Tag Archives: marvel max

Review: Shang Chi: Master of Kung Fu #4

Shang Chi: Master of Kung Fu #4

Denzel Washington is known most for these days, his work with Antoine Fuqua, in Training Day and The Equalizer movies. One of my favorite movies by him was Out Of Time where he starred with Eva Mendes and Sanaa Lathan. In the film, an old flame reignites something in Washington’s character while a new obsession gets him in hot water. In the fourth issue of Shang Chi, Master Of Kung Fu-The Hellfire Apocalypse, we find Shang Chi finding that his love for Leiko is still there which may lead to more trouble than he ever foresaw.

Leiko and Shang Chi are reliving their past for a short moment when Shang Chi regains some semblance of honor and gets Leiko to reveal what she found about the Mandarin’s plans. The Mandarin is in his hidden lair where we find out the full power of the weapon he created as it eviscerates everything in a nearby fishing village. Lieko’s husband is caught in the crossfire between a group of commandos that work for Reston and the Omega team. Spetz saves her husband only to imprison him. By issue’s end, Leiko and Shang reunite with Tarr and we find out exactly who Moving Shadow is.

Overall, the story gets even more exciting, giving readers a spirited tale, which keeps readers wanting more. The story by Doug Moench is delightful and impressive. The art by the creative team is entrancing. Altogether, a book that gives readers a deeper understanding of who this character is.

Story: Doug Moench
Art: Jimmy Palmiotti, Paul Gulacy, Paul Mounts, Richard Starkings,
and Wes Abbott
Story: 9.7 Art: 9.8 Overall: 9.7 Recommendation: Buy

Review: Shang Chi: Master of Kung Fu #3

Shang Chi: Master of Kung Fu #3

Christopher Nolan’s Dark Knight trilogy was quite ahead of this time. Movie critics rarely had heralded superhero movies up until the trilogy’s release, many did Nolan’s vision. The movies did something that adaptations struggle with. It satisfied the diehard comic book fan and the regular movie watcher. It pulled from the different stories already in canon while remembering that a good story must always be told.

One of the gifts that the movies gave audiences was the introduction of Ra’s Al Ghul, a storied character, who never saw his time onscreen until Nolan used him. As the character’s influence is evident not only those movies but the Gotham television show. In the third issue of Shang Chi: Master Of Kung Fu, we find Shang Chi’s father in an omnipotent position much like Ras Al Ghul, giving our heroes an intimidating adversary to face.

We find Leiko in the middle of who is behind the Hellfire Apocalypse, and it just so happens to be Shang Chi’s father, who faked his own death so no one would be the wiser. As Shang Chi enters the lair, he is able to reach Leiko and escape only to take on a hail of gunfire, as the truth is revealed about what his father had been up to, and where this doomsday weapon may be headed. As Leiko and Shang Chi look to escape the fortress, these two must fight their way out, through the failed experiments that his father created, where they were once humans but are mindless ravaged beasts who no wonder the compound. As the two are alone, Shang realizes he still feels some sort of way about Leiko, knowing that she is married only complicates his intentions. By issue’s end, the Omega team is getting closer, someone close to Leiko and Shang has other intentions and things between the two are reignited.

Overall, the story feels like a James Bond movie that more than tilts its hat at the famous spy. The story by Doug Moench is thrilling and commanding. The art by the creative team is enchanting. Altogether,  a story that maybe Shang’s big-screen debut may aspire to.

Story: Doug Moench
Art: Jimmy Palmiotti, Paul Gulacy, Paul Mounts, Richard Starkings,
and Wes Abbott
Story: 9.7 Art: 9.6 Overall: 9.66 Recommendation: Buy

Review: Master of Kung-Fu #2

Master of Kung-Fu #2

Bruce Lee’s influence on film cannot truly be put into words. His impact is far reaching and ineffaceable in so many ways. He was one of a kind and his mark on everyone who has seen him in action can be seen in every action movie to this day.  You can see his mark on every martial artist to grace the screen from Steven Seagal to Jean Claude Van Damme to Donnie Yen to Jet Li and to the one man who can be called his contemporary, Jackie Chan. David Carradine even referred to him as the James Dean of Martial Arts.

His first movie made in the west and probably the first commercialized worldwide martial arts film, was Enter The Dragon. The movie had some well-established American actors, like Jim Kelly, but anyone who has seen the film has no doubt in their mind, that Bruce Lee was the star. The idea of a fight amongst the greatest fighters continues to be a recycled idea since that iconic movie. In the second issue of Shang Chi, Master Of Kung Fu-The Hellfire Apocalypse, to find Leiko, he must fight his way to her.

We are in Singapore, where Chi and Reston are surrounded by a ninja clan, as Chi fights them off, Reston find escape, one that will give the way to fight another day. We are taken back to France, where we find more about the Hellfire Objective, and its mission to recruit zealous men to become part of the army of Saint Germain, the same secret operation Leiko was sent by MI-6 to investigate. They also find out about the Omega Team, lead by Morgan Spetz, who MI-6 has assembled to find Leiko. By issue’s end, another assassin looks for Chi’ while Leiko finds out that the person behind everything, is the one-person Chi is the closest to.

Overall, the story begins to get better, as we soon find out just how big of a conspiracy Leiko was looking into, making this story resemble Lee’s classic western made crossover. The story by Doug Moench is electrifying and powerful. The art by the creative team is captivating. Altogether, an exhilarating introduction to a hero which everyone will soon know.

