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IDW Publishing Announces More Black Crown Series

Situated at the cross street of Great Yarn and Canon, the Black Crown Pub anchors a peculiar street where characters commingle and corrupt. As previously announced by IDW Publishing, legendary editor Shelly Bond has opened up shop at the publisher and is hurtling towards the launch of her creator-owned imprint, Black Crown. Peter Milligan and Tess Fowler, whose Kid Lobotomy will be Black Crown’s debut title in October, now welcome some rambunctious new residents to the neighborhood.

Come December, writer Tini Howard and Gilbert Hernandez will combine their talents on a 6-issue miniseries with more attitude than you can shake a sword or a game controller at in Assassinistas. Octavia is an ex-hitwoman who comes out of retirement to pay for her son’s college tuition — and, with any luck, rescue the kidnapped child of one of her former bounty-hunting partners. Octavia recruits her reluctant son Dominic and his boyfriend Taylor to become the next generation of Assassinistas.

Then in January, the British invasion is back in full force with Punks Not Dead, co-created by novelist David Barnett and artist Martin Simmonds. Fergie is a lonely, bullied teenager raised by a single mom who unexpectedly finds himself in search of the dad he never knew.  But Fergie won’t be traveling alone.  For some reason a strange branch of MI5 is hot on Fergie’s trail. Could it be the ghost of Sex Pistol Sid Vicious who becomes Fergie’s ethereal companion and unlikely father figure? Bound to Fergie for reasons unknown, is Sid in search of redemption himself or out to prove that punk is alive and well 40 years later?

Right on the heels of Kid Lobotomy is the Black Crown Quarterly, a 48-page compendium of all things comics, culture, and cool. It features a wraparound cover and a regular 10-page lead story set in the Black Crown Pub by Rob Davis. Other features include a two-sided pull-out poster with a view of the street and Frank Quitely‘s Kid Lobotomy #1 B-cover, music connections via CUD: Rich and Strange and Swell Maps, Canonball Comics, an exquisite corpse, and much more.

Black Crown Reveals its Debut Titles and Creators

Earlier this month, Shelly Bond made headlines when she announced Black Crown, her new creator-owned imprint during IDW’s ECCC panel. She’s back at it again, this time at WonderCon, with juicy details to divulge about how Black Crown is taking shape, and she’s invited Peter Milligan and Tess Fowler to headline the imprint’s debut.

Milligan and Fowler will team on Kid Lobotomy, which will not only kick off Black Crown in face-melting fashion, but also set the tone of the buzz-worthy and hotly anticipated new line (no pressure, guys)!

Kid, as he’s affectionately referred to, is the youngest descendant of a strange, overbearing hotelier. While he sports rock star good looks, Kid Lobotomy has more in common with Hannibal than Morrissey in his prime. Unsuspecting hotel guests who check in to “The Suites” are in danger of losing more than their luggage. Living up to his name, Kid has shed a few brain cells in his day, which naturally makes him qualified to perform a lobotomy or two. And why let those brain bits go to waste when he can use them to help — or unwittingly harm — his subjects? Ultimately, Kid hopes to restore some of his sanity. But can he survive the truth about his cursed lineage and face what runs rampant throughout the torturous hotel hallways? Simply put, you’ve never read anything like this.

Kid Lobotomy is a sub-cranial gothic scream of obsession, love, and the perennial dream of an upgrade to the executive suite and will be extensively previewed at July’s Comic-Con International and launch in October 2017.

Interview: Mike Carey, Rori!, and Robin Furth of Femme Magnifique

After interviewing Shelly Bond, Brian Miller, and Kristy Miller about the big picture aspects of the Femme Magnifique Kickstarter, I had the opportunity to talk with several of the anthology’s creators about the specifics of their stories. I chatted with writer Mike Carey, writer/artist Rori!, and writer Robin Furth via email about their comics featuring Rosalind Franklin, Shirley Chisholm, and Ursula K. Le Guin respectively.

Mike Carey is a British comic book writer and novelist, who is best known for his work on Vertigo’s Lucifer, Unwritten, and Hellblazer, which he wrote for 40 issues taking over from Brian Azzarello. Carey has also written Marvel comics, like X-Men Legacy and Ultimate Fantastic Four, and a film adaptation of his novel The Girl with All the Gifts starring Gemma Arterton was recently released in February 2017.

Rosalind Franklin

Carey is writing a story about the British chemist Rosalind Franklin, who was involved in the discovery of the DNA double helix. James Watson and Francis Crick received the Nobel Prize after her death in 1958 and were “informed by some of Franklin’s work which they had obtained without her permission”. He says that Franklin’s life “illustrates very poignantly how the scientific establishment of that time was saturated with institutional biases and unacknowledged power politics” and basically “operated like a boys’ club”. Carey and Eugenia Komaki’s Femme Magnifique comic will “present a vignette from this sad story – and reflect on the Nobel Prize’s history in the process.”

