Tag Archives: batman: the killing joke

Cover Art, Full Story From Robin’s 1988 ‘Death in the Family’ Shine Bat-Signal on Heritage’s June Comic Art Auction

Batman #428

Even before bidding opened for Heritage Auctions’ June 16-19 Comics & Comic Art Signature Auction, one offering made global headlines: Frank Miller and Lynn Varley’s original cover art for 1986’s Batman: The Dark Knight Returns Book One, the iconic cover from one of the most important titles of the past half century. Yet that historic lightning strike is just one centerpiece among many landmark works of original comic art featured in this historic event, which includes some swinging Spider-Man art from Todd McFarlane and the entirety of one of the most influential – and infamous – Batman stories ever told, “A Death in the Family.”

Not only does this auction feature Mike Mignola’s original cover art for 1988’s Batman #438, featuring a battered Robin, but here, too, you will find the entire 22-page story contained in that issue – the one during which the Joker killed Jason Todd’s Robin with an assist from DC Comics readers and a 1-900 number. The story, written by Jim Starlin with art by Jim Aparo and Mike DeCarlo, features one of the most indelible images in Batman’s long history: The Dark Knight carrying the bloodied Boy Wonder from the wreckage.

Miller made mention of Jason Todd’s death in The Dark Knight Returns, two years before the Joker beat him up and blew him up. And though Miller (and many others at DC) loathed the publisher’s decision to put Robin’s fate to a vote – out of more than 10,000 calls, the Boy Wonder lost by a mere 72! –Starlin’s “A Death in the Family” has gone from one of the Batman Family’s most controversial tales to one of its most enduring.

Mignola’s cover art, and Aparo and DeCarlo’s iconic interiors (which feature a cameo from Superman, essentially reprising his The Dark Knight Returns role asgovernment operative), have been in a private collection since the 1990s.

This auction also includes original artwork from another 1980s Batman book that, like Dark Knight Returns and “A Death in the Family,” had profound and long-term ramifications. This event offers two pages from Alan Moore and Brian Bolland’s 1988 Batman: The Killing Joke, in which the Watchman writer and his artist collaborator provided the Joker with a tragic origin story defined by a single bad day (and a red hood, which later became the disguise of a resurrected Jason Todd after his murder at the hands of the Joker). The Killing Joke, of course, is best known as the book in which The Joker shoots and paralyzes Barbara Gordon, who eventually morphed from Batgirl to the Oracle.

Iconic Batman covers abound in this auction, among them one of the earliest ever offered at auction. That would be the cover art for 1942’s Detective Comics #59, featuring Batman and Robin as drawn by their co-creator Bob Kane and his beloved Golden Age Batman collaborator Jerry Robinson. This is the first time Heritage has had the privilege and pleasure of offering a Kane cover.

Also featured is Jim Lee‘s triple gatefold variant cover for Batman #619, which wrapped the 12-part “Hush” epic that resurrected Jason Todd and established Bruce Wayne and Selina Kyle as more than mere Bat and Cat chasing each other on rooftops. This is the Batman Family version of the variant, a roster that includes Batman and Catwoman, Robin and Nightwing, Oracle and her father Commissioner James Gordon, Huntress, Superman, Harvey Dent and Hush himself.

This event also features two Caped Crusader covers by illustration legends gone too soon: Batman #246 by Dave Cockrum and Neal Adams (Frank Miller’s mentor, who died April 28) and Batman #438 by George Pérez, who died only eight days after Adams.

One of the definitive artists of the 1990s was Todd McFarlane, who swung to stardom on Spider-Man’s spaghetti webbing. This auction features one of the more coveted covers McFarlane drew during tenure with the Web-Slinger –the final one, too: 1991’s Spider-Man #16, guest-starring Rob Liefeld’s X-Force. That cover is accompanied in this auction by individual pages, offered separately, from the same issue, McFarlane’s final fling with Spidey before launching Spawn at his Image Comics.

And to really tie this auction together, several Frank Miller pages will be offered – among them a page from The Dark Knight Returns Book Four, featuring Superman off to fight Batman. Now, as then, everyone wins.

DC Expands Black Label with Classic Stories and New Printings

DC has announced that some of its most legendary stories will now be a part of the DC Black Label imprint. The recently launched publishing line, dedicated to giving premier writers and artists the ability to tell unique, standalone stories set outside DC continuity, will release several iconic comic book collections featuring the most famous DC heroes from the archives beginning this December through the end of 2019.

