Tag Archives: secret wars

Spider-Man’s Black Costume Origin Page Sells for $3.6 Million

Page 25 from Secret Wars #8 was a hot item at Heritage Auctions recently. The page by Mike Zeck features Spider-Man in his “black costume” and recently sold for $3,360,000. That costume would turn out to be a symbiote that would later go on and create Venom.

Bidding opened at $33,000 but quickly rose as the comic page saw a bidding war that set records.

Moments before page 25 went up for auction, page 24 sold for $288,000.

That’s $3,648,000 for two pages from the iconic comic. The original owners name wasn’t revealed but purchased the pages in the 1980s and held on to them ever since.

Around the Tubes

It’s new comic book day! What’s everyone getting? What are you excited for? Sound off in the comments below! While you are waiting for shops to open, here’s some comic news and reviews from around the web.

The Hollywood Reporter – Stan Lee Needs a Hero: Elder Abuse Claims and a Battle Over the Aging Marvel Creator – This is heartbreaking.

Kotaku – It’s Amazing That Marvel and DC’s Classic X-Men and Teen Titans Crossover Ever Happened – Who remembers this awesomeness?

CBR – Russo Bros. Interested in Secret Wars Once Disney/Fox Deal Goes Through – Which version?

Newsarama – Two Years After DC’s Rebirth, What’s Been Answered? And What Mysteries & Questions Remain? – For those keeping track.



The Beat – Ghost Stories

Ramon Villalobos Talks Comics with Graphic Policy Radio LIVE Tonight

GP Radio pic MondayGraphic Policy Radio is back with a brand new episode. Tonight we’re joined by one of the most distinctive new artists in comics, Ramon Villalobos.

The show airs LIVE tonight at 10pm ET.

Villalobos is the penciler on Marvel‘s Nighthawk ongoing and also drew the X-Men centric E is for Extinction series for last year’s Marvel event Secret Wars.

We’ll get the scoop on his creative ability and process while working on such high-profile comic series.

We want to hear from you! Ask your questions by Tweeting them to us @graphicpolicy.

Listen in to the show as it airs live tonight.

Around the Tubes

Princeless_Make_Yourself_1 DIGITAL-1It’s new comic book day! What’s everyone excited for? What are you buying? What are you reading first? Sound off in the comments below!

Until then, here’s some comic news and reviews from around the web in our morning roundup.

Around the Tubes

ICv2 – Updates to Marvel Cinematic Universe Slate – Not too shocking.

ICv2 – Marvel’s Iron Fist Casts Two Key Roles – Colleen Wing!

GamePolitics – GamePolitics Is Dead; Long Live GamePolitics – Sad to see the site go.


Around the Tubes Reviews

The Beat – Aama

CBR – Moon Knight #1

Newsarama – Moon Knight #1

CBR – Princeless: Make Yourself #1

Newsarama – The Unbelievable Gwenpool #1

CBR – The Unbelievable Gwenpool #1

Newsarama – Best Shots Advance Reviews: Black Road #1, Hyper Force Neo #1

Newsarama – Best Shots Reviews: Vision #6, Batgirl #50, Uncanny X-Men #6, Secret Wars HC

Review: Secret Wars #6

secret_wars_vol_1_6_textlessSecret Wars #6 continues the series, with Valeria Richards sacrilegious quest for knowledge. I don’t recognize this as much as I would like to but Valeria has been a real stand out character in the past few years. Her overt child nature makes it easy to over look this, but when you think about it  must be a real burden to bear that kind of intellect at that age.  This is addressed in this issue where in a confrontation with the two Spider Men, she declines the opportunity to discover the source of Doom’s power. This was a powerful moment because the erudite Valeria has always been bold and unfazed in her exploration, this subtle shift and her recognition of the limits of her precociousness was a really nice touch.

There was another interesting scene where the two Reeds (616 and Ultimate version) discuss the logistics of the quest to take out Doom. The two Reeds differ significantly in their respectively in the philosophies, with Ultimate reed taking  a more realist approach and not being above killing. There’s a part that I loved where 616 reed ponders how ultimate Reed could be so callous to which Ultimate reed replies he doesn’t have the burden of a family to tie him down. Those who enjoy the nature vs nurture debate will have a lot mull over with this scene. One of my favourite aspects of alternate universe characters is the opportunity to explore aspects of a character that may not have arisen in their native dimensional upbringing. Ultimate seems to criticize 616 reeds’ ethical and compassionate as unfit for eh task at hand. His final jab  616 reed comes as he informs him about what Doom has done to  his family. This appears to put the fire under Reed to do what is required to stop Doom.

