GlobalComix has announced Resilience: Creators Against COVID. The anthology is the digital platform’s first original release. GlobalComix has teamed up with creators for original stories about perseverance and hope. 100% of the revenue will go to the creators for them to donate to causes or comic shops of their choosing.
Resilience: Creators Against COVID features 7 chapters which will be released twice a week starting on May 18.
Check out the full creative lineup below:
Persevere Released on May 18 2021, made by Landry Walker (Batman), Eric Jones (Star Wars), Taylor Esposito (Daredevil) are donating to Fantastic Comics in Berkeley, CA
The Fantastic Flame Released on May 25 2021, made by Alex Segura (Archie), Chantel Acevedo (Muse Squad), Richard Ortiz (DC Bombshells), Ellie Wright (Black Ghost), Taylor Esposito (Daredevil) are donating to A&M Comics in Miami, Florida
Persian Version of Pop Culture in America Released on May 27 2021, made by Sina Grace (Iceman) is donating to Secret Headquarters Comics in Los Angeles, CA
Surviving Camino Del Diablo Released on June 1 2021, made by Henry Barajas (Helm Graycastle), Nicky Rodriguez (Pulse), Gabbie Downie (Harleen) are donating to Palabras Bilingual Bookstore in Phoenix, AZ
(W) Tom Peyer (A) Jamal Igle / Juan Castro (C) Jamal Igle May 5, 2021 $3.99
The utility gauntlets are off! The tensions between campy Dragonflyman and his gritty counterpart, Dragonfly, come to a furious boil! It’s a rift that can only be settled with fists, gadgets, and—in Dragonfly’s case—lethal weapons! EXTRA: illustrated prose, AHOY-style!
Eric Palicki and artist Wendell Cavalcanti are collaborating on an all-new comic book series, Black’s Myth, about an LA-based private investigator … who is a werewolf. This punk rock black-and-white horror series will feature covers by rising star Liana Kangas, and the first issue will feature a variant cover by Jamal Igle. Black’s Mythwill debut this July from AHOY Comics.
Meet Janie Jones “Strummer” Mercado—just an ordinary werewolf PI, trying to make it on the mean streets of Los Angeles. When the case of a lifetime falls into her lap, it’s up to her and her charming djinn assistant Ben Si’lat to figure out just how many silver bullets have been used, and just where do silver bullets come from anyway? Black’s Myth mixes familiar noir detective tropes with urban fantasy world-building as it explores the “supernatural underground” thriving in Los Angeles.
The first issue of Black’s Myth will be in comic shops on July 7th, 2021 for $3.99. Like all AHOY titles, it will feature extra prose stories and illustrations.
AHOY Comics is the latest comic publisher to sign a deal with Simon & Schuster to deliver their releases to bookstores as of March 2021. The publisher also announced its fall publication schedule which will include trade paperback editions of several of its comics. Diamond will continue to distribute AHOY’s titles into comic shops.
AHOY also announced its fall publication schedule which will also include trade paperback versions of several of its popular series from earlier in the year: Happy Hour, The Wrong Earth: Night and Day, Edgar Allan Poe’s Snifter of Blood, and Second Coming: Only Begotten Son.
Publication dates and summaries for AHOY’s fall titles are below:
(W) Peter Milligan, (A) Michael Montenat August 25, 2021 (Bookstores: September 7, 2021)
In future America, being happy isn’t just a right—it’s the law. While the Joy Police brutally enforce the cheery code, two young people go on the run, searching for a haven of melancholy where they can safely bask in the blues. A timely tale by superstar writer Peter Milligan (X-Statix, The Prisoner) and artist Michael Montenat (Dominion, Hellraiser Annual).
THE WRONG EARTH: NIGHT AND DAY
(W) Tom Peyer, (A) Jamal Igle / Juan Castro September 8, 2021 (Bookstores: September 21, 2021)
The vengeance-dealing Dragonfly sticks it to the man! The acrobatic sleuth Dragonflyman assists the police! These alternate-earth versions of the same masked crimefighter meet face-to-face for the first time in this new series by the original creators of the smash-hit The Wrong Earth! Will their impossible encounter result in a team-up… or an all-out war?
