Tag Archives: jared lamp

Kevin Bieber and Victor Reynolds Get UnPresidential

The President has gone missing, and America is holding a special election to replace him! But who has the charisma, sexiness, and compassion to lead the free world? Kim Jong Un, the fascist dictator of North Korea, of course! A hilarious satire of American culture, Un-Presidential focuses on the journey of the Un-likeliest candidate of all in his quest to save democracy!

We’re not even a full year into Trump’s reign and writers Kevin Beiber and Victor Reynolds have spoofed him, Kim Jong Un and our entire political system in UnPresidential. Publishing by Z2 Comics, the graphic novel pulls no punches and takes on… pretty much everything.

I got a chance to talk to Kevin and Victor about the comic and their fear of pissing off a certain dictator.

Graphic Policy: Where did the idea for UnPresidential come from?

Kevin Bieber: We looked at all of the serious issues and problems facing America today, and found the one thing that Americans really need most right now: A comic about Kim Jong Un running for President after Donald Trump has gone missing between tweets, the Republican line of succession is lost on a romantic Russian Cruise, and Hillary Clinton is stuck in Mexico after plastic surgery gone horribly wrong…

So in a nutshell, UnPresidential is our attempt to bring the far-right and far-left together through their mutual hate of our book. It’s the first common ground they’ve had in years, and I’m really proud to have played a part in it. If just one Trumper hugs an SJW tonight because they both hate us, we’ve done our job.

As for the industry itself, like everyone else, we got into independent comic books purely because we wanted to be rich. Is it working? You’ll have to ask my creditors, and my neighbors at the homeless shelter I’m currently breaking into.

GP: You easily could have done a book around President Trump, why go with Kim Jong Un?

Victor Reynolds: The answer is actually in your question: the reason we didn’t center our book around President Trump is because it would have been easy, and easy is never interesting. Simply put, we wanted to tell a no-holds barred story about the current state of American society, politics, and media, but needed a lens to capture that absurdity. After making sure that Disney didn’t own the rights to him, we thought that America’s biggest enemy, Kim Jong Un, was the perfect lens to highlight that absurdity.

GP: The satire of the graphic novel is pretty wide taking on pretty much everything. Was there any joke you felt went too far or something you didn’t think was appropriate to make?

KB: UnPresidential is Schrodinger’s Comic: too far and not far enough at the same time. UnPresidential goes after everyone and every possible agenda because, in our view, sacred cows are the most fun cows to slaughter. But other than Democrats, Republicans, white people, black people, Asians, straight people, gay people, Christians, Muslims, Jews, Bono, the military, men, women, and our elected officials, I can’t really think of anyone we’ve offended.

To answer your question about whether we’re hesitant: Not. At. All. We pride ourselves on satirizing everyone and every belief (including our own), and will not change that for anything (except money). To borrow the philosophy of our comedy idols from South Park: it’s either all okay, or none of it is.

GP: It feels like real world politics have itself turned into satire. Did that make things more difficult to write this?

VR: Absolutely. Like myself, UnPresidential was initially conceived at a KFC years ago before Trump even announced he was running for President (true story–the main reason we greenlit the book was because we loved the title). It’s gone through more re-writes and changes than almost every Kevin Spacey movie currently in production.

The fact that real world politics has itself turned into satire is a double edged sword. On one hand, it makes the satire in UnPresidential that much more on-point and topical. On the other hand, things change so rapidly that you can’t possibly keep up, which forced us to constantly re-write and update the book. On the whole, UnPresidential was by far the most difficult project we’ve encountered, but hopefully the amount of work and thought that went into it shows up to the readers.

GP: It’s believe that Kim Jong Un had Sony hacked because he was made fun of on film. Any fears or suspicious North Korean hacks yet?

KB: Nah, because North Korea doesn’t really attack creators; it only hacks the websites that interview the creators…

Seriously though, if we haven’t been hacked after printing the damn book in Korea, I don’t know what it will take. If this book actually gets on Kim Jong Un’s radar, something has gone horribly wrong… or right.

GP: We’re only about 10 months into President Trump’s reign and this is a sizeable book. How long did it take to work on?

VR: The final iteration of the book came together in about eight months. However, the actual concept of UnPresidential came about two years ago before Trump even ran for office–we wanted to create the most absurd election possible with the dumbest, least likely candidate ever and use that as a vehicle to poke fun at American society and the sad state it has become. We settled on Kim Jong Un in part because we LOVED the title UN-Presidential. But the project had no momentum after a year, until Trump was elected, which breathed new life into the project and its possibilities. Luckily, we found a great artist in Jeremy Labib (with amazing contributions by Jared Lamp, Aladdin Collar, and Matt and John Yuan), and a great distributor in Z2 Comics, which will allow UnPresidential to hopefully be taught in preschools someday.

