Tag Archives: fathom

Aspen Comics ECCC 2017 Exclusives and Debut of the Aspen Bundle

Aspen Comics has revealed their full line-up of exclusive items available at this year’s Emerald City Comicon 2017 at the Aspen Comics Booth #1501. Aspen will be launching their all-new Aspen YOU-niverse Bundle package that will include several exclusive items in addition to others debuting in the bundle.

The first ever, all-new Aspen Comics YOU-niverse Bundle will include an exclusive Michael Turner’s Fathom #1 line-art variant cover by creator Michael Turner. The bundle also includes an exclusive Fathom T-Shirt, a metal travel bottle, a Fathom mini print by Michael Turner, with colors by Peter Steigerwald, a new Aspen sticker, a Fathom trading card, Aspen Bucks available for use in person at the Aspen Comics Booth #1501 or on www.AspenStore.com, and an Aspen Comics drawstring bag to complete the bundle.

The publisher will also be debuting the first issue of Michael Turner’s Soulfire featuring a connecting cover by Seattle native, Siya Oum, and the second connecting cover for All-New Fathom #2, both available at the Aspen Comics Booth #1501 and limited to 200 copies.

Aspen will also be releasing a new series of ECCC 2017 exclusive prints including Fathom and Soulfire by artists Tyler Kirkham, Talent Caldwell and Siya Oum, all three available at the Aspen Comics Booth #1501.

Creators Frank Mastromauro (Shrugged, Overtaken), Peter Steigerwald (The ZooHunters, The Dark Knight Returns: The Last Crusade), Siya Oum (Lola XOXO), Heather Finley (Executive Assistant: Iris Annual) and Tom Hutchison (Big Dog Ink) will be appearing at the Aspen Comics Booth #1501 throughout the weekend.

Aspen Comics in July 2016

ASPEN UNIVERSE: REVELATIONS #1

Joshua Hale Fialkov ; JT Krul – Story / Jordan Gunderson – Art / Peter Steigerwald – Colors

The most groundbreaking event in Aspen Comics’ history starts NOW!!!

For over thirteen years, devoted Aspen Comics fans have clamored for something special…something unique…something…UNIMAGINABLE! Aspen Comics has answered the call for loyal fans and new readers alike!

This summer, legendary creator Michael Turner’s two greatest creations, FATHOM and SOULFIRE, unite as one in a crossover event so massive in scope, it can only serve to forge a BRAND NEW ASPEN UNIVERSE in the process! With the existence of humanity, along with The Blue, facing a catastrophic turning point for their own survival, one woman of both worlds, Aspen Matthews, must embark on a quest spanning not only time but also magic unlike any she’s ever encountered–including a cast of characters familiar to all Aspen–and Soulfire–fans!

From the mind of Harvey, Eisner and Emmy Award nominated writer Joshua Hale Fialkov and New York Times Best-Selling author J.T. Krul comes this world-shattering new crossover series event that sets the stage for all future Aspen Comics titles to come!

ASPEN UNIVERSE: REVELATIONS #1 is in stores July 13th, 2016!

FC 32 pages $3.99

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ASPEN UNIVERSE: SOURCEBOOK #1

Hannibal Tabu – Writer / Michael Turner ; Peter Steigerwald ; various – Art

Your complete inside look into the NEW ASPEN UNIVERSE starts here!

Dive headfirst into this all new and expanded ASPEN UNIVERSE: SOURCEBOOK written by the writer of Michael Turner’s Fathom and Soulfire, and Executive Assistant: Iris Sourcebooks, Hannibal Tabu! Jam-packed from cover to cover with detailed character profiles, in-depth power charts, revealing story elements and so much more—including all new entries from hit Aspen titles such as Shrugged, Charismagic, Jirni and more! This is the definitive source and companion book to prepare for the all-new Aspen Universe!