EDGAR ALLAN POE’S SNIFTER OF BLOOD
(W) Paul Cornell, Dean Motter, (A) Russ Braun September 22, 2021 (Bookstores: October 5, 2021)
Edgar Allan Poe’s Snifter of Blood continues to cheaply exploit the great Edgar Allan Poe’s reputation! The collection combines 6 issues worth of anthologies including a take on how the 1% would fare in “Masque of the Red Death” by Tom Peyer and Alan Robinson, Sherlock Holmes’s investigation of murders from two Poe stories by Paul Cornell (Doctor Who) and Greg Scott, a update on the “Tell-Tale Heart” and more. Oh, and did we mention the new Cereal Monsters story from Mark Russell and Peter Snejberg?
SECOND COMING: ONLY BEGOTTEN SON
(W) Mark Russell, (A) Richard Pace, Leonard Kirk November 3, 2021 (Bookstores: November 16, 2021)
The long-awaited second volume of the book ComicsBeat called “the world’s most dangerous comic book and the most lovely.” As superhero Sunstar anticipates becoming a father, he agonizes over how—and if—he can use his powers to make a better world for his child. And as Jesus Christ loses his bedroom to a nursery, he struggles to find a new place in a society that distorts and exploits his message for profit.
The first volumes of THE WRONG EARTH and SECOND COMING are available now for reorder from Simon & Schuster, along with all other titles in the AHOY Comics backlist.
If you haven’t been paying attention to Ahoy‘s Wrong Earth series, you’re missing out. The Wrong Earth: Night and Day #3 is the first issue I’ve read in time to actually get a review together after catching up on the first volume via trade and the previous two single issues (the first issue of Wrong Earth: Night and Day I read and reviewed before reading the first volume). The beauty of this series is that you don’t need to have read the first volume to enjoy Night and Day because the essential concept of the book is really simple for a fan of superhero comics – or even a person with a slight awareness of a certain character – to grasp; what happens when a silver age hero and his modern counterpart switch places?
The previous issue saw the two counterparts, the gritty Dragonfly from Earth Omega and the charming Dragonfly Man from Earth Alpha finally team up after being stuck in each other’s world for the first volume as they meet in a third world, Earth Zeta, that has been gradually poisoning the other worlds. As you can probably imagine, things didn’t go smoothly when Dragonfly tried to kill a henchman, and the pair ended up captured by Number One, the Joker to their Batman (honestly, now that I think of it, Wrong Earth is a better version of Three Jokers in how the three different versions of the same character has been handled).
Writer Tom Peyer plays into the dichotomy of the two characters and the hallmarks of the eras that they pay homage to with no sense of irony. It took me by surprise a little when I realized that Peyer was treating things like the anti-bullet spray with a genuine seriousness, but as I fell deeper into his world, I realized that there’s a charm to that era of comics that we’ve lost as the medium has trended toward the realism and violence seen in today’s comics. It’s fun. Genuinely fun, and watching Dragonfly’s gobsmacked reactions makes me laugh every time.
The plot of the comic takes a bit of a turn in this issue from where I was expecting the story to go, and I am all for the direction that Peyer is taking this story. He’s taking what is ultimately the bigger conflict of the series and moving it center stage, which opens up the possibility of some fantastic story telling and identity questions that can be explored.
Artistically, penciller Jamal Igle, inker Juan Castro and colourist Andy Troy hit the nail on the head. There’s a generous amount of white in this book, allowing you to focus on certain parts of the art and story. But we also take a visit to both Earth Alpha and Earth Omega, with the two worlds having a distinct flair to their settings, embodied by something as simple as the facial hair or lack thereof of the main characters. There’s a lot to enjoy on the visual journey of this book, a lot to take in, but it’s the subtleties of the art that really elevate the comic as a hole. It sounds almost foolish that stubble can make a book, but here we are.
The Wrong Earth: Night And Day #3, like previous issues also include a couple of prose pieces that aren’t necessarily required reading, but are certainly nice additions to a comic that was already worth buying on the merits of its main story (which clocks in around 20 odd pages). Wrong Earth is fast becoming one of my most anticipated series – whether you start with this volume or you pick up the first trade, you really can’t go wrong with this. Peyer walks the line between tongue in cheek send-up and deadly serious story in the same way a tightrope walker moves across the rope – with impeccable balance.