The quintessential tales that first inspired the creation of the line include complex and emotionally engaging narratives with stunning visual storytelling from some of the greatest creators in the industry. The list of reprinted collections and their release dates through 2019 can be found below:

  • ALL-STAR SUPERMAN—Grant Morrison & Frank Quitely—available 12/04/2018
  • DC: THE NEW FRONTIER—Darwyn Cooke—available 2/19/2019
  • WATCHMEN (HC w/new slipcase)—Alan Moore & Dave Gibbons—available 3/26/2019
  • KINGDOM COME—Mark Waid & Alex Ross—available 4/23/2019
  • RONIN—Frank Miller & Lynn Varley— available 5/07/2019
  • ALL-STAR BATMAN & ROBIN, THE BOY WONDER VOL. 1—Miller & Jim Lee and BATMAN: YEAR ONE—Miller & David Mazzucchelli—available 6/11/2019
  • BATMAN: THE DARK KNIGHT STRIKES AGAIN—Miller—BATMAN: THE DARK KNIGHT RETURNS—Miller & Klaus Janson—available 6/18/2019
  • BATMAN: THE DARK KNIGHT: THE MASTER RACE—Miller & Brian Azzarello & Andy Kubert & Janson—available 6/25/2019
  • LUTHOR 10TH ANNIVERSARY EDITION and THE JOKER 10TH ANNIVERSARY EDITION —Azzarello & Lee Bermejo—available 7/09/2019
  • BATMAN: ARKHAM ASYLUM—Morrison & Dave McKean—available 8/13/2019
  • THE JOKER: DELUXE EDITION—Azzarello & Bermejo—available 9/10/2019
  • BATMAN: THE KILLING JOKE—Moore & Brian Bolland—available 9/17/2019
  • WATCHMEN (TP)—Moore & Gibbons—available 9/24/2019
  • BATMAN: YEAR 100—Paul Pope—available 10/08/2019
  • SUPERMAN: RED SON—Mark Millar & Dave Johnson & Andrew Robinson & Killian Plunkett & Walden Wong—available 10/22/2019
  • BATMAN: THE LONG HALLOWEEN—Jeph Loeb & Tim Sale—11/05/2019
  • BLACK ORCHID—Neil Gaiman & McKean—11/12/2019
  • BATMAN: DARK VICTORY—Loeb & Sale—11/26/2019
  • BATMAN: HAUNTED KNIGHT—Loeb & Sale—12/17/2019
  • CATWOMAN: WHEN IN ROME—Loeb & Sale—12/31/2019

DC Entertainments Gets a New Line of Novels Courtesy of Titan Books

Titan Books has announced a brand new collaboration project with Warner Bros. Consumer Products on behalf of DC Entertainment, to produce a high-end range of inspired novels and novelizations featuring some of DC’s most popular concepts and characters: Harley Quinn, The Joker, Batman, and The Court of Owls.

The releases kick off on September 25, 2018 with Batman: The Killing Joke by Christa Faust and Gary Phillips, the novelization of the famous Alan Moore and Brian Bolland graphic novel which explores the nature of Batman’s conflict with his most infamous nemesis: The Joker. Originally published in 1988 The Killing Joke continues to be one of the most talked about graphic novels released by an American-publisher, and now to mark the anniversary of its 30th year. The official novelization will explore ,expand, and adapt this classic story once again, bringing new insight for both fans of the original comic and those discovering this story for the first time.

Batman: The Killing Joke will be followed by Batman: The Court of Owls by Greg Cox on November 13th 2018. The original novel pits Gotham City’s greatest detective against a secret society of the wealthy elite that has controlled the city for centuries through influence, money and murder. Originally created by Scott Snyder, the Court of Owls are an intriguing and deadly organization who employ the force of assassins known as Talons. When a series of murders in the modern day pits them against the Dark Knight, he seeks to end their reign of terror before it claims even more victims.

Finally, Titan Books and DC will be publishing the first original novel to feature one of the franchise’s mosnotable fan favorites. Harley Quinn: Mad Love by Hugo award-winning author Pat Cadigan will release on February 12th 2019 and offers an expansion of the Harley Quinn storyline. The book is fully outlined by Paul Dini exclusively for the novel, who first created the character alongside Bruce Timm for 1992’s Batman: The Animated Series. It’s inspired by the 1994 Eisner Award-winning comic Mad Love by Dini and Timm, this brand new novel will reveal new secrets of the iconic Harley Quinn as she even now seeks to kill Batman.

