Tag Archives: voracious: feeding time

Markisan Naso and Jason Muhr Talk their comic series Voracious LIVE this Monday

GP Radio pic MondayJURASSIC PARK MEETS TOP CHEF! Haunted by the death of his sister, Chef Nate Willner has lost his desire to cook. Forced to move back to his hometown in Utah and work at a coffee shop, Nate’s life is quickly becoming a dead end. But when he unexpectedly inherits a time travel suit that takes him to the age of dinosaurs, Nate’s passion for cooking is reignited! Voracious is the critically-acclaimed comic series by Markisan Naso and Jason Muhr which is back with its second volume Voracious: Feeding Time.

Naso and Muhr join Graphic Policy Radio with hosts Elana and Brett who are joined by GP contributor Alex.

The show airs LIVE this Monday at 10pm ET.

Markisan Naso is the writer of the critically-acclaimed comic book series, VORACIOUS, published by Action Lab Entertainment. He is also an editor and publishing expert who has managed and revitalized national publications such as Knowledge Quest and School Library Research for the American Library Association. An accomplished journalist, Markisan has authored more than 150 features in print and on the web, covering subjects as diverse as EF5 tornadoes, death metal and Superman. Most recently he wrote a tribute to the late Darwyn Cooke for The Comics Journal. Markisan has also edited over a dozen books, including The Anatomy of Zur-en-Arrh: Understanding Grant Morrison’s Batman and Voyage in Noise: Warren Ellis and the Demise of Western Civilization for the Sequart Organization. In his spare time he interviews comic book creators for his podcast, COLLOQUIUM. He loves kitties and metal.

Voracious_Vol.2_01_KS_VariantTo find out more about Markisan, visit his website, www.markisan.com. Follow him on twitter: @DarthSan and Facebook facebook.com/MarkisanNaso

Jason Muhr is the artist, designer and letterer for the critically-acclaimed comic book series, VORACIOUS, published by Action Lab Entertainment. He has also worked for Marvel Comics and Valiant Entertainment, and co-created the short story “Like Giants” with Mark Waid for Thrillbent. Jason has a decade of experience as a professional illustrator and graphic designer, providing companies with logo and concept designs, and art for products such as plush toys, remote-control robots, interactive games, garden accessories, pottery and candy. Prior to entering the art and design world, Jason spent six years on the retail side of the comic book market, as an assistant manager at the Graham Crackers Comics chain of Chicagoland comic shops.

To find out more about Jason, visit his website, www.jasonmuhr.com. Follow him on Twitter @JasonMuhr and Facebook facebook.com/jason.muhr.

Also follow the series on Twitter @VoraciousComic and Facebook facebook.com/VoraciousComic.

Tweet your questions to @graphicpolicy and listen in this Monday at 10pm ET.

Review: Voracious: Feeding Time #1

Voracious_Vol.2_01_KS_VariantWhen I read the first issue of Voracious, the four-issue miniseries by writer Markisan Naso, artist Jason Muhr and colourist Andrei Tabucaru I immediately fell in love with the series’ incredibly well crafted story, the luscious artwork, and the humour that seemed to flow from the pages with such an incredibly deft pace. In a year with some truly brilliant stories released in comics, from Valiant’s Divinity II, Titan Comics’ Johnny Red and Image’s The Goddamned and Huck, the first Voracious miniseries is still the one sitting at the top of my Best Of 2016 List, in part because of the notion of a dinosaur sandwich, but more so because of the sheer enjoyment each and every comic gave me.

Needless to say when I saw that Markisan Naso and Jason Muhr had launched a Kickstarter to fund the second series, given how much I enjoyed the first series, backing the comic was a no-brainer.

There’s going to be minor spoilers for the first series from here on out, so if you haven’t read that yet, do so. Then go buy this issue.

Still with me? Awesome.

As ingenious as the concept of time-traveling chef Nate Willner opening a diner using dinosaur meat is, it was the subtle, almost throwaway line that while killing things in the past may not be the best idea (what with the future consequences, and all), hunting dinosaurs in the past won’t have any impact on our future because the asteroid destroys everything anyway, so why worry?

But what if it wasn’t our past that Nate was returning too? What if his actions were having unintended consequences that he was utterly oblivious too?