GP: We’re at a point where reality is difficult to suss out from what’s fake. Is it more difficult to create in that environment?

KB: Yeah, and if there is a villain in this book (besides Kim Jong Un), it’s social media. I believe that Thomas Jefferson once said: “the world will end not with a bang, but with a tweet,” and I find that becoming more true by the day.

For all the substantial good that it’s capable of, I think the last few years have shown that social media is, in reality, Prometheus’s fire–it has basically created a cottage industry of abusive click-baiters whose only incentive is to spread misinformation and mobilize an angry society against itself. It’s no coincidence that Russia used targeted Facebook ads hoping to create dissension among Americans (maybe that’s #Fakenews though, who knows anymore?)

GP: The story takes place over a campaign. Have you ever been involved in one yourself? Volunteer at all?

KB: Oh geez, I worked on what was probably the most disorganized local election of all time. It was the Democratic candidate for County Judge, an administrative position despite its title (full disclosure: we consider ourselves neither Republicans or Democrats–we’re just a couple of far-center, radical moderates that have voted for candidates on both sides). I was a wide-eyed college kid hoping to do my civic duty and participate in democracy in action… and all I ended up doing was calling rich people and asking them for their money. Of course, we lost, and my desire to ever participate in another campaign was forever extinguished.

GP: What do you currently see as the silliest aspect of our current political reality?

VR: Two things: There is no longer any such thing as news–it’s all about hot takes, even with respect to issues that should not be partisan in the slightest. It’s Skip Bayless’s world, we’re just living in it.

Also, the influence of special interests keeps growing unchecked. In UnPresidential, we mock this when Kim Jong Un goes to “BribeCon 2017” and raises money by promising lobbyists that under his Presidency, corporations will no longer be people… they will be GODS!

GP: What else do you have on tap that folks can check out?

KB: My wallet thanks you for that question. We have quite a few books out, including a book about a geologist that fights inanimate rocks (called Man vs. Rock), a book about a woman who unknowingly starts the biggest cult in the world (called Cult Leaders Anonymous), and, believe it or not, an all-ages book about a space adventurer and her canine co-pilot (called You Can Sell Out, Too by Kevin Bieber and Victor Reynolds … or its other title, Furry Co-Pilots). Of course, if you’re interested in UnPresidential, you can order it now.

GP: Thanks for chatting!

Review: Man Versus Rock Vol. 2

Man-vs.-Rock-2-10.6.14What is Man Vs Rock? If you like B-rate science fiction movies, if you find yourself combing through the internet looking for Mystery Science Theater 3000 episodes, if you love Hitchcock but find yourself laughing because you can see the strings in The Birds, then this is a comic you will appreciate.

Man Vs Rock is a 1950’s nature-strikes -back Sci-fi meets humor born of high school locker rooms?

The humor in this comic is sitting around at the end of a party, a smoke-filled room, people passed out on couches, beer bottles, sticky tables, the last few awake drunkenly making jokes. I liked it. For a moment, at least.

Too quickly, Man Vs Rock Vol 2 ‘s  jokes go from “hah. Gross,”  to “…dude. C’mon.”

The comic embodies silly Sci-fi, but it also manages to embody an out of date, high school boy attitude towards women.

The Vice President is the protagonists’ (Buck Stone)’s, ex-wife, and during a phone call she berates him for his obsession with rocks and their “turning their daughter into a whore”, then immediately caving into his pleas to speak to the President. Despite having the power of the Vice Presidency of the United States she apparently doesn’t have any over Buck Stone.

That’s a minor issue. It can slide because it moves the plot forward to where Buck can talk to the President.

The real problems are the scenes that go beyond objectifying women and are–this is the worst part–added for no particular reason.

There are two breast scenes within ten pages of one another, one where a woman’s implants burst right after she says “just because my boobs are fake doesn’t mean our love isn’t real” to a little boy chewing gum. Then another where two lovers are arguing over when the guy gets to touch the woman’s breasts. Then, a rock comet comes and takes the woman’s head clear off, at which point the guy smirks and cops a feel while blood spurts out from where her head used to be.

C’mon. How old are you?

What the guy in this scene is doing is ridiculous, ‘she wouldn’t let me touch her boobs without an ultimatum’ (she was using her sexuality to control him into killing her father- because women use their bodies to get guys to do their bidding all the time, duuuhhhh) but now that she can’t say anything (shes dead) he finally gets to touch her boobs.

