Category Archives: Reviews

Mini Review: Rings of Power S2E4 “Eldest”

Rings of Power S2E4 "Eldest"

Sometimes, the staff at Graphic Policy get to more things than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling reviews of the movies, tv shows, comics, or graphic novels, we just didn’t get a chance to write a full one for.

These are Graphic Policy’s Mini Reviews and Recommendations.

Logan

Rings of Power S2E4 “Eldest” Rings of Power continues its thematic focus on the different races of Middle Earth by looking at some of its oldest (and smallest) beings namely wizards, Ents, halflings, and at long last, fan favorite Tom Bombadil. The wig work isn’t great, and Rory Kinnear initially sounds like a posh London police officer trying to be a bloke at a pub, but he nails Bombadil’s main character trait, which is his effortless immortality. He talks about the birth of the stars like most people talk about what they had for dinner and could be a great mentor to the Stranger unlike his failure with the still super generic Dark Wizard. Connected to this plotline, Nori and Poppy run into another halfling tribe called Stoors, who live underground. Initially, their leader Gund (Tanya Moodie) is wary of them, but they discover that they share similar customs. Directors Louise Hooper and Sanaa Hamri use silent sequences and montages to show the idyllic life they live compared to the epicness of above ground. Speaking of epicness, there’s no Sauron in this episode, but lots of petty bickering between Elrond and Galadriel, who are written a little one note in this episode. Thankfully there’s the live action debut of the Barrow-wights and a badass, flaming arrow slow-mo action sequence to distract us. And what about the Ents? They appear nearly out of nowhere as Isildur, Arondir, and a guilt-ridden Estrid look for Theo. Jim Broadbent and Olivia Williams voice the regal Snaggleroot and angry Winterbloom and reintroduce some of Lord of the Rings’ environmental themes to the TV show. All in all, “Eldest” is a fanservice potpourri which reminds audiences that Middle Earth is a place full of ancient beings as well as petty disputes and drama. Overall Verdict: 7.1

Mini Review: Rings of Power S2E2 “Where the Stars are Strange” and E3 “The Eagle and the Sceptre”

Rings of Power S2E2 "Where the Stars are Strange"

Sometimes, the staff at Graphic Policy get to more things than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling reviews of the movies, tv shows, comics, or graphic novels, we just didn’t get a chance to write a full one for.

These are Graphic Policy’s Mini Reviews and Recommendations.

Logan

Rings of Power S2E2 “Where the Stars are Strange” – Veteran TV writer Jason Cahill (Sopranos, Fringe) weaves together an episode of corruption and decay after Rings of Power’s premiere had a glimpse of hope with the healing power of the Elf Rings. However, that all is stripped away when Galadriel has a red-tinged vision of Celebrimbor being corrupted by Sauron. The actual, climactic scene of Sauron corrupting Celebrimbor is a masterclass from actors Charlie Vickers and Charles Edwards. Slight changes in his accent transform Vickers from a down on his luck Man to an envoy of the Valar. (The invisible gods of Middle Earth.) Sauron with an assist from Celebrimbor’s assistant Mirdania (A scene-stealing Amelia Kenworthy.) plays on the Elf smith’s weaknesses and desire for creation and accomplishment. It’s like watching Lucifer assemble an army to take on Heaven in Paradise Lost and makes for compelling television. Sauron and Celebrimbor’s first target for rings of power are the Dwarves who are struggling with some MacGuffin-y issue. However, the scenes with them shine thanks to a humorous and charismatic performance from Sophia Nomvete as Disa, one of the bright spots of Season 1. It’ll never get old watching her tell Prince Durin and King Durin to get over themselves. The other main plotline in episode 2 is The Stranger, Nori, and Poppy entering the land of Rhun. A random appearance from Ciaran Hinds as Diet Caffeine Free Saruman aside, this plot trods story ground from the first season arc with these characters with The Stranger being enigmatic, losing control, and being surrounded by weird magic freaks. (They have Green Goblin masks now.) One struggling plotline aside, I enjoyed this episode, and directors Charlotte Brandstrom and Louise Hooper make the no-expenses-spared visuals shine. Overall: 8.0