That’s the question that Naso asked in the final pages of the original Voracious, and there’s no time wasted as Feeding Time #1 begins in a wonderfully realized alternate timeline introducing Gus Horncrusher, an evolved dinosaur detective who is struggling to remember something that he’s forgotten. It doesn’t take long to figure out why he’s forgotten what he has or who’s fault it is, but by emphasizing the obvious emotional thoughts that Gus is going through Naso allows the audience to immediately switch our position on the dino detective (I can’t be the only one who assumed he’d be the villain in this arc); his ability to infuse so much personality and emotion into the character in such a short time is nothing short of amazing.

A big part of the immediate sense you get of knowing Gus and his partner is down to Jason Muhr’s artwork. I’m reminded page after page just how good this guy is at what he does, whether it’s because of the all-too-human expressions on the very non-human faces, the glimpses of forgotten memories, or the panel layouts, Muhr has delivered the best looking comic in the series to date. But if Jason Muhr has hit a home run, then Andrei Tabucaru has sent the ball out of the park with his colouring work. I wouldn’t be surprised to see his name on the Eisner nominations next year.

While both Naso and Muhr have said that Voracious: Feeding Time can be read independently of the first miniseries, you can pick the first trade up at your local comic shop for a very reasonable $15. It’s worth every penny for you to get the most out of this comic.

A comic with only one, albeit pretty major, downside: the long wait to the second issue. I may have already waited a month or so since reading the first issue, but it’s the next month that’ll kill me.

Story: Markisan Naso Art: Jason Muhr Colourist: Andrei Tabucaru
Story: 9 Art: 10 Overall: 9.5 Recommendation: Buy

Graphic Policy’s Top Comic Picks this Week!

motorcrush01_coveraWednesdays are new comic book day! Each week hundreds of comics are released, and that can be pretty daunting to go over and choose what to buy. That’s where we come in!

We’re bringing back something we haven’t done for a while, what the team thinks. Our contributors are choosing up to five books each week and why they’re choosing the books.

Find out what folks think below, and what comics you should be looking out for this Wednesday.

Logan

Top Pick: The Wicked + The Divine #24 (Image Comics) – Last month’s experimentalism was pretty fun and it was nice to finally see Kevin Wada do some interiors, but it will be nice to see Jamie McKelvie’s take on the brave new world for the Pantheon now that Ananke is out of the way.Motor Crush #1 (Image)- The creative team of the always fun and adorable Batgirl reunites on a creator owned title. It will be exciting to see Brenden Fletcher, Cameron Stewart, and Babs Tarr with full creative freedom in this new Image release. Plus biker gangs are cool.

Motor Crush #1 (Image Comics) – The creative team of the always fun and adorable Batgirl reunites on a creator owned title. It will be exciting to see Brenden Fletcher, Cameron Stewart, and Babs Tarr with full creative freedom in this new Image release. Plus biker gangs are cool.

Deadman: Dark Mansion of Forbidden Love #2 (DC Comics) – I can’t wait to be drawn into the wonderful Gothic world and web of relationships in Deadman #2. Plus queer love triangles are all too rare in mainstream comics.

Midnighter and Apollo #3 (DC Comics) – Midnighter fighting demons to save Apollo is the kind of romance-driven ultraviolence that I’ve come to expect from Steve Orlando’s work on the character. I’ve really been enjoying Fernando Blanco’s panel layouts too.

Conan Omnibus Vol. 1 (Dark Horse) – One of my favorite writers (Kurt Busiek) on one of fantasy fiction’s most iconic characters.  I wasn’t reading comics when his original run came out, but can’t pass up this 472 page feast of blood, guts, swords, and sorcery.

 

Alex

Top Pick: Voracious: Feeding Time #1 (Action Lab: Danger Zone) – I’ve already read the Kickstarter  reward pdf, but this week marks the first chance those who didn’t back the project get to read the comic, and I’m excited for you. The entire series has been phenomenal up until this point, and I can’t wait for you to read this comic.

Faith #6 (Valiant) – This is one of the most entertaining comics from any publisher right now, and on any other week this would be the comic that’s on top my list to read first, but this is also the week that the second Voracious miniseries begins. That being said, I fucking love Faith.

Ninjak #22 (Valiant) – A standalone story is something we’re seeing less and less in comics these days, so that’s one reason I’m looking forward to this issue of Ninjak. The other is that this will likely be the calm before the storm, and I’m curious to see what Matt Kindt has in store for us here.

Superman #12 (DC Comics) – Superman versus Frankenstein? Hell yeah!

The Unworthy Thor #2 (Marvel) – I must admit, I do enjoy a good redemption story, and the first issue was great. My only reservation on the series as a whole is that I hope Odinson doesn’t get his old hammer back.

