Tag Archives: joker

Funko Reveals New Pop! Heroes: DC at London Toy Fair

At the London Toy Fair, Funko revealed new Pop! Heroes: DC. Some were previously revealed but are now available for pre-order.

Coming soon is Batman Forever Riddler, Batman Forever Two-Face, Batman Returns Catwoman, Batman Returns Penguin, Batman 1989 Joker w/Hat (plus chase figure), Batman & Robin Mr. Freeze, and a super-sized The Dark Knight Joker.

This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site.

Joker Continues to Roll But Slows Down

Joker

Joker‘s award bump has slowed down from the initial Golden Globe win but the movie is still down well.

Over the past week, the film earned $100,000 domestically which is a decrease from the $550,000 it earned over the past week. The film’s total now stands at $334.1 million.

Internationally, the film added $2.3 million over the week down from the previous week’s the $3.2 million.

The movie’s $1.069 billion is an amazing haul for a movie whose budget was just $55 million. It caps off a record-setting year for films based on comics.

The movie is currently ranked #11 in worldwide total for a comic adaptation. It’s about $12 million from passing The Dark Knight Rises and will crack the top ten at that point. It’s unlikely to do so but you never know.

When it comes to DC films, it’s a most interesting one. The film is marching along and it’s possible it will pass Aquaman‘s domestic total by the time its domestic run is over:

FilmStudioDomestic Gross
Wonder WomanWB$412,563,408
AquamanWB$335,061,807
JokerWB$334,147,201
Batman v Superman: Dawn of JusticeWB$330,360,194
Suicide SquadWB$325,100,054
Man of SteelWB$291,045,518
Justice LeagueWB$229,024,295
Shazam!WB$140,371,656
Teen Titans Go! To the MoviesWB$29,790,236

Joker has been doing quite well in international earnings where Warner Bros. has had issues in the past. Aquaman indicates a shift for the company and lessons seem to be continued with Joker.

FilmStudioInternational Gross
AquamanWB$813,100,000
JokerWB$735,000,000
Batman v Superman: Dawn of JusticeWB$542,900,000
Justice LeagueWB$428,900,000
Suicide SquadWB$420,500,000
Wonder WomanWB$409,283,604
Man of SteelWB$377,000,000
Shazam!WB$224,200,000
Teen Titans Go! To the MoviesWB$22,300,000

The film is now one of the most profitable comic film adaptations of all time. With a reported budget of $55 million, the movie has an 19.44x return so far. That’s the highest factor for any movie based on a comic beating The Mask which was the previous leader with a 15.29x factor.

The film hasn’t earned the most compared to the budget, that record is held by Avengers: Endgame. Despite a $356 million budget, that movie earned a “profit” of $2.442 billion. Joker has cracked the top ten though having so far earned a “profit” of $1.014 billion.


Here’s where 2019’s comic films stand as far as the actual numbers.

Total Domestic Gross: $2.367 billion
Total International Gross: $4.957 billion
Worldwide Gross: $7.324 billion
Total Reported Budgets: $1.289 billion
Total “Profit”: $6.035 billion

Average Domestic Gross: $236.7 million
Average International Gross: $495.7 million
Average: Worldwide Gross: $732.4 million
Average Budget: $128.9 million
Average Profit: $603.5 million

Below is where the films released stand when it comes to being compared to this year’s averages. The bold numbers are above average while those below average are not.

FilmStudioDomestic Gross
Avengers: EndgameBV$858,373,000
Captain MarvelBV$426,829,839
Spider-Man: Far From HomeSony$390,532,085
Joker WB $334,147,201
Shazam!WB$140,371,656
Alita: Battle AngelFox$85,710,210
Dark PhoenixFox$65,845,974
Dragon Ball Super: BrolyFUNamation Films$30,712,119
HellboyLions$21,903,748
The KitchenWB$12,180,032
FilmStudioInternational Gross
Avengers: EndgameBV$1,939,427,564
Spider-Man: Far From HomeSony$741,396,434
JokerWB$735,000,000
Captain MarvelBV$701,444,955
Alita: Battle AngelFox$319,142,333
Shazam!WB$224,200,000
Dark PhoenixFox$186,597,000
Dragon Ball Super: BrolyFUNamation Films$83,390,702
HellboyLions$18,882,732
The KitchenWB$3,700,000
FilmStudioWorldwide Gross
Avengers: EndgameBV$2,797,800,564
Spider-Man: Far From Home Sony $1,131,928,519
Captain MarvelBV$1,128,274,794
Joker WB$1,069,147,201
Alita: Battle AngelFox$404,852,543
Shazam!WB$364,571,656
Dark PhoenixFox$252,442,974
Dragon Ball Super: BrolyFUNamation Films$114,102,821
HellboyLions$40,786,480
The KitchenWB$15,880,032
FilmStudioGross-Budget
Avengers: EndgameBV$2,441,800,564
JokerWB$1,014,147,201
Captain MarvelBV$976,274,794
Spider-Man: Far From HomeSony$971,9285,519
Shazam!WB$264,571,656
Alita: Battle AngelFox$234,852,543
Dragon Ball Super: BrolyFUNamation Films$105,602,821
Dark PhoenixFox$52,442,974
HellboyLions-$9,213,520
The KitchenWB-$21,119,968
FilmStudioGross/Budget
JokerWB19.44
Dragon Ball Super: BrolyFUNamation Films13.42
Avengers: EndgameBV7.86
Spider-Man: Far From HomeSony7.07
Captain MarvelBV4.61
Shazam!WB3.65
Alita: Battle AngelFox2.38
Dark PhoenixFox1.26
HellboyLions0.82
The KitchenWB0.43

Joker Gets an Award Win Bump

Joker

Joker looks like it got a Golden Globe post-award win bump that will likely continue now that it leads the 92nd Oscar nominations.

Over the past week, the film earned $550,000 domestically which is a massive increase from the $41,000 it earned over the past two weeks. The film’s total now stands at $334 million.

Internationally, the film added $3.2 million over the week besting the $2.2 million it earned over the two weeks prior.

The movie’s $1.067 billion is an amazing haul for a movie whose budget was just $55 million. It caps off a record-setting year for films based on comics.

The movie is currently ranked #11 in worldwide total for a comic adaptation. It’s about $14.3 million from passing The Dark Knight Rises and will crack the top ten at that point. It’s unlikely to do so but you never know.

When it comes to DC films, it’s a most interesting one. The film is marching along and it’s possible it will pass Aquaman‘s domestic total by the time its domestic run is over:

FilmStudioDomestic Gross
Wonder WomanWB$412,563,408
AquamanWB$335,061,807
JokerWB$334,046,521
Batman v Superman: Dawn of JusticeWB$330,360,194
Suicide SquadWB$325,100,054
Man of SteelWB$291,045,518
Justice LeagueWB$229,024,295
Shazam!WB$140,371,656
Teen Titans Go! To the MoviesWB$29,790,236

Joker has been doing quite well in international earnings where Warner Bros. has had issues in the past. Aquaman indicates a shift for the company and lessons seem to be continued with Joker.

