Author Archives: Aleece Reynaga

Review: Doctor Who: Ghost Stories #2

Doctor Who: Ghost Stories #2 seemed to be a little too cheesy for my taste. Being a self-proclaimed Whovian, I like to think I can handle a little cheese with my Doctor, but this issue crossed a line for me. Aside from the overbearing moral messages being forced on readers, I found the narrative to be too suffocating. I didn’t like being told what was happening. I wanted to see it.

I also found it difficult to believe Lucy would allow her daughter, Jennifer, to run into the lair of the man who nearly just killed her husband. I’m also expected to believe the villain falls to his knees in defeat and we are only in issue two. It’s moving too fast now and it seems the writer is attempting to simply get from point A to point B. There is an overarching storyline of gemstones to be found but I’m having trouble recalling what their importance is supposed to be.

While the political undertones of The Harmony Shoal throwing shade at the Trump administration is amusing, it doesn’t quite make up for the lack of interest I’ve taken. It’s another moral message we’re supposed to run along with, but it’s predictable in the worst kinds of way, and I’m not here for it.

I was really looking forward to this series, but I’m more interested in the original storyline from the television show than the one here. In the show, what’s most intriguing about this character “The Ghost” is the double life he leads and the romance. It had a Clark Kent and Lois Lane-type of vibe that worked. However, this new series lacks both the mystery and the romance that the series did so well with.

Story: George Mann Artist: Pasquale Qualano
Story: 2.0 Art: 5.0 Overall: 4.0 Recommendation: Pass

Titan Comics provided Graphic Policy with a FREE copy for review

Review: Penny Dreadful #2

*Warning Spoilers Below*

Werewolves and zombie and cursing nuns―oh my!

The mummy, Belial, has been released into the wild streets of London. He creates an army of zombies out of whoever crosses his path. Then we alternate back to Ethan attempting to control his inner werewolf. While I felt the humor came most from Ethan and Dr. Seward before, it seemed this time around Catriona takes the lead. She gets the best line of the issue: “Don’t mess with a lady and her sword, love.”

Brona, or as you might remember her, Lily Frankenstein (formerly played by the gorgeous and talented, Billie Piper) makes an appearance as a messenger to a scary nun known as Mother Superior. Her (Brona/Lily) character appears to be more passive then when we last her (from the television show) and it seems she will now be a third storyline to follow. If she takes a more active role, which she most likely will, I’m all in.

It’s revealed that the goal is to use Belial as a vessel for the devil himself. Then the story seems to change its mind and reveals that Vanessa Ives corpse will be brought back to life and used as the vessel to the devil. Now this is far more interesting, and because it will make the plot interesting, we can predict this will in fact take place. Despite being predictable, it still makes for a very intriguing storyline because we have no idea how this story will play out. How will Ethan handle seeing his love being brought back to life as the devil itself?

Story: Chris King Art: Jesús Hervás Color: Jason Wordie
Story: 10 Art: 10 Overall: 10 Recommendation: Buy

Titan Comics provided Graphic Policy with a FREE copy for review

Review: Big Moose #1

Big Moose one-shot introduces three new short stories about the one and only Moose, each created by separate teams, giving various takes on the character.

“Moose vs. The Vending Machine” gives into the stereotypical airheaded Moose, who willingly trades Jughead a week of his lunches for a single dollar, just to get something from the vending machine. While Sean Ryan’s story felt predictable, it still had the familiar humor of Archie Comics past, and that’s okay with me.

“Have It All” follows a week in the life as Moose, his thought process narrates the story, and we are able to get a glimpse into the interiority that makes the man. It touches on the stereotypes about the character from previous Archie Comics variations, such as Moose’s temper and lack of intelligence. It’s essentially the “there’s more than meets the eye” story. Ryan Cady’s take on Moose is interesting because he’s given more depth than what most fans are used to. It’s well done given how much information we get in just a few pages.