 

Joe

Moon Knight #9 (Marvel) – Wow this comic is crazy. Literally. What is going on with Marc? I mean Jake? I mean… you get the idea. With each comic this series gets more and more confusing, but I am a big Lemire fan and trust his storytelling. This book is at its best when you’re not questioning it. Sit back and enjoy the trippy Egyptian ride.

The Unworthy Thor #2 (Marvel) – Odinson and Beta Ray Bill space road trip! When we last saw these two in the first issue, Odinson is given Bill’s hammer and told there is another Mjölnir out there. Also, where the heck is Asgard?!

The Wicked + The Divine #24 (Image Comics) – While I think the magazine of Pantheon was a cool idea, I am glad we will get back to the fantastic story. I feel like it has been forever since we got a regular issue and it has been too long considering what happened!

Midnighter and Apollo #3 (DC Comics) – This is a great series. Basically you get a version of Batman and Superman with the twist that they are together romantically. Their relationship is not cliche, and is believable and I love these characters. The only downside is for now this is only a miniseries that runs six issues.

Batman #12 (DC Comics) – The twist with Catwoman in the last issue has me excited to see where the fourth part of “I Am Suicide” goes. Unless he is toying with them, Batman may have just been outsmarted, at least for a moment. I love this version of Catwoman so far.

 

Brett

Top Pick: Motor Crush #1 (Image Comics) – The creative team of Brenden Fletcher, Cameron Stewart, and Babs Tarr alone is reason enough to get this comic. Seriously that’s all I need to see and I’m in to check out the series.

Atoll #1 (Creative Mind Energy) – This comic has had some issues with publishers and I’ve been waiting for it to finally hit shelves and folks to check it out. It feels right at home with torture porn horror in many ways, but unlike those types of films this story had me sucked in wanting to see what happens next. Writer Tim Daniel and artist Ricardo Drumond nail it with this first issue and I can’t wait to read the next.

Invisible Republic #13 (Image Comics) – The series followed a journalist seeking the truth about an uprising and this second story arc is more about the fallout concerning all of that as we get a better look at Earth and its relationship with the rest of humanity’s reach. In today’s political climate this sereis feels more relevant than ever.

Star Wars: Doctor Aphra #1 (Marvel) – The break out character is getting her own series!

Transformers: More Than Meets the Eye: Revolution #1 (IDW Publishing) – Revolution is winding down and we’re getting a better sense of how it all fits together.

Preview: Voracious: Feeding Time #1

VORACIOUS: FEEDING TIME #1

Writer(s): Markisan Naso
Artist Name(s): Jason Muhr
Cover Artist(s): Jason Muhr
32 pgs./ T+ / FC
$3.99 (reg.), $4.99 (var.)

VORACIOUS: Feeding Time picks up right where the hit series, VORACIOUS, left off! Chef Nate Willner hunts dinosaurs in the past and secretly serves them at his restaurant in the present. But unbeknownst to him, he’s actually been hunting in an alternate reality – a world where dinosaurs evolve into Saurians, a technologically advanced race that rules the far future! Some of these Saurians have mysteriously started disappearing from Cretaceous City and the local authorities are not happy about it…

Featuring a wraparound “Smiths ‘Meat is Murder’ Tribute” variant cover by Wuvable Oaf creator Ed Luce! Limited to 1500 copies!

Print

Voracious’ Creators Stop By And Chat About The Kickstarter For The Sequel

Voracious was one of the best miniseries released so far this year, and for me personally, it remains the one to beat in 2016. The series focused on a chef who discovers time travel, and using his new found ability, decides to make a dinosaur sandwich. There’s a lot more to the first four issues, and I highly recommend you check out the trade paperback (out now at your favourite comics retailer!) if that sounds even remotely interesting to you, because it’s twice as good as you’re expecting it to be.naso-muhr

The series creators, writer Markisan Naso and artist Jason Muhr, recently launched a Kickstarter to fund the production of the second series, Voracious: Feeding Time. I recently had a chance to  catch up with the two to  talk about the new series, and how things had been going over the summer for the two.

Note: Just before this interview was published, the Kickstarter was successfully funded.

Graphic Policy: So how’ve you guys been?

Jason Muhr: Good.

Markisan Naso: Been great! I just went to a place called the Metal Haven Grill here in Chicago to celebrate my buddy’s birthday. They sell metal records and make fresh, locally-sourced comfort food. Few things make me as happy as fried cheese curds and Slayer.

How are you doing, Alex?