The DC Novels will all publish in beautiful hardback editions featuring cover designs by Titan Books’ Natasha Mackenzie. The books are being created with a focus on being a perfect jumping on point for those looking to discover this world as well as long time fans.

Where the Data Ranks 2016’s Comic Book Films. Over $5 billion in 2016.

I had declared a few weeks ago that 2016’s comic adaptations had wrapped up, but was proven wrong. I’m officially declaring them done after a few weeks of no new dollars in.

2016’s comic adaptations earned over $5 billion worldwide, a record beating the previous record of $4.9 billion set in 2014. Nine films were released in 2016 earning on average $558.5 million. When the two limited release films are removed, the remaining seven earned $717.5 million.

In 2016 on average, DC films earned the most domestically and combined have earned the most domestically. Marvel films earn more on average and total internationally and by enough worldwide as well. What’s really interesting is due to the budgets for Fox’s “X” films the difference between gross and budget on the average is not that different from DC.

Here’s where this year’s movie crop stands as far as the actual numbers. Numbers are presented with and without The Killing Joke and Officer Downe which did not have an international run or wide release, so was not included in that average to start:

Total Domestic Gross: $1.901 billion ($1.897 billion without Killing Joke and Officer Downe)
Total International Gross: $3.126 billion
Worldwide Gross: $5.026 billion ($5.022 billion without Killing Joke and Officer Downe)
Total Reported Budgets: $1.215 billion ($1.211 billion without Killing Joke and Officer Downe)
Total “Profit”: $3.812 billion ($3.812 billion without Killing Joke and Officer Downe)

Average Domestic Gross: $271.0 million ($211.2 million with Killing Joke and Officer Downe)
Average International Gross: $446.5 million
Average: Worldwide Gross: $717.5 million ($558.5 million with Killing Joke and Officer Downe)
Average Budget: $173 million ($151.8 million with Killing Joke and Officer Downe)
Average Profit: $544.5 million ($476.5 million with Killing Joke and Officer Downe)

Lets look at how things have shifted since 1989, the year Batman came out. None of the below is adjusted for inflation or ticket prices.

Things have clearly changed over the 27 years. While 2016 didn’t have a record number of comic adaptations released (that was 2014), it did set a record of worldwide gross and difference between gross and budget. 2016 also saw a record domestic gross of $1.9 billion (beating 2014’s $1.7 billion), but it only had the second highest international gross of $3.1 billion. 2014 holds the record of $3.2 billion. 2016 also saw budgets of roughly $1.2 billion (two films’ estimated budgets are not available). That was the fourth-highest total, the record being 2014’s $1.5 billion for 13 films (2016 had 8).

But, how did the average film do?

Things are a bit mixed when you look at the average earning in 2016 (in this case all nine films released). On average the films earned $211.2 million domestically, the second highest amount ever. The record was set in 2012 with $263 million. That year saw 6 films released. Internationally, 2016 saw a record set with $446.5 million on average earned. The second highest amount was 2012 with $429.5 million. Worldwide, 2016 saw the second highest average amount earned with $558.5 million. The record was set in 2012 with $692.4 million. While budget in 2016 were high with the films costing $151.8 million on average, that’s only the third highest amount. The record was set in 2006 wiht $178 million and 2012 saw the average being $172 million. 2016 was also only the second most profitable on average for films. In 2016 the average film earned $476.5 million and the record was set in 2012 with $520.4 million.

2017 is already off to an interesting start and we’ll begin our focus on the year beginning next week.

Where the Data Ranks 2016’s Comic Book Films

After a declaration that 2016’s films had stopped earning money, Doctor Strange surprised me and brought in some more. This week there has been no additional earnings, so it’s likely things have wrapped up. We’ll give it one more week before making things final.

In 2016 seven films have been released based on comic books (counting Batman: The Killing Joke). This feature will focus on the 2016 releases until all the dollars are in, then I’ve got something special planned as we shift focus to 2017.

While we’ve looked at how individual movies have done compared to the average, here’s it by property. Marvel, DC, and Fox have all released two films.

On average, DC films earn the most domestically and combined have earned the most domestically. Marvel films earn more on average and total internationally and by enough worldwide as well. What’s really interesting is due to the budgets for Fox’s “X” films the difference between gross and budget on the average is not that different from DC.

