Tag Archives: featured

Search for Hu banner ad

Join Our Team!

Graphic Policy is always on the hunt for talented contributors. If you’re interested in becoming involved with one of the internet’s most unique, fastest-growing entertainment and pop culture websites, now’s your chance!

Please note that all of the positions offered by Graphic Policy are volunteer positions. Our staff runs this site because we love comics, politics, pop culture, games, movies, television, and geekdom.

We can not guarantee anything but your name in the writing credits (perfect for someone building a portfolio), but we will work with you to help you cover and write about the things you’re interested in.

Graphic Policy will open up its ability to obtain review copies, press passes and more for those who regularly post to the site. Your posts belong to you and you are free to post them here and other sites as well!

All applicants must be over the age of 18 years old and have excellent writing skills.

Please fill out the form below and let us know more about you, and what you’d like to write about and cover.

Review: The Walking Dead Deluxe #23

The Walking Dead returns in full color with extras! The Walking Dead Deluxe takes us back to the beginning with each issue now featuring full color. There’s also extras of what might have been with notes as part of “The Cutting Room Floor.”

What’s it like to revisit this modern classic? How does it change all these years later… and in color? Find out!

Story: Robert Kirkman
Art: Charlie Adlard
Color: Dave McCaig
Letterer: Rus Wooton

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics

This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Review: Our Stories Carried Us Here: A Graphic Novel Anthology

Green Card Voices gathers 10 stories about immigration and shines a light on it and the refugee experience.

Story: Zaynab Abdi, Aziz Kamal, Craig Moodie, Karelin, Ruth Mekoulom, Alex Tsipenyuk, Zurya Anjum, Sergio Cenoch, Mary Anne Quiroz, Vy Luong, Amara Solomon Kamara
Art: Ashraf El-Attar, sunshine gao, Ana Hinojosa, Mike Centeno, Hop (Guy Bertin “BG” Beyem Gouong, Sandjock Likine
, Gerard Nyunai Ngan), Tom Kaczynski, Toufic El Rassi, Camilo Aguirre, Cori Nakamura Lin, Hamid Ibrahim, Kugali Team

Get your copy in comic shops! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Mini Reviews and Recommendations For The Week Ending 09/18/2021

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling short reviews from the staff of the comics, or graphic novels, we just didn’t get a chance to write a full review for. Given the lack of new comics, expect this weekly update to begin featuring comics that we think you’ll enjoy while you can’t get anything new to read – only new to you.

These are Graphic Policy’s Mini Reviews and Recommendations.


Eternals: Thanos Rises #1 (Marvel)– Only in comics can you have a prehistoric battle between immortal beings astride dinosaurs and a Platonic dialogue all under the same covers as Kieron Gillen, Dustin Weaver, and Matthew Wilson show the ideological and physical roots of one of pop culture’s greatest villains, Thanos, in Eternals: Thanos Rises #1. The conflict at the core of this issue, and honestly at the Eternals as a whole in Gillen’s run, is if immortal beings whose goal is to defend a kind of status quo (the machine) can change even in the slightest way. This way is having children, and as one can guess, it doesn’t turn out great. Weaver and Wilson’s visuals bring the power and mythic quality of the best Jack Kirby stories while having their own unique and slightly askew approach to storytelling. They’re influenced by the King and not a cover band for him. Also, it’s just plain cool and additive to the whole vibe of the Eternals to have characters based on the ancient Greek pantheon partake in the very ancient Greek activity of a philosophical dialogue. Eternals: Thanos Rises #1 adds context and scope to Kieron Gillen’s work on Eternals and features him, Weaver, and Wilson working in an epic mode. Overall: 9.4 Verdict: Buy

Black’s Myth #3 (Ahoy)– Strummer and Ben’s hunt for their client’s missing silver bullets (Apparently they were forged from the 30 pieces of silver that Judas received for betraying his Lord and Savior, but you know how there things are.) takes them to many interesting destinations, including a vampire bar and occult bookstore that’s more than meets the eye. Eric Palicki and Wendell Cavalcanti keep the action and mystery going at a nice clip lulling readers into a false sense of security before escalating the plot with a wallop in the last few pages. Also, Calvacanti gets to show off his fight sequence chops and channels Frank Miller and Klaus Janson in a nine panel grid vampire beatdown that shows that Strummer still has a relish for violence and is more werewolf than detective. In Black’s Myth #3, the pace never drags, the patter is always snappy, and Eric Palicki and Wendell Cavalcanti really up the danger quotient. Overall: 8.6 Verdict: Buy

