Author Archives: Ashley Leckwold

Review: Slam #1

slam_001_main_pressModern roller derby is a growing phenomenon. In consideration for the 2020 Summer Olympics and the focus of the 2013 film Whip It, it’s not hard to find multiple leagues skating in major cities these days. In fact, one of my roommates has competed as “Halting Problem” in men’s leagues in both Atlanta and Austin.

Which is why it’s surprising that there hasn’t been a comic series with a focus on derby until now. Sure, Harley Quinn has Harley skating derby in Coney Island sometimes and A-Force introduced Dazzler playing derby down in Florida, but there’s been no stories revolving around derby in the sense of Whip It. Lucky for all of us though, Pamela Ribon, Veronica Fish and Brittany Peer have brought us Slam! through BOOM! Studios’ BOOM! Box imprint.

Slam! #1 follows Jennifer Chu and Maisie Huff as they finish up their training for the East Side Roller Girls and get drafted to teams. The issue zips back and forth chronologically, showing how the two were drafted to the league and their individual lives before and after they were drafted to derby. Specifically, how derby has helped their lives. For Jennifer, it’s given her more connections outside of her originally lonely life getting her masters. For Maisie, it’s a sense of life and purpose after being dumped by her fiance, believing her to be “debateable.” Which, of course, doesn’t help when Maisie is put on a probational draft to a different team than Jennifer.

After one issue, I already love Jennifer and Maisie. Their loving and supportive friendship is one that is often hard to find in comics and to see it flourish over the first issue is such a joy, especially when Jen reaches her hand out to Maisie while she’s having pre-first bout anxiety. Friendship between women, especially in terms of competitive sports, is such an important thing to portray and one that should be portrayed more often.

Another breath of fresh air in the first issue is Fish’s art. The variation on athletic bodies is something that can easily be observed in derby and seeing it portrayed in comics form is pretty amazing. She also gets down to the nitty gritty, with bruised muscled backs, wedgies from derby shorts, and shaking nerves. Peer’s colors especially give life to this bright new world of violence and camaraderie in a way that I can’t imagine another colorist doing.

While roller derby is its own world, Slam! #1 gives a glimpse into how that world can have positive effects on the people in it. Following the journey of Maisie and Jen as they first start out and heading into their new lives on teams is absolutely joyful and should absolutely set precedent for how women’s sports comics handle competition and friendships. Of course, now that Jen and Maisie are no longer on the same team, how will they handle flying on their own?

Story by: Pamela Ribon Art by: Veronica Fish and Brittany Peer
Story: 8.0 Art: 8.5 Overall: 8.25 Recommendation: Read

BOOM! Studios provided Graphic Policy with a FREE copy for review.

Advance Review: Motor Crush #1

motorcrush-01_cvraEvery so often, when we’ve all begun to settle on our year-end best of lists for comics, a new number one comes along in December that shakes up those lists and causes you to happily go back to the drawing board as a reviewer. Bitch Planet #1 was that comic in December 2014 and now Motor Crush #1 from Image Comics is that comic for December 2016.

I got an early look at Motor Crush back in September when the creators Brenden Fletcher, Cameron Stewart and Babs Tarr hosted a panel about the comic and gave away an ashcan that included the first half of this issue. While I was majorly impressed with what I saw, it didn’t really occur to me that I was looking at what was still a work in progress.

Between what I saw in September and what was delivered to me in my Twitter DMs a few nights ago has definitely been polished up. A new, cleaner lettering style from Aditya Bidikar and colorful designs from Tom Muller that are meant to immerse you in the world of Nova Honda completely. Fresh pastels from Tarr and added narration gives a way better sense of who Domino is as a character.

A lot of what you can expect from this first issue is learning about our hero Domino Swift. Inspired by Willow Smith in both terms of look and attitude, Domino is a tough and headstrong young woman with a lot of promise and a lot more secrets. Some that will even leave you gasping if the end of the first issue is any indication. However, Team Motor Crush does a good job at making her and her struggles rather complicated and nuanced instead of going straight for “brooding hero with a secret.” Plus, that wouldn’t match the bright neon setting of Nova Honda anyway. I seriously want to know how a book of ink and paper manages to actually glow the way this issue does.