Of note:

  • Doctor Strange looks to have ended its run completely (we’ll give it another week). The film has earned $677.7 million worldwide. That puts the film at 18th of all time for comic films and right in the middle of the pack for 2016’s releases. It’s a bit mixed when it comes to Marvel films as it was below the average domestic, international, and worldwide totals, but that’s largely due to 4 films skewing things and making it a high hurdle. Compared to other “debut” films for characters, this one did about as expected.
  • Captain America: Civil War looks to be the top grossing film worldwide for 2016 though Rogue One is challenging that. The film earned $1.153 billion worldwide, about $98 million more than the next film. There’s still a chance that Rogue One catches up, but it’s unlikely to happen with $98 million to go and that film’s run winding down. Rogue One did pass the film when it comes to domestic earnings and is the top domestic film of the year. Civil War is third for the year, the best performing comic film.
  • Officer Downe continues to look like it hasn’t earned any more money. When it comes to the below stats, the film is being treated like Batman: The Killing Joke. The film is mostly a video on demand release, so it likely won’t see a wide release.
  • The Chair is currently not included in these stats. While the film is based on a comic, its release was done so through a service where receipts aren’t tracked in traditional ways.
  • DC’s films average $315.5 million a film domestically compared to Marvel’s $302.5 million. Internationally, Marvel earns $477.2 million and DC earns $446.8 million.

Here’s where this year’s movie crop stands as far as the actual numbers. Numbers are presented with and without The Killing Joke and Officer Downe which did not have an international run or wide release, so was not included in that average to start:

Total Domestic Gross: $1.901 billion ($1.897 billion without Killing Joke and Officer Downe)
Total International Gross: $3.126 billion
Worldwide Gross: $5.026 billion ($5.022 billion without Killing Joke and Officer Downe)
Total Reported Budgets: $1.215 billion ($1.211 billion without Killing Joke and Officer Downe)
Total “Profit”: $3.812 billion ($3.812 billion without Killing Joke and Officer Downe)

Average Domestic Gross: $271.0 million ($211.2 million with Killing Joke and Officer Downe)
Average International Gross: $446.5 million
Average: Worldwide Gross: $717.5 million ($558.5 million with Killing Joke and Officer Downe)
Average Budget: $173 million ($151.8 million with Killing Joke and Officer Downe)
Average Profit: $544.5 million ($476.5 million with Killing Joke and Officer Downe)

Now that we have those numbers down we can get a better idea as to how films have actually done this year. Below are various rankings of where films stand so far and if the films are above average (green), below average (red), or above the overall average but below the adjusted average (yellow):

Where the Data Ranks 2016’s Comic Book Films

Last week I had declared that the 2016 comic adaptation releases looked to have stopped earning money, but that was premature. Doctor Strange went and messed that up earning $100,000 since last week. So, back to what we’ve been doing and will do this until all the numbers are in. After that we’ll really dive in and look at how 2016 compares to previous years and then after that dive into 2017’s releases.

In 2016 seven films have been released based on comic books (counting Batman: The Killing Joke). This feature will focus on the 2016 releases until all the dollars are in, then I’ve got something special planned as we shift focus to 2017.

Of note:

  • Doctor Strange is still chugging along earning another $100,000 since last week. The film has earned $677.7 million worldwide so far and will probably stop somewhere shy of $678. That puts the film at 18th of all time for comic films and right in the middle of the pack for 2016’s releases. It’s a bit mixed when it comes to Marvel films as it was below the average domestic, international, and worldwide totals, but that’s largely due to 4 films skewing things and making it a high hurdle. Compared to other “debut” films for characters, this one did about as expected.
  • Captain America: Civil War looks to be the top grossing film worldwide for 2016 though Rogue One is challenging that. The film earned $1.153 billion worldwide, about $98 million more than the next film. There’s still a chance that Rogue One catches up, but it’s unlikely to happen with $98 million to go and that film’s run winding down. Rogue One did pass the film when it comes to domestic earnings and is the top domestic film of the year. Civil War is third for the year, the best performing comic film.
  • Officer Downe continues to look like it hasn’t earned any more money. When it comes to the below stats, the film is being treated like Batman: The Killing Joke. The film is mostly a video on demand release, so it likely won’t see a wide release.
  • The Chair is currently not included in these stats. While the film is based on a comic, its release was done so through a service where receipts aren’t tracked in traditional ways.
  • DC’s films average $315.5 million a film domestically compared to Marvel’s $302.5 million. Internationally, Marvel earns $477.2 million and DC earns $446.8 million.