Carey is collaborating on the comic with Eugenia Koumaki (Womanthology) with whom he says he has never worked with before. He “met her at a comics convention in Athens… and admired her art-especially her wonderful figure work”, which he describes as “simple, but immensively expressive”. Carey was also her sponsor when Koumaki applied for DC Comics’ New Talent Program.

The next creator I talked to was the writer/artist Rori! She is the creator of the autobiographical, slice of life webcomic Tiny Pink Robots, and one of her most recent projects was #100days100women where she drew a portrait of a great woman from history every day and posted it on Twitter. Rori! is co-writing (with her husband Gibston Twist) and drawing a story about Shirley Chisholm, who was the first African-American woman to be elected to Congress in 1968 and be a major party U.S. presidential candidate in 1972.

Graphic Policy: Why did you decide to write and draw about Shirley Chisholm for Femme Magnifique, and how has she inspired you?

Rori!: I think some of it was admiring her personality, she was very caring, but also no-nonsense, she didn’t let people push her around, and she had guts, lots of guts. She didn’t “wait her turn” for opportunities people were trying to keep from her, she confronted that head-on. She was a dynamo! I also loved her politics, she saw and thought deeply about the world around her, about the systems of oppression, and how to disrupt those. She cared so much for the disenfranchised, the voiceless. She was a champion of the people, and in the 1970s, she was well-known as this. That her story has faded is a true shame, you read her speeches and she was so ahead of her time that she was ahead of ours.

GP: What have been some of the challenges and/or reward from doing a comic in an anthology format versus a webcomic, like Tiny Pink Robots?

R!: Well, it’s a delight having a professional editor, for one (and Shelly is amazing!). Which is good, because it’s been a huge challenge to distill Shirley Chisholm’s story into three pages! Of course on a strip-style webcomic, your storyline is generally completely open-ended, especially on an autobiographical one like mine. I like that, though it’s also nice to create something finite. More long-form, story-style comics are my first love (I’m currently working on an adaptation of the Snow Queen). I do enjoy anthologies, though, the opportunity to share a book with other amazing creators is fantastic.

GP: Shirley Chisholm is best known as the first African-American woman to be a major party U.S. presidential candidate. What do you think has to change in the United States for us to have our first female president?

R!: Ah! This took me a bit. Short answer: the Electoral College. Straight-up, Hillary received significantly more votes than her opponent. Millions more, tens of millions of Americans WERE ready for a female president, but the system in place denied that. In many ways, the Electoral College, a relic created by landed white men to placate slave-owning landed white men, is an embodiment of the systems that are made to keep disenfranchised people out of power, and a small, homogeneous minority IN power. Those systems must be recognized, resisted and dismantled so that we see not just the first female president, but the SECOND, and so on, as well as more women and marginalized people in all positions of authority. In addition, we have to continue to work on the hearts and minds of Americans, to dispel bigoted notions. (And that includes ourselves.)

I think there are more Americans that are on their way to accepting diverse leaders, especially when it comes to women and some people of color. (We still have a long way to go as far as different religions, recent immigrants, and trans/non-binary people go among other things.) But it’s not enough to educate toward openness and acceptance. It’s not enough to dismantle the exclusionary systems. We have to do both. That’s what we need. And we need to internalize that getting that milestone of “first” is amazing, but it’s just the beginning. Unless we create a system where the “first” can truly unleash a flood of diversity, they just becomes a token, or trivia, and their influence is diminished. It’s like Ruth Bader Ginsburg’s quote about the Supreme Court having “enough” women when there are nine on it. There’s a lot of history to catch up to; a lot of lost time and talent to make up for.

Finally, I got to interview Robin Furth and discuss about her comic about legendary science fiction and fantasy writer Ursula K. Le Guin that she is doing with artist Devaki Neogi (Skeptics) for Femme Magnifique. Furth was a research assistant for Stephen King and wrote The Dark Tower: A Complete Concordance (2006) that was nominated for a Locus Award for Non-Fiction. As far as comics, she has worked as a co-writer on Marvel’s Dark Tower adaptations, wrote the one-shot Legion of Monsters: Satana, and has been published in anthologies, like Girl ComicsWomanthology, and Shang-Chi: Master of Kung Fu.

Graphic Policy: How does Ursula LeGuin inspire you, and why did you decide to write about her for Femme Magnifique?

Robin Furth: Ursula Le Guin has been a hero of mine since I read The Wizard of Earthsea when I was thirteen years old. I’d always been an obsessive reader, especially of fantasy (The Chronicles of Narnia were my favorite books when I was a child.), but the profound themes of the Earthsea novels were a revelation. I identified with Ged, the protagonist of the story, and the tale of him summoning a shadow from the netherworld, and then being relentlessly pursued by it, chilled me to the bone.

In the years since that initial reading, I’ve returned to the Earthsea books many times and have sought out all of Le Guin’s other work. In my opinion, Le Guin is one of the finest living American authors.  Few people can pen novels, criticism, and poetry with an equally masterful hand, but Le Guin accomplishes this with fluidity and grace. Many of Le Guin’s books are classed as young adult fiction, but the ideas explored within her novels are very mature. She writes about alienation, the search for self-knowledge, power abuse, inequality, and environmental destruction.

