Tag Archives: jason latour

Powerhouse Creators Team Up for All-New Series Black Cloud this April

Writers Ivan Brandon and Jason Latour team up with artist Greg Hinkle and colorist Matt Wilson for all-new dark fantasy series Black Cloud this April from Image Comics.

Zelda was born in a world of dreams, and hers burned bigger than anyone had ever seen. Now she’s on the run in our world, the dreams broken in her hands. But the pieces are for sale, the rich and the powerful are buying, and suddenly her world isn’t the only place Zelda’s running from.

Dreams come true—and today, they go to war.

Black Cloud #1 (Diamond code: FEB170540) hits comic book stores on Wednesday, April 5th. The final order cutoff deadline for comics retailers is Monday, March 13th.

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Loose Ends #2 Variant Cover Revealed

Image Comics has revealed a special limited variant cover of Loose Ends #2 by series artists Chris Brunner and Rico Renzi.

Loose Ends, written by Jason Latour, is a slow-cooked Southern crime romance. This second issue finds Sonny and Cheri on the run for their lives, though the biggest spectres lie not in front of them, but in the rearview mirror.

Limited quantities of Loose Ends #2 Cover B (Diamond code: DEC168393) will be available on Wednesday, February 22nd. Final order cutoff deadline for comics retailers is Monday, January 30th.

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Preview: Spider-Gwen #16

Spider-Gwen #16

(W) Jason Latour (A/CA) Robbi Rodriguez
Rated T
In Shops: Jan 18, 2017
SRP: $3.99

Continuing the story from SPIDER-MAN #12, Miles and Gwen find themselves in an Earth-65 adventure that’s going to rock both of their worlds (and universes). Don’t forget to reserve your copy of this mini-crossover!

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Review: Spider-Gwen #16

spidergwen16coverIn Spider-Gwen #16, Miles Morales learns that there are many differences between Earth-65 and his home Earth-like sodas using real sugar instead of high fructose corn syrup and that  Daredevil is evil and has an army of ninjas. (Thank goodness he was in the Ultimate Universe for Shadowland, or Miles would’ve gotten some bad flashbacks.) He’s still  too young to get into clubs on most worlds in the multiverse, but this doesn’t prevent him from having a little team-up fun with Spider-Gwen in this bouncy second chapter of the “Sittin’ in a Tree” crossover where writer Jason Latour focuses on building the relationship between the two young heroes instead of skipping straight to the smooching like Brian Michael Bendis did in Spider-Man.

Miles Morales is a great fit for Robbi Rodriguez and Rico Renzi‘s brighter, animation-meets cool indie band poster art style. The red and black adds some new hues to Renzi’s usual pink, green, and white world, and Latour writes Miles as completely out of his element the whole time. He’s freaking out about being in an alternative universe while simultaneously freaking about his dad going missing while on a mission for SHIELD. This is why he sounds like he’s hopped up on caffeine and fear, and where Gwen comes in with some much-needed empathy. They bond over their love for their dads, their superhero lives, and the weirdness of other worlds with Rodriguez’s full page spread of them hugging showing how much they’ve already bonded.

The colors and art pop even more once Spider-Gwen hits the Scorpion Club, and this leads to the spidergwen16interiorfunniest joke in the issue, which is 16-year-old Miles being left behind. He has a superhero costume, but no fake ID. The short fight scene inside the club featuring Earth 65’s Dr. Octopus is weird, yet fun and shows off Miles’ “other” powers, like venom stings and invisibility, as well as the fact that he has yet to be able to rattle off one-liners in battle like Earth 616’s Peter Parker. Renzi uses a lot of flashing yellows for the club fight scene to show characters getting their “lights knocked out”, or just how disorienting this environment is for both Gwen and Miles. And then the cliffhanger blows their minds even more.

The parts of Spider-Gwen #16 that resonated with me were when Gwen and Miles were becoming friends in an organic way. Because she keeps her secret identity from her bandmates in the Mary Janes and her dad is in jail, Gwen doesn’t really have anyone to talk to about her life as a superhero. Now, she has Miles, and they talk about how Earth-65 is like a sad pop song, and how it’s okay to be afraid even though they’re superheroes. (And is kind of visually designed that way.) Gwen is in a dark situation where the source of her superpowers is controlled by the Kingpin so it’s nice to have Miles pop up and bring some light and empathy to her comic even though his dad is in a terrible situation.

With its focus on building a connection between Miles and Gwen instead of multiverses and annoying supervillains, Spider-Gwen #16 is superior to the opening chapter of the “Sittin’ in a Tree” crossover. The final night club scene also ups the intrigue as Robbi Rodriguez and Rico Renzi continue to (web) sling out the cool visuals.

 Story: Jason Latour Art: Robbi Rodriguez Colors: Rico Renzi
Story: 8 Art: 9 Overall: 8.5 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review

Review: Southern Bastards #16

southern-bastards-16-coverSouthern Bastards #16 is like a club to the head. In a good way. Okay, maybe that metaphor is a little to on the nose after this issue. This book is like a two hundred and fifty pound linebacker on steroids rolling down the field and you are the opposing coach. You can send every offensive lineman you want to block, but he is just bowling them over one by one. A broken finger, a bloody chin, or a few missing teeth isn’t going to stop him. You, the reader, watches on in horror, and suspense at what is to come. The next thing you know, WHAM! That is what this book feels like, and it is awesome.