Here’s where this year’s movie crop stands as far as the actual numbers. Numbers are presented with and without The Killing Joke and Officer Downe which did not have an international run or wide release, so was not included in that average to start:

Total Domestic Gross: $1.901 billion ($1.897 billion without Killing Joke and Officer Downe)
Total International Gross: $3.126 billion
Worldwide Gross: $5.026 billion ($5.022 billion without Killing Joke and Officer Downe)
Total Reported Budgets: $1.215 billion ($1.211 billion without Killing Joke and Officer Downe)
Total “Profit”: $3.812 billion ($3.812 billion without Killing Joke and Officer Downe)

Average Domestic Gross: $271.0 million ($211.2 million with Killing Joke and Officer Downe)
Average International Gross: $446.5 million
Average: Worldwide Gross: $717.5 million ($558.5 million with Killing Joke and Officer Downe)
Average Budget: $173 million ($151.8 million with Killing Joke and Officer Downe)
Average Profit: $544.5 million ($476.5 million with Killing Joke and Officer Downe)

Now that we have those numbers down we can get a better idea as to how films have actually done this year. Below are various rankings of where films stand so far and if the films are above average (green), below average (red), or above the overall average but below the adjusted average (yellow):

Where the Data Ranks 2016’s Comic Book Films. Brings in Over $5 billion

It doesn’t look like Doctor Strange has earned any more money since last week’s report so with that, I’m calling the 2016 comic movie run complete. Now, that means we can do a final look at 2016 and how the year compare’s to years past before moving on to 2017 next week!

Winners

  • Captain America: Civil War ruled the year earning $1.15 billion to be the top grossing film of 2016. That’s the highest grossing Captain America film so far.
  • Deadpool was one of the must successful films of the year earning $783 million it had a 13.5 multiplier for its budget. With a budget of just $58 million, the film shows you don’t need to spend a lot of money to find success.

Mixed

  • DC Comics films – For as much shit thrown at Batman v Superman and Suicide Squad, the films earned $873 million and $745 million and beat the average Marvel film at the domestic box office. Those are impressive numbers they just didn’t meet random expectations. Still, mixed reviews clearly didn’t sink these films. Where DC/Warner Bros. needs to work is at the foreign box office where their films lag Marvel’s. Boost earnings there and it’s a whole new ball game.
  • Doctor Strange – The film earned $232.6 million domestically and $444.9 internationally, both are well below Marvel’s averages. But, when you take out the universe’s billion dollar films and look at other debuts, this movie was right where you’d expect.

Losers

  • X-Men: Apocalypse – The film was a dud domestically earning $155 million and 71.42% of its earnings coming from the international box office. It earned $200 million less than X-Men: Days of Future Past. While a lot did come in, this film definitely placed the franchise on shakier ground. When Deadpool crushed this film with 1/3 the budget, it’s time to rethink the X franchise.
  • Teenage Mutant Ninja Turtles: Out of the Shadows – The film earned half of what 2014’s film earned and didn’t even cross $100 million domestically. Adjusting for inflation this film was the second worst film when it comes to domestic earnings.

How does 2016 compare to previous years?

2016 saw more than $5 billion dollars in earnings for the 8 comic adaptations that were released, the most money ever earned. That beats 2012 which saw $4.1 billion. But, what’s interesting is that record was driven by domestic earnings which saw a record $1.9 billion. Internationally, the year was the second highest earnings of $3.1 billion. The record was $3.2 billion in 2014.

You can see from below how much the adaptation of comic films has exploded in recent years, not just in the volume, but also how much money is being earned.

We’ll have a deeper examination of the year that was in an upcoming article.

Where the Data Ranks 2016’s Comic Book Films

The summer movie season is over and we’ve seen an interesting year when it comes to comic book films. For months debates have raged as to who is more successful, Marvel or DC, which movies were successes, and which were flops. The answers aren’t so simple and black and white, which is why I like to turn to data to give actual rankings as to who were winners and losers.

So far this year, seven films have been released based on comic books (counting Batman: The Killing Joke). This feature will focus on the 2016 releases until all the dollars are in, then I’ve got something special planned as we shift focus to 2017.

