both the premise and the protagonist’s economic situation (how many people in the entire country make their living running independent fashion blogs? Maybe three? Yet there are more than that in LA alone according to this book), the cartoony art and intriguing mystery of the story should be enough to keep you around. Some new additions to the supporting cast throw a welcome spanner into the works and despite a lengthy hiatus, it seems that neither of our creators has lost their enthusiasm for this project in the least. Overall: 7.5. Recommendation: Buy

Alex

unholy grail 1.jpgBatman #26 (DC) Not a bad issue, when all is said and done, Tom King seems to be building slowly toward what will hopefully be an explosive story. As a build up issue this isn’t bad and carries the momentum of the previous issue (for better or for worse) forward… but all I really want to read is the follow up to Batman #24, not an in-the-past-cstory. . Overall: 7 Recommendation: Read

All New Wolverine #22 (Marvel) I don’t read as many things with the Guardians of the Galaxy as I probably should, because I always enjoy when they show up in other comics. Like this one. While I felt that they were the highlight, it was more to do with Gabby and Jonathan interacting with Rocket and Groot. As the first part in a three issue arc, it’s good enough to have me coming back for more. Overall: 7.25 Recommendation: Read

Unholy Grail #1 (Aftershock)* I picked this up purely because my LCS told me I may like it, but other than knowing it might be up my alley, I had no idea what the comic was about. King Arthur has always been a good way to hook me into the idea of a story, but I’m often picky when it comes to giving said story a try,so much so that had I known this was a tale based around Camelot I may have skipped it entirely  (I believe Bernard Cornwall has written the definitive take on the legend), but I’m glad I gave it a shot. The art is brilliant, and Cullen Bunn has written a deeply atmospheric tale, the extent of which hasn’t been fully revealed yet. Overall: 8 Recommendation: Buy

Patrick

Stray Bullets #25 (Image/El Capitan)** – Flashback to a flashback. When heavy Spanish calexit-1Scott tells cool psycho Kretchmeyer “sometimes you’ve got to get your hands a little dirty,” he has no idea what he’s talking about. As always, David Lapham is a master of letting his characters do what’s absolutely worst for them even though they themselves think they’re on top of everything. And as we hit 700 pages (!) of “Sunshine and Roses,” every layer we peel off these characters just proves that old pulp hack Shakespeare right: “The worst is not so long as we can say, ‘This is the worst’.” Overall: 9 Recommendation: Buy

 Calexit #1 (Black Mask) – Political thrillers and near-future dystopias are really tricky: for me, the barriers to suspension of disbelief are very high. You have to get the details balanced just right in order for the push into fiction to really send us flying off the rails. Push too hard and it means that you weren’t where you needed to be at the start. In short, Matteo Pizzolo has way too much pushing to do to justify the premise of Calexit. I mean, on page 1, he has President Trump speaking in complete sentences using words with two or more syllables. I buy Trump getting re-elected, but his syntax is egregiously mishandled and broke my trust in just a few panels. Never mind that we then get a psycho torturer guy with creepy glasses (who apparently also can order National Guard privates to commit atrocities) and a Steve Bannon lookalike who is not Steve Bannon. Which is too bad, because I think if Pizzolo and artist Amancay Nahuelpan had stuck with the very charming rogue character of Jamil, the amoral courier with a heart of gold, I would have been down for anything. Clearly Nahuelpan loves drawing this guy because he has the only genuine expressions and body language in a book that is full of caricature. Overall: 7 Recommendation: Read

Chilling Adventures of Sabrina #7 (Archie) – I can’t believe I’ve been missing out on this dreadful delight. Roberto Aguirre-Sacasa and artist Robert Hack bring us the tale of Sabrina’s father, Edward Spellman – and it is just about as perfect as I can imagine an American horror comic to be, with just the right blend of sly and clever humour (the three witches in the hairdresser salon killed me) and actual horror. Robert Hack’s scratchy art (I take it he colors as well) reminds me of Hammer films and 60’s and 70’s paperback covers. This issue is a great jumping-on point and I am jumping on. Overall: 9.5 Recommendation: Buy

Shean

Deadpool_Kills_The_Marvel_Universe_Again_Walsh_CvrDeadpool Kills The Marvel Universe Again #1 (Marvel) – In the debut issue of the sequel to one of the craziest series in 2012, returns with Deadpool being mind controlled once again to kill Marvel’s superhero roster. This time, he is being mind controlled by a team of villains that seem to have a few motives in play. His connection as an Uncanny Avenger has given him unfettered access to places where most villains can’t go, so his first victims, are 2 of his teammates. By the end of this first issue, we find out he has enough control to ask for help but not enough to stop killing. Overall: 9 Recommendation: Buy


Well, there you have it, folks. The reviews we didn’t quite get a chance to write. See you next week!