I recently compared Mother Panic to the comic series The True Lives of the Fabulous Killjoys in terms of pace and tone, and I was nearly ready to do the same for Motor Crush. However, that isn’t true. It’s more like the album companion My Chemical Romance released three years prior titled Danger Days. Frenetic and joyful even in the darkness, Motor Crush is about finding your place in the world and trying to survive set against a futuristic backdrop of motorcycle racing. While the first issue is mostly set-up, it refuses to let off the gas as you follow Domino along on her journey and the jolt of the ending leaves you wanting another ride as soon as it is over. When the first issue comes out on December 7, you owe it to yourself to take a ride with Motor Crush.

Story: Cameron Stewart, Brenden Fletcher, and Babs Tarr Art: Babs Tarr
Story: 9.0 Art: 10.0 Overall: 9.5 Recommendation: Buy

Graphic Policy was provided with a FREE copy for review

Review: Mother Panic #1

motherpanic02From the moment the series was announced, Mother Panic has been on my most anticipated list for comics this year. With the Burnside Era of Batgirl and Black Canary coming to a close, there didn’t seem to be a lot coming up to take its place. With Mother Panic’s story about a celebutante turned vigilante, it seemed like it might just do that.

I’m happy to report that not only does Mother Panic fit in with Burnside’s punk rock vibes, but might add a bit of DC’s Young Animal curator Gerard Way’s The True Lives of the Fabulous Killjoys as well in terms of heart.

Mother Panic #1 introduces us to Violet Paige, a young member of Gotham’s elite who returns after some time away. It’s a familiar story to anyone who has read a Batfam origin story like Bruce’s or Kate’s. However, Violet has a decidedly different approach to her return to Gotham. She’s not looking to be a protector or to save Gotham. She’s looking to burn it down. Might be why she calls herself “a work in progress.” Not really a hero, but not certain if she’s a villain yet either.

For those familiar with Jody Houser’s writing through Faith might initially be surprised at the stark contrast in tone. Mother Panic is like a kick to the teeth in a dark alley. It hits fast, hurts and is bloody before you really get all of what’s going on. However, there are moments of humanity that ground you and make you understand just where Violet is coming from a little bit more. Particularly in the flashbacks involving her father and the moments she shares with her mother both as a child and an adult. As conflicted as Violet is about her position in Gotham’s grand scheme, it is these moments that provide absolute clarity about the kind of person she is and could become.

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Tommy Lee Edwards’ art, in particular, is perfectly fitting for this kind of mode. Dark and sketchy, with just the right touch of surrealism to keep your head spinning. The fact that the villains of this story are violent artists in unreal spaces is what really makes this story work in the Young Animal line. Not to mention that design for Violet’s vigilante costume. It keeps the lines and shapes we’re familiar with when it comes to the Bats, but it also feels a bit more armored and heavy. Like something that could really mess you up. Plus, the nice contrast of her in all white and not knowing what kind of masked crusader she is yet matched against Batman’s all black everything is the kind of duality in comics I live for. With the mutual hatred of Batman, can I get a meeting with Violet and Olive Silverlock at some point?

As a fan of Gotham stories and Young Animal, Mother Panic hits all the right notes. It’s an intense and punk as hell story about a young woman still figuring herself involving vigilantism and art. If you enjoyed the Batgirl of Burnside or Brenden Fletcher and Annie Wu’s Black Canary, you’ll probably find a familiarity in Mother Panic that will excite you. If you enjoyed The True Lives of the Fabulous Killjoys, the similar lush tone and surrealism will jump out at you faster than Violet herself. Either way, Mother Panic makes Young Animal four for four so far and brings a new twist to the familiar Gotham story.

Story: Jody Houser Art: Tommy Lee Edwards
Story: 9.0 Art: 9.0 Overall: 9.0 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review.

No Smarks Allowed: WWE Then. Now. Forever. Edition

In this very special episode of No Smarks Allowed presented in joint with Graphic Policy, Ashley and Jay discuss the upcoming WWE comic, WWE: Then. Now. Forever., that is being released through BOOM! Studios on November 9th. Listen as they breakdown the comic, have feelings about The Shield, and express their desires for future stories (or in Ashley’s case, a future story she wants to write).

