Tag Archives: sean mackiewicz

Robert Kirkman and artist Lorenzo De Felici’s Oblivion Song is Being Adapted for Film by Universal

Oblivion Song Chapter One

Skybound Entertainment and Universal Pictures announced this morning that the sci-fi drama Oblivion Song—based upon the New York Times bestselling Robert Kirkman and artist Lorenzo De Felici’s bestselling comic book series of the same name—is being developed for film. 

Universal’s Executive Vice President of Production Jon Mone and Director of Development Lexi Barta will oversee the project on behalf of the studio. The Oblivion Song adaptation will be produced by Skybound’s film team, including Robert Kirkman, David Alpert, Bryan Furst, and Sean Furst, with Sean O’Keefe attached to write the script. 

O’Keefe’s latest project, Wonderland, which stars Mark Wahlberg with Peter Berg directing, recently wrapped filming. O’Keefe sold the first script based on the Robert B. Parker bestselling Spenser book series in a deal with Netflix.

Oblivion Song Chapter Two

Image and Skybound Entertainment’s Oblivion Song by Kirkman and De Felici is colored by Annalisa Leoni, lettered by Rus Wooton, and edited by Sean Mackiewicz. It takes place a decade after 300,000 citizens of Philadelphia were suddenly lost in Oblivion. The government made every attempt to recover them but after many years they gave up. Nathan Cole won’t. He makes daily trips, risking his life to try and rescue those lost, alone and afraid, living in the apocalyptic hellscape of Oblivion. But maybe… Nathan is looking for something else. Why can’t he resist the siren call of the Oblivion Song?

Oblivion Song, Vol. 1 (ISBN: 978-1534306424) and Oblivion Song, Vol. 2 (ISBN: 978-1534310575) trade paperbacks are available now in comic shops and at Amazon, Barnes & Noble, Books-A-Million, IndieBound, and Indigo.

Review: The Walking Dead #177

Meet Officer Mercer, the newest individual we’re introduced to living in the “New World Order” that is the Commonwealth. The Walking Dead #177 is broken up into a few parts and while each segment varies greatly, each emphasizes the focus on the living with the series.

Rick is with Mikey who is working through issues through poetry an interesting aspect in a world where danger is around every corner and the dead have risen. There’s a focus on addressing loss and trauma of what’s going on and with Rick involved he is of course still dealing with the loss of Andrea. It’s an interesting an important segment as it shows that things are relatively stable but there’s still emotional turmoil. A segment with Maggie as well shows this aspect of stability. After everything that has happened, this is a time when you can let your guard down and enjoy things a bit.

Emotion is the name of the game of this issue as Michonne is reunited with her daughter Elodie. We learn Elodie’s story and are reminded of the horrible things everyone has done or had done to them to survive. It’s emotional and writer Robert Kirkman as usual does a solid job of focusing on the human aspect of the story. The series isn’t about surviving the dead, it’s about living in a world of the dead.

We’re also introduced to Mercer and Governor Milton’s son. This is the first sign that things aren’t perfect in the world of the Commonwealth and indicates where the next bit of turmoil is coming from. The series has done a good job of keeping the crazy hidden but we readers know there’s no way this new community can be as good as it’s presented. The cracks are visible here and it’s hard to know who’s right and who’s wrong in this situation. Unlike with other communities, the sides are a bit grey. Kirkman gives us something familiar but changes it up just enough to keep it interesting.

The art by Charlie Adlard, with ink by Stefano Gaudiano, and gray tones by Cliff Rathburn is excellent as always. Each new character has so much personality and the emotion of the story is driven as much by the art as it is by the story itself. That’s equally impressive since the story is in black and white which changes up how we “read” the scenes a bit more. It emphasizes Adlard’s line work and the detail, or lack of, added to each scene and character. The lettering by Rus Wooton too adds to the emotion of it all making it a bit clearer how dialogue is delivered. Slight bolding helps emphasize a word.

This new arc has been a slow but solid build introducing us to this new world and letting the malice (or expected malice) build. Is it in our minds considering the series history? Or, is there something up with these new characters and community that spells trouble for our heroes. Is it all too good to be true and this is the quiet before the storm? Kirkman and team know how to build to a cathartic explosion and this latest arc feels like it’s building to something, I just don’t know what.

Story: Robert Kirkman Art: Charlie Adlard Cover: Charlie Adlard Cover Color: Dave Stewart
Ink: Stefano Gaudiano Gray Tones: Cliff Rathburn Letterer: Rus Wooton Editor: Sean Mackiewicz
Story: 8.15 Art: 8.25 Overall: 8.2 Recommendation: Buy

Image Comics provided Graphic Policy with a FREE copy for review

Image and Skybound’s Gasolina is Sent Back to Print

Image Comics and Skybound Entertainment have announced that Gasolina #1—by creators Sean Mackiewicz and Niko Walter with colorist Mat Lopes and letterer Rus Wooton—will be rushed back to print in order to keep up with customer demand.

Set south of the border, Gasolina #1 follows newlywed fugitives Amalia and Randy on their journey south from El Norte. They have played many roles in order to survive, but now, they must become unlikely leaders in the fight against a new cartel who uses inhuman tactics to ignite the most monstrous war Mexico—and the world—has ever seen.