Another reason that Le Guin’s writing is so perfect for Femme Magnifique is that gender is such an important topic in her work. Le Guin was born in 1929, and over the course of her life, she has witnessed tremendous social upheaval, both good and bad. But one of the subjects she returns to over and over is what it means to be a human being, whether male or female. When she published the first Earthsea book in the late 1960s, the women’s movement was just getting underway. The hero of that novel was a magically talented young man from a world where women’s enchantment was considered base. To learn his craft, Ged journeyed to the island of Roke and to the wizard’s school, where the mages were celibate, and women were forbidden from becoming students.  However, in one of the short stories recounted in Tales from Earthsea, we learn that Roke’s original mages were both male and female, and that their powers were equal.  The division of the sexes and repression of women’s magic came later.

The acclaimed novel The Left Hand of Darkness is an even more stunning examination of gender. In that book, the inhabitants of the planet Gethen are androgynous, and only become male or female during the short fertile period of kemmer.  To make matters more intriguing, a Gethenian never knows whether he will play the female or the male role, and so any Gethenian can father a child or become pregnant.

GP: How did your background as Stephen King’s research assistant and the author of Stephen King’s The Dark Tower: A Complete Concordance influence your work on Femme Magnifique?

RF: My Dark Tower Concordance has had an indirect but important influence on everything I’ve written since then. It was such an intensive training ground in the art of fiction and world building, and I had the honor of traversing that landscape with Stephen King himself. I learned a tremendous amount. It was because of my work in Mid-World that I became a consultant and a co-writer for Marvel’s Dark Tower comics. (I’m now a consultant for the upcoming Dark Tower film as well.)

Before the Concordance appeared in print, I was publishing mainly poetry.  But when Dark Tower moved to comics, I had the chance to explore another medium I loved. So, I suppose that my Concordance was my way into comics and ultimately into Femme Magnifique.

GP: What role do you think fantasy stories with a diverse cast of characters, like the Earthsea books, play in the sad, xenophobic political reality of 2017?

RF: Le Guin’s vision is unique in its poetry and its breadth, and she constantly makes us question what it means to be human and what it means to be humane. The protagonists of her novels are from many different races, and she constantly examines issues of gender equality (or inequality) and the horrors of power abuse. By writing about alternate societies and cultures, Le Guin creates mirrors in which we can examine our own world with a more critical eye. In The Word for World is Forest, she explores the utter destruction wreaked upon indigenous peoples and natural environments by so-called “advanced” cultures. In The Left Hand of Darkness, she asks what it would be like to live in a world where there is no gender. In the Annals of the Western Shore, she explores the injustice of slavery. Ursula Le Guin makes us think, and that is something we desperately need to do.

GP: And just for fun, what is your favorite Ursula Le Guin novel or short story, and why?

If you’d asked me this question ten years ago I would have said the Earthsea books, but now I must say that it is Le Guin’s vision that I love. If you stranded me on a desert island but gave me a library of Le Guin’s work to keep me company, I’d be happy.

The Femme Magnifique anthology is estimated to be released in September 2017, and you can find more information about it here. You can also follow it on Twitter.

Shelly Bond, Kristy Miller, and Brian Miller talk Femme Magnifique

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Femme Magnifique is a recent  successful Kickstarter campaign that raised $97,447 to publish an anthology of comics about inspirational women from history and the contemporary world. The Kickstarter was run by Kristy Miller, the VP of Development at Hi-Fi Colour Design; Brian Miller, a comic book colorist and the founder of Hi-Fi Colour Design; and Shelly Bond, the former executive editor at Vertigo and the current editor of the Black Crown imprint at IDW. Hi-Fi has colored many bestselling comic books, like Harley Quinn, Batman: The Dark Knight, and various Doctor Who comics for Titan ,and Bond has been the editor or assistant editor on such comics classics as SandmanLucifer, Fables, and iZombie.

A couple big reasons for Femme Magnifique’s appeal as a KickStarter is the all-star lineup of comic book creators, like Marguerite Bennett, Kelly Sue DeConnick, Gerard Way, Kieron Gillen, Annie Wu, Mags Visaggio, and many more. There is also the variety of women featured in the book from historical figures, like Harriet Tubman, Ada Lovelace, and Hatshepsut to more modern women, like Broad City‘s Ilana Glazer and Abbi Jacobson, Michelle Obama, and Bjork. Actors, musicians, scientists, politicians, writers, astronauts, and even cartoonists are represented in the pages of Femme Magnifique. A few I personally am looking forward to are Gail Simone and Marguerite Sauvage‘s Kate Bush story, Gerard Way and Marley Zarcone‘s (Shade the Changing Girl) Joan of Arc comic, Chynna Clugston Flores‘ (Blue Monday) story about Rumiko Takahashi, the creator of the manga Inuyasha, and Tini Howard (Skeptics) and Ming Doyle‘s comic about the Beat poet and artist Diane di Prima.