No Smarks Allowed broadcasts every other Thursday on Twitch with episodes being archived on YouTube after. You can follow Jay and Ashley on Twitter, and Ashley writes regularly for Graphic Policy (and was featured on Intergender World Champs).

Review: Shade, The Changing Girl #2

422284-_sx1280_ql80_ttd_High school is pretty terrible to begin with. The angst, the pressure, the hormones… I don’t know many people who actually claim that high school was the best time of their life. Being myself in high school was hard enough. I can’t imagine being an alien in a Madness Vest possessing the body of a 15-year-old girl.

For Loma Shade though, life has gotten that complicated. After possessing the body of Megan, Shade is dealing with the fallout of her new body’s previous owner’s life. While the details are fuzzy on just what happened that caused Megan to slip into a coma in the first place, the details are even more fuzzy to Shade. Bits and pieces slip in, but not enough to form a coherent picture of anything. It’s enough to overwhelm our new traveler as she tries to deal with the Madness for the first time. Something that, if the Ministry of Ministries on Meta is to be believed, can kill her if she’s not careful.

So far in its first two issues, Shade, The Changing Girl is a dense book. It throws you right into the Madness experienced by Shade as she tries to navigate her new life. The balance between Cecil Castellucci’s writing and Marley Zarcone and Kelly Fitzpatrick’s art makes sure of that. However, in the Madness, there is still a relatable story. In the case of this particular issue, it’s isolation. If you were any sort of weird kid in school, Shade’s struggle to understand the politics of popularity as well as her own life and her boredom with the material being taught is a straight blast from the past. Granted, with the extra alien layer, but that’s what makes it so mind bending and great. Part of what makes it so easy to lose yourself in this book is the colorful and twisty art from Zarcone and Fitzpatrick.

Along with Shade’s struggle to adapt to her new life is a web of mysteries that builds on top of each other. Shade is trying to put together just what these people in her life are supposed to be to her. The swim team stays quiet, whispering to each other messages of fear. Megan’s mother Anna struggles to figure out just what her “daughter’s” deal is since waking up. The Ministry on Meta is trying to find the vest while Lepuck struggles to keep quiet about what Loma did. On top of all of this, it appears that Megan’s spirit might not be as dead as originally thought. Uh oh.

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With all of that going on, it’s easy to understand why Shade wants to cling to River, but it’s also a good way to keep the plot moving forward. Now we’re in at least three different levels of intrigue as Shade has at least two groups trying to stop her. Not to mention wondering what the newly noncorporeal Megan will do now that she’s not bound to her broken body. If she’s going to be the figure in the wallpaper, to steal an allusion from this issue. This is what really drives this issue. Wondering just what Shade is going to do as all of these known and unknown forces prepare to move in. For her though, it’s less about a potential fight and more trying to understand her new life as she drags an old TV inside after walking home from school for “homework.” Let’s hope she can understand it before the Ministry or the Madness kills her.

Story: Cecil Castellucci Art: Marley Zarcone and Kelly Fitzpatrick
Story: 8.5 Art: 9.5 Overall: 9.0 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review

Review: The Wicked + The Divine #23

tumblr_ocdihkx6kh1tuoa2wo2_1280Before the start of this latest arc of The Wicked + The Divine titled ‘Imperial Phase (Part I),’ writer Kieron Gillen told readers to expect decadence as the Pantheon finds a newfound freedom in the wake of Ananke’s destruction. Well, decadence was certainly right on the button as we enter the Imperial Phase with a world building issue from Pantheon Monthly. Because of course, there’s a monthly glossy mag dedicated to the Pantheon.

The structure of this issue was mostly done as a way for Team WicDiv to collaborate with Kevin Wada, whose gorgeous and fashionable art has graced many a comics cover and a Twitter feed, but has never been interior for a comic. Instead of making Wada’s style conform to traditional comics format, we instead see a format suited for him: drawing the gods of the Pantheon in the way of a fashion shoot spread. Even Morrigan gets in on the action, which a beautifully gothic set that adds a pop of color to the None More Goth goddess. In fact, all of Wada’s pieces capture the Pantheon’s individual style in such a way that we usually don’t get to see in the regular issues. This is not as a diss to Jamie McKelvie and Matt Wilson, who still get to shine in this issue with their “advertisements” from Baal and Persephone, but rather highlights how strength in drawing fashion can mean different things with different artists.