ASPEN UNIVERSE: SOURCEBOOK #1 is in stores July 13th, 2016

FC 48 pages $5.99

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FATHOM: COLORING BOOK SPECIAL #1

Michael Turner ; J Scott Campbell ; Koi Turnbull ; Alex Konat ; Various – Art

ASPEN COMICS’ debut COLORING BOOKS have arrived!

Now fans can bring the amazing pencils of MICHAEL TURNER and FATHOM to life with this all-new Aspen Comics oversized coloring book featuring the legendary creator’s classic Michael Turner’s Fathom artwork along with many other Fathom artists from over the years! This must-have for any Aspen Comics fan allows everyone to participate in coloring the world of FATHOM however they see fit! A perfect addition to the new ASPEN UNIVERSE collection!

FATHOM: COLORING BOOK SPECIAL #1 is in stores July 20th, 2016!

B&W 64 pages $12.99

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SOULFIRE: COLORING BOOK SPECIAL #1

Michael Turner ; J Scott Campbell ; Koi Turnbull ; V Ken Marion ; Various – Art

ASPEN COMICS’ debut COLORING BOOKS have arrived!

Fans of Michael Turner’s fantasy adventure series Soulfire can now create their own spark of magic with the first ever Soulfire Coloring Book Special #1! This oversized coloring book includes Turner’s epic Soulfire artwork, plus dozens of other popular Soulfire artists that helped spawn new generations of Aspen fans! Now, everyone can color Turner’s amazing pencil work themselves as they prepare for the dawn of the all new ASPEN UNIVERSE!

SOULFIRE: COLORING BOOK SPECIAL #1 is in stores July 27th, 2016!

B&W 64 pages $12.99

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FATHOM: Vol 5 TPB – COLD DESTINY

David Wohl – Story / Alex Konat – Art / Beth Sotelo – Colors

Following the devastating events of “Michael Turner’s Fathom: The Elite Saga,” Aspen Matthews finds herself at a significant crossroads in her life!

With the memories of her past no longer weighing her down, Aspen is finally able to set about building a new life in San Diego once more. However, being the daughter of two worlds—and living above the surface– is no easy feat! Aspen will quickly discover the winds of change oftentimes lead directly into a dangerous and bloody future!

Collecting together the All-New Fathom series presented during Aspen’s 10 year anniversary, and brought to you by fan-favorite writer David Wohl and artist Alex Konat, this beautiful collection is a must have for any Aspen or Fathom fan!

FATHOM: Vol 5 TPB – COLD DESTINY is in stores July 20h, 2016!

FC 216 pages $19.99 TPB

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FATHOM SLIPCASE: Vol 1 – 5

Michael Turner ; Peter Steigerwald – Art

Aspen is pleased to offer this amazing Fathom Slipcase to coincide with the release of the Fathom vol 5 TPB. Created especially to store the Fathom Definitive Edition, Fathom vol 2, Fathom vol 3, Fathom vol 4 and the newly release Fathom vol 5 TPB’s, this unique and special item is an absolute must for every Turner Fathom fan. Display your Fathom TPB collection in style with the brand new Fathom Slipcase! (*Michael Turner’s Fathom Volumes 1-5 not included.)

FC Slipcase $29.99

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SOULFIRE: Vol 3 TPB – SEEDS OF CHAOS

JT Krul – Story / Jason Fabok – Art / John Starr – Colors

Dark times have fallen on our heroes as Grace, Malikai, Sonia, and PJ have all taken separate paths following the devastating battle at the end of Michael Turner’s Soulfire: Volume 2!

Grace finds herself attempting to hold together the kingdom of the Everlands, as a theft in the hallowed halls of Anantia threatens to weaken the bonds between the Rahtumi and Sethoru once more. While Grace struggles to keep unity between the two races, Malikai, after unleashing his frightening levels of power during the final battle, deserts the group as he searches within for answers. However, Rainier’s forces persist in their quest to exterminate the return of the light as one of his most trusted allies soon discovers a darker form of magic in the process… with deadly results!

