Tag Archives: Clayface

Review: Batman/Teenage Mutant Ninja Turtles Adventures #1

batmantmntcoverIn a disappointing turn of events, reading Batman/TMNT Adventures #1 is like watching one of your favorite bands as a kid or teenager come back together for a half-hearted reunion because they have bills to pay or something. (And maybe it’s a completely new band lineup.) In IDW’s latest intercompany crossover with DC Comics, writer Matthew K Manning, artists Jon Sammariva and Sean Parsons, and colorist Leonardo Ito kind of , sort of mash together Batman and the Teenage Mutant Ninja Turtles using the designs from the classic Batman the Animated Series and not as famous 2003 TMNT cartoon. There are plenty of silly jokes, some creative drawing of Clayface, and even Alfred snark, but these good bits seem thrown together in a kind of heterogenous crossover mixture if you remember high school chemistry.

Manning does a decent job writing banter for the Teenage Mutant Ninja Turtles relying on bad puns and sight gags from Sammariva and Parsons for most of his humor. They are the entertaining part of the crossover with a small skirmish against Clayface, who has randomly crossed a portal into the TMNT universe that was opened by Two-Face that Manning struggles to explain before moving onto the next average gag. Batman and company get completely neglected by the crossover with the Dark Knight doing a tiny bit of detective work and just posing around the whole issue. Sammariva brings some slapdash energy to Clayface’s transformation into Michelangelo, and Ito pours on the brown, but there is none of the psychological depth that Batman: The Animated Series brought to them as they are just jokes and gimmicks. (And Sammariva draws Harley Quinn with no spine.)

There is already a pretty good Batman/TMNT crossover that came out earlier this year from James Tynion and Freddie Williams as they juxtaposed the Turtles’ relentless love of fun with Batman’s no nonsense attitude for great comedic effect and even one powerful dramatic moment when Batman showed Raphael his parents’ graves. Manning uses this juxtaposition in Batman/TMNT Adventures #1 for weak sight gags as Michelangelo quotes dialogue from Batman: The Animated Series and asks a criminal where the best place to get pizza is. There is a slight attempt at showing how the Turtles are trying to be legit superheroes, but it falls by the wayside for the Clayface battle and having the Joker and Harley Quinn as the plot turns into a flurry of cameos and what was meant to be a cliffhanger reveal.

The iconic Bruce Timm Batman: The Animated Series and the ridiculously delightful 2003-2009 Teenage Mutant Ninja Turtles animated series designs are on model, but lack the motion and kinetic feeling of the source material. I would really love to see what an artist like Michael Avon Oeming or Ian McGinty would have done with these characters. Batman/TMNT Adventures #1 may appeal to young readers, who didn’t grow up on these two cartoons or who enjoy the Teenage Mutant Ninja Turtles, but it falls short of being a true “all ages” book despite its nods to nostalgia.

Story: Matthew K. Manning Penciler: Jon Sammariva
Inker: Sean Parsons Colors: Leonardo Ito
Story: 5 Art: 6 Overall: 5.5 Recommendation: Pass

IDW provided Graphic Policy with a FREE copy for review

Review: Batman #7

batman7coverBatman vs. Kaiju. Dozens of writers and editors are currently facepalming because they didn’t come up with that simple, yet powerful idea before writers Steve Orlando and Tom King. But the story isn’t just a straight up, Batman and his allies punching monsters. Batman #7 also deals with the fallout of Tim Drake’s death in Detective Comics #940 as Batman projects his sadness about losing another Robin into evacuating Gotham as quick as possible from an impending flood instead of dealing with his grief. The comic is a fine opening salvo for the mini “Night of the Monster Men” crossover with plenty of blockbuster action, dry one-liners, interactions between the Bat-Family, and twisted art from Riley Rossmo.

Rossmo is primarily known as a horror artist from his work on Hellblazer and and his take on kaijus is definitely the opposite of Toho even though both Godzilla and the Monster Men are products of scientific experimentation gone too far. And his monsters are flat out abominations and take up the entire panel tottering like babies with a giant one eyed globe that is the size of a tall building. In one word, it’s a unique design, and Orlando and King use its presence to make Batman go more desperate than usual as it takes exploding an entire Batplane plus a nifty John Henry Irons designed jetpack to take it out. Colorist Ivan Plascencia adds to the Monster Men’s disgusting nature by giving their mutated bodies a large blotch of red to offset the dark rain and purple and yellow explosions. They’re gross, powerful, and there is going to be much more of them as the crossover continues.

batman7interiorBatman #7 doesn’t really show much of Hugo Strange’s reasoning behind sending giant monsters to attack Gotham, but the lack of fleshed out villain is redeemed by Orlando and King’s character work with the Batman family. Before any fighting happens, there is an extended scene of dialogue between Batman, Nightwing, and Batman and her team of Spoiler, Cassandra Cain, and Clayface. During this scene, Batman is practically gazing at the abyss and kind of seems to have a death wish. Batwoman and Nightwing are trying to pull him back, but to no avail. To their credit, King and Orlando don’t characterize Batman as 100% broody as he makes wise cracks about Duke Thomas not being ready to fight monsters yet. He also is supportive of Clayface and his heroic potential as the former villain shifts into GCPD officers to help with the evacuation quicker. Batman might fight a monster mano a mano in this issue, but he is a far cry from the Batman of “Death of the Family”, who wasn’t willing to help his friend and allies for an assist in saving the city.

Batman #7 is like a summer blockbuster with an October horror twist as Rossmo draws a fast and frantic transformation sequence, but there are also plenty of action movie explosions and one-liners. But Orlando and King keep the big action grounded in the fragile dynamic and elevate the story from just being a popcorn read. Rossmo’s slightly askew art helps too.

Also, where else are you going to be able to see Batman fly a plane into a two story monster?

Story: Steve Orlando and Tom King Art: Riley Rossmo Colors: Ivan Plascencia
Story: 7.5 Art: 8.5 Overall: 8 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review

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