FilmStudioInternational Gross
AquamanWB$813,100,000
JokerWB$732,700,000
Batman v Superman: Dawn of JusticeWB$542,900,000
Justice LeagueWB$428,900,000
Suicide SquadWB$420,500,000
Wonder WomanWB$409,283,604
Man of SteelWB$377,000,000
Shazam!WB$224,200,000
Teen Titans Go! To the MoviesWB$22,300,000

The film is now one of the most profitable comic film adaptations of all time. With a reported budget of $55 million, the movie has an 19.4x return so far. That’s the highest factor for any movie based on a comic beating The Mask which was the previous leader with a 15.29x factor.

The film hasn’t earned the most compared to the budget, that record is held by Avengers: Endgame. Despite a $356 million budget, that movie earned a “profit” of $2.442 billion. Joker has cracked the top ten though having so far earned a “profit” of $1.012 billion.


Here’s where 2019’s comic films stand as far as the actual numbers.

Total Domestic Gross: $2.367 billion
Total International Gross: $4.955 billion
Worldwide Gross: $7.321 billion
Total Reported Budgets: $1.289 billion
Total “Profit”: $6.033 billion

Average Domestic Gross: $236.7 million
Average International Gross: $495.5 million
Average: Worldwide Gross: $732.1 million
Average Budget: $128.9 million
Average Profit: $603.3 million

Below is where the films released stand when it comes to being compared to this year’s averages. The bold numbers are above average while those below average are not.

FilmStudioDomestic Gross
Avengers: EndgameBV$858,373,000
Captain MarvelBV$426,829,839
Spider-Man: Far From HomeSony$390,532,085
Joker WB $334,046,521
Shazam!WB$140,371,656
Alita: Battle AngelFox$85,710,210
Dark PhoenixFox$65,845,974
Dragon Ball Super: BrolyFUNamation Films$30,712,119
HellboyLions$21,903,748
The KitchenWB$12,180,032
FilmStudioInternational Gross
Avengers: EndgameBV$1,939,427,564
Spider-Man: Far From HomeSony$741,396,434
JokerWB$732,700,000
Captain MarvelBV$701,444,955
Alita: Battle AngelFox$319,142,333
Shazam!WB$224,200,000
Dark PhoenixFox$186,597,000
Dragon Ball Super: BrolyFUNamation Films$83,390,702
HellboyLions$18,882,732
The KitchenWB$3,700,000
FilmStudioWorldwide Gross
Avengers: EndgameBV$2,797,800,564
Spider-Man: Far From Home Sony $1,131,928,519
Captain MarvelBV$1,128,274,794
Joker WB$1,066,746,521
Alita: Battle AngelFox$404,852,543
Shazam!WB$364,571,656
Dark PhoenixFox$252,442,974
Dragon Ball Super: BrolyFUNamation Films$114,102,821
HellboyLions$40,786,480
The KitchenWB$15,880,032
FilmStudioGross-Budget
Avengers: EndgameBV$2,441,800,564
JokerWB$1,011,746,521
Captain MarvelBV$976,274,794
Spider-Man: Far From HomeSony$971,9285,519
Shazam!WB$264,571,656
Alita: Battle AngelFox$234,852,543
Dragon Ball Super: BrolyFUNamation Films$105,602,821
Dark PhoenixFox$52,442,974
HellboyLions-$9,213,520
The KitchenWB-$21,119,968
FilmStudioGross/Budget
JokerWB19.40
Dragon Ball Super: BrolyFUNamation Films13.42
Avengers: EndgameBV7.86
Spider-Man: Far From HomeSony7.07
Captain MarvelBV4.61
Shazam!WB3.65
Alita: Battle AngelFox2.38
Dark PhoenixFox1.26
HellboyLions0.82
The KitchenWB0.43

Joker Nabs a Leading 11 Oscar Nominations, Avengers: Endgame Nominated for 1. Lion Forge Animation Gets Its First.

Joker

The nominees for the 92nd annual Academy Awards have been announced. Joker has an impressive amount of nominations with 11 total including “Best Picture,” “Best Director,” and “Lead Actor.” That amount leads the pack of nominated films.

The film goes into the race with a good chance of nabbing “Lead Actor,” which Joaquin Phoenix has already been winning numerous awards for, and “Original Score,” which Hildur Guðnadóttir has also been bringing in the wins.

The Warner Bros. film wasn’t the only comic adaptation to get a nomination. Marvel StudiosAvengers: Endgame received one nomination for “Visual Effects.”

But, there’s one more comic-related nomination. Hair Love is nominated for “Animated Short.” The film by Matthew A. Cherry was the first project for Lion Forge Animation, the studio under Polarity the parent company of comic companies Lion Forge and Oni Press. The short played along The Angry Birds Movie 2 and started as a Kickstarter campaign in 2017 that raised almost $300,000.

The Academy Awards will air live Feb. 6 on ABC. Check out below for the full list of nominees:

Best Picture:

  • “Ford v Ferrari”
  • “The Irishman”
  • “Jojo Rabbit”
  • “Joker”
  • “Little Women”
  • “Marriage Story”
  • “1917”
  • “Once Upon a Time in Hollywood”
  • “Parasite”

Lead Actor:

  • Antonio Banderas “Pain and Glory”
  • Leonardo DiCaprio “Once Upon a Time in Hollywood”
  • Adam Driver “Marriage Story”
  • Joaquin Phoenix “Joker”
  • Jonathan Pryce “The Two Popes”

Lead Actress:

  • Cynthia Erivo “Harriet”
  • Scarlett Johansson “Marriage Story”
  • Saoirse Ronan “Little Women”
  • Charlize Theron “Bombshell”
  • Renee Zellweger “Judy”

Supporting Actor:

  • Tom Hanks, “A Beautiful Day in the Neighborhood”
  • Anthony Hopkins, “The Two Popes”
  • Al Pacino, “The Irishman”
  • Joe Pesci, “The Irishman”
  • Brad Pitt, “Once Upon a Time in Hollywood”

Supporting Actress:

  • Kathy Bates, “Richard Jewell”
  • Laura Dern, “Marriage Story”
  • Scarlett Johannson, “Jojo Rabbit”
  • Florence Pugh, “Little Women”
  • Margot Robbie, “Bombshell”

Director:

  • Martin Scorsese, “The Irishman”
  • Todd Phillips, “Joker”
  • Sam Mendes, “1917”
  • Quentin Tarantino, “Once Upon a Time in Hollywood”
  • Bong Joon Ho, “Parasite”

Animated Feature:

  • “How to Train Your Dragon: The Hidden World” Dean DeBlois
  • “I Lost My Body” Jeremy Clapin
  • “Klaus” Sergio Pablos
  • “Missing Link” Chris Butler
  • “Toy Story 4” Josh Cooley

Animated Short:

  • “Dcera,” Daria Kashcheeva
  • “Hair Love,” Matthew A. Cherry
  • “Kitbull,” Rosana Sullivan
  • “Memorable,” Bruno Collet
  • “Sister,” Siqi Song