GP: I’m good, thanks! It’s been a month or two since we last spoke, but the last time we did the two of you were heading to Wizard World in Ohio. How was that?

MN: The con was a lot of fun. It was great to do a show outside of Chicagoland for the first time, pitch the book to people in Columbus and make some new fans.

JM: It was a smaller show than we’re used to in Chicago, so it was nice for our little book to stand out a bit more.

MN: And after the convention we got quite a few messages from folks who took a chance on Voracious and told us how much they loved it. That was really nice to hear.

Voracious_Vol.2_01GP: You launched a Kickstarter to fund the second volume of Voracious, Voracious: Feeding Time (which, in the interest of full disclosure for our readers, I’ve backed). But now that you’re Comic Book Creators, I thought you guys would be swimming in money like Scrooge McDuck. That’s not the case?

MN: Ha! I know you’re kidding, but I’m going to answer this question seriously anyway! The vast majority of comic book creators don’t make anything near McDuck bucks unless they work on high profile gigs for Marvel or DC, they’ve established a huge fan base, or they’ve successfully adapted one of their indie books into a TV show or film. For creators like Jason and I who are working on our first series, there isn’t a lot of bank rolling in just yet.

We are incredibly fortunate to have a dynamic publisher in our corner like Action Lab, but we weren’t paid anything up front. That’s how it generally works with most independent publisher deals. We can potentially make a little money on the back-end, but that would only come after all the production, printing and marketing expenses are subtracted from the total revenue. We’ll find out in a couple months whether or not we make anything off the initial Voracious  miniseries.

A lot of people probably don’t realize that most indie comics creators operate at a loss. Jason and I create Voracious because we LOVE comics, and we think we have a great story to tell, but the fact is that we’ve paid for the series out-of-pocket for the last couple years. There are multiple expenses that we incur throughout the process, from Andrei’s gorgeous colors, to commissioning variant covers, to ordering books from Action Lab to sell, to attending conventions and signings. And Jason has to spend a lot of time drawing our series. He’s actually had to turn down some paid opportunities to illustrate Voracious.

We aren’t complaining about any of this, mind you. We would definitely do the same thing all over again because we believe in our story and we’ve dreamed about becoming comic book creators since we were little kids.

But we also realized we could ask for help with our production costs. That’s where Kickstarter comes in. Starting a campaign just seemed like a good way to cover some of the expenses for Voracious: Feeding Time. We aren’t looking to pay ourselves at all with our campaign and we don’t even expect to recoup all our front-end costs. We’re just hoping to reduce them. Thanks to a lot of generous people it looks like that will happen.

GP: The response to the Kickstarter has been pretty good, to say the least – did that catch you by surprise?

MN: Oh definitely. Jason and I had never done a Kickstarter and we were honestly pretty worried about getting it funded. Even though the first issue of Voracious sold out at the distributor and we’ve gotten good buzz for the series, we just weren’t confident that we’d be able to get enough backers to support our weird, little comic book. We’re incredibly grateful to everyone who’s pledged in the first week. We just have a little bit more to go to make our goal. Hopefully we’ll earn a few more supporters and get over the hump soon. Then it’s on to the stretch goals!

JM: And, aside from hand-selling issues at cons and receiving nice messages on social media, we didn’t really have a grasp on how many people embraced us and our work. Voracious reaches shop shelves and then it’s out in the cold, dark world, hopefully selling itself. So the Kickstarter was really a nice way to interact directly with fans and see how much they were digging what we’re doing. We were nervous all the pledges would be coming from our parents, but the fans really came out to support us, and it blew us away.

voracious-feeding-time-page-3

Page 3 of Feeding Time

GP: The sneak peaks of the first issue you’ve posted on the Kickstarter page look fantastic.

JM: Thank you.

MN: Yeah, thanks for saying that, Alex. Jason and Andrei have really taken the art and colors to another level in Voracious: Feeding Time.

GP: I know the first issue takes place in the setting you’ve shown, so I was wondering how exciting it is to get to explore more of the Voracious universe?

MN: We are having a blast doing this new series! Jason and I have been looking forward to getting to this chapter of the story since before we even started working on the very first issue of the first series. When I pitched Voracious to Jason, I told him there were really two hooks – a chef who travels back in time, kills dinosaurs and serves them in a restaurant in the present; and the huge twist that happens at the end of #4. So now we get to explore what the consequences of that big reveal are for Nate, Jim, Starlee and the rest of the cast. And we get to introduce some new characters in a completely different setting. It’s a lot of fun to bring it to life.