Story: Doug Moench
Art: Jimmy Palmiotti, Paul Gulacy, Paul Mounts, Richard Starkings, and Wes Abbott
Story: 9.5 Art: 9.5 Overall: 9.5 Recommendation: Buy

Review: Master of Kung Fu #1

Master of Kung Fu #1

With all the buzz coming from SDCC from the past few weeks, the most interesting news, as usual, came from Hall H. This is where some of the biggest news gets released and the world holds their collective breath until it does. As in previous years, this year was no disappointment. It was a sign of things to come. One of the biggest announcements to come was from Marvel and the next phase of movies that will be released over the new few years.

One of the surprise announcements, though there had been some industry buzz over the last few months, had been that Shang Chi, Master Of Kung Fu, would be making getting how own Marvel Cinematic Universe movie. Most of the world doesn’t know who he is but serious comic book fans do. Much of his original story had been marred with distasteful racist stereotypes and outdated ideas. In a reboot of sorts, the original writer returned in 2002 to update the story for a new generation in the debut issue of Shang Chi, Master Of Kung Fu-The Hellfire Apocalypse.

We’re taken to France, where Agent Leiko Wu is infiltrating a crime syndicate’s fortress, one that she realizes soon enough that she just walked into a trap. We also find Shang Chi, in solitude on an island, where his meditation supernaturally syncs with Leiko, the woman he once loved, as he knows what he must do next, but his actions are interrupted by an intruder in sanctum sanctorum. We also find Leiko being tortured, as the crime organization is trying to find just how deep MI-6 is into investigating them. By issue’s end, an old friend looks for Chi’s help, while his exploits bring him to Singapore retracing Leiko’s trail.

Overall, an interesting story thus far, slow-moving, but well developed. The story by Doug Moench is exciting and intense. The art by the creative team truly stands out, simply beautiful. Altogether, an exhilarating introduction to a hero which everyone will soon know.

Story: Doug Moench
Art: Jimmy Palmiotti, Paul Gulacy, Paul Mounts, Richard Starkings,
and Wes Abbott
Story: 9.6 Art: 9.8 Overall: 9.8 Recommendation: Buy

Are All Marvel MAX Comics As Bad As Deadpool MAX?


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I’ve never read any of the MAX comics before, so I’m not familiar with the line. I am a big fan of Deadpool, though, so when they came out with Deadpool Max this year, I figured I’d give it a shot. So I read the first issue, which I reviewed here, and I thought it might just be the worst thing I’ve ever read from Marvel. Issue #2 isn’t much better.

The best thing about the issue is the art by Kyle Baker. That’s not to say it’s good. Most of it is subpar and I don’t like the style at all. The backgrounds and flashback sequences are very minimalist with little detail. The foreground characters are maybe overly detailed and they strike me as very messy and busy. It’s not terrible, but it’s not very good either.

The rest of the comic is terrible. The plot is something directly out of a b-list horror movie. There is a mental hospital where an evil doctor is using patients with mental illness to lure people to the hospital so their organs can be harvested and sold on the black market. Deadpool is one of the people lured to the hospital and, not really a spoiler if you read Deadpool stuff, he stops the evil doctor using extreme violence (which is graphically depicted).

So that makes for a bad comic, but it doesn’t turn into a terrible comic until you bring in some of the other factors. There is a scantily-clad (and sometimes naked) female patient who uses sex to lure people to the hospital. When Deadpool meets her, he thinks she’s a psychiatrist who is helping him out, but each time she says something clinical, his mind replaces her words with sexual come-ons. The “twist” is that he later finds out that he isn’t imagining things and that she really is saying these explicitly sexual references and she is dying to have sex with the scarred and misshappen Deadpool. After Deadpool has sex with the mentally-ill woman, we find out that part of her illness is that she’s a nymphomaniac, something the evil doctor takes advantage of in order to lure new victims. Later, Deadpool realizes that he, himself, isn’t crazy, but that the woman is, so he dumps her, despite her love for him, because of her mental illness, leaving her in the hospital in a hail of insults while he goes back out to his job in the real world killing people for fun and money.

This doesn’t even get into the subplots about child abuse, spouse abuse, parental abandonment, homosexuality as a veiled mental illness, the use of words like “nigger, spic, dyke, kike, gook and homo” coming from one of the “good guys,” and Deadpool leaving his friend (a different friend) behind to be tortured or worse as he leaves the hospital.

So is the point of MAX comics to find every possible way to be offensive and cram it all into the same comic? I’m not sure the world needs comics like that. If the idea is to be able to tell stories that aren’t limited by the normal confines of comic book standards and censorship, then that’s a great idea. This certainly isn’t that, though, and it makes me wonder if MAX comics are worth the paper they are printed on. I’ve read two MAX issues to date and so far, I’m thinking they aren’t.

Plot: The overall story is a horror-movie cliche and it’s done poorly. The details make it much worse. Rating: 1.0

Art: As I mentioned before, it’s not terrible, but it’s not very good, either. Rating: 4.0

Overall: At this rate, I guess I’m still reading Deadpool MAX just for the purposes of being able to write bad reviews of the terrible content. Overall rating: 2.5

Recommendation: Do NOT buy. Protest would be a better recommendation.

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