Joker #7 (DC)– The shape of the conspiracy that Jim Gordon’s up against starts to slowly reveal itself in Joker #7 by James Tynion, Guillem March, and Arif Prianto. Like most issues of Joker, the book features multiple settings, narrators, and POVs as well as art styles from March, who does a James Bond/Avengers homage with Julia Pennyworth to tight grids and reflections in eye glasses as Gordon meets a potential new ally. He can get as much tension from a conversation as a silent martial arts fight aka Cassandra Cain in action. Joker #7 also features smart commentary about how the rest of the world sees Gotham (It hides social issues under masks and costumes.) and character moment payoffs like Pennyworth beating the shit out of some Bane theme park investors as payback for the villain killing her father back in the Tom King Batman run. One of the reveals that Tynion pulls is a little obvious (If keeping with his history on the Bat-family books), but I love the layered storyline he’s creating in this book that goes beyond a simple cat and mouse game. The Punchline backup from James Tynion, Sam Johns, and Sweeney Boo is quite entertaining as Harper Row tries to break out of prison creating an opportunity for clever layouts and a sense of urgency in that story’s plot. Overall: 8.5 Verdict: Buy

Godzilla Rivals: Vs. Mothra (IDW)– Mary Kenney, SL Gallant, Maria Keane, and Adam Guzowski turn in a celebration of the Queen of the Monsters in the one-shot Godzilla Rivals: Vs. Mothra. Before the titular battle, Kenney does a good job fleshing out this comic’s protagonist, Mima, a photographer who’s supposed to be doing a puff piece on the Japanese military and ends up learning about Mothra’s captivity attempting to free her. Like the best kaiju stories, Godzilla Rivals: Vs. Mothra ends up being a parable about how humanity cages nature and what we don’t understand instead of being curious like Mina, whose photojournalism career came out of a life time exploring the great outdoors with her parent. All is this is great, but Godzilla Rivals: vs. Mothra also has a curb stomp monster action courtesy of Gallant and Keane as Kenney shuts off the dialogue and captions and “lets them fight”. There is really clever use of Mothra’s cocoon and Godzilla’s nuclear breath, and the entire story ends up being a little bittersweet. This comic is a must-read if you like your kaiju fights with a side of emotional resonance. Overall: 9.2 Verdict: Buy

Trial of Magneto #2 (Marvel)– Leah Williams, Lucas Werneck, and Edgar Delgado are back for another round of bombastic drama, action, and questionable morality. Trial of Magneto #2 adds the Avengers to the mix to complicate the murder investigation and also show how much Wanda Maximoff meant to the team as they share grief and space with the Krakoans. However, not everything is sunshine and daisies, and we get yet another Magneto vs. everyone fight scene like the previous issue. But Williams and Werneck switch things up by letting Northstar be angry when his husband Kyle is caught in the middle of things and is treated as less than by Magneto. Throw in an utterly chaotic last few pages plus couple moments that show how utterly morally bankrupt Krakoan leaders like Professor X and Emma Frost are, and you can see why Mystique (Who has a 1 panel cameo) wants to burn the place down. Overall: 8.0 Verdict: Buy

Well, there you have it, folks. The reviews we didn’t quite get a chance to write. See you next week!

Please note that with some of the above comics, Graphic Policy was provided FREE copies for review. Where we purchased the comics, you’ll see an asterisk (*). If you don’t see that, you can infer the comic was a review copy. In cases where we were provided a review copy and we also purchased the comic you’ll see two asterisks (**).

Those Two Geeks Episode 132: You Are The Werewolf!

Alex and Joe babble on about whether Andrew Garfield is actually in the upcoming Spider-Man: No Way Home movie or not, more Marvel Legends news, and the odd tangent.

As always, Alex and Joe can be found on Twitter respectively @karcossa and @jcb_smark if you feel the need to tell them they’re wrong individually, or @those2geeks if you want to yell at them together on Twitter, or by email at ItsThose2Geeks@gmail.com.

Review: The Last Annihilation: Wakanda #1

The Last Annihilation: Wakanda #1

The recent MCU series What If?, is one of the studio’s best projects to come out in recent years. As the stories they have told thus far, has transcended what they have done in the movies. As the latest episode as of this writing, asks the question, if Killmonger used his intellect to outsmart Iron Man and Black Panther, how powerful could he become? These types of questions would only be asked before, only in the comic books.

The show posits possibilities that if one took a different road or made a different decision, just how drastically different things would be. The aspect I loved about the show thus far is how much it has delved into the world of Wakanda. As it has become increasingly apparent that the Wakandans are at the center of whatever is going on in the MCU. In this one –shot we find Black Panther and M’Baku as the join forces to fight Dormammu in The Last Annihilation: Wakanda #1.