Adapted Screenplay:

  • “The Irishman,” Steven Zaillian
  • “Jojo Rabbit,” Taika Waititi
  • “Joker,” Todd Phillips, Scott Silver
  • “Just Mercy” Destin Daniel Cretton and Andrew Lanham
  • “Little Women,” Greta Gerwig
  • “The Two Popes,” Anthony McCarten

Original Screenplay:

  • “Knives Out,” Rian Johnson
  • “Marriage Story,” Noah Baumbach
  • “1917,” Sam Mendes and Krysty Wilson-Cairns
  • “Once Upon a Time in Hollywood,” Quentin Tarantino
  • “Parasite,” Bong Joon-ho, Jin Won Han

Cinematography:

  • “The Irishman,” Rodrigo Prieto
  • “Joker,” Lawrence Sher
  • “The Lighthouse,” Jarin Blaschke
  • “1917,” Roger Deakins
  • “Once Upon a Time in Hollywood,” Robert Richardson

Best Documentary Feature:

  • “American Factory,” Julia Rieichert, Steven Bognar
  • “The Cave,” Feras Fayyad
  • “The Edge of Democracy,” Petra Costa
  • “For Sama,” Waad Al-Kateab, Edward Watts
  • “Honeyland,” Tamara Kotevska, Ljubo Stefanov

Best Documentary Short Subject:

  • “In the Absence”
  • “Learning to Skateboard in a Warzone,” Carol Dysinger
  • “Life Overtakes Me,” Kristine Samuelson, John Haptas
  • “St. Louis Superman”
  • “Walk Run Cha-Cha,” Laura Nix

Best Live Action Short Film:

  • “Brotherhood,” Meryam Joobeur
  • “Nefta Football Club,” Yves Piat
  • “The Neighbors’ Window,” Marshall Curry
  • “Saria,” Bryan Buckley
  • “A Sister,” Delphine Girard

Best International Feature Film:

  • “Corpus Christi,” Jan Komasa
  • “Honeyland,” Tamara Kotevska, Ljubo Stefanov
  • “Les Miserables,” Ladj Ly
  • “Pain and Glory,” Pedro Almodovar
  • “Parasite,” Bong Joon Ho

Film Editing:

  • “Ford v Ferrari,” Michael McCusker, Andrew Buckland
  • “The Irishman,” Thelma Schoonmaker
  • “Jojo Rabbit,” Tom Eagles
  • “Joker,” Jeff Groth
  • “Parasite,” Jinmo Yang

Sound Editing:

  • “Ford v Ferrari,” Don Sylvester
  • “Joker,” Alan Robert Murray
  • “1917,” Oliver Tarney, Rachel Tate
  • “Once Upon a Time in Hollywood,” Wylie Stateman
  • “Star Wars: The Rise of SkyWalker,” Matthew Wood, David Acord

Sound Mixing:

  • “Ad Astra”
  • “Ford v Ferrari”
  • “Joker”
  • “1917”
  • “Once Upon a Time in Hollywood”

Production Design:

  • “The Irishman,” Bob Shaw and Regina Graves
  • “Jojo Rabbit,” Ra Vincent and Nora Sopkova
  • “1917,” Dennis Gassner and Lee Sandales
  • “Once Upon a Time in Hollywood,” Barbara Ling and Nancy Haigh
  • “Parasite,” Lee Ha-Jun and Cho Won Woo, Han Ga Ram, and Cho Hee

Original Score:

  • “Joker,” Hildur Guðnadóttir
  • “Little Women,” Alexandre Desplat
  • “Marriage Story,”Randy Newman
  • “1917,” Thomas Newman
  • “Star Wars: The Rise of Skywalker,” John Williams*“The King,” Nicholas Britell

Original Song:

  • “I Can’t Let You Throw Yourself Away,” “Toy Story 4”
  • “I’m Gonna Love Me Again,” “Rocketman”
  • “I’m Standing With You,” “Breakthrough”
  • “Into the Unknown,” “Frozen 2”
  • “Stand Up,” “Harriet”

Makeup and Hair:

  • “Bombshell”
  • “Joker”
  • “Judy”
  • “Maleficent: Mistress of Evil”
  • “1917”

Costume Design:

  • ”The Irishman,” Sandy Powell, Christopher Peterson
  • “Jojo Rabbit,” Mayes C. Rubeo
  • “Joker,” Mark Bridges
  • “Little Women,” Jacqueline Durran
  • “Once Upon a Time in Hollywood,” Arianne Phillips

Visual Effects:

  • “Avengers Endgame”
  • “The Irishman”
  • “1917”
  • “The Lion King”
  • “Star Wars: The Rise of Skywalker”

Avengers: Endgame, Joker, and Watchmen Walk Away Winners From the Critic’s Choice Awards

Joker

Joker and Watchmen both took home multiple prizes from the 2020 Critics Choice Awards.

Joaquin Phoenix won for “Best Actor” for his lead portrayal in Joker. It also saw another win for Hildur Guðnadóttir for “Best Score.”

The film lost “Best Picture,” “Best Adapted Screenplay,” “Best Cinematography,” “Best Production Design,” and “Best Hair and Makeup.”

Avengers: Endgame won for “Best Visual Effects” and “Best Action Movie” where it beat Spider-Man: Far From Home. The movie lost “Best Sci-Fi or Horror Movie.”

Watchmen picked up actor wins but lost “Best Drama Series.” Regina King won for “Best Actress in a Drama Series” while Jean Smart won for “Best Supporting Actress in a Drama Series.” Tim Blake Nelson was also nominated for “Best Supporting Actor in a Drama Series” but did not win.

Check out the full list of nominees and winners below.

FILM

Best Picture

1917
Ford v Ferrari
The Irishman
Jojo Rabbit
Joker
Little Women
Marriage Story
Once Upon a Time… in Hollywood
Parasite
Uncut Gems

Best Actor

Antonio Banderas — Pain and Glory
Robert De Niro — The Irishman
Leonardo DiCaprio — Once Upon a Time… in Hollywood
Adam Driver — Marriage Story
Eddie Murphy — Dolemite Is My Name
Joaquin Phoenix — Joker
Adam Sandler — Uncut Gems

Best Actress

Awkwafina — The Farewell
Cynthia Erivo — Harriet
Scarlett Johansson — Marriage Story
Lupita Nyong’o — Us
Saoirse Ronan — Little Women
Charlize Theron — Bombshell
Renée Zellweger — Judy

Best Supporting Actor

Willem Dafoe — The Lighthouse
Tom Hanks — A Beautiful Day in the Neighborhood
Anthony Hopkins — The Two Popes
Al Pacino — The Irishman
Joe Pesci — The Irishman
Brad Pitt — Once Upon a Time… in Hollywood

Best Supporting Actress

Laura Dern — Marriage Story
Scarlett Johansson — Jojo Rabbit
Jennifer Lopez — Hustlers
Florence Pugh — Little Women
Margot Robbie — Bombshell
Zhao Shuzhen — The Farewell 