Of note:

  • Doctor Strange is slowing down but still bringing in international dollars, a few thousand this past week. The film has earned $677.6 million worldwide so far and will probably stop somewhere shy of $678. That puts the film at 18th of all time for comic films and right in the middle of the pack for 2016’s releases. It’s a bit mixed when it comes to Marvel films as it was below the average domestic, international, and worldwide totals, but that’s largely due to 4 films skewing things and making it a high hurdle. Compared to other “debut” films for characters, this one did about as expected.
  • Captain America: Civil War looks to be the top grossing film worldwide for 2016 though Rogue One is challenging that. The film earned $1.153 billion worldwide, about $98 million more than the next film. There’s still a chance that Rogue One catches up, but it’s unlikely to happen with $98 million to go and that film’s run winding down. Rogue One did pass the film when it comes to domestic earnings and is the top domestic film of the year. Civil War is third for the year, the best performing comic film.
  • Officer Downe continues to look like it hasn’t earned any more money. When it comes to the below stats, the film is being treated like Batman: The Killing Joke. The film is mostly a video on demand release, so it likely won’t see a wide release.
  • The Chair is currently not included in these stats. While the film is based on a comic, its release was done so through a service where receipts aren’t tracked in traditional ways.
  • DC’s films average $315.5 million a film domestically compared to Marvel’s $302.5 million. Internationally, Marvel earns $477.2 million and DC earns $446.8 million.

Here’s where this year’s movie crop stands as far as the actual numbers. Numbers are presented with and without The Killing Joke and Officer Downe which did not have an international run or wide release, so was not included in that average to start:

Total Domestic Gross: $1.901 billion ($1.897 billion without Killing Joke and Officer Downe)
Total International Gross: $3.126 billion
Worldwide Gross: $5.026 billion ($5.022 billion without Killing Joke and Officer Downe)
Total Reported Budgets: $1.215 billion ($1.211 billion without Killing Joke and Officer Downe)
Total “Profit”: $3.812 billion ($3.811 billion without Killing Joke and Officer Downe)

Average Domestic Gross: $271.0 million ($211.2 million with Killing Joke and Officer Downe)
Average International Gross: $446.5 million
Average: Worldwide Gross: $717.5 million ($558.5 million with Killing Joke and Officer Downe)
Average Budget: $173 million ($151.8 million with Killing Joke and Officer Downe)
Average Profit: $544.5 million ($476.5 million with Killing Joke and Officer Downe)

Now that we have those numbers down we can get a better idea as to how films have actually done this year. Below are various rankings of where films stand so far and if the films are above average (green), below average (red), or above the overall average but below the adjusted average (yellow):

Where the Data Ranks 2016’s Comic Book Films

The summer movie season is over and we’ve seen an interesting year when it comes to comic book films. For months debates have raged as to who is more successful, Marvel or DC, which movies were successes, and which were flops. The answers aren’t so simple and black and white, which is why I like to turn to data to give actual rankings as to who were winners and losers.

So far this year, seven films have been released based on comic books (counting Batman: The Killing Joke). This feature will focus on the 2016 releases until all the dollars are in, then I’ve got something special planned as we shift focus to 2017.

Of note:

  • Doctor Strange is slowing down but still bringing in international dollars, a few hundred this past week. The film has earned $677.6 million worldwide so far and will probably stop somewhere shy of $678. That puts the film at 18th of all time for comic films and right in the middle of the pack for 2016’s releases. It’s a bit mixed when it comes to Marvel films as it was below the average domestic, international, and worldwide totals, but that’s largely due to 4 films skewing things and making it a high hurdle. Compared to other “debut” films for characters, this one did about as expected.
  • Captain America: Civil War looks to be the top grossing film worldwide for 2016 though Rogue One is challenging that. The film earned $1.153 billion worldwide, about $98 million more than the next film. There’s still a chance that Rogue One catches up, but it’s unlikely to happen with $98 million to go and that film’s run winding down. Rogue One did pass the film when it comes to domestic earnings and is the top domestic film of the year. Civil War is third for the year, the best performing comic film.
  • Officer Downe continues to look like it hasn’t earned any more money. When it comes to the below stats, the film is being treated like Batman: The Killing Joke. The film is mostly a video on demand release, so it likely won’t see a wide release.
  • The Chair is currently not included in these stats. While the film is based on a comic, its release was done so through a service where receipts aren’t tracked in traditional ways.
  • DC’s films average $315.5 million a film domestically compared to Marvel’s $302.5 million. Internationally, Marvel earns $477.2 million and DC earns $446.8 million.

