Tag Archives: michiru morikawa

Review: Musashi

Musashi

Growing up in the 1980s and 1990s I watched cartoons religiously, even the bad ones. One of the more interesting cartoons I remembered watching and actually becoming enamored with was Disney’s American Legends. It portrayed fictional and sometimes true-life heroes as first normal humans, but their actions are what propelled them to legendary proportions. Their stories became the ideals Americans aspire to and what an “American hero” was.

This inflated patriotism would give children living in other countries an often-dreamlike vision of what Americans were. I remember growing up for a time in Trinidad and many of my classmates looking to me because I was American. They perceived I possessed some of those idealistic traits. It was not until I joined the military and saw that every country had their own versions of Johnny Appleseed and John Henry. In Sean Michael Wilson and Michiru Morikawa’s Musashi we are introduced to one of Japan’s greatest mythical heroes.

We meet Iori, his adopted son, who tells his story through a series of flashbacks. As we meet him at a tender age, where we see he has an affinity for fighting , as he takes on to swordsmanship quickly, as he joins the Toyotomi Clan in a war against the Tokugawa Shogunate, one where he stood out from the crowd because of his military prowess., but labeled a rebel because of his belonging to the Western forces at the Insurrection at Sekigahara. He would go wondering around Japan, refining his skills, which included his clash with the Yoshioka Clan in 1604 who his father had bested in a “comparison of Technique” competition, and who he bested several times, using psychology as his secondary weapon, would include crippling the master, a story that added to his legend. Through these encounters and fights, he would start developing his own tactics, ones would become the basis of his acclaimed book, The Book Of Five Rings, as he would move to Edo, and write the first inklings of the book, with his first pamphlet, “The Mirror Of The Way Of The War”. As every swordsman in Japan came to challenge him, he found his stay in Edo to be untenable, so in 1612, so he went south, where his most famous fight took place, against Sasaki Kojiro, who practiced the “No Sword” technique, as their skirmish was bloody and swift, as Musashi defeated Kojiro almost effortlessly.  As Tokugawa Ieyasu continued his destruction of the various clans, many masterless swordsman would join the Toyotomi Clan in defiance, which would include Musashi , as he rejoined them in their Osaka stronghold,  which despites their numbers and allegiance to the Samurai Code, was eventually defeated. He would become less interested in fights and more in passing on his knowledge to students, as this is when he would adopt Iori, then a homeless child and raised him as his own. He would always find the call to battle as part of public service to various clans, where they would retain his talents, and which would only make him even more diverse in his skill set. By book’s end, he would create the tome most connected to his legacy, and though his body would eventually become frail, his mind would still be sharp, as he would live a life that would be more fabled and more fulfilled than most men.

Overall, an excellent graphic novel that gives a thorough look at Japan’s most famous swordsman and the stories that would make him the legend he would become. The story by Wilson is well researched, enigmatic, relatable, and very entertaining. The art by Morikawa is very detailed and contains incredible line work. Altogether, a story that is as mysterious as Spartacus, but even more famous and through Wilson’s and Morikawa’s storytelling readers will see exactly why.

Story: Sean Michael Wilson Art: Michiru Morikawa
Story: 10 Art: 10 Overall: 10 Recommendation: Buy

Review: Portraits of Violence: An Illustrated History of Radical Critique

In a world where everybody gives you a “piece of their mind,” it is almost hard to believe there was a time when people were put to death for their views. Who knew such a thing as a “dissenting opinion” could get people in trouble. As history has proven to us, sometimes it can take ages before a general belief becomes widely accepted, as was shown in the very well-known death of Galileo with his conception of heliocentrism. As the religious zealots of the time vehemently opposed him he was put under house arrest for the remainder of his life by the Church of Rome.

The world has evolved more since then becoming more tolerant of different viewpoints but only to a certain level. Those people who belong to the outliers tend to be either shunned or celebrated. Those minds that changed the world rarely ever get the credit they deserve when they are alive. It is mostly when they transcended this world that the masses usually discover their brilliance. In the brilliantly told and gorgeously illustrated Portraits of Violence: An Illustrated History of Radical Critique the talented creative team demonstrates just who these great men were and how they shaped the global community we live in.

In the first chapter, Brad Evans‘ “Thinking About Violence,” the author extrapolates segments of history where violence had been justified for the “greater good” only resulting in unnecessary mass casualties. In “The Banality Of Evil,” Hannah Arendt exposes the long insidious legacy of Adolf Otto Eichmann, the architect of the “Final Solution” and the subject of the upcoming film, Operation Finale, tracing the cruelty humans have inflicted on each other over time and the moral consequences of such actions. In “Wretched Of The Earth,” Frantz Fanon espouses the evils of colonialism and the terrible cycle of oppression it imposes on those inhabitants of the colonized countries, as has been illustrated here and in the movie, Concerning Violence. In “Pedagogy Of The Oppressed,” Paulo Freire introduces the reader to the one of the founders of critical pedagogy as his seminal work, who openly criticized his home country’s rule and through his work encouraged free thinking and challenging of ideas, extending to today’s generations. In “Society Must Be Defended,” Michel Foucoult dissects concepts like power and colonialism through   archaeological approaches, and discovering the intersectionality between these concepts/devices. In “Orientalism,” Edward Said uncovers the methodology which promulgates distorted and usually gross misrepresentations of Asian peoples by the West and the illumination of European beauty standards which forms part of the basis for stereotypes and one of the first accurate description of the treacherous power of racism. In “Regarding the Power Of Others,” Susan Sonta, in her last book before she passed away, conveyed how governments utilize violence not only in political/military situations, but to convey a public image of strength and progress, when it slowly scrapes away one of the few emotions that highlight the human condition, empathy. In “Manufacturing Consent,” Noam Chomsky demonstrates how the news is used to push ideas versus only reporting the facts. “Precarious Lives” recounts Judith Butler bravely going against tide shortly after the tragedies of 9/11, and questioned the “knee jerk” reaction to going to war shortly thereafter. In “Sovereign Power/Bare Life,” Giorgio Agamben examines and reveals “Life exposed to death, especially in the form of sovereign violence.”

Overall, a graphic novel which helps expose these “thinking heads” to the world, as they are not just “ethical pioneers” but “moral superheroes.”  The stories of each innovator is fluently told in a relatable and intelligent fashion. The art by creative team both humanizes these figures but paints them so beautifully. Altogether, an impressive book that in its short page run says more than most libraries on the world at large.

Story: Sean Michael Wilson and Brad Evans
Art: Carl Thompson, Robert Brown, Mike Medaglia, Michiru Morikawa, and Chris Mackenzie
Story: 10 Art: 10 Overall: 10 Recommendation: Buy