Best Young Actor/Actress

Julia Butters — Once Upon a Time… in Hollywood
Roman Griffin Davis — Jojo Rabbit
Noah Jupe — Honey Boy
Thomas McKenzie — Jojo Rabbit
Shahadi Wright Joseph — Us
Archie Yates — Jojo Rabbit

Best Acting Ensemble

Bombshell
The Irishman
Knives Out
Little Women
Marriage Story
Once Upon a Time… in Hollywood
Parasite

Best Director

Noah Baumbach — Marriage Story
Greta Gerwig — Little Women
Bong Joon Ho — Parasite
Sam Mendes — 1917
Josh Safdie and Benny Safdie — Uncut Gems
Martin Scorsese — The Irishman 
Quentin Tarantino — Once Upon a Time… in Hollywood

Best Original Screenplay

Noah Baumbach — Marriage Story
Rian Johnson — Knives Out
Bong Joon Ho and Han Jin Won — Parasite
Quentin Tarantino — Once Upon a Time… in Hollywood
Lulu Wang — The Farewell

Best Adapted Screenplay

Greta Gerwig — Little Women
Noah Harpster and Micah Fitzerman-Blue — A Beautiful Day in the Neighborhood
Anthony McCarten — The Two Popes 
Todd Phillips and Scott Silver — Joker
Taika Waititi — Jojo Rabbit
Steven Zaillian — The Irishman

Best Cinematography

Jarin Blaschke — The Lighthouse
Roger Deakins — 1917
Phedon Papamichael — Ford v Ferrari
Rodrigo Prieto — The Irishman
Robert Richardson — Once Upon a Time… in Hollywood 
Lawrence Sher — Joker

Best Production Design

Mark Friedberg, Kris Moran — Joker
Dennis Gassner, Lee Sandales — 1917
Jess Gonchor, Claire Kaufman — Little Women
Lee Ha Jun — Parasite
Barbara Ling, Nancy Haigh — Once Upon a Time in Hollywood
Bob Shaw, Regina Graves — The Irishman
Donal Woods, Gina Cromwell — Downton Abbey

Best Editing

Ronald Bronstein, Benny Safdie — Uncut Gems
Andrew Buckland, Michael McCusker — Ford v Ferrari
Yang Jinmo — Parasite
Fred Raskin — Once Upon a Time in Hollywood
Thelma Schoonmaker — The Irishman
Lee Smith — 1917

Best Costume Design

Ruth E. Carter — Dolemite Is My Name
Julian Day — Rocketman
Jacqueline Durran — Little Women
Arianne Phillips — Once Upon a Time in Hollywood
Sandy Powell, Christopher Peterson — The Irishman
Anna Robbins — Downton Abbey

Best Hair and Makeup

Bombshell
Dolemite Is My Name
The Irishman
Joker
Judy
Once Upon a Time in Hollywood
Rocketman

Best Visual Effects

1917
Ad Astra
The Aeronauts
Avengers: Endgame
Ford v Ferrari
The Irishman
The Lion King

Best Animated Feature

Abominable
Frozen II
How to Train Your Dragon: The Hidden World
I Lost My Body
Missing Link
Toy Story 4

Best Action Movie

1917
Avengers: Endgame
Ford v Ferrari
John Wick: Chapter 3 – Parabellum
Spider-Man: Far From Home

Best Comedy

Booksmart
Dolemite Is My Name
The Farewell
Jojo Rabbit
Knives Out

Best Sci-Fi or Horror Movie

Ad Astra
Avengers: Endgame
Midsommar
Us

Best Foreign Language Film

Atlantics
Les Misérables
Pain and Glory
Parasite
Portrait of a Lady on Fire

Best Song

“Glasgow (No Place Like Home)” – Wild Rose
“(I’m Gonna) Love Me Again” – Rocketman
“I’m Standing With You” – Breakthrough
“Into the Unknown” – Frozen II
“Speechless” – Aladdin
“Spirit “– The Lion King
“Stand Up” – Harriet

Best Score

Michael Abels – Us
Alexandre Desplat – Little Women
Hildur Guðnadóttir – Joker
Randy Newman – Marriage Story
Thomas Newman – 1917
Robbie Robertson – The Irishman

TELEVISION

Best Drama Series

The Crown (Netflix)
David Makes Man (OWN)
Game of Thrones (HBO)
The Good Fight (CBS All Access)
Pose (FX)
Succession (HBO)
This Is Us (NBC)
Watchmen (HBO)

Best Actor in a Drama Series

Sterling K. Brown – This Is Us (NBC)
Mike Colter – Evil (CBS)
Paul Giamatti – Billions (Showtime)
Kit Harington – Game of Thrones (HBO)
Freddie Highmore – The Good Doctor (ABC)
Tobias Menzies – The Crown (Netflix)
Billy Porter – Pose (FX)
Jeremy Strong – Succession (HBO)

Best Actress in a Drama Series

Christine Baranski – The Good Fight (CBS All Access)
Olivia Colman – The Crown (Netflix)
Jodie Comer – Killing Eve (BBC America)
Nicole Kidman – Big Little Lies (HBO)
Regina King – Watchmen (HBO)
Mj Rodriguez – Pose (FX)
Sarah Snook – Succession (HBO)
Zendaya – Euphoria (HBO)

Best Supporting Actor in a Drama Series

Asante Blackk – This Is Us (NBC)
Billy Crudup – The Morning Show (Apple)
Asia Kate Dillon – Billions (Showtime)
Peter Dinklage – Game of Thrones (HBO)
Justin Hartley – This Is Us (NBC)
Delroy Lindo – The Good Fight (CBS All Access)
Tim Blake Nelson – Watchmen (HBO)

Best Supporting Actress in a Drama Series

Helena Bonham Carter – The Crown (Netflix)
Gwendoline Christie – Game of Thrones (HBO)
Laura Dern – Big Little Lies (HBO)
Audra McDonald – The Good Fight (CBS All Access)
Jean Smart – Watchmen (HBO)
Meryl Streep – Big Little Lies (HBO)
Susan Kelechi Watson – This Is Us (NBC)

Best Comedy Series

Barry (HBO)
Fleabag (Amazon)
The Marvelous Mrs. Maisel (Amazon)
Mom (CBS)
One Day at a Time (Netflix)
PEN15 (Hulu)
Schitt’s Creek (Pop)

Best Actor in a Comedy Series

Ted Danson – The Good Place (NBC)
Walton Goggins – The Unicorn (CBS)
Bill Hader – Barry (HBO)
Eugene Levy – Schitt’s Creek (Pop)
Paul Rudd – Living with Yourself (Netflix)
Bashir Salahuddin – Sherman’s Showcase (IFC)
Ramy Youssef – Ramy (Hulu)

Best Actress in a Comedy Series

Christina Applegate – Dead to Me (Netflix)
Alison Brie – GLOW (Netflix)
Rachel Brosnahan – The Marvelous Mrs. Maisel (Amazon)
Kirsten Dunst – On Becoming a God in Central Florida (Showtime)
Julia Louis-Dreyfus – Veep (HBO)
Catherine O’Hara – Schitt’s Creek (Pop)
Phoebe Waller-Bridge – Fleabag (Amazon)