Rings of Power S2E3 “The Eagle and the Sceptre” – After the first two episodes had big plots dealing with Elves and Dwarves, Helen Shang‘s script for “The Eagle and the Sceptre” focuses on Men, both Numenoreans and the Southlanders left in the wake of last season’s battle against Mordor. The political maneuvering in Numenor is really intriguing with Pharazon (Trystan Gravelle) playing both the populist and elitist in attempt to prevent the now-blinded Miriel (Cynthia Addai-Robinson) from succeeding to her father’s throne. An added wrinkle is Elendil’s daughter Earien (Ema Horvath) supporting him when it’s revealed that Miriel had a palantir in her tower. (Peter Thiel named his company after it so it’s definitely bad.) Along with this, Shang and directors Louise Hooper and Charlotte Brandstorm focus on Isildur (Maxim Baldry) trying to find a way off Middle Earth, his horse, and various other side quests featuring the badass elf Arondir from last season, the annoying Theo, and a new, not what she seems female character, Estrid. The Southland sequences were the weakest in the previous season, but I love the political parallels between Numenor and colonial powers like the US and UK interfering in a war and leaving the folks affected by it to scrape by. This, but with mountain trolls and giant spiders. And, finally, in what has made Rings of Power Season 2 much more compelling than it’s predecessor, we see more of the corruption of Celebrimbor with Sauron just walking around and watching him alienate his fellow Elves as he begins to forge the seven Dwarven rings. It’s the whole the Devil doesn’t damn you to Hell, but you damn yourself saying played out with some wonderful glances and smirks delivered by Charlie Vickers, who is enjoying the Annatar role. Overall: 7.7

Mini Review: Rings of Power S2E1 “Elven Kings Under the Sky”

Rings of Power S2E1 "Elven Kings Under the Sky"

Sometimes, the staff at Graphic Policy get to more things than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling reviews of the movies, tv shows, comics, or graphic novels, we just didn’t get a chance to write a full one for.

These are Graphic Policy’s Mini Reviews and Recommendations.

Logan

Rings of Power S2E1 “Elven Kings Under the Sky” – The Season 2 premiere of Rings of Power is sometimes excellent, but it can also be really silly (Symbiote Sauron!) with soap opera plotting that feels like reheated leftovers of the Peter Jackson Lord of the Rings films. Per its title, “Elven Kings Under the Sky” focuses on the three Rings forged by Celebrimbor in the season 1 finale. True to his character later in life, Elrond (Robert Aramayo) thinks they’re corrupted while Galadriel (An excellent and vulnerable Morfydd Clark) and Gil-Galad (A regal Benjamin Walker) think they can help revitalize the Elven race. Elrond goes on the run and is a very silly fugitive, but an appearance by the enigmatic Cirdan the Shipwright (Ben Daniels) put things into perspective. Also, director Charlotte Brandstrom makes the scenes with the Elves and rings sing with light and color. The plot with the Stranger, Nori, and Poppy aka Wish.com Gandalf, Frodo, and Sam is plodding with strained attempts at humor (Hobbits used to eat bugs though!) and another boring bad guy. However, the real protagonist of this episode is Sauron (Charlie Vickers), who continues to manipulate his way into becoming to the Big Bad of Lord of the Rings. A poorly lit prologue sequence fleshes out his backstory and motivation in the previous season with a truly epic scene of basically an elf twink Nazi version of Sauron getting shanked by his Orc followers. This also establishes that Sauron can change form and face and is basically unkillable. I’m not 100% back on board with Rings of Power after its Season 2 premiere, but love that the show is exploring themes of power, corruption, and lies thanks to writer Gennifer Hutchinson. Also, visually, it looks like a blockbuster film with the exception of the bland desert the Stranger and the halflings are running around in. Overall Verdict: 7.2

Batman: Caped Crusader S1E7 Moving Target delivers some nice action in a forgettable episode

Batman: Caped Crusader Moving Target

Batman: Caped Crusader‘s “Moving Target” is a pretty simple episode involving a hit coming out of prison against Gordon. It’s a decent episode that doesn’t deliver too much more as far as character development but it does dive into some intriguing concepts to debate.

At the heart of the episode is Barbara Gordon who has helped a prisoner get out early, angering her father. From there a hit has the two of them on the run with Renee Montoya guarding them and Batman attempting to figure out who’s behind it.