The issue pushes the magazine format even more with Gillen taking on more of an “editor” role and asking several of his journalist friends to write interviews with the gods. The results are astounding, from beginning to end. Leigh Alexander’s interview with The Morrigan is especially haunting, not just for the dark imagery Alexander captures, but for how she manages to humanize The Morrigan as someone she could have known back in school. While we as the readers will remember Marian’s backstory from the ‘Commercial Suicide’ arc, this piece is presented as the first time people in the world of The Wicked + The Divine have seen press for The Morrigan. Alexander strikes that balance well, alluding to the backstory of The Morrigan without delving information that isn’t known in that universe.

My personal favorite interview though had to be Laurie Penny’s interview with Woden, titled “Sympathy for the Nice Guy.” Penny constructs the interview as an unwilling assignment, preferring to talk to a “nice” God like Amaterasu or Dionysus and getting the reviled Woden instead. I’m not certain how much of his reviled status is an allusion to his status as the most hated character in WicDiv or is a true in-universe fact, but it’s good to know everyone hates him. Penny throughout the interview tries to understand Woden at least in the way he thinks, but also doesn’t give him quarter for his actions either. Reading it was fascinating and unsettling, and I was worried that something was going to happen to Penny by the end of it. It doesn’t, but it does end with a highly ironic remark from Woden regarding the more problematic aspects of Game of Thrones. Problematic, says the sexist sociopath…

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Through the interviews and notes from our “editor” Kieron, we start to get an idea what life is like for the Pantheon so soon after Ananke’s death. It’s a lot of mystery and growth, with Valhalla being abandoned for The Strand and Baal assuming de facto leadership of the Pantheon since he was the first of the gods to “ascend.” Minerva is struggling some with the death of her parents and the other gods are trying to find balance in the wake of it all. The presence of Persephone worries Woden especially, but you have to wonder how much of that is Woden and how much of that is Persephone. You also get some fun little background details of the gods, such as Amaterasu becoming a god on her birthday/the winter solstice and running to tell Lucifer while she’s in an interview with Mary HK Choi. It was an unexpected surprise to get those kind of details, to say the least.

Early reviews of this issue harkened it to Watchmen in terms of how deep it lets the story run. While I don’t know if I can make the same comparison just yet, the way that The Wicked + The Divine #23 builds the universe of the comic while letting others play in the sandbox is kind of mindblowing. Wada’s art alone justifies the existence of this issue, but the articles by real journalists writing about their interactions with these fictional characters is what makes the issue shine in those spaces between the art. If Pantheon Monthly was to return for another arc, this The Wicked + The Divine faithful would certainly not argue.

Story: Kieron Gillen, Leigh Alexander, Dorian Lynskey, Laurie Penny,
Mary HK Choi, Ezekial Kweku
Art: Kevin Wada, Jamie McKelvie, Matthew Wilson
Story: 9.0 Art: 10.0 Overall: 9.5 Recommendation: Buy

Image Comics provided Graphic Policy with a FREE copy for review

Dragon Con 2016: Awesomely Bad Japanese Music Videos Celebrates the Best of the Bad

When my Dragon Con roommate Kurt aka TheGreatSG told me about his panel for Dragon Con, I figured it was worth a look. I hadn’t been in the J-Music scene in a while, but I’m always down for weird music videos.

I was not prepared for how weird it was going to get.

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While this was my first year attending, Awesomely Bad Japanese Music videos has become something of a staple of cons in the Southeast. Showcasing the best of the bad, the panel has grown to have its own in-jokes and expectations over the years. Starting with the glory of interdimensional being Daigo Stardust to the death of Tarako Kewpie at the hands of Chris Jericho. Don’t worry, where that strange red bean kewpie fell, what will rise in its place is an epic and mind-bending song about snack crackers composed by Yoko Kanno. No, really.

