(W) Marc Guggenheim (A) Manuel Garcia (CA) Geoff Shaw Rated T+ In Shops: Oct 25, 2023 SRP: $3.99
THE LAST CHANCE FOR THE X-MEN! MAGNETO may be mutantkind’s last hope! As the fallout from the Doomsday scenario of the DAYS OF FUTURE PAST reaches its epic climax, witness the never-before-told story of the X-MEN’s last-ditch effort against the Sentinels! Can the mutants reclaim the future?
(W) Marc Guggenheim (A) Manuel Garcia (CA) Geoff Shaw Rated T+ In Shops: Sep 27, 2023 SRP: $3.99
MUTANTS HUNTING MUTANTS – RELEASE THE HOUNDS! AHAB unleashes his HOUNDS to hunt down mutantkind! Chief among them, the powerful RACHEL SUMMERS! As her unwilling betrayal stands poised to destroy the remnants of the X-MEN for good, MAGNETO hits rock bottom. But what fruit will an unexpected alliance led by WOLVERINE yield, and will it create an even darker future?
(W) Marc Guggenheim (A) Manuel Garcia (CA) Geoff Shaw Rated T+ In Shops: Aug 16, 2023 SRP: $3.99
FUTURE FALLOUT! MAGNETO’s aggressive action further divides the mutant community, even as GYRICH, TRASK and their secret organization take steps to ensure mutantkind will face extinction! But will A NEW HOPE arise among the X-MEN, or will this future truly come to pass? Continue the multi-decade journey into this ALL-NEW tale of the dystopic future made famous in the classic X-MEN #141-142 DAYS OF FUTURE PAST storyline, complete with SURPRISE GUEST STARS and NEW REVELATIONS!
(W) Marc Guggenheim (A) Manuel Garcia (CA) Geoff Shaw Rated T+ In Shops: Aug 16, 2023 SRP: $3.99
FUTURE FALLOUT! MAGNETO’s aggressive action further divides the mutant community, even as GYRICH, TRASK and their secret organization take steps to ensure mutantkind will face extinction! But will A NEW HOPE arise among the X-MEN, or will this future truly come to pass? Continue the multi-decade journey into this ALL-NEW tale of the dystopic future made famous in the classic X-MEN #141-142 DAYS OF FUTURE PAST storyline, complete with SURPRISE GUEST STARS and NEW REVELATIONS!
(W) Marc Guggenheim (A) Manuel Garcia (CA) Geoff Shaw Rated T+ In Shops: Jul 12, 2023 SRP: $4.99
THE CATACLYSM THAT LEADS TO THE X-MEN’S DYSTOPIC FUTURE! Return to the future in a tale that reveals the events leading up to the timeless original DAYS OF FUTURE PAST story that’s inspired spin-offs, films and more! In a world where mutants are more than simply hated and feared, but not yet SLAIN and APPREHENDED, the assassination of Senator Kelly comes to pass, bringing with it the Mutant Control Act and SENTINELS on every corner. But with mutantkind on the back foot, what lengths will KATE PRYDE, WOLVERINE, COLOSSUS, STORM, BANSHEE, ANGEL, CYCLOPS, PROFESSOR X and the rest of the X-MEN go to in order to find some way to survive? And what scheme of MAGNETO will bring about their ultimate DOOMSDAY? Witness the thirty-year descent into the dystopic future, replete with the previously untold deaths of key mutant characters, as we flesh out one of the most celebrated X-MEN timelines in its own series for the first time!
X-Men: Days of Future Past is a classic X-Men story taking us to a dystopian future where Mutants are hunted and rounded up. It has spawn takes on television, film, and inspired so many similar stories, some even in the X-Men comics. But, how did things build up to that world? X-Men: Days of Future Past – Doomsday #1 kicks off a new series that explores that.
Written by Marc Guggenheim, X-Men: Days of Future Past – Doomsday #1 begins to flesh out the 30 years of events that lead to the dystopic future we’ve come to known. After opening with “year 28,” the comic rewinds a bit with some quick hits and moments before settling on “year 18.” This is the year that featured some major key events, one a riff on another classic story, that lead to the detention of Mutants and the turning of the public not just against them but also heroes with powers as a whole. It’s all pretty basic with little surprises and shocks, feeling a bit void of emotion.
That’s part of the issue with X-Men: Days of Future Past – Doomsday #1. While the comic does fill in the gaps, the way it’s presented leaves out an emotional connection and punch that should happen. It feels much more like a bullet point of events instead of an impassioned allegory about unchecked hate and othering groups for political gain. It goes over the basics but leaves things generally at the surface level.