I had the opportunity to chat with Kristy MillerBrian Miller, and Shelly Bond via email about the inspiration for the Femme Magnifique Kickstarter, switching from creating fiction to non-fiction comics, the role of the anthology in the current American political climate, and most of all, about the amazing women whose stories will be told in this anthology.

First, I asked Shelly Bond about the inception of the Femme Magnifique project.

Shelly Bond: The idea for Femme Magnifique was simmering for a while, but crystallized in early November thanks to two quite disparate events that occurred back-to-back.

Of course, the first one is obvious: discovering the outcome of the US presidential election.  I had just returned from a convention in the U.K. We sleep with the TV on so while I was enjoying (?) a fitful slumber I was rudely awaken from my jet-lagged haze by what I thought was a Black Mirror version of the news. I couldn’t believe my eyes or ears. Clearly, it was a devastating, missed opportunity for women.

The second event occurred on the following night.  I had a ticket to finally see Roisin Murphy, my favorite female frontwoman, perform live — at LA’s legendary El Rey Theatre no less. There’s no magic quite like a seeing a singer/performance artist whose lyrics are clever and insightful, replete with poetry and bombast. Bowie would have applauded her seamless, onstage costume changes, with resplendent masks that would look at home on a  Dave McKean comic-book cover. The show was at once mesmerizing, decadent, discordant — but it was the crush of the enraptured dance crowd that ultimately sold me on bringing Femme Magnifique to life: A group of people coming together in art and appreciation.

I couldn’t wait to put out a call-to-arms within the comic book community, to turn the onslaught of anger about the Trump election results into positivity. So, we could become a fortress of knowledge. And change.

The following day I reached out to fellow comics pros Brian and Kristy Miller of Hi-Fi Colour Design, and we agreed to put our skills to good use and turn this social and political firecracker into Femme Magnifique, which is nothing but a celebration of women. Dreamers, achievers, glass ceiling crackers, fearless innovators of our history.

Next, I asked Kristy Miller and Brian Miller several questions about the role they played in Femme Magnifique.

Graphic Policy: How did you all get involved in the Femme Magnifique Kickstarter, and what day to day role do you play in the project?

Brian Miller: The election result came as a shock. I didn’t know what it would mean for my friends in the LGBT community and for women’s rights, but like many I was concerned. Frustration and anger weren’t the answer, and I was wondering how I could use my talents to effect change in a positive way. When Kristy and I spoke with Shelly, we knew Femme Magnifique could be the voice of positivity for women, who are feeling threatened or oppressed by the incoming administration.

In addition to coloring some of the stories in Femme Magnifique, I’m also helping with the layout and design of the book and much of the behind the scenes work on the Kickstarter campaign. When you are crowdfunding a graphic novel anthology, like Femme Magnifique, the Kickstarter campaign can become a second full time job. I’m so thankful for the fans and contributing creators who have helped get the message out about the campaign. If it were not for their tweets, Facebook posts, and helping to keep Femme Magnifique at the forefront, I don’t think we would be as far along as we are today. It’s been thrilling to see the outpouring of support so far.

Kristy Miller: Shelly was the driving force of starting this project.  She came to Brian and me with the idea, and we immediately jumped on board.

I joke that my role is the voice of reason. Shelly and Brian are visionaries and artists, who want to do as much as they possibly can creatively.  I want to know how much is it going to cost, what are the deadlines, is that even possible? I am handling the back-end business aspects and things like contracts, money, trafficking the art etc.  The not-so-glamourous-but-keep-eveything-in-order side of things.

GP: Why should comic book fans pick up Femme Magnifique, and what can they expect from the book?

BM:I hope many comic books fans will take a look at Femme Magnifique. There are incredible stories in the book written and drawn by fan favorite creators. I believe if you enjoy Michael and Laura Allred on Batman ’66 and Art Ops, you will love their story about Jane Fonda in Femme Magnifique. Fan favorite writers, like Kelly Sue DeConnick, Alisa Kwitney, Matt Wagner, Gerard Way, and others, are each contributing unique stories about women, who inspired their lives and enhanced their journeys.

Anyone who is a fan of Gail Simone’s writing for Red Sonja, Deadpool, and Batgirl will be delighted with her story about Kate Bush in the book.  Bringing the visuals to these stories is a roster of artists including Brian Stelfreeze, Marley Zarcone, Tess Fowler, Elsa Charretier, and Sanford Greene just to name a few. There are so many talented creators contributing to this graphic novel anthology, and I believe all comic book fans will be thrilled to own a copy.

GP: Kristy, how did your background as an archaeologist and anthropologist inform your work on Femme Magnifique?

KM: I have taught a variety of college classes on women in history and women in other cultures. I am always amazed when my students have never heard of women I think of as household names. Women, like Hatshepsut (Egyptian Pharaoh,) Pauline Cushman (American Civil War spy), and Margaret Mead (Cultural anthropologist), should be role models for everyone, yet many have not heard of them.

