Review: Paper Girls #2
Paper Girls #2 rolled out last week, and the mysteries keep unfolding in the sci-fi adventure’s sophomore issue. Cliff Chiang’s artwork continues to perfectly compliment Brian K. Vaughan’s storytelling as he deftly captures the fear in one’s eyes, the nuance of a pre-teen girl’s upturned nose, the judgment she can reveal in a subtle snarl. Matt Wilson’s color work evolves to mark the passage of time, leaving behind the more varied palette of Issue #1, settling here into a softer, cotton-candy color scheme of early dawn that lends itself to the magical surrealism of the narrative.
*Spoilers below*
As the girls question the iPod discovered at the end of Issue #1 – something they only understand as a curious, Apple-branded device, being that it’s 1988 – they start to realize their local population has thinned considerably. This, in addition to the ever-expanding cast of monsters that are populating (and perhaps annihilating) the Paper Girls universe, has both the characters and myself strongly suspecting that a tear in time is at least partially to blame for the seemingly apocalyptic disturbances wreaking havoc on suburban Cleveland.
Folks who read Paper Girls’ debut will remember Erin’s opening dream-sequence, which left her questioning her sister’s safety upon waking. Issue #2 picks up with another foreboding nod to Erin’s sister, a character that has yet to develop but is likely being set up to have a larger purpose in the story’s broader mythology. (Or perhaps she’s just a McGuffin meant to propel Erin along in her journey? I look forward to finding out either way.)
As the girls try to figure out the best way to mount a defense against their increasingly bizarre circumstances, they find themselves at Mac’s house in search of a gun, which they unfortunately discover in the grips of Mac’s drunken stepmother. This is not only a pivotal moment in terms of setting-up a climactic cliffhanger, it also affords readers our first real emotional look at hard-as-nails Mac as a multidimensional character.
Paper Girls is a perfect example of why I tend to read my comics in collected volumes instead of singular issues – I want more. Now!
Story: Brian K. Vaughan Art: Cliff Chiang
Story: 9 Art: 9 Overall: 9 Recommendation: Buy in trade
Image Comics provided Graphic Policy with a FREE copy for review

Here’s a fun fact about me – I don’t have a colon! In fact, today is my one year disemboweliversary, so when the opoohtunity to review a little comic called
Paper Girls is the latest offering from writer Brian K. Vaughan, someone whose work I thought I hated based on two things: A single issue of Y: The Last Man, which intrigued me in concept but annoyed me in execution, and the mind-numbingly stupid abomination that was the television adaptation of Stephen King’s Under the Dome. Thankfully Saga helped me turn the corner on Vaughan, and I found the storytelling and artwork of Paper Girls to be similarly satisfying. I was immediately sold by the opening dream sequence which is especially aesthetically reminiscent of Saga. It’s this sequence that introduces readers to 12 year-old Erin while also setting a darkly fantastic tone that carries into the character’s waking life and hopefully the entirety of the series.
Lumberjanes: Friendship to the Max is the second trade paperback volume of the series, and throws readers right back into the outlandish adventures of the hardcore lady-types at Miss Quinzella Thiskwin Penniquiqul Thistle Crumpet’s seemingly magical summer camp. Volume 2 includes issues 5-8 and resolves some pressing questions from Volume 1, such as: Who is that magic bear lady? What the Annie Smith Peck going on in that lighthouse? And just what the junk is up with that boys’ camp, anyway??