We open on M’Baku , as he reminisces about his friend, Nakia, and wonders the meaning of life , after he fought with T’Challa against the Emperor N’ Jadaka, and raising N’Jadaka’s daughter, Zenzi, who is being trained with the Dora Milaje. T’Challa is soon contacted by the Shiar Imperial Guard, as they have intel that the forces of Dormammu is carrying out a galaxy wide invasion , which forces him to ask M’Baku to help, with the assistance of Shuri, Manifold and Vibraxas. As soon as they arrive on Shiar home world, the discover a planet overrun by Dormammu’s forces, pushing Manifold to seek the guidance of Zawavari, one of Wakanda’s most powerful mystics, who uncovers the villain’s main motive, to have power over fear. M’Baku returns our heroes to Planet Bast, to retrieve a KouKou Array a device which can shake a whole planet to death, but can be repurposed to protect the planet from magical energy from Ego. By issue’s end, T’Challa and Storm arrive to help, giving them another weapon to use and proving M’Baku can be more than he ever saw himself to be.

Overall, The Last Annihilation: Wakanda #1 is an excellent one shot comic which adds dimensions to these characters we have come to love. The story by Narcisse is layered and thrilling. The art by the creative team is gorgeous. Altogether, a great book which highlights one of the MCU’s favorite characters.

Story: Evan Narcisse Art: Germán Peralta
Color: Jesus Aburtov Letterer: Cory Petit
Story: 9.0 Art: 9.0 Overall: 9.7 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review

Purchase: comiXologyAmazonKindleZeus ComicsTFAW

Super-Articulate: The Infinity Saga and More

You don’t need me to tell you that supply chains have been wacky. As such, not everyone is getting their figures at the same time, whether by in-store or pre-order. Sometimes, they come like a chain of fireworks. That’s been happening to me, as I had a number of figures from the Marvel Legends Infinity Saga arrive one right after the other. To that end, today I’ll be cover the following figures from that expression: Happy Hogan/Iron Man XXI, “Endgame” Thor, Odin, Quicksilver, and the Captain Marvel/Rescue two-pack. I’ll also throw in the Diamond Select/Marvel Select Titanium Man, which arrived in August but took a little more time to get to me. Let’s dive in.

The Infinity Saga Overview
The Marvel Legend Infinity Saga subset is an expression consisting entirely of MCU figures. It contains a few characters that have never been done before (Quicksilver, Odin, Surtur, Obidiah Stane, Happy Hogan), different undone versions of familiar characters (Endgame versions of Thor and Captain Marvel), and some that are more seen as updates (Rescue). On a personal level, I decided to give a few a miss (the individual Iron Man, the redo of Infinity War Cap, the Obidiah/Iron Monger two-pack). I remain curious about some characters that weren’t put into the Infinity Saga subline (notably Wong and Kraglin), but I suppose they could be tucked into a regular assortment down the road. As an overall concept, it’s a good idea for people that try to make as complete an MCU as possible, and I feel like quite a bit of work went into a few figures in particular.

Happy Hogan & Iron Man XXI: Let’s face it. I straight up ordered this for Happy. Jonny Favs is the man behind the scenes; after all, he made Iron Man work and he co-brought us The Mandalorian (and Swingers!). And I’ve particularly enjoyed the dynamic between Happy and Spider-Man in the movies.  The design team absolutely nailed Favreau’s face here. That, coupled with Happy’s ever-present phone, makes for a great figure that can lend itself to some comedic posing. Parts of the body build have been used before, but there’s nothing wrong with repurposing suit elements.

Speaking of suit elements, I thought the XXI was a little meh until I looked at it in person. The thing that I like the most is use of gray in the joints. It adds a touch of color that a) you don’t see in most pictures and b) breaks up the monochrome. I know that some people tire of Iron Man versions, but I’m never down on another suit, given their ubiquity in both the comics and Iron Man 3 in particular. Would I like to see Igor someday? Of course, but this one is pretty cool if you get a close look, and fairly poseable.

Endgame Thor: Here’s a figure people have been asking for pretty much since Endgame premiered. Call him Final Battle Thor if you want, but it’s the version of the Odinson that we get near the film’s end. Having been on his traumatic journey and attempting to emerge on the other side, Thor summons both Mjolnir and Stormbreaker, adoring himself in armor once again and throwing in a great Vikings-inspired beard to boot. This is a tremendous figure. This wasn’t just slapping a belly on Thor and calling it a day. There is considerable new work in the heavier torso, the arms, the legs, and the intricacy of the armor design. We see quite a bit of detail in the face, beard, and hair. The powered-up blue eyes were a good choice as they sort of reflect the exact moment that Thor becomes this version of himself. Obviously the figure comes with the two weapons, as well as attachable lightning effects and an extra pair of hands. Putting this figure on the shelf really felt like I was adding a missing piece. It’s great.