The emerging rebellion begins to boil over  as the prophet rallies the dissenting ranks. Admittedly I have not been following too much of the Secret Wars tie ins, but I suspect that there should be some connective tissue with what’s going on in these panels and some of those tie in issues. Sadly a lot of these tie ins failed to sustain my interest.

We get more insight into the mythos of Battleworld when Sue tells Franklin his bedtime story.  Sue tells of a modified fantastic four origin, where the Human Torch was sacrificed to become the sun of Battleworld. And The thing was made into the massive shield that keeps the dead away from the rest of Battleworld. It is a very touching story highlighting the heroism of both characters featured, however it raises some interesting questions. If Doom acquired for himself a degree of omnipotency, how was it that the circumstances were such that he needed these heroic sacrifices in the first place? To me it seems either strategic, or somewhat vindictive. Doom’s newfound power appears to be tempered by his villiany or perhaps some flaw that defines the limit of his power. The fact that Doom, has exploited or otherwise usurped each member of Reed’s family makes this a very personal attack on Reed and should make for a significant confrontation between the two in the end. This issue made me anticipate that encounter very much.

Story: Johnathan Hickman Art: Esad Ribic
Story 8 Art: 10 Overall: 9 Recommendation: Buy

Review: Secret Wars #5

Secret Wars #5 CoverIssue five of Secret Wars, takes place immediately after the death of Sheriff Strange. Godking Doom does his best to explain away the circumstance of his death and reinforce the mythology of Battleword’s founding, however the irreversible consequences still reverberate and those within Doom’s circle of influence are beginning to ask questions most notably Valeria.  To me Valeria has always been an underrated character, mostly because of her youth despite her precocious intellect. We are treated to some of her cosmic sleuthing, as she and her science division investigate what really happened prior to Sheriff Strange’s death.

It has been some time since writer Jonathan Hickman‘s Fantastic Four run, and this issue made me remember Hickman’s brilliance on it. I may have mentioned this elsewhere but Hickman’s plotting is very intricate, whether or not you enjoy this may depend on personal preference and perhaps patience. During Hickman’s FF run I really enjoyed the long form writing, and foreshadowing, but since his Avengers run and beyond, I feel he’s been encroaching the limits of that. With all the intricate plotting and the timeline flash-forwards, it’s kind of hard as a reader to navigate the context. I did follow the recent New Avengers story, but even as one who followed as best as I could, the panel explaining the metaphysical backdrop (presumably a refresher/intro for new readers) was a bit confusing.

Eagle eyed readers and fans of Hickman’s other series will appreciate some notable characters. For example Nostradamus and Dr Tesla make appearances. This was a real treat for me as I was (and still am) a die hard fan of Hickman’s SHIELD series, which if you haven’t already, you need to stop everything and go check it out. The tone of Hickman’s SHIELD is an intricate Dan Brown-esque journey that dives deep into the mythos of S.H.I.E.L.D. and the larger Marvel Universe by extension. The inclusions of these characters is appropriate in this respect as Secret Wars shares much of the motifs of the series.

There’s an underlying theme of knowledge seeking vs heresy, in this issue that really fleshes out the mythos and intrigue of Secret Wars. Again I am reminded other idyllic utopias showcased in the Marvel U that crumbled so quickly with a small inquiry into the truth of matters. Although at times convoluted and a bit dense narrative wise you can really tell that secret wars has been a labor of love for Hickman. I can’t help but respect that, and personally it fuels my own interest as well. The house of cards is slowly beginning to crumble and I am anxiously awaiting to see how this chapter ends, and shapes the future of the new Marvel Universe we have gotten glimpses of already.

Story: Jonathan Hickman Art: Esad Ribic
Story: 8 Art: 8 Overall: 8 Recommendation Buy

The New Marvel Universe. Born Out of Africa and Afrofuturism.

SecretWars_009I’m going to warn you, this post has spoilers. If you haven’t read Secret Wars #9, you might want to do that first.

You sure you don’t care about spoilers?

This is your last warning.

