Tag Archives: new internationalist

Review: Goodbye God? An Illustrated Exploration of Science vs Religion

From the birth of our country, Christianity’ ties to not only the Founding Fathers but also to the very principles the nation was founded on, is unmissable.  The mention of God is in every major piece of literature, letter, and even many legal documents. This way of thinking became part of the dominant faith system that would spread into every facet of what we call “The American way of life”. This was what most believed to be the only way, which lead to widespread dissemination.

So, with most tenets of belief, what one must do in order to be considered a good Christian, was first thought in the church. So, when the classic question of which came first:” The chicken or the egg”?  most teachers used religion to teach it while others used circular reasoning. What decades of this way of thinking has lead to, is the current political climate ‘s dismissal of science and almost all other reason. In Sean Michael Wilson and Hunt Emerson’s Goodbye God: An Illustrated Exploration of Science Vs Religion, the reader enjoys a careful examination how this dispute has festered and how it affects society’s ultimate direction.

In Part 1, “Evolution and Creationism”, the creators gives a definition of both while outlining history of the fundamental differences between the two sides of the debate while maintaining levity about the incredulousness of the argument for creationism. As they break down Darwin’s theory of sexual selection, as it has less to do with how the opposite sex looks like and more capability to survive. Then they take apart each claim of evidence based on what is written in the Bible and compare it to actual facts. They go on o take separate the creationist schools of thought in to “Old Earth “and “Young Earth”, and how alike and different they are from each other, as both center on literal acceptance of the Bible and creation was within the last 6,000 years. The book delves into the problem with this infiltration into what is considered fact, as Noam Chomsky clearly makes the connection to America’s current political stance on global warming, that it is “fake science”. They also get into how different school systems are tackling both theories as some of these cases have even gone to the Supreme Court. As the New York Times found in a poll that an overwhelming number of teachers for fear of backlash from parents, choose to stay neutral in the argument, and in many ways, leaves the facts unclear. As we also see where scientists have taken up the fight as well, where such collectives as The Steve Project, which has pushed that evolution is a unified belief based on science as fact. In “Part 2” Science Vs Religion”, they first discuss how much of the violence of the world, especially those against women, have parts of it tied to religion and gives specific incidents where people have used words form sacred texts to justify their vehemence. Of course, one of the worst uses of religious text was to justify slavery on other human beings. This is also where we discover the concept of “Humanism”, which more or less is spirituality based on equality and free thought. The creators also dive into how absurd the concept of calling oneself, an atheist, is, as not choosing a dominant religion doesn’t mean that one doesn’t have morals or feelings, though many religious sects would disagree. As the existence of religion, doesn’t mean that good thins will happen only to those who are devout, as the same thing for who aren’t devout, that only bad things will happen to them, as this is simply false equivalencies at play. By book’s end, the creators leaves footnotes that both enhance what the reader has learned and for further reading.

Overall, an excellent book which puts both arguments bare, leaving the reader to ponder on which direction has given the most evidence to sway oneself. The story text by Wilson is intelligent, relatable, and smart. The art by Emerson is beautiful. Altogether, a great book that redefines what a graphic novel can be and gives a readers a full experience.

Story: Sean Michael Wilson Art: Hunt Emerson
Story: 10 Art: 9.0 Overall: 9.7 Recommendation: Buy

Review: Portraits of Violence: An Illustrated History of Radical Critique

In a world where everybody gives you a “piece of their mind,” it is almost hard to believe there was a time when people were put to death for their views. Who knew such a thing as a “dissenting opinion” could get people in trouble. As history has proven to us, sometimes it can take ages before a general belief becomes widely accepted, as was shown in the very well-known death of Galileo with his conception of heliocentrism. As the religious zealots of the time vehemently opposed him he was put under house arrest for the remainder of his life by the Church of Rome.

The world has evolved more since then becoming more tolerant of different viewpoints but only to a certain level. Those people who belong to the outliers tend to be either shunned or celebrated. Those minds that changed the world rarely ever get the credit they deserve when they are alive. It is mostly when they transcended this world that the masses usually discover their brilliance. In the brilliantly told and gorgeously illustrated Portraits of Violence: An Illustrated History of Radical Critique the talented creative team demonstrates just who these great men were and how they shaped the global community we live in.

In the first chapter, Brad Evans‘ “Thinking About Violence,” the author extrapolates segments of history where violence had been justified for the “greater good” only resulting in unnecessary mass casualties. In “The Banality Of Evil,” Hannah Arendt exposes the long insidious legacy of Adolf Otto Eichmann, the architect of the “Final Solution” and the subject of the upcoming film, Operation Finale, tracing the cruelty humans have inflicted on each other over time and the moral consequences of such actions. In “Wretched Of The Earth,” Frantz Fanon espouses the evils of colonialism and the terrible cycle of oppression it imposes on those inhabitants of the colonized countries, as has been illustrated here and in the movie, Concerning Violence. In “Pedagogy Of The Oppressed,” Paulo Freire introduces the reader to the one of the founders of critical pedagogy as his seminal work, who openly criticized his home country’s rule and through his work encouraged free thinking and challenging of ideas, extending to today’s generations. In “Society Must Be Defended,” Michel Foucoult dissects concepts like power and colonialism through   archaeological approaches, and discovering the intersectionality between these concepts/devices. In “Orientalism,” Edward Said uncovers the methodology which promulgates distorted and usually gross misrepresentations of Asian peoples by the West and the illumination of European beauty standards which forms part of the basis for stereotypes and one of the first accurate description of the treacherous power of racism. In “Regarding the Power Of Others,” Susan Sonta, in her last book before she passed away, conveyed how governments utilize violence not only in political/military situations, but to convey a public image of strength and progress, when it slowly scrapes away one of the few emotions that highlight the human condition, empathy. In “Manufacturing Consent,” Noam Chomsky demonstrates how the news is used to push ideas versus only reporting the facts. “Precarious Lives” recounts Judith Butler bravely going against tide shortly after the tragedies of 9/11, and questioned the “knee jerk” reaction to going to war shortly thereafter. In “Sovereign Power/Bare Life,” Giorgio Agamben examines and reveals “Life exposed to death, especially in the form of sovereign violence.”

Overall, a graphic novel which helps expose these “thinking heads” to the world, as they are not just “ethical pioneers” but “moral superheroes.”  The stories of each innovator is fluently told in a relatable and intelligent fashion. The art by creative team both humanizes these figures but paints them so beautifully. Altogether, an impressive book that in its short page run says more than most libraries on the world at large.

Story: Sean Michael Wilson and Brad Evans
Art: Carl Thompson, Robert Brown, Mike Medaglia, Michiru Morikawa, and Chris Mackenzie
Story: 10 Art: 10 Overall: 10 Recommendation: Buy