Much like football, sometimes things go your way, that’s if you are the “good guys” in the tale, and more often than not, they go the way of Coach Boss. He has lost two games in a row, and his legacy, his empire, and everything that makes him the icon that he is for the Runnin’ Rebs and Craw County is at stake. This issue shows how far he is willing to go to protect that. Now we’ve seen Coach Boss go pretty far previously, and this issue just doubles down on that. The odd part about him as a character, is his logic. I won’t spoil everything, but you can see that he rationalizes what he is planning to do to a player when his defense cannot stop him. He deems it is okay, because it’s his rules, and that’s been his way.

The writing by Jason Aaron is excellent, and if you’ve ready every issue, you know that Coach Boss was once a runt who no one ever took seriously. This is why back story and getting to know a character is so important in comics. Because of the excellent character building of this monster of a man, we know he won’t ever let anyone come in the way of his greatness ever again. He has worked too hard to get where he is, and he will do anything, to keep it that way.

The only thing I missed in this issue, was Roberta, but there was enough going on here that will likely begin a downward spiral for Coach Boss, and I am almost afraid to read anymore. This book is so good, and it reminds me of Game of Thrones where the bad guy keeps succeeding at something and you just pray for a hero of the story, any damn hero, to take them down. Now don’t get me wrong, we have seen things not go Coach Boss’s way lately, but it’s the repercussions of what he will do next that scare me. What happens if say he loses his job as a Coach? That is terrifying to think about. As crazy as he is, we all know it would be far worse.

Jason Latour continues his awesome and original style on art through the book. The violent scenes, as always, are drawn like beautiful car wrecks. They are such works of art, even if they are so hard to look at. Another thing I love about his style, is he uses sound effects that you expect in a super hero book, like “TWHUMP”, and “BLAM!” but in a very cool and non-distracting way. Also his Coach Boss is just awesome. He is like Clint Eastwood in Gran Torino mashed with The Hulk. The colors also look great, and the theme of red throughout Southern Bastards is strong again in this issue, as it is the color of the Runnin’ Rebs.

If you are not reading this book, you should be. Even if you are not a football fan, this book is so much more than that. It is a book about standing up for what is right, or putting your head down, when there is corruption that is right in front of everyone. This book does a great job at showing you people who make both of those choices, as people do in real life do. So far, anyone who gets in Coach Boss’s way, usually does not again. Is the tide starting to turn? It’s 4th down and inches to go for Coach Boss, and I hope the defense stuffs him.

Story: Jason Aaron Art: Jason Latour
Story: 9 Art: 8.5 Overall: 9 Recommendation: Buy

Image provided Graphic Policy with a FREE copy for review

Image Reveals a Loose Ends #1 Variant

Image Comics has revealed a special limited variant cover to Loose Ends #1 by series artists Chris Brunner and Rico Renzi.

Loose Ends is a gritty, slow-cooked, Southern crime romance that follows a winding trail down Tobacco Road, through the war-torn streets of Baghdad, and into the bright lights and bloody gutters of South Florida.

Loose Ends #1 Cover B (Diamond code: NOV168633) will hit comic book stores on Wednesday, January 25th and written by Jason Latour.

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Preview: Spider-Gwen #15

Spider-Gwen #15

(W) Jason Latour (A/CA) Robbi Rodriguez
Rated T
In Shops: Dec 21, 2016
SRP: $3.99

It’s time for Gwen Stacy to stop running from Matt Murdock. After all, Earth-65’s Kingpin of Crime might have a thing or two to teach the budding Spider-Woman…

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Southern Bastards Create Charity Variant to Benefit the Southern Poverty Law Center and ACLU

In response to the recent trend toward online harassment, Jason Latour and Jason Aaron’s Southern Bastards #16 issue will feature a special variant cover to benefit charity. The proceeds raised by this variant will be split between the Southern Poverty Law Center and the ACLU.

This special “Don’t Be a Bastard” charity variant cover by series co-creator Latour is part of the ongoing “Roberta Tubb” variant series, showcasing Southern Bastards’ protagonist Roberta Tubb, interpreted by some of comics’ brightest artistic talents.

This is not the first time Latour and Aaron have announced a variant to benefit charity. The Southern Bastards #10 charity variant raised $18,000 for the victims of the Emanuel African Methodist Episcopal Church shooting in Charleston, SC.

Southern Bastards is a bestselling, Eisner Award-winning comic series that has been praised for its honest portrayal of Southern culture.

Southern Bastards #16 Cover B “Don’t Be a Bastard” by Latour (Diamond Code NOV168192) will be available on Wednesday, January 11th.

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Preview: Spider-Gwen #14

Spider-Gwen #14

(W) Jason Latour (A/CA) Robbi Rodriguez
Rated T
In Shops: Nov 23, 2016
SRP: $3.99

Happy Thanksgiving from Spider-Gwen and crew! But what should crimelord Matt Murdock and his ninjas bring to dinner?

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Get wrapped up in Loose Ends

From writer Jason Latour, artist Chris Brunner, and colorist Rico Renzi comes Loose Ends, a four-issue miniseries from Image Comics this January.

Loose Ends is a gritty, slow-cooked, Southern crime romance that follows a winding trail down Tobacco Road, through the war-torn streets of Baghdad, and into the bright lights and bloody gutters of South Florida.

Loose Ends #1 (Diamond code: NOV160548) hits stores Wednesday, January 25th. The final order cutoff deadline for retailers is Monday, January 2nd.

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