New adversaries, exotic locations, and a fresh cast of exciting characters, including some from the Soulfire Universe’s long forgotten past, reign supreme in this thrilling third volume of Aspen’s flagship title!

Brought to you by New York Times Best-Selling author J.T. Krul (DC’s Bloodlines, Jirni), with art by superstar artist Jason Fabok (Justice League of America), along with colorist John Starr (Michael Turner’s Fathom)!

SOULFIRE: Vol 3 TPB – SEEDS OF CHAOS is in stores July 27h, 2016!

FC 224 pages $19.99 TPB

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J.T. Krul and Joshua Fialkov Talk Aspen’s New Direction

ASPEN COMICS logo-finalIn early December, Aspen Comics announced they’d be taking advantage of this year’s Free Comic Book Day to merge the universes of Fathom and Soulfire in to one cohesive universe with more to come.

I got a chance to talk to two of the creators behind this initiative Joshua Hale Fialkov and J.T. Krul who are putting together this year’s Free Comic Book Day release, Worlds of Aspen 2016.

Graphic Policy: Aspen has announced that they’ll be merging the worlds of Fathom and Soulfire. How did each of you get involved with this new direction for the company?

Joshua Hale Fialkov (JHF): JT and I have been pals for a long time, and I’ve known the Aspen team socially, as we’re all part of the LA comics scene. JT and I have spent plenty of time playing fantasy football with our favorite superhero universes, so, I think when the Aspen guys started to talk about it, JT suggested they give me a call.

J.T. Krul (JT): To be fair, it was Vince who actually mentioned you first, and I was quick to give my thumbs up. So, yes, we are friends, but it was Josh’s talent on such books as Bunker and The Life After that made Vince a fan. Josh is great at looking at the heart of a character or a world and finding new territory or angles to explore. He’s not interested in doing what came before – and that’s exactly what Aspen had in mind with this epic project.

AllNew_FATHOM-07b-GreenGP: What were your actual roles in the merging of these two properties? Was it focused on the Free Comic Book Day release or where you also part of the big picture long term world building?

JHF: JT and I, along with Vince, Frank, and Peter at Aspen have been talking at length about what we wanted the net result to be. The thing that’s been really clear is the fans want to see the universes together, and, for me, I think new readers will find it a lot more approachable. So, to some degree, those are the two objectives. I’m really focused on how to get new readers in the door with easy to follow, concise stories that help to grow the brilliant universe Michael Turner created. J.T., meanwhile, is really focused on keeping what makes the universe special to the legion of Aspen fanatics who’ve been there the whole time. It’s been a blast, and the plan is for us to stay the course and both stick around for a while.

JT: Having Josh around has been great. He’s bringing not only talent and enthusiasm, but, like he said, with this project we really want it to be not only new-reader friendly, but also new-reader oriented. As we work through the big ideas for the story, I’m the one who draws in the different elements of both worlds. Hell, I wrote Fathom for four years and have been writing Soulfire for over 10 years. Hopefully, I remember something.

GP: The worlds of Fathom and Soulfire seem very different. One’s a magic/fantasy setting while the other is more grounded in the real world, more of a sci-fi riff. Did you find difficulty in merging the two?

JHF: Y’know, I think J.T. had a pretty outstanding idea, something that he’s been playing with and seeding into his work on the Aspen books for the past few years. And again, it was something that I immediately understood, and saw the appeal.

JT: Not difficult at all to be honest. Just exciting. I think right out of the gate, readers (especially longtime readers) will be blown away by the focus and the scope of this story. This isn’t some Elseworld tale. This isn’t an alternate reality. This is the Aspen universe.

GP: Was there anything you found surprising about the two coming together that worked really well or more so than you imagined?

JHF: I think for now, my focus, is really on introducing this world in a fresh easy way. So much of what is great about these characters and the fifteen years of books, is they are filled with big, smart ideas. My hope is to honor that, and help to bring more of it into people’s hands.