The thing I quickly learned between being swung back to the days of Kishidan and Supercar’s somewhat mortifying ‘Be’ video is that Awesomely Bad Japanese Music Videos is not really about mocking these videos. Which seems like it would be the main idea when you got videos like ‘Nande?’ and the bizarre, hysterical and cheaply made video for Polysics’ ‘Domo Arigato, Mr. Roboto.’ However, as much as it is about comedy, it’s also about celebrating the weird. There’s something of an art in the weird and SG gets that. It’s fun because it’s weird and awesomely bad. Not in spite of it.

Of course, there’s even a few earworms in there. I had ‘Nande?’ and Complex’s ‘Be My Baby’ stuck in my head for days after the panel. And, of course, FISH FIGHT!

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If you’re at a con where Awesomely Bad Japanese Music videos will be at, I implore you to give it a look. It will be weird and awesomely bad, but it’s presentation is the furthest thing from malicious. Being introduced to these videos in a crowd that was just as into it as I was was easily some of the most fun I had at the con this year. If have one complaint though, it’s that we didn’t get ‘Miira Killer on our playlist, but that’s only because I’m biased towards the current NXT Champion.

For the Dragon Con playlist and to find out when Awesomely Bad is coming to a con near you, check them out on Facebook or Tumblr.

Dragon Con 2016: DCW takes over Thursday Night

If you needed any more proof that the popularity of pro-wrestling is growing within nerd communities, Dragon Con was certainly the place to see that. Besides the fair amount of wrestling cosplay (myself as Bayley and Finn Bálor included), it was impossible to go around the con this year without coming across fellow nerds wearing wrestling shirts on the show floor. If I had to wager a guess, The New Day was easily the most popular with variations on and within the Bullet Club being a close second.

Knowing this, it isn’t a surprise that Dragon Con Wrestling saw its biggest turnout since it started 15 years ago this year. And on a Thursday, no less!

DCW pulls performers from all over the Georgia independent scene and beyond to put on a fun and somewhat nerdy tinged show for the audience. This was my first year getting to attend the show and oh boy, what a show it was.

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First of all, the crowd was exactly what you’d expect from what happens when you mix a wrestling crowd with Dragon Con’s drinking habits. One guy even kept trying to get everyone in the front sections to do the wave, even though that’s a huge ‘NO’ at wrestling events. Having to deal with drunk and disorderly in my section tended to take me out of the show in some sections, but it definitely wasn’t a deal breaker.

As for the matches themselves, there was a fun and decent variety to be had. From the first ever match won by submission in DCW history by a crossface applied by Joe Black to Adrian Armour to an intergender tag match for the Atlanta Wrestling Entertainment tag titles, the competitors for the evening were no slouches in the ring. They had the crowd going hard too if the reaction to Why We Wrestle’s Billy Buck getting a very heel win over the Venom cosplaying Stryk Nyn was any indication. Don’t worry, Stryk got him back with a spear to keep the crowd happy going into the next match.

Since it is Dragon Con, there was a LOT of cosplay happening in the matches. Starting with CB Suave’s Rock cosplay, we got everything from dark lords of Satan, Venom, Harley Quinn, Team Rocket, She-Hulk, Mickey Rourke, an ongoing fight between a Peter Griffin and a Chicken, and even a delightful Cheshire Cat inspired wrestler named Manchild. The real cosplay highlight though came in the competition for the Dragon’s Cup where Sith Lord Mikal Mosley defeated the Star Trek inspired Amazing Darkstone with a move that can only be described as a “Force Choke Slam.” I’m surprised I still have eardrums after the massive pop that got.

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The night also brought out the true emotion behind wrestling. Beginning with a certain Atlanta based YouTuber being inducted into the DCW Hall of Fame, the night also saw the final DCW match for veteran Tank. While I was not familiar with Tank before that night, the gruff man’s way of connecting with the crowd during his tag match with Iceberg against the “Genetically Superior” Logan Creed and Bobby Moore was undeniable, especially when he let a man in a wheelchair get in on the action by letting him land a few “hits” on Creed. Plus, it’s always a sad affair when a wrestler has to hang up his boots. He showed his love for the DCW crowd and his “brothers” in the ring and in the back, and the DCW crowd showed their love with a booming chant of “THANK YOU TANK.” Happy trails to you, Tank.