The art by Manuel García is good. With ink by Cam Smith, color by Yen Nitro, and lettering by Clayton Cowles, the comic has a bit of a retro style to it. What’s interesting is subtle changes in designs in this alternate world, reminding us that things have gone wrong. It’s small choices but they help make it clear we’re on a different timeline and path than what we are used to in these classic stories. The pages too are packed reflecting a first issue that covers a lot. There could easily be multiple splash pages but instead even the major visual moments share pages with a few more panels. It generally works but also feels like it emphasizes that this debut issue wasn’t given enough room to breathes.
X-Men: Days of Future Past – Doomsday #1 isn’t bad. It begins to fill in the gaps as to what lead to the world of “Days of Future Past.” It’s all logical and you could see how it’d shake out. But, the comic rushes through some of the history, leaving the emotional build to the side. It takes use through the history but never really builds to anything, instead it’s quick hits or we’re dropped into the key moment. There’s an emotional connection that feels like it’s missing.
Story: Marc Guggenheim Art: Manuel García Ink: Cam Smith Color: Yen Nitro Letterer: Clayton Cowles Story: 7.5 Art: 7.5 Overall: 7.5 Recommendation: Read
Marvel provided Graphic Policy with a FREE copy for review
Are there any notable examples of anti-mutant prejudice towards the X-Men coming from within the superhero community?
This is a great question!
This gets to the complicated nature of how mutants fit into the Marvel Universe. I’ve always been a vocal proponent of the idea that, far from the mutant metaphor only making sense if it’s in its own little bubble where mutants are the only people with superpowers, the mutant metaphor actually functions better in the context of the Marvel Universe, because it allows you to explore more complicated and more subtle ways that prejudice functions.
While there are plenty of super-villains who have quite blatant anti-mutant prejudice, you don’t tend to get that same kind of overt bigotry towards mutants among super-heroes. Partly, this is because bigotry is a very unheroic character trait, but it also has to do with the way that the way that Marvel historically portrayed the spillover effects of anti-mutant prejudice.
Following in a kind of Niemöllerian logic, it’s almost always the case that groups that hate and fear mutants also end up hating and fearing non-mutant superheroes. Thus, Days of Future Past starts with the Sentinels being turned on mutants, but it ends with the Sentinels wiping out the Avengers and the Fantastic Four too – because the same atavistic fear of “the great replacement” applies to both mutants and mutates. Likewise, the same forces that line up to push through the Mutant Registration Act inevitably end up proposing a Superhuman Registration Act, because once you’ve violated the precepts of equality under the law for one minority group, you establish a precedent to do it to another.
In Avengers vs X-Men, you see the Avengers acting like they know the Phoenix Force better than mutants and ultimately prioritizing the safety of mankind over the efforts of mutantkind to reverse their own extinction. This is where the “Avengers are cops” meme in the fandom comes from. (I would argue that Captain America is badly mischaracterized in the latter event – we know which side he’s on when the interests of mutants and the interests of the state come into conflict.)
The common thread here is that anti-mutant prejudice among superheroes emerges as a kind of unthinking, unreflective callousness brought on by a worldview that thinks of humans as the universal default of lived experience – while thinking of mutants as a somewhat annoying special interest group that fixates on their particularist grievances rather than working for what the heroes consider to be the common good.
For a more intimate version of how this plays out, I think the Fantastic Four are a great exploration of how “well-meaning” liberals can massively fuck up when they don’t do the work of examining their own biases. We’ve seen this since the very beginning: in Fantastic Four #21, Kirby goes out of his way to depict uber-WASP Reed Richards blithely assuming that the “free market of ideas” will take care of the Hatemonger, while the subtextually Jewish Ben Grimm knows that the way to deal with a mind-controlling Hitler clone wearing purple Klan robes is deplatforming-by-way-of-clobberin’.
Then later on, we see Reed Richards debate Congress out of passing a Superhuman Registration Act, while saying nothing about the Mutant Registration Act – even though he has a mutant son who is directly threatened by it. (See that adorable blond moppet with the slur scrawled across his face in the fictional advertisement above? That’s Franklin Richards.) This is why I have a crack theory that Franklin’s biological father is actually Namor rather than Reed, which is why Reed so consistently shows a passive-aggressive hostility to his son’s mutancy.
At the same time, Sue also has her blindspots when it comes to mutant rights. In the underrated FF/X miniseries, Susan Storm acts like an understanding and supportive parent to Franklin – right up until someone suggests that Franklin might want to come to Krakoa and explore his mutant identity, at which point she goes full Karen and starts lashing out with her powers. Chip Zdarsky, the writer, explicitly compared Reed and Sue to liberal parents who support gay rights in the abstract until their kid comes out as trans and wants to spend time in LGBT+ spaces.
