In this Little Black Book issue, Harley is mysteriously transported to an intergalactic prison, and may or may not, accidentally release all of the prisoner’s into space, therefore killing them, leaving Lobo upset that he won’t get the bounty for the kills. Hence a potential confrontation between the two ensue. It’s later revealed she ended up in this part of the galaxy due to a transportation ball she stole from Superman (Issue #5).

Writers Jimmy Palmiotti and Amanda Conner never cease to capture Harley Quinn’s voice and humor. While Harley is known to flirty, the flirtation between her and Lobo is comical, and almost (dare I say it) cute. Not being a big fan of the Joker, I’m always waiting and hoping for Harley to go crazy over for, and settle down with a more deserving equal.

Simon Bisley, artist of the original Lobo appearances, appears as a guest artist for this issue. His style is reminiscent to Nickelodeon’s Aaahh! Real Monsters―and this isn’t meant to be an insult―just an observation. The first appearance of Harley Quinn reminds me of Angelica’s toy doll, Cynthia, from the Rugrats. Go on, look at it and tell me I’m wrong.

Overall, I have to admit this started out being my least favorite issue, being unfamiliar with the artist may have played a part in this conclusion, but as most things often do, it grew on me. I’m able to appreciate the Nickelodeon of the 90s-style nostalgia and I can see long time DC fans appreciating Lobo’s appearance as well. I wouldn’t mind seeing him again, as long as we can see more of Harley and Lobo’s hilarious adventures, and their oddly romantic connection.

Story: Amanda Conner and Jimmy Palmiotti Art: Simon Bisley Cover Art: Amanda Conner
Story: 10 Art: 5.0 Overall: 8.0 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review