I ask my students to compile a list of their favorite/most inspirational woman in politics, music, science, history, the women’s movement, their family etc. There are a lot of blank lists. Why can you think of 20 men in those roles, but are hard-pressed to think of one woman?  I am also a PhD candidate in Education, and I created the Teacher’s Packet reward level for the Kickstarter. I will be writing curriculum based on Femme Magnifique that can be used in a variety of classes and for a variety of ages.

Femme Magnifique will showcase women as the role models they have always been. Hopefully, we will share the lives of some women that you may not have known about before. Not only are we spreading the stories of these women, but we are also sharing the medium of comics. Comics can be a hard sell, not fine art, not literature, but in Femme Magnifique, we will show you that comics are indeed both.

GP: Brian, how did your background as a comic book colorist inform your work on Femme Magnifique?

BM: Shelly, Kristy, and I all agreed color should be an important aspect of Femme Magnifique. Part of that meant inviting a handful of other colorists to join Hi-Fi on this project. While Hi-Fi is comprised of female and male flatters and colorists, we wanted to be inclusive and bring in some talented people who we had not had the opportunity to work with one-on-one previously. I’m proud to say colorists Tamra Bonvillain, Kelly Fitzpatrick, and Rick Taylor will be joining Femme Magnifique along with Hi-Fi to color these inspiring stories based on real women.

When it comes to coloring the individual stories, our goal is always to serve the story the writer has crafted and complement the artwork. In my mind, the color should never distract from the story or overwhelm the art. When we get it right, the color is good, but also subtle. It doesn’t shout unless needed, for a special moment in the story, or perhaps an effect like a flashback. I also believe it will be key for each story to have a color palette that suits the subject of the story and the time period. The color choices for the story of Brenda Starr creator Dale Messick set in the 1940s will be unique when compared with the color selections for Joan of Arc. When the book is complete, the stories should flow from one to another naturally, without shocking the reader, yet each have their own distinct flavor. This is the challenge we attempt to answer when coloring a large graphic novel anthology like Femme Magnifique.

GP: For the most part, Hi-Fi Colour Design works on superhero comics. What have been some of the challenges and rewards of switching from telling the stories of masked heroes and Timelords to depicting real people?

BM: Hi-Fi has been fortunate to color a variety of super-hero, independent, and alternative comics over the years. We love coloring the Justice League, The Flash, or Spider-Man, just as much as we enjoy working on Doctor Who, The X-Files, and G.I. Joe. At the end of the day, our focus is on great visual storytelling, and being able to apply those storytelling skills to stories based on real people is incredibly rewarding.

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As an example, while I was reading Cecil Castellucci’s script for “The Right Stuff”, featuring real-life astronaut Sally Ride, I was inspired to research more about NASA’s space shuttle missions than I ever knew before. Artist Philip Bond shared information about various women astronauts and the different space suits they wore in flight. This motivated me to dive deeper and look through hundreds of reference photos to see the colors and materials used in the space suits and read more about women astronauts. All of this information informs the storytelling in the colors for the story. It also allows me to better complement the words written by Cecil and the artwork drawn by Philip. Plus I discovered more about space exploration than I knew before.

This sense of discovery and being inspired to learn more about the amazing women in Femme Magnifique is one of the reasons I enjoy this graphic novel anthology so much. Coloring one story changed my life and inspired me to get outside my comfort zone and learn something new. I can only imagine how I’ll feel after I’ve colored 20 or more of these stories.

GP: Since Femme Magnifique is all about shining a light on inspirational women, what are some women that have personally inspired you in your own lives?

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An example of Adrienne Roy’s colors.

BM: I did not grow up with very many strong female role models in my life, but fortunately I have met many in the comic book industry, who have inspired me and and led by example. First is comic book colorist Adrienne Roy, who passed away in 2010. Her coloring work inspired me as a child and continues to influence me to this day. Her use of warm and cool colors for visual storytelling remains the gold standard for all colorists.

Cartoonist Paige Braddock inspires me with her strength and vision. She works in a corporate environment by day and creates amazing comics like Jane’s World and Stinky Cecil after hours. She’s a true role model for our industry. I had the pleasure to work with writer Gail Simone on Birds of Prey for several years at DC, and she set the bar for putting female heroes at the forefront in comic books. She showed readers the characters could be strong, smart, and sexy without being sexualized. Gail broke down barriers and opened a lot of doors in the industry. Readers and creators owe her a debt of gratitude for dragging the comic book industry kicking and screaming into this century.

Shelly Bond is more than a super-editor, she is a visionary. When you look back on her body of work, you see brilliance at every turn. I’m so grateful she has shared this with me on projects like Bite Club, My Faith in Frankie, American Virgin, and New Romancer. Read one of these stories, and you will understand how she sees the world, why she makes the creative decisions she makes, and why she keeps pushing for greatness and never stops. When you see the big name comic creators associated with Femme Magnifique, that’s all Shelly. She doesn’t have to convince, cajole, or beg anyone to be here creating this graphic novel anthology… We all want to do this, we all want to work with her again and again!