This book made it to Shawn Perry’s 15 Indie comics of 2014 on Bleedingcool.com, and managed to win Comic Bastards’ Best Indie title of 2014 without anyone having a problem with the comics’ portrayal of women. Artist Jared Lamp and writers Victor Delory and Kevin Beiber painstakingly draw out these scenes. The obtuse jokes are funny enough to creators, and award winningly funny for readers, and it didn’t raise any kind of flag for anybody.

Listen, the rest of the comic is funny and  raunchy, but it has the kind of stuff you can’t ignore. The objectification of women has been plaguing the comic industry for years and it’s not okay. Women are not only ignored but comics that have people copping feels of dead girls wins awards without anyone stopping to think that it is anything but harmlessly funny.

Humor is not a shield from which you can spout racist, sexist or homophobic things and then hide. Funny or not, it’s still sexist and it’s still not cool.

Just like the comics industry has learned not to draw black face, and is *ahem* slowly learning not to make trans phobic characters, it can learn to draw sexy women that wear jeans and a T-shirt, and can also learn draw people of color with depth.

Raunchy doesn’t have to mean breasts blowing up, in fact, the rest of the comic managed to be raunchy without “daughter is a whore” gags and squeezing the boobs of dead girls, so why start?

It’s a discussion that I’m kind of tired of having. Comics have the ability to be eons ahead of other media, and can both spread easier and have a lot more freedom to say what they want, so why, when you finally get the spotlight, do you choose to say something like this?

This comic could have been a favorite. If you like Sci-fi, and if humor is humor, no matter what the content, then pick this up.

You can check out free previews on their website.

Story: Victor Detroy and Kevin Beiber Art: Jared Lamp
Story: 4 Art: 7 Overall: 5 Recommendation: Read (if you’re a 13 year old boy)

Man Versus Rock provided Graphic Policy with a FREE copy for review

Review: Man Vs Rock

mvrMan Vs Rock is a comic about the greatest threat to face mankind. One that we’ve been ignoring, mistreating and abusing for millennia: rocks.

Yes, rocks.

No, I didn’t stutter.

Someday very soon the rocks will tire of our constant abuse and rise up and take control of the planet – which is, more or less, where our story starts. But let’s get something out of the way before we go any further; this isn’t the kind of comic that everybody will enjoy. Man Vs Rock is at times brilliantly satirical, and often very funny, even if occasionally it touches on the offensive side of humour (indeed, for some readers Man Vs Rock may be more than almost offensive), this is a comic that takes a concept that sounds utterly foolish (because it is) and runs with it.

And it’s great.

The series revises historical events to give credence to mankind’s mistreatment of rocks,  and the first issue starts out extremely strongly – there’s a certain scene involving a rock, some interrogation and some not-so-subtle inferences to a series of recent events that’s worth the cover price alone. The writing team of Kevin Bieber and Victor DeTroy have crafted a story that would sit alongside the best of the B-Movies (and I mean that as a complement), while simultaneously riffing on numerous action movies. The way in which Jared Lamp has illustrated this series is perfectly suited to the style of the story; the inking is at the perfect level of detail to enhance his pencils without distorting or muddying them under thick dark lines. It’s a minimalist black and white art style, but it works extremely well.

Kevin Bieber and Victor DeTroy evoke a very Mad Magazine-esque style of humour, and on the face of it some of the visual gags by artist Jared Lamp are pretty fantastic, but let’s be honest here; this isn’t a series that’s going to appeal to everybody, and that’s okay. 

For those who do take the chance Man Vs Rock is packed to the rafters with jokes, satirical and not, and while some of them do fall flat there are just as many that succeed.  The humour will be familiar to fans of South Park, Seth MacFarlane and the college-type humour that is often associated with him and his numerous television shows and movies. Although this is a comic for mature readers, it’s not always a mature comic; but despite that, or perhaps because of it, this is a comic that is worth a read.

As was previously mentioned, the first issue starts out extremely strong, and while I felt the third issue was the weakest of the three I have read, that’s not to say it’s a bad comic. Yes, I felt some of the jokes to be bordering on poor taste, but then not every joke is going to resonate with every person; and a few jokes may be more offensive to some people than others (one such comment insinuates a woman can only think for three weeks or so a month). But regardless of the humour style, this is an awesomely ridiculous concept that works when it shouldn’t. 

It may not be for everyone, but if you’re fan of the kind of absurdest humour that fills this comic then you’re going to really enjoy this series.

You can find Man Vs Rock  at Amazon, comiXology, or maybe your Local Comic Shop.

Writers: Kevin Bieber and Victor DeTroy Artist: Jared Lamp
Story: 6.75 Art: 7.75 Overall: 7.25 Recommendation: Read

The Creative Team provided Graphic Policy a FREE copy of the first three issues to review.