The episode’s highlight is really the special appearances with guests like Floyd Lawton, Onomatopoeia, and Jim Corrigan. Each is a twist on the characters we know and feel more like fun name drops than anything else.

It should move some characters’ stories along including if the Gordons and Montoya can trust Batman and we’ll see if the guest stars go anywhere beyond the episode.

The voice acting, as it is for most of the series, is good. None of it really stands out but none if it is bad and distracting. There’s some emotional moments but it doesn’t feel like the actors really conveyed the stress or fear of their situation. It’s kind of flat here.

Overall, “Moving Target” doesn’t break any ground and feels a bit like a filler episode but is still entertaining as Gordon and their crew must hunker down as they’re besieged by hitmen. It’s a concept that goes back a long way and there’s some nice twists and turns but overall, it’s a forgettable episode that’s good but doesn’t stand out.

Overall Rating: 7.0

Batman: Caped Crusader S1E6 Night Ride has a Scooby-Doo feel to it

Batman: Caped Crusader

In the sixth episode of Batman: Caped Crusader, “Night Ride,” after a series of robberies in Gotham, Batman wrestles with the possibility that the culprit might be from beyond the grave. Meanwhile, Harvey Dent’s morality is tested when a generous campaign donation comes in from a most nefarious source.

Batman: Caped Crusader has been an interesting series. It’s hard to not compare it to Batman: The Animated Series and overall it feels like a companion to it but also a slight “what if” take as well. The characters, world, and style are similar and familiar, but it’s often a new and different take on them. “Night Ride” introduces a new version of the Gentleman Ghost and as far as episodes, it feels like an homage to Scooby-Doo, so much so I expected the Mystery Machine to show up.

The series up to this point has been generally grounded. While it’s in an alternate take of the real world, the technology, buildings, vehicles, all have rules of some sort. Here, we see the series step into the fantastical with a literal ghost who has a grudge against the average person. It really does feel like a Scooby-Doo episode where I expected the villain to have their mask ripped off in the end and all of their tricks explained with technology. But no, it sticks to its horror sense with Batman seeking out Papa Midnite and having to perform a ritual to save the day. It’s an interesting one-off episode and one you’d expect to have aired during Halloween season if this was being shown after school.

The episode also keeps an ongoing narrative going as well. Harvey Dent’s Mayoral race is facing pressure and he’s sinking in the polls. The episode, and storyline, has been a nice build towards his eventual turn into Two-Face and this is the first time we see his anger boil over. There’s also some key moments where his fight for justice is brought into question, playing into the series overall questioning of corruption and who we can trust.

“Night Ride” is a fun episode but its supernatural aspect feels a little out of place for the series at this point. We’re still being introduced to the world of Gotham, it’s characters, and technology, and adding this feels like it doesn’t quite fit into that. It’s almost too supernatural. Still, if you disregard that, it’s a fun episode with some nice character moments for Alfred especially. It’s not quite up to the quality of previous episodes but it’s still a lot of fun.

Overall Rating: 7.5

Batman: Caped Crusader S1E5 The Stress of Her Regard is an interesting new take on Harley Quinn

Batman: Caped Crusader

In Batman: Caped Crusader‘s fifth episode, “The Stress of Her Regard,” someone is kidnapping and brain-washing rich, powerful men in Gotham, and Batman must find out who and why. When Barbara Gordon begins to suspect that one of her friends may be involved in the abductions, her investigation puts her on a collision course with the Dark Knight.

Batman: Caped Crusader has been an interesting series so far. While it’s similar to the classic Batman: The Animated Series, it does its own thing giving us new and different takes on classic characters.

“The Stress of Her Regard” is an example of this with a new take on Harley Quinn. Harley has already appeared in previous episodes as a therapist that the police department goes to for help. This episode takes it deeper as Harley is also taking out revenger on the powerful and corrupt of Gotham.

She’s also changed up a bit, asking out Renee Montoya and being rather excited about the opportunity. The episode is an interesting examination of Harley but also delivers such heartbreak for Renee. The ending is heart wrenching and while previous episodes established that Renee is a character we can trust, this is an episode that establishes she’s a character we can really feel for.

“The Stress of Her Regard” is especially interesting in that it establishes Harley without the Joker, who has yet to appear in the series. While her motivation is kind of thin and the concept feels familiar, the overall story is an interesting one in its drama.