This list would not be complete without including my partner in Hi-Fi, and in life, Kristy Miller. She commands respect in our industry. Everyone in the industry wants to work with Hi-Fi because they know, with Kristy in charge, their comic will exceed expectations and meet the deadline.

KM: I’m lucky to have had many strong women in my life.  My grandmother was a librarian and my mother was a teacher, both went to college and always told me I could be anything and do anything I wanted in life.  I knew at an early age I wanted to be an archaeologist, but most people didn’t even know what that meant.  The only role models they could come up with were Indiana Jones, and that guy who found King Tut.  When I went to college, one of my advisors told me I should probably switch majors to history or mythology so I could stay home and maybe teach.  That just made me try harder to become an archaeologist. I was on my first dig in the Middle East by age 22.  There were a few mentions of women in my textbooks, but nothing substantial.

I will never forget, in 1994, a book came out called Women in Archaeology. It covered women working in various parts of the world and even the pitfalls of being a female archaeologist.  I read that book cover to cover and wondered why no one ever told me about these women before. I want Femme Magnifique to be a book that girls and women can turn to and say , “See, I can do that.” or even better find that their career path isn’t mentioned in one of our stories but still be inspired enough by other women to know she can make it on her own.

Stay tuned for part 2 of this interview featuring some of the creators of Femme Magnifique!

Listen to Shelly Bond Discuss Femme Magnifique on Demand

On demand: iTunes ¦ Sound Cloud ¦ Stitcher ¦ Listed on podcastdirectory.com

Comic-book stories celebrate women who crack ceilings, take names, and change the game. That’s Femme Magnifique, the comic anthology that salutes 30 female trailblazers of yesterday and today currently being Kickstarted featuring a who’s who of comic creators. That’s at least 30 stories from over 50 creators.

From astronauts and abolitionists to computer coders and crack journalists, these fearless women have paved the way for equal rights in science, politics and the arts. What better way to celebrate their achievements than in Femme Magnifique, a book that can live on in teenage bedrooms, corporate boardrooms and libraries around the world?

Joining Graphic Policy Radio to discuss this comic project is the legendary Shelly Bond who will be editing the stories featured.

Shelly Bond has been driven to edit, crush deadlines and innovate since 1988. To date she has edited 950+ comic books and graphic novels by international superstars and novices. One of the most respected and admired editors among her peers, Bond previously served as VP-Executive Editor of DC Comics’ Vertigo imprint. She wields red pens and tap shoes with equal aplomb.

Graphic Policy Celebrates Women’s History Month: Our Favorite Women in Comics

patsy walker aka hellcat 1 featuredLogan: Kate Leth, Brittney Williams, Megan Wilson, and Rachelle Rosenberg’s Hellcat has been a joyful celebration of superheroes, young people, and queerness. I will miss its humor, chibi style art, and especially my bi bae Ian Soo when it ends in a couple months.

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Alex: Faith (Valiant) I really can’t understate just how enjoyable this series is. There have definitely been some issues stronger than others, but each and every one in the ongoing series (and preceding miniseries) has been nothing short of a pleasure to read.

Jody Houser, Marguerite Sauvage and the revolving cast of artists have taken Faith to stunning heights in an effortlessly charming and warm series that will make you fall in love with comics all over again.

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Shay: Gail Simone brings me LIFE! As does Roxane Gay! And I’m really loving Amanda Conner and her hubby’s direction for Harley Quinn! Also, loving Marguerite Bennett for the realistic portrayal of lesbians in Batwoman!

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Joe: One of the best titles in the last year is Animosity from Aftershock. This fantastic story is written by Marguerite Bennett who has taken the comic book world by storm lately, and drawn by Rafael de Latorre. Basically, society has collapsed when animals can talk and decide to take over the world from humanity. Instead of a boy and his dog adventure like we’ve seen so many times, we get a girl and her dog. Jesse and her hound, Sandor are not only an awesome pair, but the story is about Jesse’s growth into womanhood without a mother figure. Sandor knows he cannot help like her mother could, but he learns to rely on the other female animals to guide her. It’s brilliant, and everyone should be reading it.

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Patrick: Ann Nocenti’s run on Daredevil blew my mind when it was coming out. It was so different from what I’d been used to seeing from Denny O’Neil and Frank Miller – a strange urban poetry that was as close to magic realism as I’d ever seen in mainstream comics. With an off-kilter humor – the Human Torch showing up in a tight t-shirt reading “Bad!” – twisted romance, and psychodrama. Her writing was like nothing else on the stands.

A huge thanks to the editors and publishers behind the scenes who made a ton of great comics happen: Jenette Kahn, cat yronwode, Diana Schutz, Louise Jones/Simonson, Ann Nocenti, Shelly Bond, Alisa Kwitney, and most especially the inestimable Karen Berger.

Troy: It was a bit short lived, but I think there was a Defender’s title by Cullen Bunn about Valkyrie being tasked with assembling Midgard’s Valkyrie. Fear Itself the Fearless was kind of the prelude series to that. I really would have loved to see this series fleshed out.