Secret Wars #9 hit shelves this week wrapping up Marvel‘s world shaping event as Mr. Fantastic and Doctor Doom battled it out over the fate of existence. Many have focused on Miles Morales’ introduction in to the Marvel 616 (or Marvel Prime, whatever you want to call it). Or they were focused on the future of the Fantastic Four. Maybe they were focused on Doctor Doom’s face?

While all of those things were interesting, I was more focused on the statement writer Jonathan Hickman made, whether on purpose or unintentionally, as to the cradle of humankind (really the whole Marvel 616 Universe) and its future. Hickman anchored both on the shoulders of a man from Africa, the leader of Wakanda, T’Challa, the Black Panther.

The idea of humankind being birthed, evolving out of Africa, is a relatively new one, tracing back to just 1924, less than 100 years ago. In 1871 Charles Darwin said it was “probable” that Africa was the cradle of humans due to the presence of chimpanzees and gorillas, but he also said there was an extinct ape in Europe, which created some doubt. “Speculation was useless.” In the early 20th Century it was thought that humans evolved somewhere in Europe or Asia. It was a fossil discover in 1924 that changed things, and even then that was disputed for some time. What we take for granted as a given today, is something relatively new.

Secret_Wars_#9_Black_Panther_Infinity_GemIn Secret Wars, Doctor Doom has taken god like power and remade existence in his image creating a tough new reality called Battleworld. The miniseries builds up as the remaining heroes rally to stop Doom. Part of that plan is the Black Panther’s wielding of the Infinity Gauntlet and its gems which have the power over strength and durability, time, teleportation, manipulating one’s soul, alters all of reality, and gives psionic/psychic abilities. Doom initially battles Black Panther and Namor, as Reed Richards gets to the heart of Doom’s power, the Molecule Man. Eventually Doom is distracted, fighting Reed Richards, and as the Molecule Man tears the universe apart, T’Challa uses the Reality Gem to create a new reality, a new Marvel Universe. In his actions he brings Miles Morales to this new world, saves “orphans” such as the Squadron Supreme members, places his nemesis Namor back on the throne of Atlantis, and even heals Doom’s face. The world was remade, and remade better, due to the will and wisdom of an African man.

Secret_Wars_#9_Black_Panther_It_WorkedIf there’s any doubt that T’Challa is responsible for the new Marvel Universe, one just needs to read that first panel after he clenches his fist. His words, “it worked,” with the Infinity Gem no longer present, burnt away from its use indicates what has happened, and he’s responsible.

T’Challa could have cast away the Squadron Supreme, punished Namor, left Doom to rot, or forgotten about Miles, one of the few high-profile African-American superheroes in the Marvel universe. Instead he shows compassion and a fatherly touch befitting his noble position and wise ruling.

T’Challa also clearly knows of Doom’s Battleworld, so this new world was formed around him, he’s the center of this new universe. While he was using the gem, this is the world he shapes and wants to start from, this is his vision for the present and future. It’s not just the present Marvel Universe that Hickman and T’Challa gives us. Hickman takes it one step further. He gives us the future and the possibility that the future of the Marvel universe is built upon Afrofuturism.

Afrofuturism is “a literary and cultural aesthetic that combines elements of science fiction, historical fiction, fantasy, Afrocentricity, and magic realism with non-Western cosmologies in order to critique not only the present-day dilemmas of people of color, but also to revise, interrogate, and re-examine the historical events of the past.”

Secret_Wars_#9_AfrofuturismIt’s not just interesting to me that T’Challa, an African ruler births humankind (really the whole universe) by shaping reality with the gem, but it’s also his positioning of Wakanda as the center of our future as a civilization. As he says in the panel on the right, “Great societies are crumbling around us. And the old men who run them are out of ideas. So all eyes turn to you our children… to build us something better.”

It’s clear Marvel is centering the character more with a new high profile comic and an upcoming movie with one of the hottest directors in Hollywood. This also comes after Marvel has stumbled a bit, especially when it comes to inclusion of African-Americans with their All-New, All-Different Marvel launch that has been overwhelmingly male and white when it comes to creators, was accused of cultural appropriation, and according to data may lag in African-American fans.

Secret_Wars_#9_Alpha_FlightIn the few months since the launch of All-New, All-Different Marvel, we’ve seen subtlety that Wakanda plays a major role now in the Marvel Universe. In The Ultimates it was clear there was something big going on, but we’re never really explained exactly what.