Best Supporting Actor in a Comedy Series

Andre Braugher – Brooklyn Nine-Nine (NBC)
Anthony Carrigan – Barry (HBO)
William Jackson Harper – The Good Place (NBC)
Daniel Levy – Schitt’s Creek (Pop)
Nico Santos – Superstore (NBC)
Andrew Scott – Fleabag (Amazon)
Henry Winkler – Barry (HBO)

Best Supporting Actress in a Comedy Series

Alex Borstein – The Marvelous Mrs. Maisel (Amazon)
D’Arcy Carden – The Good Place (NBC)
Sian Clifford – Fleabag (Amazon)
Betty Gilpin – GLOW (Netflix)
Rita Moreno – One Day at a Time (Netflix)
Annie Murphy – Schitt’s Creek (Pop)
Molly Shannon – The Other Two (Comedy Central)

Best Limited Series

Catch-22 (Hulu)
Chernobyl (HBO)
Fosse/Verdon (FX)
The Loudest Voice (Showtime)
Unbelievable (Netflix)
When They See Us (Netflix)
Years and Years (HBO)

Best Movie Made for Television

Brexit (HBO)
Deadwood: The Movie (HBO)
El Camino: A Breaking Bad Movie (Netflix)
Guava Island (Amazon)
Native Son (HBO)
Patsy & Loretta (Lifetime)

Best Actor in a Limited Series or Movie Made for Television

Christopher Abbott – Catch-22 (Hulu)
Mahershala Ali – True Detective (HBO)
Russell Crowe – The Loudest Voice (Showtime)
Jared Harris – Chernobyl (HBO)
Jharrel Jerome – When They See Us (Netflix)
Sam Rockwell – Fosse/Verdon (FX)
Noah Wyle – The Red Line (CBS)

Best Actress in a Limited Series or Movie Made for Television

Kaitlyn Dever – Unbelievable (Netflix)
Anne Hathaway – Modern Love (Amazon)
Megan Hilty – Patsy & Loretta (Lifetime)
Joey King – The Act (Hulu)
Jessie Mueller – Patsy & Loretta (Lifetime)
Merritt Wever – Unbelievable (Netflix)
Michelle Williams – Fosse/Verdon (FX)

Best Supporting Actor in a Limited Series or Movie Made for Television

Asante Blackk – When They See Us (Netflix)
George Clooney – Catch-22 (Hulu)
John Leguizamo – When They See Us (Netflix)
Dev Patel – Modern Love (Amazon)
Jesse Plemons – El Camino: A Breaking Bad Movie (Netflix)
Stellan Skarsgård – Chernobyl (HBO)
Russell Tovey – Years and Years (HBO)

Best Supporting Actress in a Limited Series or Movie Made for Television

Patricia Arquette – The Act (Hulu)
Marsha Stephanie Blake – When They See Us (Netflix)
Toni Collette – Unbelievable (Netflix)
Niecy Nash – When They See Us (Netflix)
Margaret Qualley – Fosse/Verdon (FX)
Emma Thompson – Years and Years (HBO)
Emily Watson – Chernobyl (HBO)

Best Animated Series

Big Mouth (Netflix)
BoJack Horseman (Netflix)
The Dark Crystal: Age of Resistance (Netflix)
She-Ra and the Princesses of Power (Netflix)
The Simpsons (Fox)
Undone (Amazon)

Best Talk Show

Desus & Mero (Showtime)
Full Frontal With Samantha Bee (TBS)
The Kelly Clarkson Show (NBC)
Last Week Tonight With John Oliver (HBO)
The Late Late Show With James Corden (CBS)
Late Night With Seth Meyers (NBC)

Best Comedy Special

Amy Schumer: Growing (Netflix)
Jenny Slate: Stage Fright (Netflix)
Live in Front of a Studio Audience: Norman Lear’s All in the Family and The Jeffersons (ABC)
Ramy Youssef: Feelings (HBO)
Seth Meyers: Lobby Baby (Netflix)
Trevor Noah: Son of Patricia (Netflix)
Wanda Sykes: Not Normal (Netflix)

Joker Wins Two at the Golden Globes as the Film’s Composer Hildur Guðnadóttir Makes History

Joker

It was a good night for Joker at last night’s Golden Globes. The controversial film won two awards by evening’s end.

Hildur Guðnadóttir won for “Best Original Score” making history. The composer is the first solo woman to win a Golden Globe in the category. Lisa Gerrard was a co-winner with Hans Zimmer for Gladiator in 2000 and Karen O was the last woman to be nominated, shared with Carter Burwell, in 2009 for Where the Wild Things Are.

Guðnadóttir is bringing in the awards. She won an Emmy for scoring Chernobyl and she’s nominated for a Grammy. She’s also nominated for both Joker and Chernobyl at the Society of Composers and Lyricists’ awards, happening Tuesday night at the Skirball Center.

Director Todd Phillips discovered her music in Sicario: Day of the Soldado and sought her out for his film. Phillips provided her with the script and had her “take it from there.” The score was played on set so reactions to the music are in real-time.

Joaquin Phoenix also walked away a winner for “Best Actor in a Motion Picture – Drama” for his leading role in the film.

The film also lost in two categories. The movie lost to 1917 for “Best Motion Picture – Drama” and Todd Phillips lost to Sam Menders for “Best Director – Motion Picture.”

The controversial film with just a $55 million budget has gone on to earn over $1 billion making it one of the most profitable films ever.

Joker Continues to Bring in the Dollars. Will it Get a Post Win Bump?

Joker

Joker dropped off the weekend box office listing for the past two weeks but it’s still bringing in the dollars.

Over the past two weeks, the film brought in $41,000 domestically. The film’s total now stands at $333.5 million. Internationally, the film added $2.2 million over the two weeks. It’s clear the film’s run is winding down but with two wins at the Golden Globes, there’s a chance the film will see a bump over the next few weeks.

The movie’s $1.063 billion is an amazing haul for a movie whose budget was just $55 million. It caps off a record-setting year for film’s based on comics.

The movie is currently ranked #11 in worldwide total for a comic adaptation. It’s about $18.2 million from passing The Dark Knight Rises and will crack the top ten at that point. It’s unlikely to do so but you never know.

When it comes to DC films, it’s a most interesting one. The film is marching along and is unlikely to pass Aquaman‘s domestic total by the time its domestic run is over:

FilmStudioDomestic Gross
Wonder WomanWB$412,563,408
AquamanWB$335,061,807
JokerWB$333,494,002
Batman v Superman: Dawn of JusticeWB$330,360,194
Suicide SquadWB$325,100,054
Man of SteelWB$291,045,518
Justice LeagueWB$229,024,295
Shazam!WB$140,371,656
Teen Titans Go! To the MoviesWB$29,790,236

Joker has been doing quite well in international earnings where Warner Bros. has had issues in the past. Aquaman indicates a shift for the company and lessons seem to be continued with Joker.