JT: Right at the very beginning, Josh had this great notion of the parallel between the two worlds – in terms of the importance of water and magic. Both in a way are the life blood of all life. We humans need water to survive on a biological level, and we humans also need magic (a strong spiritual energy) to survive metaphysically. Without either, it’s not really living. You know? In both Fathom and Soulfire, there is that struggle to protect that source of energy and life, and that’s key moving forward with our story.

GP: Each series has quite some history, over 15 years of it. How much have you mined looking in to how these two worlds work together?

JHF: Y’know, continuity is a yolk, but it’s also a helluva carrot on a stick. Comics, as an industry has a constant struggle between how much is too much, and how little is too little. Our job, and the challenge of it, frankly, is how to streamline and really deliver on the promise of the universe without giving up the things that have made these books so special for so long.

JT: I love writing stories that take place within human history – using a particular event or era in time as a backdrop – and injecting the fictional with the factual. It gives a story a texture and depth. And for this event book, the Fathom Universe and the Soulfire Universe are those histories. You can bet we’ll be mining it not for easter eggs, but for key elements that have helped the worlds endure for so many years.

GP: Free Comic Book Day is a big event that’s high profile and a great opportunity to hook new folks and excited long time folks. How do you balance those two aspects with this type of event?

JHF: It’s immensely important to me that every book be a jumping on point. Whether it’s an issue 1 or an issue 100, you should do the leg work to get people up to speed and let them make an informed decision about the story you’re telling without ‘missing’ stuff. I think that’s a million times more important in a Free Comic Book Day issue. This is a huge chance to court new readers, and, thanks to the gorgeous work of Jordan, Peter, and Josh (our letterist Josh Reed, not me), I think we have a huge chance.

And I’ll say, it takes balls to do what we’re doing, and the whole team knows just how risky doing something THIS crazy is…

JT: Agreed. We really tried to narrow our focus so that we could start on one small corner, one moment and then watch the story explode from there. It’s like a Big Bang. Small and bright and concentrated, but something that will expand and grow, creating an infinite amount of possibilities and adventures.

Soulfire-Sourcebook-01b-StPatricksGP: Big connected worlds also creates a lot of continuity for fans, which is a risk. Are you thinking about this as you move forward?

JHF: Without spoiling too much, let’s just say that for die hard fans, continuity is not changing at all. Wait’ll you see what we’re going to do…

JT: For this story, continuity is actually being used as an asset not a liability. It’ll be a big draw for longtime readers, and yet totally engaging for new readers.

GP: What lessons have you taken away from looking at how other companies have handled their comic universes?

JHF: I love the power of the connected universe. It’s something that comics truly pioneered and perfected long before Film and TV caught on. But, to that same degree, the way that shows like Flash and Arrow, or the Marvel Cinematic Universe handle this stuff is much more in line with our ethos. Much like Doctor Who did with its re-launch with Chris Eccleston, we’ve got a lot of good will and a lot of baggage. And that is really the balancing act we’re attempting.

JT: Both Josh and I were on the front lines of the DC New 52 and know what change can look like – both big and small. In a way, this is a huge paradigm shift, but it’s actually coming in a very sound and organic way. At the end of the day, it’s about celebrating the core aspects that make both Fathom and Soulfire such unique and amazing worlds and bringing it all together for something truly special.

GP: What are your roles post FCBD? Anything you can announce?

JHF: This won’t be the last you see of either of us at Aspen.

JT: That’s right. Josh and I are planning another skiing trip as soon as this book is done. Oh wait…wrong Aspen.

Aspen Announces Bold New Direction for Aspen Comics!

PrintWith the announcement of Diamond’s Free Comic Book Day releases for 2016, Aspen Comics has announced the publisher’s offering, Worlds of Aspen 2016, as a precursor to an all-new summer crossover event combining Aspen’s two flagship titles, Michael Turner’s Fathom and Soulfire, for the first time ever.

