Tag Archives: medusa

Review: Inhuman #10

Inhuman 010The latest issue of Inhumans is one of two stories, and it is two stories which are cleverly balanced against one another, despite not directly dealing with each other.  Since its relaunch Inhumans has been one of the most interesting series in Marvel.  It is a fairly common theme in comics to have a group of outsiders and to have them desire some kind of assembly to make them feel more comfortable amongst themselves.  This is the case with the X-Men but it is also the case with the Inhumans, though the approach here seems to be more that of a true diaspora.  Instead of people finding out that there are others like them and seeking some acceptance, the people here already knew that there were others like them, only they can’t figure out how to get back together.

So far in this series, Medusa has been undoubtedly the breakout star.  As she struggles to find acceptance for new Attilan, she takes center stage both inside and outside of the comic.  While she is central figure here, the role that Axis played upon her is also not used as a detraction, but rather as an attraction.  The past two issues could have turned into an all-out slugfest but it did not.  What this series really needs is a pull to keep the stories interesting, and it has that in the Reader and Xiaoyi, the only problem being that they are not enough of a draw to keep most fans coming back.  What is enough of a draw though is a battle of Medusa versus Spider-Man, and so this is where the balance comes in.  The battle between the two heroes is a bit artificial and out of place, but it still provides the draw for the reader to be introduced to the more compelling story behind the scenes.

This issue does what it must.  It provides a bit of fluff to draw in the reader but also keeps the main story going in the background.  This duplicitous approach is perhaps needed, but is also indicative of what some comics need to do to survive.  Evidently though, Marvel is very interested in the concept of the Inhumans, and they will be doing everything that they can to keep the idea alive and relevant.  This issue does that at the very least, providing both some mostly meaningless fun but also the necessary gravity for the series to keep going strong.

Story: Charles Soule Art: Ryan Stegman
Story: 8.1 Art: 8.1 Overall: 8.1 Recommendation: Read

Animals in the Hair – Finding Female Strength in Unconventional Places

wolfmoon - cov altThis past week in comics there was an interesting coincidence and anomaly.  On two separate comic book covers there was the image of a woman whose hair came alive and took the form of animal.  On the cover of Inhuman #9, Medusa’s hair comes alive and forms snakes, and on the cover of Wolf Moon, an unidentified character’s hair comes alive and forms a wolf.  In both cases it is the female character alone on the cover that is the focus of the artwork.  While in both pictures, the association is an obvious one – snakes for Medusa, and a wolf for a werewolf – there is more to be read into this than what first meets the eye.

As a visual representation and as an artistic motif, the use of animal associations is nothing new.  Through the association with animals, humans have for millennia defined themselves as a species other than what we are.  This is a common theme in literature, art, and even shows up in colloquial language (“sly as a fox” “eating like a pig”).  Through the association with a certain animal, a human derives some of their traits, while equally animals can derive the traits of humans in the same process.  Lions aren’t really the kings of the jungle, they are more like one of many apex predators of the savannah, but the combination with so many royal emblems and insignia since at least the Mesopotamian era give both monarch and beast similar traits, and gives the animals a human title where there is none.  Through the use of either allegory or association, subjects of artwork use animals to depict what we respect and fear about these beasts.

inhumanWhat is interesting here is not the use of the animals, but rather the use of the hair.  As a society and culture, hair is most associated with women as it forms an important aspect of their beauty.  In this case though, this aspect of the beauty is being replaced by something else, a symbol of strength and power.  In the field of comics which is often criticized for its poor representation of women and of female beauty, this is an interesting and almost unnoticed coincidence from this past week, as female hair, which is usually just a representation of female beauty, in this way becomes a representation of female strength.  While it is worth remembering that the medium as a whole has some ground to make up in terms of female physical standards, it is also worth noting that there are those in the field that use what they have in unconventional ways and that was the case this week with these two unintentionally related covers.

Review: Inhuman #9

inhumanThe latest issue of Inhuman has the unfortunate condition of tying into a company-wide crossover.  It seems as though every time recently that a crossover is forced on a series that the series ends up being muddled by the experience, and that is the case again here.  In this issue Medusa has returned from the events in Axis, and she is changed by the Axis influence of having more of an edge to her character.  While this is evident throughout, it equally doesn’t affect the issue as much, because the focus is elsewhere.  Instead it focuses on the Reader and his ward Xiaoyi who he is escorting to the Ennilux.  As he ventures across the wastelands of Asia with her, he finds that they are being pursued everywhere and does what he can to protect her.

In terms of a company-wide crossover, this is perhaps a better approach than what is usually done.  Instead of being thrown in neck deep into an out-of-place and unwanted story line,  the damage is minimized as much as possible here.  The two appearances of Axis Medusa before the end are more like interludes, and especially the first one is played for comedic value instead of focusing too much on the influence of this new Medusa.  This is to the benefit of the series and this issue, as so far the character has been a standout for this series in her present incarnation, and changing the formula unnecessarily could run the series somewhat off the tracks.

Unfortunately this is where this issue ends.  Instead of focusing on other stories, it focuses on a changed Medusa, or at least one somewhat different from previous issues, and if this carries on it might have a negative impact on coming issues.  At the same time though, the novel approach to the crossover here works and minimizes the damage, especially with the other story focusing on the other two characters on the run.  It is there where this issue finds its strength and it is well enough played, although this is the weakest issue in the series thus far.

Story: Charles Soule  Art: Ryan Stegman
Story:  7.9 Art: 7.9  Overall: 7.9  Recommendation: Read

 

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