FilmStudioInternational Gross
AquamanWB$813,100,000
JokerWB$729,500,000
Batman v Superman: Dawn of JusticeWB$542,900,000
Justice LeagueWB$428,900,000
Suicide SquadWB$420,500,000
Wonder WomanWB$409,283,604
Man of SteelWB$377,000,000
Shazam!WB$224,200,000
Teen Titans Go! To the MoviesWB$22,300,000

The film is now one of the most profitable comic film adaptations of all time. With a reported budget of $55 million, the movie has an 19.33x return so far. That’s the highest factor for any movie based on a comic beating The Mask which was the previous leader with a 15.29x factor.

The film hasn’t earned the most compared to the budget, that record is held by Avengers: Endgame. Despite a $356 million budget, that movie earned a “profit” of $2.442 billion. Joker has cracked the top ten though having so far earned a “profit” of $1.008 billion.


Here’s where 2019’s comic films stand as far as the actual numbers.

Total Domestic Gross: $2.366 billion
Total International Gross: $4.952 billion
Worldwide Gross: $7.318 billion
Total Reported Budgets: $1.289 billion
Total “Profit”: $6.029 billion

Average Domestic Gross: $236.6 million
Average International Gross: $495.2 million
Average: Worldwide Gross: $731.8 million
Average Budget: $128.9 million
Average Profit: $602.9 million

Below is where the films released stand when it comes to being compared to this year’s averages. The bold numbers are above average while those below average are not.

FilmStudioDomestic Gross
Avengers: EndgameBV$858,373,000
Captain MarvelBV$426,829,839
Spider-Man: Far From HomeSony$390,532,085
Joker WB $333,494,002
Shazam!WB$140,371,656
Alita: Battle AngelFox$85,710,210
Dark PhoenixFox$65,845,974
Dragon Ball Super: BrolyFUNamation Films$30,712,119
HellboyLions$21,903,748
The KitchenWB$12,180,032
FilmStudioInternational Gross
Avengers: EndgameBV$1,939,427,564
Spider-Man: Far From HomeSony$741,396,434
JokerWB$729,500,000
Captain MarvelBV$701,444,955
Alita: Battle AngelFox$319,142,333
Shazam!WB$224,200,000
Dark PhoenixFox$186,597,000
Dragon Ball Super: BrolyFUNamation Films$83,390,702
HellboyLions$18,882,732
The KitchenWB$3,700,000
FilmStudioWorldwide Gross
Avengers: EndgameBV$2,797,800,564
Spider-Man: Far From Home Sony $1,131,928,519
Captain MarvelBV$1,128,274,794
Joker WB$1,062,994,002
Alita: Battle AngelFox$404,852,543
Shazam!WB$364,571,656
Dark PhoenixFox$252,442,974
Dragon Ball Super: BrolyFUNamation Films$114,102,821
HellboyLions$40,786,480
The KitchenWB$15,880,032
FilmStudioGross-Budget
Avengers: EndgameBV$2,441,800,564
JokerWB$1,007,994, 002
Captain MarvelBV$976,274,794
Spider-Man: Far From HomeSony$971,9285,519
Shazam!WB$264,571,656
Alita: Battle AngelFox$234,852,543
Dragon Ball Super: BrolyFUNamation Films$105,602,821
Dark PhoenixFox$52,442,974
HellboyLions-$9,213,520
The KitchenWB-$21,119,968
FilmStudioGross/Budget
JokerWB19.33
Dragon Ball Super: BrolyFUNamation Films13.42
Avengers: EndgameBV7.86
Spider-Man: Far From HomeSony7.07
Captain MarvelBV4.61
Shazam!WB3.65
Alita: Battle AngelFox2.38
Dark PhoenixFox1.26
HellboyLions0.82
The KitchenWB0.43

Alex’s Best of 2019

Now that 2019 is in the history books, it’s time to have a look back at some of the comics, movies and events that really stood out for me during the year. Now this is all based on what I’ve read, and if your favourite comic isn’t here, it may be because I may not have read it, not because I didn’t like it.

Just like last year, we’re looking at comics (ongoing or miniseries) without focusing on single issues or breaking them into specific categories, I’m going for everything in one. If it came out in 2019, then it’s fair game for me. Below you’ll find Eight of them in fact, that for one reason or another rocked my socks off. Underneath that, you’ll find my list of comic book/nerd based movies and T.V. shows. Same general format as the comics, though the total number may be different.

I haven’t decided yet.

The Comics

I was playing with the order of these right up until I sent it off for publication. I’ve no idea why I only allowed myself the number I did because there were far more comics I read that I wanted to include here. Comics like X-Force, Batman: Last Knight On Earth, Crecy and X-O Manowar were tough to leave off this list, but at the end of the day the books below are the ones that had me the most excited.

For me, these were the very best books (whether miniseries or ongoing) of the year in a sea of high quality comics from all publishers.

8. The Last God (DC Black Label)

Recency bias? Possibly. But over the three issues of this book that I’ve read, I have become thoroughly enamored with how the twin narratives play into and off each other. I almost missed the comic, if I’m honest. It wasn’t until a coworker at my LCS put it in my hands and told me to take it home that I actually did. I haven’t regretted buying this book for a second as I devoured the three issues one after the other. I’m not normally one for fantasy in my comics, but this year that’s almost exactly what I’ve enjoyed the most.

7. Berserker Unbound (Dark Horse)

I had picked this book up purely because it was a new Jeff Lemire book, and Lemire is an author whom I’ll give his comics a chance without knowing what the story is about because I’ve yet to read a book of his that I don’t life. The four issue story about a barbarian thrown from the realm of fantasy into New York City tackles the loneliness and loss felt by those who have nothing left, and the hope that a new friend can shine upon your life. Plus, it’s brilliantly illustrated, with Mike Deodato Jr. using a fantasy inspired high art style that’s eerily reminiscent of the Conan magazines without ever feeling tired.

6. Dead Man Logan (Marvel)

The final send off for Old Man Logan before his younger counterpart is resurrected properly, this twelve issue series always had an ending that we’d expect. There was no secret that Logan would die in the comic, but Ed Brisson was still able to make you care about the death of an alternate version of a character many consider to have been over exposed for much of the first half of this century. I couldn’t get enough of this character’s story, and to finally see an end to Logan’s story left me feeling complete.

5. The Life And Death Of Toyo Harada (Valiant)

Man oh man. I don’t have enough space to rave about how much I loved this series. It is the culmination of Joshua Dysart’s work on the character which began with Harbinger #1 in the 2012 relaunch of Valiant. This series focused on one of the most complicated men in the Valiant universe, telling the story of his life and death (it’s in the title, it isn’t a spoiler), and we’re left wondering whether Toyo Harada was really the villain he’s often portrayed as or whether he was simply a misunderstood hero whose methods rarely aligned with what the world found acceptable in his quest of Peace – at any cost.”