For over a dozen years since its inception, Aspen Comics fans have experienced both titles as standalone
properties existing in separate universes. Now, however, the publisher is listening to overwhelming fan response and merging both worlds into one cohesive universe—with more titles soon to follow. Aspen has also debuted a new Aspen Comics logo, cover dressing and branding to coincide with this new direction for the publisher.

Eisner, Harvey and Emmy award-winning writer Joshua Hale Fialkov and New York Times best-selling author J.T. Krul are teaming up to write the offering, Worlds of Aspen 2016, a new Free Comic Book Day 2016 exclusive zero issue kicking off the crossover, to be followed by the event series beginning in June 2016, along with more news to be revealed. Artist Jordan Gunderson of Aspen’s The Four Points and Executive Assistant: Assassins titles will take on art duties for the event.

Free Comic Book Day takes place on May 4, 2016.

Aspen Teams with Sony for Playstation Art Themes

Publisher Aspen Comics, in partnership with The Powell Group, launched a series of custom PlayStation themes based on three of their popular series: Fathom, Soulfire, and Executive Assistant: Iris. Both the Fathom and Soulfire theme sets feature art exclusively by Aspen Comics founder Michael Turner with colors by Peter Steigerwald. The Executive Assistant: Iris theme set contains the work of pencilers Joe Benitez, Micah Gunnell, and Eduardo Francisco, with colors also by Steigerwald.

Each theme package features three unique skins to customize your PlayStation background. These themes are available for purchase at the PlayStation Store.

Together, Aspen and The Powell Group are working to develop additional waves of skins utilizing other Aspen properties to be released at a later date.

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Aspen Comics in June 2015

FATHOM BLUE #1

Vince Hernandez – Story / Claudio Avella – Art / Colors – Erick Arciniega

An unlikely team of BLUE rise in this BRAND NEW Fathom series!

They have all risen from beneath the surface. Each for a different purpose yet united in their exile from their homelands below. Looking to blend in—out of sight–amongst humans unaware of their true potential. However, one man, who has spent the better part of his life hunting the Blue, is keenly aware of their presence—and he will stop at nothing to use these Blue as weapons against their own, even if it means killing them in the process!

The first all new Fathom series to make its debut since Michael Turner introduced you to his incredible underwater adventure over 15 years ago, is ready to take you on the ride of your life and explore the world of Fathom as you’ve never seen it before!

FATHOM BLUE #1 is in stores June 17th, 2015!

FC 32 pages $3.99

RETAILER NOTE: FATHOM BLUE #1 will ship with two different covers by series artist Claudio Avella and Paolo Pantalena. Each cover is available to order separately, with no quantity limitation or restrictions.

FATHOM BLUE #1 RETAILER INCENTIVE:

For every 12 copies of FATHOM BLUE #1 ordered, retailers will receive one (1) FREE copy of the alternate FATHOM BLUE #1 cover by artist Marcus To, with the option to purchase up to three (3) additional Marcus To alternate FATHOM BLUE #1 covers at net $4 each.

FATHOM BLUE #1 EXPANDED RETAILER INCENTIVE:

For every 24 copies of FATHOM BLUE #1 ordered, retailers will receive one (1) FREE copy of the Michael Turner FATHOM BLUE #1 Cover, with the option to purchase up to three (3) additional Turner FATHOM BLUE #1 Covers at net $8 each.

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PSYCHO BONKERS #2

Vince Hernandez – Story / Adam Archer – Art / Colors – Federico Blee

Crack the speed barrier wide open in this thrilling new adventure that redefines what it means to go full throttle!

Following the tragic events of issue one, Shine must come to grips with the fact that, besides her Bonk Racer and Gabbo, she is now alone. However, in the present, and a crucial leg of the Super Bonk Rally, the team discovers that having company around can actually be far worse!

Told in a series of five legs within the race of all races—the Super Bonk Rally, this five issue mini-series will span amazing landscapes and death-defying terrain, as these racers go completely Psycho Bonkers!