It’s laid out clear in Secret Wars #9 that humankind’s future is being built on Wakandan technology. That the new space operation, Alpha Flight, is Wakanda’s project. That it’s Wakandan science fueling it all, especially our expansion in space. Step by step.

Technology is addressed, diaspora is addressed, and done so through science fiction and magical realism. It even addresses Wakanda’s past briefly. In Marvel’s past, it was Tony Stark, and Stark Industries/Enterprises that drove the world’s future, fueling every day technology up to the funding of the Avengers. Now we have a new focus, a new history, a new leader to guide the Marvel Universe, and he’s African. The shift is undeniable, and a bold start for 2016.

Here’s hoping the company sees the groundwork laid out by Hickman, and like T’Challa, uses wisdom to build a brighter future.

Around the Tubes

It was new comic book day yesterday. What’d folks get? What’d you like? What’d you not like?

While you figure that all out, here’s some comic book news from around the web.

Around the Tubes

Kotaku – PlayStations Get Free Civil War And Ant-Man DLC For LEGO Avengers – Nice.


Around the Tubes Reviews

Talking Comics – Agents of S.H.I.E.L.D. #1

Comic Vine – Batman & Robin Eternal #15

Comic Vine – Captain America: Sam Wilson #5

Comics Alliance – The Legend of Wonder Woman #1

CBR – Mighty Morphin Power Rangers #0

Talking Comics – Red Sonja Vol. 3 #1

Comic Vine – Secret Wars #9

CBR – Secret Wars #9

Talking Comics – Southern Cross Vol. 1

Review: Secret Wars #9

SecretWars_009Battleworld teeters on the brink. What will become of this strange patchwork planet? Who lives? Who dies?

Much delayed, and somewhat tarnished with mess up plans, Secret Wars #9 finally hits shelves. Even with that slight tarnish, and the delay, this issue is easily the best finale to a Marvel event in quite some time, and would have been an amazing beginning to a new Marvel Universe.

Written by Jonathan Hickman, with art by Esad Ribic, this oversized issue does a fantastic job at taking a lot of those puzzle pieces we’ve been pondering since the launch of All-New, All-Different Marvel, and making it clear how they fit together.

How did the Marvel Universe get reborn? Why did Miles Morales survive, and what’s happened to his parents? What about the Fantastic Four? How did Doom get transformed? It’s all answered here.

Most of it is exciting, since it’s things we don’t know, and haven’t been spoiled. And even having Doom’s status spoiled, there’s still a subtle aspect to it that still makes it a nice payoff. The battles feel epic, though very scaled down, and Hickman builds to the eventual explosion and rebirth in a controlled way that’s masterful.

Genesis is the word Marvel uses, and there’s something about that genesis, and who’s behind it, that I find fascinating in many ways. It’s something that has me really focused on a particular character’s role and it’s historical implications. Whether that’s on purpose by Hickman or not, I don’t know, but it’s something to discuss.

Esad Ribic’s art is amazing as expected. There’s some jaw dropping visuals here, and the use of white and emptiness is solid. The story was good, the art is more amazing.

I’m sure folks will love or hate this comic. But, it does a fantastic job at wrapping things up, and sets a lot of characters on to their next adventures. It also wraps up Hickman’s impressive run that began so long ago with some huge ideas. This is the culmination of that, and Hickman gives us a Fantastic Four that feels like Marvel’s First Family. I’m excited to see what’s next for them.

The issue was delayed, but it’s worth the wait. Hickman brings together years of ideas and stories, and launches into many decades more to come.

Story: Jonathan Hickman Art: Esad Ribic
Story: 9 Art: 10 Overall: 9.5 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review

Graphic Policy’s Top Comic Picks this Week!

HERO HOURLY PREVIEW PAGE 01Wednesdays are new comic book day! Each week hundreds of comics are released, and that can be pretty daunting to go over and choose what to buy. That’s where we come in!

We’re bringing back something we haven’t done for a while, what the team thinks. Our contributors are choosing up to five books each week and why they’re choosing the books.

Find out what folks think below, and what comics you should be looking out for this Wednesday.


Top Pick: Hero Hourly #2 (21 Pulp) – The first issue of the first series from new publisher 21 Pulp took me by complete surprise Telling the story of a man employed at a minimum wage company who employs superheroes, Hero Hourly is a comic that, quite frankly, you have to be reading.