In “The Big Difference” Moose is placed back into the jock stereotype immediately. While I love meeting new Archie Comics characters, I do not love an overly blatant moral message. This piece had the same classic comic feeling as the first, but for whatever reason, it didn’t quite do it for me. I hope to see more of this “Freshie” character though.

As charming as Big Moose as a series has potential to be, I don’t see it surviving as anything more than a one-shot, unless the writers decided to explore his sexuality more (which seems to be in question from the hit show Riverdale) or give him more depth in general. The jock-stereotype story is played out and I found myself wanting to read the Midge one-shot instead. #TeamMidge

Script: Sean Ryan, Ryan Cady, Gorf
Art: Thomas Pitilli, Cory Smith, Ryan Jampole, Matt Herms, Glenn Whitmore, Kelly Fitzpatrick, Jack Morelli
Cover: Thomas Pitilli
Variant Covers: Cory Smith, Wilfredo Torres

Review: Riverdale #1

Don’t worry. You’re not seeing things. Riverdale #1 came out over a month ago, and so did the original review, but that was for the one-shot (the prequel to the hit television show). This is the brand new Riverdale comic, with similar writers, only this series will be on-going. It features what happens in between the television series episodes, so the two go hand in hand, feeding into the obsession that is the newly crazed Riverdale frenzy. Archie Comics is smart to capitalize on this opportunity, taking its show’s success and bringing in their viewers back to its roots (the comics).

I was pleasantly pleased with the writing in this issue, that primarily features Archie and Betty’s storylines, and will be disappointed if future issues don’t feature other coveted characters like Kevin and Veronica (whose storylines seem to be lacking in the show). I feel like it’s too soon to say, but there is potential for many ways for this to go wrong, as the show is doing by excluding their diverse cast’s backgrounds and storylines. I’ll have to get back to you on whether or not the Archie Comics team is doing all they can do to maximize their storytelling mediums.

I’m not a big fan of the art, which I always feel bad saying because I know the hard work artists put into comics, but it just isn’t my style. I feel the faces are too vague and lack detail. I wanted more character and liveliness from it, as I felt the original comics have, and even some of the new reboots.

I will keep reading, and even recommend, but only if you’re a fan of the show.  Since the two are a pair, readers will have the maximum Riverdale experience by staying up-to-date with both, and hopefully a lot of the missing storylines will be revealed and questions will be answered in this comic.

Script: Roberto Aguirre-Sacasa, Will Ewing, Michael Grassi
Art: Joe Eisma, Andre Szymanowicz, Janice Chiang, John Workman Cover: Alitha Martinez
Variant Covers: Elliott Fernandez, Francesco Francavilla, Peter Krause, Djibril Morissette-Phan, Ron Salas
Story: 8 Art: Eh Recommend: Buy Only if Watching Television Show

Archie Comics provided Graphic Policy with a FREE copy for review

Review: Penny Dreadful: The Awakening #1

Penny DreadfulThe Awakening” picks up where the television series left off. We follow both Ethan and Mr. Lyle in a world without their beloved Vanessa. An ancient Egyptian legend dooming all of mankind arrives in London, that poor old Lyle has attempted to prevent numerous times, but nevertheless, the curse is unveiled.

Writer Chris King borrows details from the existing storyline from the show, as well as creates his own, developing a fascinating new plot line that puts all of our favorite characters lives at risk. We meet again, familiar faces such as Dr. Seward. Through King, Seward’s subtle and dry humor is brought to light, leaving the scenes a moment to take a breath from the drama. I personally wouldn’t mind a touch more of this, but overall I didn’t feel as though there was anything else to pick at in terms of storytelling.

Artist Jesús Hervás brings to Penny Dreadful everything I would hope for from a horror-based comic. It’s dark, menacing, delightfully detailed and unique. I don’t often feel the need to shout out the colorist, but even Jason Wordie seemed to create an entirely new palette with the color alone, and I imagine that’s not easy to do. The scenes in Egypt felt antiquated, like Wordie found the perfect shade of a million-year-old parchment, and saved it just for this. There are frames where it seems as though he has played with water colors, others where he has made use of markers, which is something I personally haven’t seen before―and it worked. It’s difficult to say who of the two gets credit for what, but at the end of the day, they seem to make a fine pair.