PSYCHO BONKERS #2 is in stores June 24th, 2015!

FC 32 pages $3.99

RETAILER NOTE: PSYCHO BONKERS #2 will ship with two different covers by series artist Adam Archer and Mike Bowden. Each cover is available to order separately, with no quantity limitation or restrictions.

PSYCHO BONKERS #2 RETAILER INCENTIVE:

For every 10 copies of PSYCHO BONKERS #2 ordered, retailers will receive one (1) FREE copy of the alternate PSYCHO BONKERS #2 cover by artist Peter Steigerwald, with the option to purchase up to three (3) additional Steigerwald alternate PSYCHO BONKERS #2 covers at net $4 each.

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FOUR POINTS #3

Scott Lobdell – Story / Jordan Gunderson – Art / Valentina Pinto – Colors

Deadly secrets are exposed, as Gia’s origin finally comes to light and the true history of her “powers” are disclosed! Yet, the most shocking truth will reveal itself as the ladies investigate an international weapons manufacturer, and learn—perhaps too late—that they may be in far over their heads!

Aspen welcomes back acclaimed writer Scott Lobdell to introduce to you this years most exciting new series, FOUR POINTS!

FOUR POINTS #3 is in stores June 17th, 2015!

FC 32 pages $3.99

RETAILER NOTE: FOUR POINTS #3 will ship with two different covers by series artist Jordan Gunderson and artist Khary Randolph. Each cover is available to order separately, with no quantity limitation or restrictions.

FOUR POINTS #3 RETAILER INCENTIVE:

For every 10 copies of FOUR POINTS #3 ordered, retailers will receive one (1) FREE copy of the alternate FOUR POINTS #3 cover by series artist Jordan Gunderson, with the option to purchase up to three (3) additional Gunderson alternate FOUR POINTS #3 covers at net $4 each.

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SHAHRAZAD #3

Kim Hutchison; Kari Castor – Story / Mike Krome – Art / Nei Ruffino – Colors

The first re-mastered debut from Aspen’s Big Dog Ink imprint continues!

It seems everyone is out for Shahrazad’s head, yet there is one who finds her life intriguing enough to keep her alive. Janus sends Shahrazad to the arena to see if he can create an ending for this woman who’s future is as uncertain as her life!

SHAHRAZAD #3 is in stores June 10th, 2015!

FC 32 pages $2.99

RETAILER NOTE: SHAHRAZAD #3 will ship with two different covers by series artist Mike Krome and artist Elizabeth Torque. Each cover is available to order separately, with no quantity limitation or restrictions.

SHAHRAZAD #3 RETAILER INCENTIVE:

For every 8 copies of SHAHRAZAD #3 ordered, retailers will receive one (1) FREE copy of the re-mastered SHAHRAZAD #3 cover by artist J. Scott Campbell and colorist Peter Steigerwald, with the option to purchase up to three (3) additional re-mastered Campbell/Steigerwald SHAHRAZAD #3 covers at net $4 each.

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LOLA XOXO: WASTELAND MADAM #4

Vince Hernandez – Story / Siya Oum – Art

The action-packed climactic ending sees Madeline fighting for the survival of not only her group of rebels, but also any hope for a future! As the battle for the airport surges to its bloodiest apex, the Wasteland Madam must make a critical choice of whether love is more important than survival—and no matter what choice she makes, someone will pay the price!

LOLA XOXO: WASTELAND MADAM #4 is in stores June 24th, 2015!

FC 32 pages $3.99

RETAILER NOTE: LOLA XOXO: WASTELAND MADAM #4 will ship with two different covers by series artist and creator Siya Oum and artist Lori Hanson. Each cover is available to order separately, with no quantity limitation or restrictions.