Odin: It’s been 10 years since Odin appeared in the MCU for the first time, so . . . better late than never? Odin comes with two heads (one helmeted, one not and with his hair down) and his spear, Gungnir. I chose to go with the helmeted look. The figure looks nice; it’s certainly a good sculpt. And I’m glad there’s pop of red from the cape, because the brown, while fairly accurate to some of Odin’s onscreen scenes, is fairly drab here. I like the figure well enough, and I’m glad that it exists, but it’s not the most exciting of the batch.

Quicksilver: Turning back to missing pieces . . . Quicksilver made his MCU debut in the post-credits scene of Captain America: The Winter Soldier in 2014 and finally makes it into the Legends line here. Don’t let anyone dissuade you: this is a GREAT figure. While it certainly looks good (and the multi-toned hair is well-done), the major reason for its success is poseability. It rivals the recent MCU Shang-Chi on that level. You can do a number of running and fighting poses (the two sets of hands also lend themselves to sprinting and action). This guy just looks REALLY good. It struck me that there’s actually no Marvel Legends AoU Wanda counterpart for Quicksilver; Wanda’s film figures prior to WandaVision come from the very end of AoU or Civil War. Regardless, this Quicksilver is, again, GREAT. Well done, team.

Captain Marvel/Rescue: I sort of ordered this for completeness/accuracies sake in terms of my Endgame shelf, but I’m ultimately really glad I did. I like this set a lot. Captain Marvel accurately reflects the color-flip that the character’s costume got in Endgame, and the headsculpt over course recognizes that hairstyle that she sports after the five year jump. Like Quicksilver, the figure is very poseable, and the loose sash hangs well. The best accessory is the Stark Gauntlet, which can be tucked under Carol’s arm just like in the film. I like that they made this take on Carol; you really do need her for your Endgame set-up.

As for Rescue, this is basically a re-do. The body is similar to the original movie-time release, but the helmet sculpt has been improved and the pack includes two additional heads. One is a helmetless pony-tailed Pepper (essentially the look when she joins Captain Marvel in the “She’s got help” scene) and the other is the flipped-up faceplate look from when she enters the Assemble scene and lands by Tony. The biggest addition is that expanding set of weapon attachments that connect to the backpack. Special note here: there are two backpacks. You have to use the one with highlighted silver panels, and those panels have to come off in order in attach the expanded weapon array. With all that on, it’s a fairly impressive figure; for display purposes, I used the pony-tail head because that was the look my wife preferred.

And here’s another thing . . .

Diamond Select/Marvel Select Titanium Man: I don’t normally pick up Marvel Select figures, but I saw a couple of people online displaying this late-August arrival with their Winter Guard and I had to pick it up. This figure is monstrous. I mean it’s HUGE. In package, it was bigger than the steering wheel on my Hyundai. I took a picture of the package next to the Expanded Version of The Stand because it’s almost comically big. But wow, does it look great. There’s a ton of detail here. The Boris head is suitably angry, and the “helmet head” captures the original feel of the character. Lots of care was taken with the sculpt, from the bumps on the armor to the treads on the boots. It’s also surprisingly poseable for such a big figure. It might not be to everyone’s tastes and purists may want a Legends-only display, but I think he looks great with my own Winter Guard and adds a dimension and density to it that I otherwise would not have had.

Review: Star Wars: War of the Bounty Hunters – Boushh #1

Star Wars: War of the Bounty Hunters – Boushh #1

The minds at the Disney understood the world of Star Wars before they even owned Lucasfilm. They had been minding the wonder of magic for decades. They knew how to feed their fanbase before they even knew what they wanted. I dare anyone to walk through one of their parks, and not be pulled in by how enchanting the whole place is.

So when they acquired Lucasfilm, they already knew how they wanted to approach the franchise and how to expand it. The continuation of The Clone Wars and the two seasons of The Mandalorian proved just how committed the were to keeping fans interested. Where they really shine is in finding those stories within the universe, like in Rogue One. In one of the first standalone stories about the Bounty Hunters within Star Wars, we get the backstory to a minor character whose origin is much more complicated in Star Wars: War of the Bounty Hunters – Boushh #1.