(W) Marc Guggenheim (A) Manuel Garcia (CA) Geoff Shaw Rated T+ In Shops: Jul 12, 2023 SRP: $4.99
THE CATACLYSM THAT LEADS TO THE X-MEN’S DYSTOPIC FUTURE! Return to the future in a tale that reveals the events leading up to the timeless original DAYS OF FUTURE PAST story that’s inspired spin-offs, films and more! In a world where mutants are more than simply hated and feared, but not yet SLAIN and APPREHENDED, the assassination of Senator Kelly comes to pass, bringing with it the Mutant Control Act and SENTINELS on every corner. But with mutantkind on the back foot, what lengths will KATE PRYDE, WOLVERINE, COLOSSUS, STORM, BANSHEE, ANGEL, CYCLOPS, PROFESSOR X and the rest of the X-MEN go to in order to find some way to survive? And what scheme of MAGNETO will bring about their ultimate DOOMSDAY? Witness the thirty-year descent into the dystopic future, replete with the previously untold deaths of key mutant characters, as we flesh out one of the most celebrated X-MEN timelines in its own series for the first time!
Just in time for the X-Men’s 60th anniversary, fans can discover more about one of their most influential storylines this July in X-Men: Days of Future Past – Doomsday! Written by X-Men superstar Marc Guggenheim and drawn by acclaimed artist Manuel García, the new limited series will reveal the never-before-told saga that preceded Chris Claremont and John Byrne’s groundbreaking Days of Future Past storyline.
Told in 1981 within the pages of Uncanny X-Men #141–142, “Days of Future Past” enriched the X-Men’s mythology with the introduction of new core concepts like time travel and alternate universes, and raised the stakes of the X-Men’s mission by showing readers what the future held if they failed. Over the years, “Days of Future Past” has inspired spin-offs, film, television, and more, and now it’s time to witness the thirty-year descent into this iconic dystopic future where mutantkind was crushed under the full might of the Sentinel program!
Beginning at the pivotal moment that Kate Pryde desperately tried to alter in the original story and taking readers right up the legendary opening pages of Uncanny X-Men #141, the series will reveal all the dark history behind “Days of Future Past,” complete with the previously untold deaths of key mutant characters, super hero guest stars, and shocking revelations.
In a world where mutants are more than simply hated and feared, but not yet slain and apprehended, the assassination of Senator Kelly comes to pass, bringing with it the Mutant Control Act and Sentinels on every corner. But with mutantkind on the back foot, what lengths will Kate Pryde, Wolverine, Colossus, Storm, Banshee, Cyclops, Angel, Professor X, and the rest of the X-Men go in order to find some way to survive? And what scheme of Magneto will bring about their ultimate DOOMSDAY?
Learn the full story behind one of Marvel Comics’ most timeless tales this July in X-Men: Days of Future Past – Doomsday!
Elliot Page has come out as trans today. The actor is the Oscar-nominated star of the 2007 film Juno, and currently plays Vanya Hargreeves in the hit Netflix series The Umbrella Academy. Page also played Kitty Pryde inX-Men: Days of Future Past and X-Men: The Last Standamong numerous other roles in front of and behind the camera.
Hi friends, I want to share with you that my name is Elliot, my pronouns are he/they and I am trans. I feel lucky to be writing this. To be here. To have arrived at this place in my life.
I feel overwhelming gratitude for the incredible people who have supported me along this journey. I can’t begin to express how remarkable it feels to finally love who I am enough to pursue my authentic self. I’ve been endlessly inspired by so many in the trans community. Thank you for your courage, your generosity and ceaselessly working to make this world a more inclusive and compassionate place. I will offer whatever support I can and continue to strive for a more loving and equal society.
I also ask for patience. My joy is real, but it is also fragile. The truth is, despite feeling profoundly happy right now and how much privilege I carry, I am also scared. I’m scared of the invasiveness, the hate, the “jokes” and of violence. To be clear, I am not trying to dampen a moment that is joyous and one that I celebrate, but I want to address the full picture. The statistics are staggering. The discrimination towards trans people is rife, insidious and cruel, resulting in horrific consequences. In 2020 alone, it has been reported that at least 40 transgender people have been murdered, the majority of which were Black and LatinX trans women. To the political leaders who work to criminalize trans health care and deny our right to exist and to all of those with a massive platform who continue to spew hostility towards the trans community: you have blood on your hands. You unleash a fury of vile and demeaning rage that lands on the shoulders of the trans community, a community in which 40% of trans adults report attempting suicide. Enough is enough. You aren’t being “cancelled,” you are hurting people. I am one of those people and we won’t be silent in the face of your attacks.
I love that I am trans. And I love that I am queer. And the more I hold myself close and fully embrace who I am, the more I dream, the more my heart grows and the more I thrive. To all trans people who deal with harassment, self loathing, abuse and the threat of violence every day: I see you, I love you and I will do everything I can to change this world for the better.
Thank you for reading this.
All my love, Elliot
Page has been an outspoken advocate for LGBTQ people and Page’s announcement will inspire and help countless other trans and non-binary people. Their example will hopefully bring about a little more tolerance to the world.