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Catching Up on Reviews, Part 9 — X-Men and X-Men Legacy

X-Men #8 (Marvel) – Chris Bachalo’s stylized art is near perfect in this issue and Victor Gischler’s story is both action-packed and a touching story about youth and alienation, making it one of the more thought-provoking stories from Marvel in the last year or so.

Story: 9.75 Art: 9.75 Overall: 9.75

X-Men #9 (Marvel) – The strange thing is that in the early days when I first saw Bachalo’s art, I wasn’t a big fan, thinking it was a bit too anime-like for my tastes. The more I see it, though, the more I like it and I’m starting to think that he might be one of my favorite artists. This issue is just as good as the predecessors and this particular X-Men-Spider-Man team up is one of my favorites in recent years.

Story: 9.75 Art: 9.75 Overall: 9.75

X-Men #10 (Marvel) – Paco Medina joins Bachalo on art duties this issue and, while it is still quite good, it isn’t as good as Bachalo’s previous solo work. I’m sad to see the end of the Spider-Man crossover, although I will say that I’m not a huge fan of the characterization of Emma Frost during this arc. It seems consistent with past portrayals of her, but she’s still a bit to stereotypically “female” for a woman of such stature.

Story: 9.75 Art: 9.25 Overall: 9.5

X-Men #11 (Marvel) – Gischler’s side-story here with Professor X is a bit subpar and the art just isn’t that great. This is an exception for this series — an issue that is pretty weak.

Story: 6 Art: 5 Overall: 5.5

X-Men #12 (Marvel) – I really like Christopher Yost’s story here and, despite my normal disdain for retcons, this one works out pretty well. It fits and it makes sense. The art is split between two different artists based on the flashbacks and the present and Medina’s present art is the better of the two, although far from perfect. There are a few epic shots, though, that make it worthwhile, though.

Story: 9 Art: 7 Overall: 8

X-Men #13 (Marvel) – The Eternals-oriented story continues here with the same creative team and Yost and Medina do even better this time around, but I still don’t like Dalabor Talajic’s art much.

Story: 9.25 Art: 7.25 Overall: 8.25

X-Men #14 (Marvel) – Everyone’s work in this issue continues to improve and I’m even okay with most of Talajic’s art, although I think his weakness is really close-ups of people’s faces.

Story: 9.5 Art: 7.5 Overall: 8.5

X-Men #15 (Marvel) – After a really strong story about evolution and mutants, the ending is a bit of a let-down. Hopefully this will also end the split artist trend that had dominated recent issues. Can we get Bachalo back?

Story: 9 Art: 7 Overall: 8

X-Men Giant Size #1 (Marvel) – This annual is part of the Eternals-related storyline and it has the best art that Medina and Talajic did during the story and there is some epic art here. The story is still more-than-capably handled by Yost.

Story: 8.5 Art: 8.5 Overall: 8.5

X-Men Legacy #245 (Marvel) – If there are two things I love more than the X-Men and post-apocalyptic stories, I don’t know what they are. It’s hard to think of anything I’d like more than a comic that combines the two. Over the years, the X-Men have given us a lot of post-apocalyptic things and Age of X is one of the better entries in a series of great stories.

Story: 9 Art: 9 Overall: 9

X-Men Legacy #246 (Marvel) – Clay Mann’s art isn’t my favorite, but it’s more than good enough and it’s appropriate to the Age of X story. Mike Carey’s writing is great, though, and I really like what he does with Scott Summers here, showing us what Scott would be like if he was just as bad-ass as he is now, but without the restraints he has as the leader of the mutant nation.

Story: 9.75 Art: 9.25 Overall: 9.5

X-Men Legacy #247 (Marvel) – Carey really goes a long way towards answering the question: “what’s better for mutants: isolation and protection or finding a way to live with humanity.” The idea of Moira McTaggert as a villain is quite interesting, too.

Story: 9.5 Art: 9 Overall: 9.25

X-Men Legacy #248 (Marvel) – Dealing with the aftermath of Age of X is handled well here by Mike Carey, although the story is, by necessity, a letdown. Jorge Molina’s art is a step down from what Mann was doing.

Story: 8.5 Art: 8 Overall: 8.25

X-Men Legacy #249 (Marvel) – I’ve never really liked the storylines that provided a romantic link between Rogue and Magneto and I really don’t think we need any more recaps of Magneto in Nazi Germany. I do, however, like the exploration of Legion as a character, since he is too powerful and has too much potential to be ignored as much as he has been over the years.

Story: 8 Art: 7 Overall: 7.5

X-Men Legacy #250 (Marvel) – In this giant-sized issue, Carey continues both the aftermath of Age of X and the tracking down of Legion’s escaped personalities. Neither story has great art (although neither has bad art, either) and the Legion story continues to be better than the Age of X aftermath. A reprint of an old New Mutants issue is here to remind me how much I never liked Bill Sienkiewicz’s art.

Story: 7 Art: 6.5 Overall: 6.75

X-Men Legacy #251 (Marvel) – Carey ramps up the intensity and quality of the Legion tale, but Koi Pham’s art is mixed in quality.