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Madison: It’s no secret that I’m obsessed with Monstress and Bitch Planet. They’re not for everyone, but they’re two of my go-to recommendations for people who love science fiction or fantasy. Elizabeth Breitweiser, Rachelle Rosenberg, and Jordie Bellaire consistently blow me away with their incredible colors.

Brett: I’m slightly obsessed with M. Goodwin’s Tomboy which is published by Action Lab: Danger Zone. The series follows a teenage girl whose best friend is murdered in a corrupt cop/conspiracy and she gets posessed by an avenging ghost in a way. Think Kick-Ass but a teenage girl in the lead and a manga influence to it all. An amazing mix of horror, action, and manga the hero Addison is a teenager that can kick ass and get some vengeance.

Shelly Bond Discusses Femme Magnifique LIVE this Monday

femme-magnifique-1Comic-book stories celebrate women who crack ceilings, take names, and change the game. That’s Femme Magnifique, the comic anthology that salutes 30 female trailblazers of yesterday and today currently being Kickstarted featuring a who’s who of comic creators. That’s at least 30 stories from over 50 creators.

From astronauts and abolitionists to computer coders and crack journalists, these fearless women have paved the way for equal rights in science, politics and the arts. What better way to celebrate their achievements than in Femme Magnifique, a book that can live on in teenage bedrooms, corporate boardrooms and libraries around the world?

Joining Graphic Policy Radio to discuss this comic project is the legendary Shelly Bond who will be editing the stories featured.

The show airs LIVE this Monday at 10pm ET.

Shelly Bond has been driven to edit, crush deadlines and innovate since 1988. To date she has edited 950+ comic books and graphic novels by international superstars and novices. One of the most respected and admired editors among her peers, Bond previously served as VP-Executive Editor of DC Comics’ Vertigo imprint. She wields red pens and tap shoes with equal aplomb.

Join us Monday and Tweet us questions @graphicpolicy.

Listen to the show when it airs LIVE this Monday.

Shelly Bond Heads To IDW Publishing

shelly-bondIDW Publishing has announced the arrival of Shelly Bond to its editorial ranks. Bond joins IDW as Senior Editor, Special Projects, and will oversee the new Black Crown imprint. One of the most respected and admired editors among her peers, Bond previously served as VP-Executive Editor of DC Comics’ Vertigo imprint. With over two decades of comic-industry experience to draw from, Bond’s considerable skills and keen eye for talent will pave the way for exciting new projects and original voices.Bond’s passion and enthusiasm for the art form make her a welcome addition to the team. Her previous successes speak for themselves.

black-crownBond’s passion and enthusiasm for the art form make her a welcome addition to the team. Her previous successes speak for themselves. Fables, The InvisiblesSandman: OvertureLucifer, iZombie, and DC’s Young Animal line are just a handful of acclaimed projects which formed under her all-seeing eye.The title “Black Crown” represents not only the name of the creator-owned

The title “Black Crown” represents not only the name of the creator-owned imprint, but also a pub that anchors a mysterious street that connects each creator-owned title. Top creators will tell stories of a singular vision and point of view but will also have the opportunity to intersect with the tapestry of this unprecedented shared environment by way of owning storefront real estate that correlates to their particular creations.

In the release of the announcement, Bond said:

If you know anything about my reputation, you know that I’m selective about story, art, and design. The same applies to a publisher. I can’t think of a better fit for Black Crown than with IDW. They appreciate, share, and champion my vision for creating concepts that are first and foremost incredible, unconventional, and riveting comic books. I can’t wait to announce the impressive coterie of creators, both familiar and next wave, who are working as we speak to bring back the bravado to creator-owned comics.

Stories from the Black Crown Pub will be extensively previewed at July’s Comic-Con International and launch in October 2017.

Femme Magnifique Celebrates Women Who Crack Ceilings, Take Names, and Change the Game

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Femme Magnifique is 30 short stories and over 100 pages celebrating women who crack ceilings, take names, and change the game. Crafted by writers and artists who have been inspired by 30 trailblazers of yesterday and today, Femme Magnifique features stories about women from the worlds of pop music, politics, art, and science. From astronauts and archaeologists to muckrakers and mathematicians, Femme Magnifique will stimulate and educate.

Originally conceived by Shelly Bond, former Executive Editor of Vertigo Comics, Bond explains that “the idea came about immediately after the election. It was the perfect time to take a missed opportunity for women and channel our collective energy into something insightful, full of positivity, that we can pass on to future generations. Femme Magnifique is a graphic novel anthology designed to salute not only the fearless women who toppled the status quo, but also the outstanding writers and artists who infuse their personal stories of ambition and discovery onto the comic book page.”

Along with Shelly Bond, Femme Magnifique’s stories are being curated by Hi-Fi Colour Design founders Kristy Miller and Brian Miller. The husband-and-wife team are no strangers to working with top-tier talent in the comic book industry. Kristy tells us, “We have been lucky enough to work with amazing creators for years, and now we have this opportunity to come together and showcase women in a variety of ways. It takes the support of both men and women to help move women to the forefront, their rightful, equal place.”

