Tag Archives: grimm tales of terror

Review: Grimm Tales of Terror #5

gtot 001 - covIt seems that whenever Grimm Fairy Tales goes off the regular script from their main universe that there is a lot of good stories to be told by some talented creators.  This fifth issue of Grimm Tales of Terror is an excellent case in point.  Trying to style itself off of the horror classics of the 60s and 70s, this series uses Keres as a malevolent force of balance, punishing those that do harm.  This story incorporates in a lot of different inspirations from different horror movies such as The Sixth Sense, Annabelle, The Others and The Haunted House, but it does so without being too dependent on them.  This issue tells its own story, and generally succeeds in doing so.

In terms of genres to depict in comics, horror is one of the more challenging.  Even in film it is a genre which counts only a few in its list of greats versus a wave of others that challenge with gore and cheap scares.  Even so it is hard to catch the same ambience in a comic as the story is not aided along by such staples as spooky music or characters bursting out of nowhere when the scenes go silent.  That this issue manages to build and deliver some spooky moments is therefore all the more impressive.

The preamble to this story says that “Zenescope goes back to its roots” and there is maybe more to that than what they meant to say.  When left unimpeded by its generally weaker shared universe, the story here gets a chance to shine, or more accurately to scare.  While there are fans of the superhero-like universe of Grimm Fairy Tales, it is really worth remembering that it did not start out that way, and that those where the most groundbreaking stories in the original series lie.  This issue does not forget those lessons and thrives because of it.

Story: Joe Brusha, Ralph Tedesco and Meredith Finch Art: Joel Ojeda
Story: 8.5  Art: 8.5 Overall: 8.5 Recommendation: Read

Review: Grimm Tales of Terror #3

grimm tales of terrorFilling a void in the modern comics industry is Grimm Tales of Terror, an anthology series from Zenescope that offers self-contained, one issue stories. Whether or not it fills that void well is an open question, however. The latest issue, plotted by Joe Brusha and Ralph Tedesco, written by Meredith Finch, and drawn by Milton Estevam, #3, is bad. The story in this issue, tagged “Don’t Turn On the Lights,” follows a few college women and their scares with a serial killer. The book follows an interesting mystery layout, having the reader constantly guess whodunit, but it fails in execution. Boring and confusing attempts at red herring and a light misogynist streak taint any fun to be had with this simple horror comic.

The idea of a one-off horror story is a great one, especially in today’s arc-filled storytelling. The comic is reasonably well-written, meaning that it is constantly intriguing to read. A lot of time is spent on certain, shady characters with what I assume to be the intention to trick readers into thinking they may be the culprit. These keep things interesting, even though this can sometimes feel like irrelevant fluff. Distracting to a lesser degree is the uncomfortable portrayal of women, with clear stereotype (Loves chocolate? Check. And Gucci bags? Check. Getting money from “Daddy”? Check.) and often pointless and gratuitous appeals to the male gaze. Perhaps there is some charm to be had from sleaze in horror stories, but it can certainly be done better than this.

The art work is technically proficient, offering ample expression and storytelling. When the book calls for a character to be frightened or menacing, they certainly look frightened or menacing. It isn’t particularly aesthetically pleasing, however, with dull coloring from Marcio Freire and little to no stylistic flair. It’s not an attractive book.

With all of the book’s failures and successes, everything ultimately comes crashing down at the climax, when the killer is revealed. The reveal is arbitrary and lazily-done, with no clues alluding to it and nothing natural to it. The idea behind this series has promise, and there were some things to like about this issue. It’s not tough to get through, but it consistently disappoints, leading to the biggest disappointment of all in the ending.

Story: Joe Brusha, Ralph Tedesco, Meredith Finch Art: Milton Estevam
Story: 4.0 Art: 5.0 Overall: 4.0 Recommendation: Pass

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Zenescope provided Graphic Policy with a FREE copy for review

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