We are taken to Ord Mantell City in the Bright Jewel System, where find Boushh and his crew just took back a stolen vehicle for a boss from the Black Sun. We soon find out Boushh had been banned from his home planet Uba IV and often take dangerous jobs to keep fed. As they take on a job form a duplicitous character named Margo, where they must eliminate the executive board of the Tagge Corporation. We soon meet Lady Domina, the head of the corporation who took out most of her family members to rise to the top, and the family’s insidious plans makes The Emperor’s ruminations infantile in comparison. Boushh’s crew finally invades the ship they are, taking out most of the corporation’s security, but they several underestimated Domina. By the book’s end, though Boushh and his guys were defeated, they instead find a compromise, and join forces with Domina to extinguish her enemies.

Overall, Star Wars: War of the Bounty Hunters – Boushh #1 is a story I didn’t expect much from and was pleasantly surprised to find an action packed sidewinder. The story by Alyssa Wong is exciting. The art by the creative team is gorgeous. Altogether, an excellent story that will excite long time fans of Star Wars.

Story: Alyssa Wong Art: David Baldeon
Color: Israel Silva Letterer: Ariana Maher
Story: 9.0 Art: 9.0 Overall: 9.0 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review

Purchase: comiXologyAmazonKindleZeus ComicsTFAW

Underrated: The Witcher Omnibus

This is a column that focuses on something or some things from the comic book sphere of influence that may not get the credit and recognition it deserves. Whether that’s a list of comic book movies, ongoing comics, or a set of stories featuring a certain character. The columns may take the form of a bullet pointed list, or a slightly longer thinkpiece – there’s really no formula for this other than whether the things being covered are Underrated in some way. This week:  The Witcher Omnibus.

I often wonder how to start a column when the focus is an adaptation of other media – especially when the other media is an adaptation of something else. Such as it is with Dark Horse’s The Witcher Omnibus. The book collects four five issue miniseries mostly written by Paul Tobin, with two being based on the books and two seemingly based on the video games that were also based on the books judging by Geralt’s armour and the appearance of certain characters in the final story.

As someone who has grown to love the The Witcher over the last 18 months, getting a chance to experience the stories in a different format was an exciting opportunity. I loved the books, and thoroughly enjoyed The Witcher III: Wild Hunt on PlayStation 4. The eight episodes of the Netflix adaptation wasn’t even close to being enough for me, and I can’t wait to experience more when the second season hits. For some reason, despite being a comic guy, I had never actually read the comics until my parents sent me the omnibus for my birthday (it hasn’t happened yet – I just have no patience when it comes to opening gifts for my birthday), and I read the 200 odd pages in two sittings interrupted only by an exhausted sleep.

The book was a fantastic read, and I really enjoyed seeing how the a short story from one of the first two books translated to comic book form (I’d be more specific which book it was from, but I read them back to back and often get which short stories are in which book mixed up), just as it was fun to see a story set after the events of one of the game’s endings. Thankfully, it was the ending I had gotten when playing through, so it could be confusing if you only went through the game once and got a different outcome.

That’s honestly the only downside I can think of to the omnibus. That you may need to know pieces from the other adaptations to enjoy one of the stories within (even though the game isn’t specifically referenced so the story won’t spoil your enjoyment of Wild Hunt), but if you’re somebody like me who has gone all in of Andrej Sapkowski’s creation then you’ll not notice it. Or if you’re willing to accept that certain things have happened that don’t impact the story then you’ll still be able to enjoy the final story.

All in all, it’s a minor complaint.

The art is varied within the omnibus, with the first two tales taking on a more Hellboy-esque look and feel which suits the world of Geralt just fine, and the latter two taking inspiration from the imagery gamers are more familiar with. Either way, I had absolutely no complaints with how the book looked, how it read nor how Tobin and the rest of the creative team handled Geralt of Rivia.

The book will set you back between roughly $25-30 depending which side of the Canadian border you’re on, and it was worth each and every penny for me. If you’re curious about who Geralt is beyond the events in the Netflix show and you haven’t read the books yet, then this is a great introduction. The nature of his long life and many adventures lend themselves well to short pointed stories within a five issue miniseries, which is what makes this book stand out so well; there isn’t an epic story told over hundred of pages, but rather a selection of Geralt’s contracts, his adventures and his stories. So toss a coin to you witcher comic shop and grab this book. You won’t be disappointed

Join us next week when we look at something else that is, for whatever reason, Underrated.

Review: Campisi: The Dragon Incident #2

A mob fixer has to deal with a dragon that’s come to the territory. Do you need to know anything more than that? It’s the mob vs. a dragon!

Story: James Patrick
Art: Marco Locati
Color: Marco Locati
Letterer: Rachel Deering

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics

AfterShock Comics provided Graphic Policy with a FREE copy for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Almost American
« Older Entries