Like a lot of the series, the characters and designs are familiar yet different. Some of Harley’s victims take on familiar personalities and Harley’s design is completely different from what we have traditionally seen. It’s a great way to shake up and do something different for a beloved character.

“The Stress of Her Regard” is an interesting episode in that while there’s aspects that are fantastic, the drama between Harley and Renee, the overall plot of Harley’s feels a bit thin in execution and motivation. She could have used an episode or two more of setup to really set up the turn and drive home what her drive to do this is. But still, it feels like a classic animated episode.

Overall Rating: 8.0

Batman: Caped Crusader S1E4 The Night of the Hunters focuses on the GCPD corruption

Batman: Caped Crusader

Batman: Caped Crusader has been an interesting so far. What it has changed and focused on makes it stand apart somewhat from what has come before. Bruce’s trauma and motivation and Batman being an unknown factor are two bits that have come up multiple times in the episodes. But, it’s the corruption of the Gotham Police Department that has been the most interesting. In every episode, we’re reminded that there’s a wave of crooked cops who don’t follow the law and outright break it at times. That’s never been clearer than in the fourth episode “The Night of the Hunters.”

In “The Night of the Hunters,” Mayor Jessop assembles a task force to catch Batman. Detective Montoya, who we have learned is one of the good cops, is put in charge. Unfortunately, Detectives Flass and Bullock take matters into their own hands in an attempt to trap Batman, which spirals putting a part of Gotham in jeopardy.

Flass and Bullock have been two of the more interesting characters of the series. They flagrantly don’t follow orders and do what they want and think will give them the results they’re looking for. Those results can be totally wrong, but in their view, the end justifies the means. Here, they release a costumed villain thinking it’ll get Batman to come out and instead causes a building to go up in flames and endangers civilians. They don’t care though and the result is a frustrating one as perception becomes reality and they’re rewarded for their corruption.

This is an episode where lines are drawn as to who we can and can’t trust. Batman meets Jim Gordon and they both figure out that maybe they’re on the same side but with different methods. But, in the end, corruption wins out as Flass and Bullock’s roles are elevated. It’s clear they’ll go even further down the line and it’ll blow up in their faces, but we’ll have to wait and see.

“The Night of the Hunters” is another fantastic episode for a series that delivers nostalgia but also charts a brand new path for so many classic characters.

Overall Rating: 9.0

Batman: Caped Crusader S1E3 Kiss of the Catwoman is a Double Debut

Batman: Caped Crusader

As Batman: Caped Crusader‘s third episode, “Kiss of the Catwoman,” debuts, you know it’s an episode featuring Catwoman even not knowing the title. Bruce lingers over a display of a beautiful necklace on display… a setup that screams Catwoman. But, the episode’s most surprising twist isn’t the introduction of Selina Kyle/Catwoman, but another female future villain.

A reference to his parent’s murder puts Bruce into a rage, causing him to punch an individual and winding up in court mandated therapy. His doctor? One Dr. Quinzel. The episode not only introduces Catwoman but the future Harley Quinn.

The episode brilliantly uses the story of Selina Kyle to examine Bruce Wayne. Both are from wealthy families, Selina hitting hard times as her father is in jail and now she’s broke. This drives Selina to become Catwoman, inspired by stories of Batman in the newspaper. Batman and her parent is the driver of Selina’s origin as Catwoman. While this story plays out, Dr. Quinzel explores Bruce’s life and the impact of his parents’ deaths have had on him and questioning his bachelor life. It’s a familiar story of tragedy but the steps from that to Batman isn’t the classic story of a bat flying through a window. It’s something much more sinister underneath. This is a Batman who’s truly out for revenger and very cold and lifeless underneath.

The designs continue to be interesting. This Catwoman takes on a classic look, closer to the original design from comics instead of the leather clad versions we know today. Dr. Quinzell is a shocker missing her blond hair for a darker look.

“Kiss of the Catwoman” is a brilliant episode that creates a new and different dance between Batman and Catwoman, explores Bruce’s trauma, and introduces another popular character. It’s a hell of an episode that shows while Batman: Caped Crusader has roots in the classic Batman: The Animated Series, it’s something completely of its own.

