*This review contains full spoilers for The Wicked + The Divine #44*
With its skull on the first page of issue one, None More Goth visual trappings, and high body count, The Wicked + the Divine sometimes seems to be a book about death. However, it’s really about life and growing up and discovering your true identity, and stuff that sounds like self-help, hippy dippy bullshit. The Wicked + The Divine #44 is executed in a beautiful way by Kieron Gillen, Jamie McKelvie, and Matthew Wilson. Even though there’s one issue left of WicDiv, this The Wicked + The Divine #44 ends the series’ main plot and the tale of godlike teenagers, Ananke and Persephone, and best of all, Luci and Laura, the relationship between mad, bad, and dangerous to know and shy, innocent fangirl that hooked me on the series and evolved well beyond that.
The amazing cliffhanger of WicDiv #43 brought Luci back to the forefront of the narrative and the general limelight just before the end. Gillen has her call herself “the whole world’s dream girlfriend”, and McKelvie and Wilson oblige with some rockstar poses and a side of hellfire. Her new costume is one of my favorite McKelvie designs of the series and gives her the swagger of a person who is only herself when she’s performing in some way. She’s Lord Byron, Bowie, Jagger, and most of all, the Adversary. Luci desires to create chaos and enjoy life with her new lease on it, doesn’t want to relinquish her powers like the other Pantheon members, and would definitely rather reign in Hell.
This is where some writers would have a big punch-up, Miracleman #15 style, with Luci being full of hubris and wrecking London. However, Kieron Gillen and Jamie McKelvie definitely “zag” away from this path and do something a little more life-affirming with Luci and Laura. In a red and black, near farce of the Pantheon transformation sequence and using third-person narration, Gillen, McKelvie, and Wilson sort through the pain that Laura has gone through the past two years, and how much she cared for Luci even when she was on trial for murder back in “Faust Act”.
It all culminates in one of the most touching sequences of the series (And we’re only on page 8.) where Luci simply says, “I’m Eleanor”, kisses Laura, and becomes human again. This series of pages is a wonderful inversion of the other Pantheon transformation sequences throughout the series, and the moments after are raw, filled with tears, and the formerly sharp-tongued Lucifer having almost nothing to say. It expertly combines the lofty themes of identity, godhood, and immortality with two estranged friends hugging it out as Laura demonstrates growth by choosing reconciliation over alienation.
I could probably write this whole review about Luci and Laura, but hey, there are other characters and storylines in The Wicked + The Divine #44 all connected to the throughline of simply living even if it doesn’t mean being a god with worshipers or pop star with fans. With Luci returned to mortality, the situation with Minerva/Ananke is the last big plot thread on the table, and there’s a debate over what to do with her. Laura wants to kill her, but she’s growing as a person and defers to Cassandra’s sensible solution of using Mimir’s plot device engine one last time. (Cass’ reaction is priceless.) But Baal just wants to kill her and be the embodiment of toxic masculinity. His last interactions with Inanna are tragic and are a reminder of how great this series was at exploring queerness and gender performance.
He’s done this throughout the series, but I would like to draw attention to how Jamie McKelvie draws panels with multiple figures in WicDiv #44. He doesn’t just focus on reader eye level, but in the spirit of the old film adage “acting is reacting”, imbues each figure with a small story of their own. A good example of this is the first reaction panel after the deaths of Baal and Minerva. Laura furrowing her brow and figuring what to do with two dead bodies and a SWAT on the way is the focus of the panel.
But McKelvie reminds us of the deep pain that Inanna feels about the death of his former lover and the empathy and friendship Dionysus has for him through his detailed work with them. All of this is with no words; just visuals. Also, Wilson uses a lot of black to give the panel and page a real funereal feel for the literal characters, Baal and Minerva as well as all of Ananke’s machinations and the concept of the Pantheon. There is also a slight glow in the background, which connects to the spotlights used by the cops throughout the issue and symbolizes that the ex-Pantheon members have to deal with the harsh light of reality as mortals from now on. (See the courthouse scene.)
With its opening words and repeated mantra “Once again we return” as well as the revelation of the eternal conflict between Ananke and her sister, WicDiv has been a study of cycles of life and death. This beautiful symmetry pays off big time in WicDiv #43 whose final page is not just an homage to the ending of its predecessor, Grant Morrison’s Invisibles, but the first page of WicDiv #1 with the visual of a living head instead of a skull. It’s also like the ending of John Milton’s Paradise Lost where Adam and Eve lost a chance of immortality in an utopia, but gained the ability to choose “their [own] place of rest”. Laura might not be a goddess any more and is still in hot water for killing Ananke, but she gets to live life as a human being untethered to any rituals or schemes.
I’ve spent the last five years living, regressing, and sometimes growing alongside these characters expertly crafted by Kieron Gillen, Jamie McKelvie, and Matthew Wilson so emotions definitely run high in The Wicked + The Divine #44 especially in regards to Luci and Laura and Baal and Inanna. But it is one of the most life-affirming comics I’ve ever read, and I’m glad that we (hopefully) get to see a peek of the lives of Laura and company in the final issue of the series. (That final cover reveal, y’all!!)
Story: Kieron Gillen Art: Jamie McKelvie
Colors: Matthew Wilson Letters: Clayton Cowles
Story: 10 Art: 10 Overall: 10 Recommendation: Buy
Image Comics provided Graphic Policy with a FREE copy for review