For my first year experiencing it, Dragon Con Wrestling was definitely worth my four hours on a Thursday night. It lives up to the spirit of the con in so many ways while definitely being its own exciting thing. Count me back next year, especially if Mikal and Azrael are facing off for the Dragon’s Cup. I want to see what they do next.

Special thanks to Georgia Wrestling History for their notes on the event.

Dragon Con 2016: Come for the Party, Stay for the Music

One of the most underrated aspects of Dragon Con is the diverse and fun music line up that manages to happen every year. Most people know about The Cruxshadows and Voltaire, for better or worse, but there’s a whole host of bands, singers and DJs that make their way down for the con every year and put on a great show.

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Probably the bands you’re most likely to hear about are the ones who get to be on the main stage once during the weekend. I only got to see two of those bands in full this year. The first being Florida Steampunk outlet The Cog Is Dead. The Cog is Dead have been around for about ten years, but didn’t actually start touring until a few years ago. If you get a chance to see them live though, I highly recommend it. Much like a lot of other bands in the Steampunk genre, they play around a lot with their sound and songs. The Cog is Dead in particular, have a very rock sound along the lines of Automaton, The Men That Will Not Be Blamed For Nothing and The Extraordinary Contraptions, but weave in a certain folk and sideshow element as well. Probably the most fun part of their show was the extra video segments they used in between songs to help create the story of the band, one of which explaining why their usual bassist was gone for the weekend. Spoiler alert: he got sent back in time and was being chased by dinosaurs.

The other mainstage band I got to see was the fabled Here Come The Mummies, a funk band based out of Nashville composed of “5000 year-old Egyptian Mummies with a one-track mind.” They got to play Dragon Con last year, but due to personal issues, I ended up missing the show. I made it a point to see them this year and from the beginning where they entered in the Centennial Ballroom parade style with horns and drums until after the show where one of their mummified members was dancing on the merch table while signing people’s CDs, Here Come The Mummies were a funky awesome time to have at midnight. I mean, when a band dressed as mummies opens with a song that declares “you’re free to be a freak among freaks,” you know you and they are in the right place to play. After a more than an hour of funky undead grooves, innuendo, signs that say ‘wooo,’ beat box flute, and even an errant string of white confetti hanging from the ballroom ceiling, I think it’s fair to say that Here Come The Mummies are easily one of the best bands I’ve seen at Dragon Con.

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Of course, the main stages aren’t the only places to see live music. The concourses are also a hopping location, with many of the smaller acts playing several times in a weekend or even some of the bigger acts playing smaller and more intimate shows. This year, the concourse brought the return of Unwoman, the gothic Bay Area cello player known for her haunting voice and looping cello. Performing several months pregnant this year, Unwoman didn’t miss a beat as she went from song to song about divorce, how Mr. Rochester is the worst, falling in love in Chicago, her song ‘The Heroine’ that was The Weather in Night Vale once, and even a fantastic cover of Peter Gabriel’s ‘In Your Eyes.’ For a couple of songs, she was joined by ex-Abney Park member Nathanial Johnstone on guitar, adding an extra layer of awesome to her set.

New to the concourse this year was Orlando outfit Geekapella, a cosplaying nerdy acapella group composed mostly of women. Out of all the acts I’ve seen at Dragon Con before, I had never seen an acapella group in the past ten years. They were super fun, picking extremely nerdy songs from Hikaru Utada’s ‘Simple and Clean,’ ‘Stronger Than You’ from Steven Universe, a mash-up of Danny Elfman’s Batman theme with ‘My Songs Know What You Did In The Dark’ by Fall Out Boy, and the ‘John Williams is The Man’ mashup from a few years ago. However, the real highlight of their performance for me was their rendition of ‘Actual Cannibal Shia LaBeouf.’ It was a song I would have never thought to work for acapella, but I enjoy being hilariously proven wrong.