Fans will be grateful to live in this well-crafted world again thanks to these three artists and their unique hand in this piece. It’s set to be a four-part miniseries but I’m hoping that this won’t be the end of this trio.

Story: Chris King Art: Jesús Hervás Color: Jason Wordie
Story: 10 Art: 10 Overall: 10 Recommendation: Buy

Titan Comics provided Graphic Policy with a FREE copy for review

Review: Doctor Who: Ghost Stories #1

Doctor Who: Ghost Stories, a new four-part miniseries, follows the Twelfth Doctor, Grant and Lucy, from the television episode The Return of Doctor Mysterio (Season 10). If you are anything like me, you saw the episode based off of this comic spin-off, and became captivated by the charming love story between Grant and Lucy. I wanted to live more in this world and never thought I’d be granted it―until now.

We jump eight years in time to see Lucy, Grant and a grown baby Jennifer, now living as a family. It’s announced on the television an armed robbery is taking place, Grant having a second life as a local superhero, The Ghost, rushes off to save the day and the action begins.

Writer George Mann incorporates the Doctor’s humor as seen on television, which is much appreciated. The pacing read fast though and it would have been nice if it were possible to slow it down. The storyline did leave readers with a cliffhanger in this first issue, and I’m curious to see where it goes, so I will be reading on in the future.

Artist Ivan Rodriguez, who also worked on Doctor Who: Supremacy of the Cybermen, creates a Who-World one might expect for a superhero-based story line, reminiscent of Superman (in my humble opinion). Rodriguez has moments where he captures Capaldi’s character traits nicely and others where you can see the artist’s own unique hand added in. It’s not particularly my favorite but it’s by no means the worst.

Overall, the storyline didn’t take me where I thought it might go, but that’s what’s great about Doctor Who; Does anyone ever really know what to expect from a Timelord? Rhetorical question. Of course not. If you’re a Doctor Who fan, it’s a must-buy. If you’re not, it might not hold the same nostalgic significance it holds for others.

Story: George Mann Art: ist Ivan Rodriguez Color: Dijjo Lima
Story: 8.0 Art: 6.0 Overall: 7.0 Recommendation: Buy

Titan Comics provided Graphic Policy with a FREE copy for review

Review: Harley’s Little Black Book #6

In this Little Black Book issue, Harley is mysteriously transported to an intergalactic prison, and may or may not, accidentally release all of the prisoner’s into space, therefore killing them, leaving Lobo upset that he won’t get the bounty for the kills. Hence a potential confrontation between the two ensue. It’s later revealed she ended up in this part of the galaxy due to a transportation ball she stole from Superman (Issue #5).

Writers Jimmy Palmiotti and Amanda Conner never cease to capture Harley Quinn’s voice and humor. While Harley is known to flirty, the flirtation between her and Lobo is comical, and almost (dare I say it) cute. Not being a big fan of the Joker, I’m always waiting and hoping for Harley to go crazy over for, and settle down with a more deserving equal.

Simon Bisley, artist of the original Lobo appearances, appears as a guest artist for this issue. His style is reminiscent to Nickelodeon’s Aaahh! Real Monsters―and this isn’t meant to be an insult―just an observation. The first appearance of Harley Quinn reminds me of Angelica’s toy doll, Cynthia, from the Rugrats. Go on, look at it and tell me I’m wrong.

Overall, I have to admit this started out being my least favorite issue, being unfamiliar with the artist may have played a part in this conclusion, but as most things often do, it grew on me. I’m able to appreciate the Nickelodeon of the 90s-style nostalgia and I can see long time DC fans appreciating Lobo’s appearance as well. I wouldn’t mind seeing him again, as long as we can see more of Harley and Lobo’s hilarious adventures, and their oddly romantic connection.