Story: 8.25 Art: 7.25 Overall: 7.75

Friday Five: Favorite X-Men Characters


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Sorry I missed the Friday Five last week, I was out of town. This week I’m going to take a look at the characters I like the most from my favorite family of comics ever, the X-Men. The first comic I bought was an X-Men comic and I was hooked ever since, particularly because of the great stories in the 1980s of Chris Claremont and the art of Dave Cockrum and John Byrne. As the X-universe expanded, I continued to like a lot of the work that was added to the canon over the years and it has remained my favorite. Without further ado, here are the characters that made it my favorite.

Honorable Mentions: Magneto, Colossus, Nightcrawler, Storm, Angel, Beast, Rogue

5. Professor X: Early on, Professor X was my favorite (Heck my rap name is, to this day, Professor Rex. Yes, I said my rap name. I’m a rapper in my free time). I liked the fact that, despite the fact that he was in a wheelchair, he was the most powerful mutant on Earth. I liked that he was a teacher and a leader and often taught the X-Men by letting them alone and letting them succeed or fail on their own without really ever letting them be in much real danger (except in the early days with characters like Thunderbird and Jean Gray). I didn’t like the 1990s and 2000s turn where it was revealed that he had been manipulating his students’ minds all these year. It fit and I buy it in the context of the story, but I guess I felt the same betrayal the X-Men felt.

4. Emma Frost: One of the few female superhero characters whose ridiculously inappropriate sexualized costume actually fit with her personality, I love the growth in Emma’s character over the years, going from what seemed to be one of the baddest of the bad villains to one of the key good guys. And not in the flippant, seemingly patternless way that Magneto or Quicksilver flipped back and forth, Emma’s change was the growing of her character as a human being. Her personality is a great one and seems to be quite at odds with the rest of the X-Men, which makes for reading her stories much more interesting.

3. Kitty Pryde: With the last three characters, we have the three that I identified with the most. While I always looked up to Professor X the most, I always felt the most like Kitty, the awkward young person who was good with computers and not really good yet in social situations. The person who was frequently underestimated, but still managed to somehow saved the day more often than not. I also thought that her relationship with Colossus, another of my favorites, was always the best-written of the relationships in the X-universe and, really, in most of comics. It hasn’t lived up to that in recent years, but the way it was written by Claremont back in the day was, to me, perfect.

2. Wolverine: My father is Canadian, so Wolverine was the first thing that ever connected me to my Canadian heritage. I didn’t know much about Canada growing up (other than what I saw in the movie Strange Brew), but Wolverine was from there and he was a badass, so I figured it must be pretty badass to be part Canadian. Wolverine always had the power set I most wanted in the X-universe and, for a long time, he was my favorite. But his growth was somewhat stunted over the years and he became awfully over-exposed. There may not be a Marvel character that is involved in more great stories than Wolverine, but part of that is because there are so many of those stories. Last year’s Old Man Logan and a number of other stories show there’s still a lot of good stuff being written about Wolverine, but those seem to be simple explorations of the same territory, unlike…

1. Cyclops: There are few characters in the history of comics, particularly characters who have existed for a long time (Cyclops first appeared in the early 1960s) who have grown as much as Cyclops. And few of those growth stories over time, especially over decades, make sense and are realistic and ring true. Cyclops started out as “Slim” Summers an awkward teenager with a tragic power that prevents him from experiencing life as a normal teenager and promises to prevent him from ever being part of normal society. As he masters his powers and grows to become the leader of the X-Men, he fails as often as he succeeds, but he never, well almost never (see: the start of the Madelyne Pryor storyline) gives up and he’s not particularly good at being a leader and eventually cedes his leadership position to maybe the greatest African-American female comics character ever written, Storm (shows you how great the X-Men comics have been over the years that she just misses the top 5 character list). But he fails to be dissuaded and continues to learn and grow despite going through one of the most disturbing character histories of anyone in the entire Marvel universe. But along the way, he does learn. Go back and read the X-Men issues of the mid-1980s and compare the Wolverine of then to the Wolverine of now. Very little difference. Now compare the Cyclops of then, an awkward young man searching for his place in life and trying to deal with tragedies that few could survive, to the Cyclops of now, the badass leader of the X-Men, and all of mutantkind, who can handle any problem, can make decisions none of us could ever make and who will do anything he has to do to ensure the survival of his species. And he’s winning. And he’s dating Emma Frost. As much as I always felt like Kitty Pryde and thought it would be awesome to be Wolverine, I really always aspired to be Scott Summers and be the person who could save everyone, the person who would make the hard decisions that affect the fate of an entire race, an entire planet. Cyclops is to Marvel what Jack is to Lost. These are the characters that I look up to an would most want to be — flawed leaders who learn from their mistakes and don’t always do the right thing or accept their positions of leadership with ease or calm, but do them anyway because they know no one else will do what needs to be done.

Man, that’s good writing. The fact that I can draw all of that information about Cyclops off the top of my head without having to look up a single detail shows you why he’s my favorite X-Men character and my second-favorite comic book character of all time. Behind…well, that’s a different post altogether.

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