Story: Tom Peyer Art: Jamal Igle Inker: Juan Castro Color: Andy Troy Letterer: Rob Steen Story: 8.6 Art: 8.5 Overall: 8.5 Recommendation: Buy
AHOY Comics provideGraphic Policy with a FREE copy for review
(W) Tom Peyer (A) Jamal Igle / Juan Castro (C) Jamal Igle March 10, 2021 $3.99
While investigating Earth-Zeta, the source of their worlds’ deadly pollution, Dragonfly and Dragonflyman can’t stop fighting over who gets to drive the Dragon Wagon. Illustrated prose fiction rounds out the issue.
Dark Knights: Death Metal is over and we’ve seen a possible future timeline in “Future State”. Now, DC begins to chart its path with the first crumbs teased in Infinite Frontier #0. The issue serves as a guide as to the various series and status-quo that awaits them. With a new omniverse to explore, anything is possible and the comic does its job to remind us of that.
The comic’s story is delivered in a narrative driven by two characters as our guide. It’s a spin on the classic Christmas Carol and It’s a Wonderful Life. Wonder Woman believes a threat is looming and wants to witness the state of things before making a major decision about her role in the DC Universe.
With Wonder Woman and Spectre as our guide, we’re taken on a tour of the characters highlighting the comics to come. The Justice League, Batman, Wonder Girl, Alan Scott, Teen Titans Academy, Superman, Green Arrow and Black Canary, Star Girl, Green Lanterns, and the Flash all get a moment to show off where things stand. All of it is good and interesting though few of what’s presented really excites. It feels like an extended teaser and preview. It takes its concept as a guidebook almost too seriously. The comic feels a bit more like the extension of the ending of Dark Knights: Death Metal where we saw many of these ideas initially teased.
But, what’s intriguing is what’s presented and doesn’t have a comic attached to them. Infinite Frontier #0 teases more than what’s already announced giving hope as to what we’ll see in July and beyond. There’s also teases through artwork of the various series DC teased at the recent ComicsPro. It’s interesting in that way that the stories feel less like the exciting first 15 minutes before the credits to get you pumped. Instead, the stories are a bit dry and more to lay out where things stand with the concepts thrown out being the hooks. The action isn’t the hook, the ideas are.
The art of the comic is solid. Each segment flows into the next and with a few exceptions, the styles work well together. There are some fantastic spreads with Wonder Woman as she talks to Spectre about what she’s witnessing. There’s a few panels and pages that’ll leave you lingering to stare at. The colors really pop on pages delivering a sense of energy that really fits the new status of the DC Universe.
Infinite Frontier #0 isn’t bad but it doesn’t quite excite. By the end of the issue I found myself more excited about concepts than the comics themselves. Very few of the segments left me wanting to immediately find out what happens next. Instead, it the comic feels like a short ashcan, teasing what’s to come with a few pages and back material to fill things out. It shows what’s to come but it never quite puts things over. Instead, it nails its role as a guide, a way to browse what DC has to offer.
Story: Brian Michael Bendis, James Tynion IV, Becky Cloonan, Michael W. Conrad, Joëlle Jones, Tim Sheridan, Phillip Kennedy Johnson, Joshua Williamson, Geoff Johns, Geoffrey Thorne Art: David Marquez, Jorge Jimeez, Alitha Martinez, Mark Morales, Joëlle Jones, Stephen Byrne, Rafa Sandoval, Jordi Tarragona, Jamal Igle, Alex Maleev, Todd Nauck, Dexter Soy, Howard Porter, John Romita, Jr., Klaus Janson Color: Tamra Bonvillain, Tomeu Morey, Emilio Lopez, Jordie Bellaire, Stephen Byrne, Alejandro Sanchez, Hi-Fi, Alex Sinclair, Brad Anderson Letterer: Troy Peteri Story: 7.0 Art: 7.75 Overall: 7.0 Recommendation: Read
DC Comics provided Graphic Policy with a FREE copy for review
Written by: Michael Conrad, Brian Michael Bendis, Joshua Williamson, Scott Snyder, Tim Sheridan, Joëlle Jones, Becky Cloonan Art by: Jamal Igle, Rafa Sandoval, Stephen Byrne, Joëlle Jones, Alitha Martinez, Jorge Jimenez, David Marquez, John Timms
The next phase of the DC Universe begins here! Dark Knights: Death Metal presented the darkest threats of the Multiverse. DC Future State revealed what may lie ahead. Now it’s time to look into the Infinite Frontier of the current-day DC Universe. In Gotham City, The Joker jolts citizens awake with an attack even the Dark Knight never expected. In Brazil, a young woman discovers her destiny and her connection to the Amazons. In Belle Reve, Amanda Waller plots an invasion of Arkham Asylum. In the far reaches of space, Mongul dreams of galactic domination, while the Green Lantern Corps hosts a summit of its greatest enemies. At the Hall of Justice, the League joins forces with Black Adam. Beyond the mortal world, Wonder Woman settles into a new role in the godsphere. And somewhere in the DC Universe-it’s the return of Stargirl, in an all-new tale written by Geoff Johns! This oversized, all-star issue kicks off the next great era of storytelling and excitement as top writers and artists reveal what’s next for the World’s Greatest Heroes and opens the door to some of the greatest stories of 2021.