Gasolina #1, 2nd printing (Diamond Code AUG178485), Gasolina #2 (Diamond Code AUG170651), Gasolina #2 The Walking Dead tribute variant (Diamond Code AUG170652) will be available in stores on Wednesday, October 25th. The final order cutoff deadline is Monday, October 2nd.

Image and Skybound Release a Sneak Peek at Gasolina

Creators Sean Mackiewicz and Niko Walter team up with colorist Mat Lopes and letterer Rus Wooton for an all-new crime/horror adventure, Gasolina, from Image/Skybound Entertainment and reveal interior pages for a sneak peek into the new story.

Fugitives. Rebels. Newlyweds. Gasolina follows Amalia and Randy on their journey south from El Norte. They have played many roles in order to survive, but now, they must become unlikely leaders in the fight against a new cartel who uses inhuman tactics to ignite the most monstrous war Mexico—and the world—has ever seen.

Everything burns in this new series where love and devotion can only be measured in fire and blood.

Gasolina #1 Cover A (Diamond Code JUL170702) and GASOLINA #1 cover B by Felici (Diamond Code JUN178586) will be available in stores on Wednesday, September 20th. The final order cutoff deadline is Monday, August 28th.

Review: Manifest Destiny #6

ManifestDestiny-06“We had won the battle. But not without cost.”
– Captain Meriwether Lewis

Manifest Destiny #6 wraps up the wonderfully creative first arc of the alternative reality tale of Lewis & Clark’s journey through the American West of the early 1800’s. The story is filled with supernatural beasts and even zombie-like vine people to suggest that our heroes, Lewis & Clark, came across more than just raging rivers and mountainous terrain in their quest to map out the uncharted west. Chris Dingess’s story comes to life seamlessly when combined with the beautiful art and color by Matthew Roberts and Owen Gieni, respectively. The infested animals and ‘floral’ people appear to jump out of the page with how realistic it all is. It was difficult to continuously read the remarkable story when I all I could was stare at each character and marvel at how well drawn every page is. Manifest Destiny is really a work of art and, combined with a unique take on an important historical event, needs to at or near the top of everyone’s comic book pile.

Manifest Destiny #6 continues immediately after the events of Issue #5 with Lewis, Clark and York running from the ‘floral’ infested bear. I love how the book can be serious most of the time and with one perfectly placed panel, make me laugh. It was funny to see York knocked aside by the bear in the midst of them trying to fight it off. Lewis and Clark manage to set the animal ablaze and the bear quickly runs off. Our heroes think the best course of action is to follow it, not realizing how far they have strayed from the rest of their group. While they chase the animal their crew mates are busy batting other ‘floral’ infected beings with a few losses and some members becoming infected themselves.

Lewis and Clark are standing over their kill when all of a sudden an infected carnivorous flower (I am not sure what to call it, but it looks like a large flowering vine) emerges from the forest floor and attacks them, placing Lewis and Clark inside its floral maw. The neat part about all this is the fact that the flowering vine is sentient. It speaks to Captain Lewis and says in its land it is considered a lord or godlike. Immediately after their conversation, Lewis and Clark succumb to its hallucinatory drug effects released by its tongue (does this sound at all strange yet? Trust me, it’s a great comic book). With our fearless leaders incapacitated and helpless Sacagawea leaps to the rescue and saves them from being swallowed up and forgotten forever. The panel sequences of Sacagawea fighting off the evil plant are some of the best drawn in the entire series. It was interspersed with the dream images of Lewis and Clark and made for some really great art.

The issue ends with the crew cleansing to rid themselves of the infestation. The final page was drawn superbly with symbolic meaning. The river they travel down is getting redder as they progress. This, of course, hints at the treacherous journey that lay before our heroic team. One of my favorite parts of Manifest Destiny is the spin they put on Sacagawea. They make her out to be this being with super strength and keen hunting skills. She is a great character and they did a wonderful job of building her up.

Alternative reality stories are some of my favorite kinds of comic books to read and get lost in. It’s so interesting to experience a different take on a story you are already familiar with and enjoy that I often find myself day-dreaming about “what if” scenarios all the time. Isn’t that the beauty of most of the tales we immerse ourselves in any way; a series of “what-if” events that lead to something unique and fascinating? Even if you do not know the story of Captain Meriwether Lewis and Second Lieutenant William Clark’s perilous journey in the early 1800’s to explore and map the newly acquired Louisiana Territory, Manifest Destiny is a comic book worth delving into. You do not need a degree in American history to know that Lewis & Clark did not come across strange vine monsters or rabid floral-infected animals on their trek, but the alternative reality that Chris Dingess conjures up suggests that they came into contact with that and a whole lot more.

Thoughts and Discussion

– What happened to the Minotaurs? Will we see them again?

– Are the “floral” people and animals all gone? Did any of them survive the final burning of the forest area?

– What did Lewis mean when he said Sacagawea doesn’t know why she is really there? What is her real purpose?

Thank You for checking out my Review! Please comment below so we can discuss this book and issue further!

Story: Chris Dingess – Art/Cover: Matthew Roberts – Colors/Cover: Owen Gieni – Letterer: Pat Brosseau
Story: 9 Art: 9.5 Overall: 9.5 Recommendation: Buy