4. Incursion (Valiant)

Perhaps one of the more underrated of Valiant’s miniseries this year, but but had been on my radar for some time given that one of the featured characters was the Eternal Warrior – easily my favourite character in the Valiant universe (as I type this, I am wearing a custom made Wrath Of The Eternal Warrior shirt), and so I knew I’d lap this series up. I didn’t expect to be so taken with the father/daughter dynamic between Gilad and Tama as they face off against the antithesis of all life in a very private battle for the lives of billions of people – but that was only a happy coincidence for Gilad – he was determined to save the young Geomancer at any cost.

3. Once And Future (BOOM! Studios)

This book took me off guard; when my Those Two Geeks co-host Joe told me to pick it up, I was expecting a pretty decent comic (he’s never yet steered me wrong). Instead I found a re-imagining of Arthurian legend with revelations that are teased out ever so slowly as our protagonist gradually becomes aware of who he is and his place in the world. Maybe because I have an incredible soft spot for Arthurian legends, maybe because Dan Mora’s art is right up my alley, or maybe it’s something else entirely, but I love this series.

2. Voracious: Appetite For Destruction  (Action Lab: Danger Zone)

I’m surprised that this series fell to this spot in my list; Markisan Naso, Jason Muhr and Andrei Tabucaru’s masterpiece of comic book story telling was among the very best of 2019 – and considering that my expectations were sky bloody high for this series, that it was able to exceed them still blows my mind. I can’t pick one aspect or creator of this series to single out – all deserve an equal measure of praise and credit. Whether it’s Naso’s incredible writing and grasp of dialogue, Muhr’s emotionally powerful art or Tabucaru’s way of breathing life into the pages… each and every aspect of this series was spectacular.

1. Rai (Valiant)

Every once in awhile there comes a series that takes you entirely by surprise. I always hope I’ll like any comic I read because who wants to read a bad comic? But with Rai, I have been consistently shocked. Not because it’s such a marked improvement over Fallen World (which itself was utterly phenomenal and narrowly missed out on this list), but because Dan Abnett has been able to tell such an interesting story with such a simple backdrop. His way of making us question our use and abuse of technology, the loss of our privacy and our seeming inability to distance ourselves from what should be a tool is both as subtle as a butterflies kiss and a sledgehammer to the gut. I’ve never read anything like this before.

(Disclaimer: this is based on having read the first three issues, even though the third issue won’t be released for at least another week at time of publication.)

The Television Shows

I didn’t expect to have so much great TV to watch this year, and I’ll be the first to admit I didn’t see it all. For that reason, given the relatively low number of TV shows to comics that were released (and that I’ve seen) I’ve gone with a list of three. If you’re wondering, I have yet to see Watchmen because I don’t have HBO.

3. The Boys (Amazon Prime)

Brutal, bloody and very well written, The Boys is a look at what happens when superheroes are as corrupt as the people they’re supposed to stop. But who stops the heroes? That’s where Billy Butcher (played spectacularly by Karl Urban) and his boys come in. Well worth checking out, but possibly not worth a long subscription to Amazon Prime to do so (unless you’re getting it for the shipping perks).

2. The Mandalorian (Disney+)

If you’re a Star Wars fan, and you haven’t seen this yet, then now is the ideal time to sign up for a free week’s trial of Disney + to get your fix in. This is one of the better live action offerings in the Star Wars canon, certainly it’s in my top two from what has been released this decade. It constantly surprised me how expressive the actor beneath the armour is when you can’t see his face (I say “the actor” because there are times when Pedro Pascal was unable to be on set due to scheduling conflicts and Brendan Wayne stepped in to fill the bounty hunters helmet), and how much emotion is conveyed in the scenes from the score, camera angles and body language.

The Witcher

1. The Witcher (Netflix)

I was waiting for this show ever since I first heard it was coming. 2019 was, for me at least, the year of the Witcher. It was the year I started and finished the books, and the year I invested over a hundred hours into the Playstation 4 version of The Witcher III: Wild Hunt. I was ready for the live action adaptation of the books to be somewhere between average and good, but I wasn’t ready for Henry Cavill, Anya Chalotra and Joey Batey to bring the characters I envisioned to life so well. I don’t think I have ever seen somebody convey so much emotion and gravitas with a single word as Cavill does so often and so well in this series. While there are some complaints that it feels disjointed, and I understand them, my only suggestion with that is to make it to the finale. Once you do then you’ll want to rewatch the season with a new found understanding of the events that you just witnessed. I don’t remember the last time a TV show left me wanting to reread, rewatch and replay as much as I could of the universe it comes from as The Witcher has. The sooner the soundtrack is available the better.

The Movies

Well… this was certainly a year for movies, eh? Whether it was arguably one of the best DC movies in their live action movie universe or some movie about a bunch of people assembling something, there’s no doubt that this year had a lot of great movies released that fell within our sphere. Now there are movies from this year that I enjoyed more than some of the ones below, but because Aladdin doesn’t really fall into the scope of this list I’ve left it and others off the list. Try as I might, I couldn’t justify putting John Wick 3 on the list either, so I shaved the arbitrary number from eight to five.

5. Star Wars: Rise Of Skywalker

I seem to be one of the minority who enjoyed The Last Jedi despite its flaws, but even I’ll admit that movie paled in comparison to the finale of the Skywalker Saga. This was everything I hoped it would be and more. I cannot wait to see it again.

4. Captain Marvel

Part of me is surprised this movie came out in 2019. It’s hard to remember a time before Endgame changed the face of the MCU, but when I looked back I realized that not only did this film come out in 2019, but I enjoyed the shit out of it when I watched it.

3. Joker

I remember leaving the theater after seeing this being a little shaken. This wasn’t what I expected from a comic book movie. Much like Logan, Joker transcends the supposed limitations of comic book films and evolves into a thrilling story about one man’s descent into psychopathy. Now you and I are more than aware that comic book films are just as legitimate pieces of cinema as anybody, but for some reason Joker has pulled in critics looking to talk about Batman’s arch nemesis. While I don’t know if I’ll ever watch the movie again, I will always remember that feeling of watching something special as the credits rolled.

2. Spider-Man: Far From Home

It took me a long time to decide where to place this movie. I want to rewatch this more than any other of the movies on this list, but struggled to place it above Endgame because of what that movie represented in the culmination of the entire MCU up until that moment. But why do I want to watch this more than Endgame? Because Spider-Man: Far From Home has some fantastic acting from the entire cast, especially Tom Holland and Jake Gyllenhal, and it also feels a lot more personal than the exhaustively epic scope of Endgame. At this point, I’m comfortable saying that this is my favourite Spider-Man film yet.

1. Avengers: Endgame

Well shit. What can I really say about this movie that hasn’t already been said? When you look at it as a movie, it’s really good. The journey that Thor, Captain America and Iron Man take in the film alone could easily be the basis of solo films, likewise with Clint Barton. The finale is breathtaking in its scope, with each character getting their moment to shine amidst the madness. But when you take Endgame as a whole, as the culmination of twenty plus movies over more than ten years, it is unparalleled. I don’t honestly think I will see another film like it ever again.