Batman/Teenage Mutant Ninja Turtles #2 (DC Comics/IDW Publishing) – Batman and the Ninja Turtles. There’s really nothing else for me to say about why I’m looking forward to this other than the last issue was actually really good.

Huck #3 (Image) – This comic just makes feel all warm and fuzzy inside. A great feel good series from Mark Millar (at least so far) that you should look into before the inevitable movie.



Top Pick: The Walking Dead #150 (Image Comics/Skybound) – It’s going to be a huge issue and it’s been hinted to expect fireworks out of it. Big anniversary issues like this tend to bring huge shifts in Robert Kirkman’s series, and I’m expecting no less.

Captain Canuck #6 (Chapter House Comics) – I’ve been loving this series and continue to do so. It’s a throwback to fun superheros without the gritty darkness.

Hero Hourly #2 (21 Pulp) – The first issue was hilarious and an amazing debut for this new publisher. I’ve been awaiting the second, and it’s one of the first comics I’m reading this week.

Legend of Wonder Woman #1 (DC Comics) – I really am not a fan of the main Wonder Woman at DC, but this digital turned print series is a breath of fresh air as it looks at the early years of the Amazonians and Wonder Woman as she was growing up. Much like Superman: American Alien, this is trying to get at what makes Wonder Woman wonderful.

Mighty Morphin Power Rangers #0 (BOOM! Studios) – I was never a Power Rangers fan growing up. I was just a bit too old and out of the age range for the show. Still, the concept was always interesting to me and I’ve been looking forward to seeing what BOOM! does with the series as a comic.



All-New Wolverine #4 (Marvel) – One of Marvel comics’ bests. Complex, haunted but heroic, Laura is trying to take care of her abused clones by seeking help from Doctor Strange! I never considered this team up and I can’t wait!

Constantine the Hellblazer #8 (DC Comics) – It is DC’s best comic. It’s about the mad, bad and dangerous to know exorcist who’d left his date in a bit of a lurch. It’s going to be great!

No Mercy #6 (Image Comics) – I hate Chad. I want him to die. He is an abuser and a bully and he’s on the cover of this month’s issue with a skull imposed over his head. So maybe this most brutally harsh comic will kill someone who’s really got it coming? Maybe?

Raven Pirate Princess TP Volume 1 (Action Lab Entertainment) – Teenage Lesbian Asian Pirate Princess in an all-ages comic!!! One of the year’s best new series for older-kids and tweens (and adults who like things that are funny, exciting and feminist). Get caught up with the all girl pirate crew. A perfect introductory comic to the Princeless world of diverse, feminist heroic heroines who take no guff and save the day. Here’s my review of the first two issues featured in this compendium.



Top Pick: Slash and Burn #3 (DC Vertigo) – This is my top pick of the week. I happen to be a Volunteer Firefighter in the town I live in, so I’m digging this one at a personal level.

Bad Moon Rising #4 (451 Media) – This one is filling my Showhole left behind by the cancellation of Sons of Anarchy.  It’s got Motorcycle Gangs (possibly Buddhist), Werewolves, and a Murder Mystery.

Hero Hourly #2 (21 Pulp) – Who can’t relate to the plight of the under-paid and under-appreciated working man with super powers? And if you can’t relate, at least have a good laugh.

Limbo #3 (Image Comics) – More Detective Work in a Dead End … oops … in Dedande City. I recommend you snack on some lizards while reading it.

The Violent #2 (Image Comics) – A violence filled tourist’s guide to Canada’s Strathcona: the Canadian Brooklyn (condos and all).



Top Pick: New Romancer #2 (Vertigo)New Romancer is the crown jewel in the Vertigo Renaissance and the perfect 21st century love story for someone who uses Tinder and OK Cupid, but misses the love sonnets and romance of yore. Plus Casanova and Lord Byron facing off is going to be a blast.

Red Sonja #1 (Dynamite) – If anyone had to take over for Gail Simone on Red Sonja, it’s Marguerite Bennett, who last wrote the She-Devil with a Sword in the funny, action-packed Red Sonja and Jungle Girl miniseries. I expect nothing but the best in interesting female characters, swashbuckling action, and tongue-in-cheek humor.