Please note that with some of the above comics, Graphic Policy was provided FREE copies for review. Where we purchased the comics, you’ll see an asterisk (*). If you don’t see that, you can infer the comic was a review copy. In cases where we were provided a review copy and we also purchased the comic you’ll see two asterisks (**).

Review: Scrimshaw #1

scrimshaw1Alterna Comics have recently begun printing their comics on newsprint paper, which means they’ve been able to price those comics between $1 and $1.50 per issue. It’s a movement that I am entirely on board with and have been buying  everything that the publisher has been releasing on newsprint – which you’re probably aware of if you follow me on Twitter (shameless plug: @karcossa) over the last few months – so obviously I grabbed Scrimshaw #1 when it came out, even though there was probably a review copy hidden somewhere in my inbox.

Confession time: Once I had finished Scrimshaw #1 I literally couldn’t remember anything about it. Although how much that has to do with the comic verses the circumstances I read it under (it was 1 am and I’d been awake since 5 am) is was unclear to me, so I read it again the next day and enjoyed it a lot more the second time through.

Scrimshaw #1 opens a tale that has so many elements that so many people should enjoy; in a post apocalyptic setting there’s a samurai (a blond haired European one) who may or may not be some kind of pirate… yeah, it’s crazy, but the comic stays on just the right side of crazy to make it worth reading – but be aware you will probably need to read it a couple of times (or really pay attention the first time). The story has promise, although it feels a little familiar if you’ve read or watched a lot of post-apocalyptic stories.

Unfortunately the art doesn’t translate as well to the newsprint paper as some of the other comics Alterna has put out, as the colours are just a touch muddled. It’s not enough to hamper your enjoyment of the comic, and it is still fairly easy to  read.

Honestly, this wasn’t my favourite of Alterna’s newsprint comics. It was good, and I did quite enjoy it, but it didn’t grab me the same way as other comics in the newsprint line – though that should be taken more as a compliment to the overall quality of the newsprint product than a knock on this issue. At the end of the day, this is a solid buy for $1.50, and one that I highly recommend you checking out for at least an issue or two.

Story: Eric Borden Artist: Dave Mims Letterer: Spike O’Laochdha
Story: 7.75 Art: 7 Overall: 7.5 Recommendation: Buy 

Underrated: Alterna’s Newsprint Comics

This is a column that focuses on something or some things from the comic book sphere of influence that may not get the credit and recognition it deserves. Whether that’s a list of comic book movies, ongoing comics, or a set of stories featuring a certain character. The columns may take the form of a bullet pointed list, or a slightly longer thinkpiece – there’s really no formula for this other than whether the things being covered are Underrated in some way. This week: Alterna’s Newsprint Comics


Today I wanted to take another look at Alterna’s newsprint movement. If you’re unaware, and judging by the sales numbers* over the past few months a few of you may not be, so allow me to catch you up (very) quickly. Alterna have been releasing comics on newsprint paper, the stuff that all the old comics were released on up until around the mid to late 90’s. By printing some of their comics(all miniseries, I believe) on newsprint, Alterna have been able to drastically reduce their cover price to between $1 and $2, which means that in some cases you can buy the entire miniseries for the price of a single Marvel comic.

Alterna’s newsprint movement is one I am all for and have purchased each and every one of those comics, without question, as they’ve come out because I love the feel of the newsprint when I’m reading the comics. As some of the comics are reprints, doing this has introduced me to stories that in some cases I missed when they first came out. I don’t know which are reprints because I haven’t sought out too much information about these comics prior to buying them because I just want to enjoy reading them for reading’s sake.

alternanewsprint.png

So, in alphabetical order, shall we have a quick chat about these comics – or at least the ones that have been released on newsprint as of this writing?

Adam Wreck Price $1.50 Micheal Bracco’s story about a boy who grew up in the stars is a delight to read. The artwork has a simple colour scheme that’s deceptive in its beauty, and his use of perspective is fantastic. If you can find this innocent gem, then I highly recommend you do so.

Amazing Age Price $1.50 The first of the newsprint titles that I read, Matthew D. Smith and Jeremy Massie’s comic about a teenager pulled into the old comics he used to create is fantastic. The golden age imitation art is wonderful, and almost feels like it came from the Batman: The Animated Series school (but with much less darkness), but the undercurrent throughout the comic – of how life moves on faster than we’d like – is a powerfully simple one. I’d have paid twice the price for this and it would still have been a bargain.