GP: For readers who have yet to read the first series, are they able to start with Voracious: Feeding Time?

MN: The short answer is yes. Kinda. Let me explain. Voracious: Feeding Time is a continuation of our story and I’d definitely recommend reading Volume One first before diving into the new series. Our book was designed to be a finite, ongoing without breaks. That’s the way we pitched it. However, Action Lab thought it would be better for us to do a series of miniseries. Putting out a new #1 helps with sales and with maintaining order numbers at the distributor, which have to reach a certain level every issue for a series to continue being solicited. For an indie book that is important.

Voracious_TPB_Cover_Vol1But all that said, a new reader can actually pick up Voracious: Feeding Time #1 and they won’t be lost at all. The story is told from the perspective of characters who debut in that issue. They know nothing about Nate, Jim, Starlee, Maribel or the other Blackfossil townies who were introduced in the first series, so the story is told from their perspectives. The reader learns about what’s happening as the new characters do.

JM: Plus, there is a nice recap on the inside front cover of the first issue. If people do want to catch up first, many of the Kickstarter reward levels include the Vol 1. trade paperback, both physically and digitally, so we’re making it as easy as possible to hop on board.

GP: What’s your timeline once the Kickstarter is over in terms of getting Feeding Time into readers hands, and on the racks?

MN: Assuming we hit our goal, the Kickstarter will end successfully on October 4th and very shortly after that we’ll be sending out PDFs of Voracious: Feeding Time #1, a full two months before the book debuts in comic stores and on ComiXology. The issue is already finished. In fact, we’ve finished four of the five issues.

Here’s an exclusive for you, Alex… our first stretch goal will be a digital rewards package that includes the Feeding Time #1 PDF, my script for the issue, wallpapers, Jason’s original thumbnails for the issue and maybe more.  So, if we hit stretch goal #1, everybody gets to read the digital book two months early.

The physical rewards will ship sometime in December, the month that the first issue officially hits the stands.

GP: Do you have plans for any of the clothing-based rewards to become available after the Kickstarter is over?

MN: Maybe. We will print the shirts and aprons in lots of 20 or 25 most likely. Depending on the number of pledges and the number of add-ons people select, we may have a few extras lying around. I suspect those will probably be gifted to family members or maybe we’ll use them as contest giveaways, which is something I’ve been thinking about. There won’t be many extras because these rewards are Kickstarter exclusives for folks who are kind enough to support us right now. We do have some ideas for other T-shirts and merchandise that we may pull the trigger on at some point. If we do, we’ll take them on the road with us and make them available at our online store.

We will probably have some of those gorgeous prints by Jason and Andrei left over. The print is limited to 100 copies and each one will be hand-numbered and signed. We plan to print all 100, so if we don’t sell out of them on Kickstarter we’ll make the rest available after the campaign ends.

GP: You have another convention appearance coming up, eh?

JM: Yeah! We’ll be at the Madison Comic Con on Sept. 18 in Wisconsin. It’s a one day show. We’re really looking forward to meeting comics fans and talking about dinosaur lasagna in a new city.

GP: It’s been a pleasure chatting with both of you, as always. Thanks for your time!

MN: Thanks so much Alex. Always great to talk with you too!

JM: Thanks Alex!

Retailers Chomp Through Voracious!

Voracious #1, the first issue of the acclaimed Action Lab: Danger Zone series by talented newcomers Markisan Naso and Jason Muhr, has completely sold out at the distributor level, via Diamond.

Voracious #1 (of 4) debuted in February as an extra-sized, 64-page issue. The story follows depressed chef Nate Willner who unexpectedly rekindles his desire to cook after he inherits a time travel suit that takes him to the age of the dinosaurs. There, Nate ends up eating a Quetzalcoatlus and gets the idea to open a restaurant in the present that serves ancient meat from the past.

Voracious is the first comic book series by writer Markisan Naso and artist Jason Muhr, with colors by Andrei Tabacaru. The four-issue series was completed in June. A trade paperback collection of those issues, Voracious Vol. 1: Diners, Dinosaurs & Dives, will be released on August 10. Voracious: Feeding Time, a new 5-issue sequel will debut in December, a few months after the originally announced September start.

Voracious Vol. 1: Diners, Dinosaurs & Dives will be in shops on Aug. 10 and is currently available for pre-order from Diamond Distribution. The trade paperback collection can be ordered through your Local Comics Retailer. Order Code: JUN161044

Voracious_TPB_Cover_Vol1

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