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Easily the most emotional moment on the concourse this year came with the final performance of the weekend. After nearly two decades together and playing shows at Dragon Con, Emerald Rose had their final concourse show on Monday. While they were a band I didn’t actively follow, there are still members of the band I consider friends of a sort, so it was still an emotional hour plus. With songs like ‘Urania Sings,’ ‘Caledonia,’ ‘Penny in The Well’ and ‘Summerland’ mixed with funny stories from over the years, it did really feel final for the elder statesmen of the Dragon Con Concourse. I was glad that I got to be there for it, remembering how reviewing one of their albums was my very first freelance gig.

While the live music of Dragon Con is always a good time, there are certainly no shortage of awesome DJs playing music to dance your butt off to. There are a lot of parties and raves to choose from over the weekend hosted by many different tracks, but for my money, the best one is The Mechanical Masquerade. Perhaps I am personally biased towards my friends and my years in Steampunk, but DJ Doctor Q and the Alternate History Track go out of their way to put on a party that is a never miss. With grooving mashups and fantastic go go dancers from the Atlanta burlesque community, it’s easy to lose yourself in this party and go all night long, no matter what your costume is.

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If you ever find yourself at Dragon Con, take time to check out the musical performances and DJs at the con. There’s a huge variety and you’re sure to discover something or someone you like. Maybe even walk away with a new CD or two.

Review: The Wicked + The Divine 1831

tumblr_ocb81o7dst1rp6eo5o2_r1_1280So far in The Wicked + The Divine, most of what we know about past pantheons is from hearsay or little tidbits of information from those who have studied past pantheons. In fact, the pantheon in this particular issue was hinted at as far back as issue 2 when Laura went to meet with Cassandra about freeing Lucifer.

After The Wicked + The Divine 1831, we don’t have much more to go on, but there’s a bit more background about one of the past pantheons, how the celebrity of the Gods changes in each era, and maybe how Ananke manipulated the gods to meet her own goals.

The issue gorgeously illustrated by Stephanie Hans takes place mostly at Villa Diodati, the mansion by Lake Geneva where Frankenstein and The Vampyre were developed. In fact, a quick bit of research reveals that the pantheon of 1831 was completely composed of the Romantics. Never mind that many of them were already dead by 1831. It’s an alternate history though where the Romantics were given the powers of Gods by a mysterious old woman, so a little wiggle room can be made for such things.

For most of the issue, the story is narrated by Inanna, who was Claire Clairmont in this era. This is where the universalness of the story really plays, since it becomes less about the gods and their fates, but rather the interpersonal issues as the clock nears midnight on their time. In this story, there is only four left: Inanna, Lucifer, Morrigan, and Woden. There are hints of who the other gods were, but that almost doesn’t matter in this context. Writer Kieron Gillen and Hans instead weave a story about old friends and family gathering together, airing their grievances in the only way they know how: horror stories.

What’s especially interesting about this issue is that it seems like Inanna may have brokered a deal for her godhood, playing the role of the jealous sister when her sister Mary Shelley became Woden. It’s not unheard of, since it’s implied that’s how Baphomet gained his powers in the modern pantheon, but the ways in which Inanna went about it seem much bloodier. If it hasn’t occurred by now, 1831 will make you realize just how deep the world of The Wicked + The Divine really runs. Oh Kieron, what wicked things are you planning for the future of this series?

Something that Hans doesn’t get a lot of credit for with her art is how expressive it is. You see this a fair amount in 1602: Witch Hunter Angela, but it’s on full display here. Especially with Inanna and how subtly her face can change from contempt to seductive in just a matter of seconds. Mixed with the use of a more sketchy style for the flashbacks within the story that recalls back to illustrations of the era, and Hans rightly deserves all the applause for this issue.

Besides the shenanigans of the Romantics (because who else would be the celebrities of this era), this issue raises a lot of questions about what Ananke’s endgame was. Especially regarding the hand of Hades. While we’ll never know from the woman herself now, you have to wonder just how the end of this issue might come back to haunt the modern gods later.

Story: Kieron Gillen Art: Stephanie Hans
Story: 9.0 Art: 10 Overall: 9.5 Recommendation: Buy

Image Comics provides Graphic Policy with a FREE copy for review.

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