Robin War #2 (DC Comics) – The most woke crossover of 2015 comes to a close in the New Year as Damian Wayne doesn’t check his privilege and joins the Court of the Owls to fight Gotham’s teen defenders, We Are Robin, and their more seasoned mentors. It will be interesting to see if there is any last political commentary from writer Tom King, and the martial arts battle will be fun to see unfold.

Secret Wars #9 (Marvel) – This crossover has been a little uneven to say the least, but the previous issue had some Return of the King worthy pitched battles and sheer badass moments, like Doom crushing Thanos’ skulls. Hopefully, Jonathan Hickman sticks the ending in his Marvel epic, doesn’t just push the reset/reboot button via a plot device or something, and gives the Fantastic Four a sendoff worthy of Marvel’s First Family.

The Violent #2 (Image) – Ed Brisson and Adam Gorham are going into some murky, moral territory in their new series The Violent from Image, and he pulls no punches showing the effect gentrification has had on the city of Vancouver. I am intrigued to see how far Mason is willing to go to be a good father while battling the spectres of his criminal past and trying to make ends meet.


Mr. H

Top Pick: Batman/Teenage Mutant Ninja Turtles #2 (DC Comics/IDW Publishing) – The Dark Knight,  Shredder, Turtles. Need I say more? Nope grab a slice and set aside some time for this one!

Secret Wars #9 (Marvel) – Come see how it all ends and how it all begins again. The conclusion to Marvel’s best event in ages. I’m with Uatu on this one, just want to be ringside as it unfolds.

The Walking Dead #150 (Image Comics/Skybound) – The big one. Let’s hope much more walking than talking. Oh yeah and blood. Lots of blood. Come see where Rick Grimes goes next.



Top Pick: The Walking Dead #150 (Image Comics) – Tensions have been building in Alexandria over what’s to be done with the Whisperers, a rival community that wears the flesh of walkers. Rick has been struggling to maintain control. In this issue, we find out what that means for him. Negan made a name for himself fifty issues ago, and the Governor fell fifty issues before that. I wonder what will happen tomorrow…

Hero Hourly #2 (21 Pulp) – There’s really no reason you shouldn’t be looking for this book at your local comic store. Do you like laugh? Pick it up. Do you like grabbing comics that people will be talking about for years to come? Pick it up. Do you have a rash your trying to hide while walking back to work? Maybe… maybe this would work for that. But it’s a fantastic comic if you’re just looking for something to read.

No Mercy #6 (Image Comics) – The horrors that have befallen these students continue to unfold as they live in danger of coyotes, drug cartels and even each other. Don’t pass up the chance to keep up with who kills whom.



Top Pick: Extraordinary X-Men #5 (Marvel) – This title has been BANG since issue 1 and doesn’t show signs of slowing down.  New school in limbo; demons attacking; Mr. Sinister is back…and the reveal from the last issue!  Where is this going??  Loving the team line up and the art.  If you aren’t reading this X book, you better get caught up….I’ll wait.

All-New X-Men #3 (Marvel) – I wasn’t really sure I would enjoy the whole road trip vibe with the time displaced X-Men (as X-Force tried this way back when and it didn’t really work), but I’m kinda digging it.  Feels a little rehashed with the Ghosts of Cyclops coming across as junior Acolytes, but they are an interesting gang to counter our band of mutants so I’ll stick along for the ride.  Not really feeling Kid Apocalypse and Oya as part of the group, so I’m hoping they gel as the series goes on, but it is fun and I do enjoy the read.  But I am really getting tired of Angel treating Wolverine as the damsel in distress….enough already.

Scarlet Witch #2 (Marvel) – Honestly, Issue 1 was just meh (you can read my review if you like), I didn’t hate it, but I wasn’t wowed.  I loved the art and I do have a soft spot for Wanda, one of my favourite characters.  I’m holding out hope that this whole ‘witchcraft is broken’ story really goes somewhere different and takes Wanda in a unique direction.

Secret Wars #9 (Marvel) – END ALREADY.  You’ve already launched your All New All Different; confused the readers by hinting at things in the new titles that haven’t happened.  You started with a bang…yes, you had some great tie ins, but lets be honest, you are definitely limping to the finish line.

Uncanny Avengers #4 (Marvel) – Like the last volume of this title, I just can’t stop checking it out….not that it’s good, I just can’t stop looking.  Maybe I’m hoping it turns around, maybe I just feel sorry for it, I don’t know.  I feel there’s potential here…I just wish it could be reached.


« Older Entries