Joker Winds Down Its Run and a Record-Setting Year

Joker

Joker dropped 77.4% to come in at #21 with an estimated $140,000. The film’s domestic total now stands at $333.5 million. This weekend’s total was far less domestically than last week’s $465,000. Internationally, the film added $600,000 over the week, down from last week’s $4 million. It’s clear the film’s run is quickly winding down. But, the movie’s $1.061 billion is an amazing haul for a movie whose budget was just $55 million. It caps off a record-setting year for film’s based on comics. We’ll have more coverage of those details when Joker‘s run is complete.

The movie is currently ranked #11 in worldwide total for a comic adaptation. It’s about $20.3 million from passing The Dark Knight Rises and will crack the top ten at that point. It’s unlikely to do so but you never know.

When it comes to DC films, it’s a most interesting one. The film is marching along and is unlikely to pass Aquaman‘s domestic total by the time its domestic run is over:

FilmStudioDomestic Gross
Wonder WomanWB$412,563,408
AquamanWB$335,061,807
JokerWB$333,453,468
Batman v Superman: Dawn of JusticeWB$330,360,194
Suicide SquadWB$325,100,054
Man of SteelWB$291,045,518
Justice LeagueWB$229,024,295
Shazam!WB$140,371,656
Teen Titans Go! To the MoviesWB$29,790,236

Joker has been doing quite well in international earnings where Warner Bros. has had issues in the past. Aquaman indicates a shift for the company and lessons seem to be continued with Joker.

FilmStudioInternational Gross
AquamanWB$813,100,000
JokerWB$727,300,000
Batman v Superman: Dawn of JusticeWB$542,900,000
Justice LeagueWB$428,900,000
Suicide SquadWB$420,500,000
Wonder WomanWB$409,283,604
Man of SteelWB$377,000,000
Shazam!WB$224,200,000
Teen Titans Go! To the MoviesWB$22,300,000

The film is now one of the most profitable comic film adaptations of all time. With a reported budget of $55 million, the movie has an 19.29x return so far. That’s the highest factor for any movie based on a comic beating The Mask which was the previous leader with a 15.29x factor.

The film hasn’t earned the most compared to the budget, that record is held by Avengers: Endgame. Despite a $356 million budget, that movie earned a “profit” of $2.442 billion. Joker has cracked the top ten though having so far earned a “profit” of $1.006 billion.


Here’s where 2019’s comic films stand as far as the actual numbers.

Total Domestic Gross: $2.366 billion
Total International Gross: $4.949 billion
Worldwide Gross: $7.315 billion
Total Reported Budgets: $1.289 billion
Total “Profit”: $6.027 billion

Average Domestic Gross: $236.6 million
Average International Gross: $494.9 million
Average: Worldwide Gross: $731.5 million
Average Budget: $128.9 million
Average Profit: $602.7 million

Below is where the films released stand when it comes to being compared to this year’s averages. The bold numbers are above average while those below average are not.

FilmStudioDomestic Gross
Avengers: EndgameBV$858,373,000
Captain MarvelBV$426,829,839
Spider-Man: Far From HomeSony$390,532,085
Joker WB $333,453,468
Shazam!WB$140,371,656
Alita: Battle AngelFox$85,710,210
Dark PhoenixFox$65,845,974
Dragon Ball Super: BrolyFUNamation Films$30,712,119
HellboyLions$21,903,748
The KitchenWB$12,180,032
FilmStudioInternational Gross
Avengers: EndgameBV$1,939,427,564
Spider-Man: Far From HomeSony$741,396,434
JokerWB$727,300,000
Captain MarvelBV$701,444,955
Alita: Battle AngelFox$319,142,333
Shazam!WB$224,200,000
Dark PhoenixFox$186,597,000
Dragon Ball Super: BrolyFUNamation Films$83,390,702
HellboyLions$18,882,732
The KitchenWB$3,700,000
FilmStudioWorldwide Gross
Avengers: EndgameBV$2,797,800,564
Spider-Man: Far From Home Sony $1,131,928,519
Captain MarvelBV$1,128,274,794
Joker WB$1,060,753,468
Alita: Battle AngelFox$404,852,543
Shazam!WB$364,571,656
Dark PhoenixFox$252,442,974
Dragon Ball Super: BrolyFUNamation Films$114,102,821
HellboyLions$40,786,480
The KitchenWB$15,880,032
FilmStudioGross-Budget
Avengers: EndgameBV$2,441,800,564
JokerWB$1,005,753,468
Captain MarvelBV$976,274,794
Spider-Man: Far From HomeSony$971,9285,519
Shazam!WB$264,571,656
Alita: Battle AngelFox$234,852,543
Dragon Ball Super: BrolyFUNamation Films$105,602,821
Dark PhoenixFox$52,442,974
HellboyLions-$9,213,520
The KitchenWB-$21,119,968
FilmStudioGross/Budget
JokerWB19.29
Dragon Ball Super: BrolyFUNamation Films13.42
Avengers: EndgameBV7.86
Spider-Man: Far From HomeSony7.07
Captain MarvelBV4.61
Shazam!WB3.65
Alita: Battle AngelFox2.38
Dark PhoenixFox1.26
HellboyLions0.82
The KitchenWB0.43

Rise of Skywalker Delivers a $175.5 million Debut While Cats Coughs Up a Hairball

Star Wars: Rise of Skywalker

Star Wars: Rise of Skywalker won the weekend box office delivering a $175.5 million debut over three days. That’s the third-largest December opening of all time. The studio had expected a $165 million opening.

The weekend audience was 59% male and 64% were aged 25 or older. The film received a “B+” CinemaScore, the first live film to not receive something in the “A” range.

Internationally, the film opened with $198 million from 52 markets delivering a global total of $373.5 million.

Jumanji: The Next Level dropped 56% to come in second place with an estimated $26.1 million. Domestically, the film has earned $101.9 million in ten days. Internationally, the film added $32.6 million from 52 markets to bring that total to $210 million for a worldwide total of $312 million. It still has to debut in Italy, Australia, and Brazil.

Frozen II came in third with an estimated $12.3 million to bring the domestic total to $386.5 million. The international total is now over $717 million and worldwide the movie has earned $1.103 billion.

Cats clawed its way to fourth with a $6.5 million total. With 3,380 locations, that’s one of the top twenty worst openings of all time for films opening in over 3000 locations. The movie received a “C+” CinemaScore from opening day audiences. The movie opened in the UK where it earned $4.4 million and a global total shy of $11 million. It expands in 37 markets next week and rolls out internationally through February.

Knives Out rounds out the top five with an estimated $6.1 million for a domestic total of $89.5 million. It added $6.4 million internationally for an overseas total of $96 million and a global total of $185.6 million. It has yet to open in Germany and Japan.

When it comes to comic films…

Joker dropped 77.4% to come in at #21 with an estimated $140,000. The film’s domestic total now stands at $333.5 million.

We’ll be back in an hour for a deeper dive looking at 2019’s comic adaptations.

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