Femme Magnifique is being created by acclaimed and best-selling comic book writers and artists including:

Michael and Laura Allred (iZombie, Madman),
David Barnett (Calling Major Tom, The Guardian)
Marguerite Bennett (Animosity, InSEXts)
Corinna Bechko (Star Wars, Invisible Republic),
Aditya Bidikar (The Skeptics),
Philip Bond (Kill Your Boyfriend, The Invisibles),
Tamra Bonvillain (Doom Patrol, Moon Girl, Devil Dinosaur),
Chuck Brown (Rotten Apple),
Paige Braddock (Jane’s World, Stinky Cecil),
Mark Buckingham (Fables) and Irma Page,
Mike Carey (Lucifer, The Girl with All the Gifts),
Cecil Castellucci (Moving Target: A Princess Leia Adventure, Shade, The Plain Janes),
Elsa Charretier (Harley Quinn),
Johnnie Christmas (Angel Catbird),
Jamie Coe (Art Schooled),
Tyler Crook (Harrow County),
Rob Davis (The Motherless Oven, Doctor Who),
Kelly Sue DeConnick (Bitch Planet, Pretty Deadly),
Ming Doyle (Girl Over Paris, The Kitchen),
Chynna Clugston-Flores (Blue Monday)
Kelly Fitzpatrick (Shade, the Changing Girl, Bitch Planet),
Chynna Clugston-Flores (Blue Monday, Lumberjanes/Gotham Academy Crossover),
Tess Fowler (Rat Queens),
Tee Franklin (Nailbiter: The Outfit, Love Is Love)
Karrie Fransman (Death of An Artist, The House that Groaned),
Kieron Gillen (Star Wars: Darth Vader, The Wicked + The Divine),
Che Grayson (Rigamo)
Sanford Greene (Power Man Iron Fist),
Peter Gross (Lucifer, The Unwritten),
Gilbert Hernandez (Love and Rockets),
Betsy Houlton (New York Daily News),
Megan Hutchison (Rockstars),
Tini Howard (The Skeptics),
Lucy Knisley (Relish, Something New),
Eugenia Koumaki (Womanthology),
Teddy Kristiansen (It’s A Bird, The Sandman),
Alisa Kwitney (Token, Convergence: Batgirl, Till the Fat Lady Sings)
Sonny Liew (The Art of Charlie Chan Hock Chye, Doctor Fate),
Shawn Martinbrough (Luke Cage Noir, Thief of Thieves),
Shawn McManus (Fables, The Sandman)
Leah Moore (Albion),
Kristy Miller (Birds of Prey),
Brian Miller (Harley Quinn, Star Wars, Ziggy Stardust),
Hope Nicholson (The Secret Loves of Geek Girls),
Laurie Penny (The Guardian),
Rori! (100 Women/100 Days) and Gibson Twist (Pictures of You),
Jim Rugg (Street Angel, The Plain Janes),
Steven T. Seagle (It’s A Bird, Big Hero 6)
Paula 7bergen (Window Pains, contributor to Bust),
Alison Sampson (Winnebago Graveyard, Jessica Jones),
Bill Sienkiewicz (Elektra: Assassin),
Gail Simone (Batgirl, Clean Room),
Jill Thompson (Wonder Woman: The True Amazon, Scary Godmother),
Matt Wagner (Grendel),
Gerard Way (Doom Patrol, My Chemical Romance)
Maris Wicks (Science Comics),
Annie Wu (Black Canary)
Ron Wimberly (Prince of Cats),
Marley Zarcone (Shade, the Changing Girl)
and more to be announced…

You can sign up to the Femme Magnifique mailing list today to be notified when the crowdfunding campaign launches.

Around the Tubes

Postal12_CoverAIt’s a new week and we’ve got an exciting one coming up including Captain America: Civil War hitting theaters in the US and Free Comic Book Day! We’re excited here!

And while we await that awesome, here’s some comic news and reviews from around the web in our morning roundup.

Around the Tubes

The Beat – A tribute to Shelly Bond: the most mod editor of them all – Great to see such support.

ICv2 – Artist Joe Devito Suing Warner Bros., Legendary – Interesting considering some comic news.

The Beat – NBC/Universal To Buy Dreamworks Animation: You Won’t Believe What They Own! – If you’re wondering what’s at stake in this deal.

ABC News – Cowabunga! Ninja Turtles Are Official NYC Ambassadors – Fill in joke about only being able to afford to live in the sewers here.

Tales of a Tabletop Skirmisher – Speed Force in the Batman Miniature Game – Can’t wait for this release!

Kotaku – DC Universe Online is available for Xbox One – Pretty cool!

 

Around the Tubes Reviews

Talking Comics – All-New Wolverine #7

CBR – Amazing Spider-Man #11

CBR – Batman #51

Comic Attack – Postal #12

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