Here’s where this year’s movie crop stands as far as the actual numbers. Numbers are presented with and without The Killing Joke and Officer Downe which did not have an international run or wide release, so was not included in that average to start:

Total Domestic Gross: $1.901 billion ($1.897 billion without Killing Joke and Officer Downe)
Total International Gross: $3.126 billion
Worldwide Gross: $5.026 billion ($5.022 billion without Killing Joke and Officer Downe)
Total Reported Budgets: $1.215 billion ($1.211 billion without Killing Joke and Officer Downe)
Total “Profit”: $3.812 billion ($3.811 billion without Killing Joke and Officer Downe)

Average Domestic Gross: $271.0 million ($211.2 million with Killing Joke and Officer Downe)
Average International Gross: $446.5 million
Average: Worldwide Gross: $717.5 million ($558.5 million with Killing Joke and Officer Downe)
Average Budget: $173 million ($151.8 million with Killing Joke and Officer Downe)
Average Profit: $544.5 million ($476.5 million with Killing Joke and Officer Downe)

Now that we have those numbers down we can get a better idea as to how films have actually done this year. Below are various rankings of where films stand so far and if the films are above average (green), below average (red), or above the overall average but below the adjusted average (yellow):

Where the Data Ranks 2016’s Comic Book Films

The summer movie season is over and we’ve seen an interesting year when it comes to comic book films. For months debates have raged as to who is more successful, Marvel or DC, which movies were successes, and which were flops. The answers aren’t so simple and black and white, which is why I like to turn to data to give actual rankings as to who were winners and losers.

So far this year, seven films have been released based on comic books (counting Batman: The Killing Joke). This feature will focus on the 2016 releases until all the dollars are in, then I’ve got something special planned as we shift focus to 2017.

Of note:

  • Doctor Strange is slowing down but still bringing in international dollars. The film has earned $677.6 million worldwide so far and will probably stop somewhere shy of $678. That puts the film at 18th of all time for comic films and right in the middle of the pack for 2016’s releases. It’s a bit mixed when it comes to Marvel films as it was below the average domestic, international, and worldwide totals, but that’s largely due to 4 films skewing things and making it a high hurdle. Compared to other “debut” films for characters, this one did about as expected.
  • Captain America: Civil War looks to be the top grossing film worldwide for 2016 though Rogue One is challenging that. The film earned $1.153 billion worldwide, about $98 million more than the next film. There’s still a chance that Rogue One catches up, but it’s unlikely to happen with $98 million to go and that film’s run winding down. Rogue One did pass the film when it comes to domestic earnings and is the top domestic film of the year. Civil War is third for the year, the best performing comic film.
  • Officer Downe continues to look like it hasn’t earned any more money. When it comes to the below stats, the film is being treated like Batman: The Killing Joke. The film is mostly a video on demand release, so it likely won’t see a wide release.
  • The Chair is currently not included in these stats. While the film is based on a comic, its release was done so through a service where receipts aren’t tracked in traditional ways.
  • DC’s films average $315.5 million a film domestically compared to Marvel’s $302.5 million. Internationally, Marvel earns $477.2 million and DC earns $446.8 million.

Here’s where this year’s movie crop stands as far as the actual numbers. Numbers are presented with and without The Killing Joke and Officer Downe which did not have an international run or wide release, so was not included in that average to start:

Total Domestic Gross: $1.901 billion ($1.897 billion without Killing Joke and Officer Downe)
Total International Gross: $3.126 billion
Worldwide Gross: $5.026 billion ($5.022 billion without Killing Joke and Officer Downe)
Total Reported Budgets: $1.215 billion ($1.211 billion without Killing Joke and Officer Downe)
Total “Profit”: $3.812 billion ($3.811 billion without Killing Joke and Officer Downe)

Average Domestic Gross: $271.0 million ($211.2 million with Killing Joke and Officer Downe)
Average International Gross: $446.5 million
Average: Worldwide Gross: $717.5 million ($558.5 million with Killing Joke and Officer Downe)
Average Budget: $173 million ($151.8 million with Killing Joke and Officer Downe)
Average Profit: $544.5 million ($476.5 million with Killing Joke and Officer Downe)

Now that we have those numbers down we can get a better idea as to how films have actually done this year. Below are various rankings of where films stand so far and if the films are above average (green), below average (red), or above the overall average but below the adjusted average (yellow):

« Older Entries