Story: Amanda Conner and Jimmy Palmiotti Art: Simon Bisley Cover Art: Amanda Conner
Story: 10 Art: 5.0 Overall: 8.0 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review

Review: Orphan Black: Deviations

If you’re a die-hard Orphan Black fan who is already having withdrawals—even before the fifth and final season comes out—fret no more. IDW Publishing’s Orphan Black Deviations #1 will curb your cravings, as it’s set in an alternative world based on the original series, where Beth never steps off the Subway platform because Sarah is able to save her—leaving the sisters to meet under entirely different circumstances.

The story, written by Heli Kennedy, effortlessly covers all of the bases, so whether you’re a part of the Clone Club or not, readers can easily follow the many intricacies of the world without thinking twice. Kennedy, a screenwriter as well, shows her experience through tackling a perfect pacing and giving us all the information one would need without seeming like too much.

The art, by Wayne Nichols, captures the darkness of the series. The style portrayed is masterful and refreshingly unique. I wasn’t sure how I felt about it at first but it grew on me. I learned to appreciate each detail that one might be tempted to gloss over and I slowed down on each panel to admire its satisfying detail.

Overall, as a fan of the original Orphan Black series, I’m left wanting to read more. Although one might be able to feel where the story will go if they’re caught up on the television series, it’s still intriguing to see how everything will play out with the assistance of Beth and Mika from the start. This is only supposed to be a set six-issue miniseries, but one can hope if it goes well we might see more.

Story: Heli Kennedy Art: Wayne Nicols Cover: Cat Staggs
Story: 10 Art: 10 Overall: 10 Recommendation: Buy

IDW Publishing provided Graphic Policy with a FREE copy for review

Review: Sherlock Holmes vs. Harry Houdini #1

shhhcoverDynamite‘s Sherlock Holmes Vs. Harry Houdini features two enduring characters that are famous representatives of the late Victorian era.  What is equally interesting about the series is that the characters share something in common only in reverse.  Sherlock Holmes is a fictional character that many think to be real, as evident by the fact that many people send questions to his mostly fictitious address of 221B Baker Street in London.  Equally Sherlock Holmes has faced off against a number of real life people in fiction, among them Jack the Ripper.  While it is the case that likely fewer people think of Houdini as a fictional character, despite having been a real-life historical character, he factors often into fictional works.  Without even getting to the first page of the issue, the savvy reader therefore would recognize this as an interesting mix of two characters with a similar though opposite affliction in common.

There are many different representations of Sherlock Holmes, and to this day new stories focused on the character continue to be written, long after Arthur Conan Doyle wrote his last story about the iconic detective.  One of the more dreary representations of Sherlock was the period in which he was under the influence of opium.  That was based in a time when opium was not as heavily regulated as it is now.  By itself this creates a strange setting for the series as for instance there are very few series with a modern setting that would set up one of the main characters as a heroin addict.  So too is the interplay between these characters a little strange, and almost forced.  The basic concept behind this series as far is based on two different ideas, that occultists are trying to force Houdini out of the business and that Sherlock Holmes is focusing on exposing Houdini’s escape as logical tricks.  The first of these will evidently form the main plot of the series, with the presumed eventual pairing together of Houdini and Sherlock, but it is the other aspect which is a bit hollow.  Instead of the escapes being well researched, Sherlock Holmes guessed at their resolution through a number of assumptions which may or may not be the case.  This aspect of the story thus ends up a bit dry and feeling a little forced.

While there are a couple of drawbacks to this story though, the magnetism of the two characters together is there, and while the story has maybe not been set up enough to truly do both of the titular characters justice, it still is not constrained enough to not let them be themselves.  The end result is engaging enough, especially as the two start to interact in a more realistic and organic way.  In the end the writers manage to get enough interest in the story to make me want to read more, even if the start was kind of rocky.

Story: Anthony Del Col and Conor McCreery Art: Carlos Furuzono
Story: 7.2 Art: 6.5 Overall: 7.5 Recommendation: Read

Dynamite Entertainment provided Graphic Policy with a FREE copy for review

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