Tag Archives: liesel van helsing

Strange Comic Trends: Fishnets Times Two

bcThe history of fishnets in the medium of comics is an often bizarre one, and can be traced to their popularity and perception in fashion.  In their earliest days, they were often associated with activities that were considered scandalous, not even necessarily through prostitution, but simply as part of a forbidden dress code.  When the character of Black Canary was first introduced, she was shown sporting the form of hosiery, not particularly effective in crimefighting, but also speaking to the influences of her character, that of a femme fatale, who could dish out a punch to those that mistook her appearance for something else.  For a long time Black Canary was the only character that ever wore them.  Black stockings were common enough at one point in the medium through romance comics, but these were often shown as a sequence of bluish Ben Day dots as opposed to a true black.  It was hard to show female hosiery in any detail and so artists tended to stay away from it.  Zatanna came along and her most common costume featured fishnets, even when she sported various other versions.  Incidentally so too did Black Canary wear other versions of a costume and had even done away with the fishnets after the Birds of Prey reboot of the character in the 1990s.

helsing001aAt some point though fishnets became part of popular fashion, or at least gained the respect that they could be worn without a stigma attached to them.  Instead of a forbidden accessory they now represent edginess or being a little bit different from the pack.  Even then though, it is a rarity to see any comic characters wearing them.  They are still common enough on Black Canary and Zatanna, and two Grimm Fairy Tales characters also wear them often (The Queen of Spades and Liesel Van Helsing).  Strangely in recent years they have also been a common enough accessory of Veronica Lodge at Archie Comics, but this week’s double release of two character from two different companies wearing fishnets on covers might be the first time that it has happened in comic book history (especially considering the numerous variant covers with Liesel all wearing the same).  Although they have been around since the 1940s, they have never really caught on as a stylistic element of most characters’ costumes, and so seeing them twice on the same release day is truly an anomaly.

Review: Van Helsing Vs. Dracula #1

helsing001There is likely no villain as pervasive as Dracula.  He is maybe not the most intimidating of comic book super villains, but as a character borrowed from literature and history, he has shown up at practically every major comic company.  He is a big enough enemy of the X-Men at Marvel, has shown up occasionally at Marvel, and even in the past year has already been featured in his own miniseries, which he shared with the Blood Queen at Dynamite.  With such a wide swath of appearances, it makes sense that he would appear in Zenescope’s Grimm Fairy Tales, a setting which is established on the very concept of ripping off characters from myth, legend, fairy tales, and literature.  As the Grimm Fairy Tales universe expanded it also made sense to expand its list of heroes, most of whom happen to be female.  In this case a female vampire hunter by the name of Liesel Van Helsing, with a fair amount of steampunk, was thrown into the continuity, although the character has never really been able to find a solid home at the company, rather appearing in a sequence of cameos.  Perhaps this is on the verge of changing as she is featured in his first standalone miniseries, and one taking on the darkest creature of the night.

For those that are accustomed to Grimm Fairy Tales, they will find that there is something familiar here, but for those that are not they might be confused at some of the very basic concepts introduced here.  As the main universe of Grimm Fairy Tales tends to be pretty jumbled, often without a lot of direction, it should come as no surprise that a Victorian steampunk vampire hunter is dating Hades, the Greek god of the underworld.  For those that might like to look past this part, it is not really possible, as he is not here as a cameo, but rather as a major part of what is pushing forward the plot.  As it turns out, one of Liesel’s old friends has a bit of a vampire problem, and she is off to investigate it, with the god of the dead in tow.  Little does she know though that Hades and Dracula already have a history (which is a bit of a stretch even by Grimm Fairy Tales’ standards) and this complicates her goal of helping her friend.

It might seem that this issue is overly busy, but it never really is.  The inclusion of Hades is perhaps a poor choice, but it is an editorial choice that was made long ago, and the writer here has to deal with what they have.  Despite this, this is a hard issue to get an impression of for where the miniseries might be heading.  For those that are interested in a bit of supernatural, they will probably find this approachable enough, but there is really not much here to tell whether it will be one of the better Grimm Fairy Tales projects, or something more limited.  As it stands after the first issue it evidently has the potential, only it is unclear what it can make of it.

Story: Pat Shand Art: Michele Bandini 
Story: 7.6 Art: 7.6  Overall: 7.6  Recommendation: Read

 

Review: Robyn Hood #13

robynhood013Zenescope’s third monthly series has been at times one which requires some patience to read.  Although it has exhibited some signs of fulfilling some of its underlying potential, it has too often reverted to its previous performance by providing issues that are full of concept bu short of execution.  The previous two issues seemed to have signaled a change in direction for this series, as both issues managed to carry a better story without losing touch with the characters that make the series compelling.  The previous two stories were standalones, and featured stories which were a bit further off the script of the usual for the series.  With the return to the usual format it remained to be seen exactly if the series had in fact made the jump to something better.

The story focuses not only on Robyn and Marian this time, but also on Liesel.  Since being introduced she is an underutilized character, probably second only to Britney Waters at Grimm Fairy Tales as a character that needs more panel time.  She is in town, and it happens to coincide with a supernatural serial killer making his mark on social media.  Although the setup would tend towards more of a mystery, it ends up in another bloodbath battle for the characters, which Liesel even alludes to as what should be expected, both in the story for the characters and for the readers.  Meanwhile Marian is dabbling in some risky magic to try to return herself to full strength.

It is perhaps not as bad as some of the stories that have come before, but this issue still represents a step back for the characters and the overall tone of the series.  The previous issues show what this series could be, but this issue shows mostly what is has been, a decent series at times, but also one that has never really escaped the realm of being average.  There is still some way to go with this series, and hopefully the creative team figures it out, because the characters do have a strong fanbase.  In the meantime, readers have to be happy enough with stories such as this one, entertaining at times, but not much else.

Story: Patrick Shand  Art: Roberta Ingranata
Story: 6.6  Art: 6.6  Overall:  6.6 Recommendation: Pass