Croak Price $1.50 Confession time: I didn’t know this was a horror comic when I picked it up, not that that would have stopped me from doing so at this price, so when I sat down to read it I felt like a kid again not knowing what was around the corner. Written by Cody Andrew Sousa with art by Francesco Iaquainta and colours by Chris O’Halloran, Croak is a moody, atmospheric tale reminiscent of all the best campfire horror you remember as a kid.

Lilith Dark Price $1.50 Charles C. Dowd has crafted this amazing fantasy story that will transport you places you forgot you ever visited. A fun, charming, and innocent tale about a young girl with an active imagination, Lilith Dark is the kind of comic you want to relax with.

Mother Russia Price $1.50 The WWII/Zombie comic by Jeff McComesy pits a Russian sniper against two million zombies for the sake of a child. It’s a good, fun comic in the vein of a great zombie story, and honestly the one I expected the least from – so it was a pleasant surprise when I realized how much I enjoyed it.

Scrimshaw Price $1.50 A post apocalyptic tale with all the elements from various fantasy and action movies that you probably love, Eric Borden and Dave Mims Scrimshaw is possibly the comic that I enjoyed the least on this list. That’s not to say it’s bad… just that I enjoyed the others more. There is a full review coming this weekend of the comic so you’ll read more about it there. Still, for the price I paid for it, it was well worth it.

The Chair | Price $1 Perhaps one of the comics I was most surprised about. I honestly only picked this up because of the price tag and utterly fell in love with Peter Simeti and Kevin Christensen’s horror story about a man facing death row for a crime he didn’t commit. The harsh artwork on the black paper works so incredibly resonant that you feel dirty just holding the comic that is, apparently, a ten year old story (I found this out after raving about it on Twitter, to which Peter Simeti replied that he was happy a ten year old story still held up).

Tresspaser | Price $1.50 Written by Justin Ryan with art by Kristian Rossi, Tresspasser is a story about a very hungry family who are visited by an alien. It’s an oddly touching, emotionally brutal tale about a man who just wants to protect his family no matter the cost, and the first issue is almost a complete story in and of itself. This comic took me by surprise in many ways, and I loved every second of it.

These comics are all currently on their first issue, and because they’re published bi-monthly then you can still easily check them out – if you can find them. Anything that publishers do to lower the cost of comics is something I will (probably) always be behind.

*even though the comics aren’t selling in huge numbers, they are still selling out of the relatively small print run.

There we have it. Are there other comic book related stuff out there that is, for whatever reason, underrated and under-appreciated?

Absolutely.

Because of that, Underrated will return to highlight more comic book related stuff  that either gets ignored despite it’s high quality, or maybe isn’t quite as bad as we tend to think it is. In the meantime, though, if you do get a chance check out the characters in thisUnderrated, then you may need to hunt through the back issue bins for some, but others do have some stories collected in trades.

Until next time!

Review: Rum Row #1

rum row 1.jpg“Jules Verne meets The Untouchables, in a prohibition themed aerial crime adventure. To avoid dry laws rum runners and patrons alike take to the sky. Dirigibles and hot air balloons now serve as speakeasies and black markets for alcohol. Sky gangs and the police battle it out for rights to the sky.”

I don’t care who you are, that description is fucking awesome. Written by Andrew Maxwell, the man behind Aldous Sparkthis is another comic with a setting that immediately stoked my curiosity. Now this next sentence is pretty irrelevant to everybody,  but I was just about to unplug for the night and read a book before heading to bed (The Name Of The Wind by Patrick Rothfuss if you’re curious), but before I did that I wanted to have a quick look at the cover of Rum Row. As I said my curiosity was piqued by the blurb I had already read

Out of habit I checked the following page, and if my curiosity was piqued before, then it was distilled into a fine whiskey once I’d laid eyes upon the second page (I’m aware the analogy may not make sense. No, I don’t care).

The second page contains the comic’s credits, which are set up like an old broadsheet newspaper, and it does more to set the scene and tone of the comic than I’ve ever seen a credits page do before. The story centers around the raid of a speakeasy in the Prohibition era of American history, and because I don’t want to reveal too much of it here I won’t go into details, but it’s a really enjoyable comic and one that’s well worth the price of admission.

Artistically this is a great looking book, with every aspect feeling right for the period (even if an aspect may be more in the lines of a fantasy/steampunk style addition rather than historical).

The comic can be read as a standalone story, although the ending is open enough to allow for the story to continue effortlessly (indeed, there has been a Kickstarter launched for the second issue, which you can find here). Check out the first issue on ComiXology. It’s $2, and well worth the price.

Story: Andrew Maxwell Art: Michele Bandini Colours: Derek Dow 
Story: 8.0 Art: 8.0 Overall: 8.0 Recommendation: Buy

Graphic Policy was provided with a FREE copy for review.

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