This is a column that focuses on something or some things from the comic book sphere of influence that may not get the credit and recognition it deserves. Whether that’s a list of comic book movies, ongoing comics, or a set of stories featuring a certain character. The columns may take the form of a bullet pointed list, or a slightly longer thinkpiece – there’s really no formula for this other than whether the things being covered are Underrated in some way. This week: The Wrong Earth
I initially stumbled over The Wrong Earth because the first issue of the second volume caught my eye. I enjoyed it, a lot, and decided to circle back and order the trade of the first volume.
What’s the book about? Well because I don’t see the need to rewrite the publisher’s blurb for the trade, I’ll paste it below.
“On dark, gritty Earth-Omega, masked vigilante Dragonfly punishes evil maniacs and evades corrupt authorities. On sun-splashed Earth-Alpha, costumed crook-catcher Dragonflyman upholds the letter of the law. Now they’re trapped on each other’s worlds, where even the good guys don’t share their values!”
If the idea of the Silver Age Batman or the Adam West Batman and Frank Miller’s Dark Knight switching places sounds awesome, to you, well, that’s because it is. But it’s also so much more than just that elevator pitch.
Written by Tom Peyer, featuring art by Jamal Igle, with inks and colours provided by Juan Castro and Andy Troy respectively. Rounding out the creative team is letterer Rob Steen, who’s contributions to the comic are often subtle until you catch the sound effects giving you a nostalgic smile. Wrong Earth is the six issue miniseries that launched publisher Ahoy Comics, who some of you may recognise from comics such as Captain Ginger, Second Coming and Penultiman – but we’re not looking at those today. No, this column is about a book that hooked me from the premise, and then surprised me with just how well executed everything was.
A lot of superhero stories that can be seen to take inspiration from others (in the case, Batman), often struggle to tell a compelling story and also stand apart as anything other than a lesser imitation when all is said and done. Wrong Earth leans into the familiarity of the Silver Age with gleeful abandon; Peyer adds a little more realism to the era without sacrificing any of its fun – but he certainly calls out the foolishness of it all as you see the gritty Dragonfly loses his mind at how innocent the world of Earth: Alpha. Conversely, the reader is commiserating with Dragonfly Man as he realizes that Earth: Omega’s world is a living nightmare – and yet you can’t help but laugh as his Silver Age tricks inexplicably work in the modern era. There’s nothing quite like the sense of familiarity as he explains how he escaped a death trap with his cunning, logic, and a little bit of comics magic.
It shouldn’t work, but it does. It REALLY does.
When it comes to The Wrong Earth, I think I’ve found one of my favourite new stories. It is equal parts the charm of the Silver Age and the gritty sensibilities of modern comics, and yet it works in delivering one of the most entertaining stories from start to finish in this volume. In addition, there’s also five back up stories within the trade that enhance and build out the mythology of (the) Dragonfly/man’s world, which are all utterly fantastic.
I’ve only really scratched the surface with this book, because a lot of it you’ll benefit from going in as blind as you can – it’s fun, really fun, and an engrossing read that swooped below far too many radars. Go find this underrated gem at your favourite retailer now.
Unless the comics industry ceases to exist this week, Underrated will return next week.