Overall Rating: 9.0

Batman: Caped Crusader S1E2 And Be a Villain mixes Clayface with a Phantom of the Opera vibe

Batman: Caped Crusader

Batman: Caped Crusader is the latest animated series featuring the Dark Knight and while it is out in 2024, it goes back 30 years and takes its inspiration from Batman: The Animated Series. In the second episode, “And Be a Villain,” the series introduces this new take on Clayface, but it’s Renee Montoya that steals the show.

“And Be a Villain” kicks off when a glamorous movie star disappears, which leads to Batman and Detective Montoya tangled up in the dark web of a mysterious avenger haunting the soundstages.

Clayface is a classic animated series villain. His episodes, as well as the original toy, are some of my favorites. Batman: Caped Crusader takes the basic DNA of the character and concept and switches it up a bit. Still there is an actor whose experimentation leads to a horrible mutation. In this version, that horror stalks those who wronged him as well as those he obsesses about. There’s a Phantom of the Opera vibe to the episode, with a specter leading to chaos, in this case a movie set instead of an opera house.

But, the episode really is about Detective Montoya. In this series, Batman is still an unknown factor. He doesn’t have a relationship with the police and is still a myth in some ways. The episode has Batman and Montoya dancing in a way with the two figuring each other out and if they can trust each other. One has more faith than the other when it comes to that.

The voice acting is pretty good. Hamish Linklater is growing on me as Batman/Bruce Way. Michelle C. Bonilla as Renee Montoya is great. Dan Donohue as Basil Karlo/Clayface is solid too. The voices are slightly different than what I grew up with but two episodes in and I’ve settled pretty well into the differences.

The animation continues to be interesting with a look that’s clearly influenced by Batman: The Animated Series but with designs that at times would fit right into that series and others that are far different. This take on Clayface is far different than the hulking brute delivering a style that’s far more horror.

Overall, the series continues its excellence that has the DNA of the classic series but something new as well. It feels like both a fresh start as well as a continuation of what came before. It’s a welcome return that takes me back to the 90s.

Overall Rating: 8.5

Batman: Caped Crusader S1E1 In Treacherous Waters brings back a classic with an update

Batman: Caped Crusader

Batman: Caped Crusader is the return of the classic Batman: The Animated Series evoking nostalgia of the original groundbreaking animated series. I remember watching the debut episode of Batman: The Animated Series and was blown away by the leaps in its animation and storytelling. Even as an early teen, I could tell this was storytelling meant as much for adults as it was for kids. Batman: Caped Crusader is much of the same with a story that has moments that feel a bit too adult for kids but overall, it’s a dark, more mature series all can enjoy.

Batman: Caped Crusader evokes that original series with a look and style that’s a little different. While the design of Batman and the characters are slightly different, it still very much feels like a successor of a series. The animation, look, vibe, music, will take fans back to the early 90s. Though not a continuation, at its heart, it truly is.

The series is a fresh restart with a classic look. Harvey Dent is not Two-Face. Barbara Gordon is a lawyer. Batman is still an unknown entity.

The first episode has Batman on a mission to find out who’s behind a series of explosions that takes him into battle with a new take on the classic Penguin. By the end, there’s teasers of a greater story that’ll likely play out through multiple episodes. The debut shows a world beyond a single episode, but one that’ll live and breathe and evolve beyond what’s in front of viewers. Decisions and results in one episode impact the world of Gotham driving future stories.

Batman: Caped Crusader‘s only shortfall is the voice talent. While most of it is excellent, let’s face it, Batman is going to get compared to the amazing Kevin Conroy. Hamish Linklater is good as Batman/Bruce Wayne but it doesn’t stack up.

The series is sure to anger many with where it differs. Oswald Coppelpot is now Oswalda Cobbelpot, voiced by Minnie Driver. Commissioner Gordon and Barbara Gordon too have been switched as well with their race. Watch heads explode, which is a shame because all of their characters are great, again nailing a “classic” feel, and feature solid voice acting. Diedrich Bader as Harvey Dent is great all around, an actor I wouldn’t have thought about but in one episode, I’m in.

In one episode, Batman: Caped Crusader has me back as a kid watching brand new episodes after school excited to see if it was a new one or a repeat. It nails the nostalgia factor while doing its own thing. It’s a welcome return that has me wanting to go back and watch the original in order after experiencing this love letter to a classic.

Batman: Caped Crusader debuts August 1 on Prime Video.

Overall Rating: 8.5

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