LOLA XOXO: WASTELAND MADAM #4 RETAILER INCENTIVE:

For every 10 copies of LOLA XOXO: WASTELAND MADAM #4 ordered, retailers will receive one (1) FREE copy of the alternate Dawn McTeigue LOLA XOXO: WASTELAND MADAM #4 cover, with the option to purchase up to three (3) additional McTeigue LOLA XOXO: WASTELAND MADAM #4 Covers at net $4 each.

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Aspen Announces Fathom: Blue

Aspen Comics has announced Fathom: Blue, an all-new team book set within the familiar Fathom universe written by Vince Hernandez with art by newcomer Claudio Avella and colors by Erick Arciniega.

Fathom: Blue will launch with a zero issue in Aspen’s annual Free Comic Book Day flip book Worlds of Aspen 2015, and continue in its first full issue the following month in June. The series centers on a band of misfit Blue who have risen from beneath the surface, united in their exile from below and looking to blend in out of sight amongst humans. But they’ve been collected under the watchful eye of one man who has spent the better part of his life hunting their kind, and will stop at nothing to use these Blue as weapons against their own.

The series will focus on a fresh cast of characters and their difficulties surviving above the surface as outcasts, which makes it a perfect jumping on point for new readers.

Fathom: Blue will feature covers from interior artist Avella, Mike Krome, industry favorites Paolo Pantalena and Marcus To, as well as a special 3D lenticular cover by Michael Turner and Peter Steigerwald.

Cover A: APR151078
Cover B: APR151079
Cover C: APR151080
Cover D: APR151081

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Preview: Fathom: Sourcebook #1

FATHOM: SOURCEBOOK #1

Michael Turner ; various – Art / Peter Steigerwald ; various – Colors

Your journey into the FATHOM Universe begins here!

Michael Turner’s best-selling Fathom series has celebrated over 15 years of thrilling adventures, and now fans and new readers alike can dive even deeper into the depths of the Fathom Universe with Aspen’s first-ever FATHOM: SOURCEBOOK! Jam-packed from cover to cover with detailed character profiles, in-depth power charts, revealing story elements and so much more–this is the definitive source to learn about all things Fathom!

FATHOM: SOURCEBOOK #1 is in stores December 24th, 2014!

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Interview: Giuseppe Cafaro Discusses the Kiani Redesign

00b_FAK3-01-CMYKcrop[1]In early November Aspen Comics made the announcement they were changing up the look of their heroine Kiani when Fathom: Kiani Volume 4 #1 arrives February 11th. Alex Konat, Giuseppe Cafaro, and Wes Hatman were tasked with updating Kiani’s look and the title’s overall design.

In the announcement Aspen cited the growing female audience, and the evolution of their fanbase, an honest and frank admission that I wish we saw more of.

Yesterday, we talked with Aspen Editor in Chief and writer of Fathom: Kiani, Vince Hernandez. Today, we bring you part two of the discussion, as we got a chance to send some questions to artist Giuseppe Cafaro about some of what went into the redesign and the latest trend of new costumes for characters.

Graphic Policy: So the big news is you’re redesigning Kiani for her comic’s next volume out in February. When did you find out about the change, and get tasked with the redesign?

Giuseppe Cafaro: So, yes, there’s a great project behind the new Kiani volume that started during the end of this summer. Vince told me about the idea to bring Kiani on a new cinematic view and I loved that new way from the beginning.

00b_FAK4-02-CMYKcrop_1GP: How were Alex Konat and Wes Hartman involved?

GC: The whole “Fathom crew” was involved in this redesign. Alex drew the outfit for the first issue (that you can see also on his covers) and I’m drawing the concept outfit for the other issues. Wes is always one of the most important members of this project – he gives life to our ideas and pencils.

GP: What were the things you thought about when coming up with the new look?

GC: I was excited! Kiani is one of my favorite comic book characters since I started to read Fathom, and I’m so happy to have the possibility to work on these books and work on her redesign.

GP: Did you put thought into the utility and practicality of the outfit when coming up with the new design?

GC: Sure. There’s will be different environments and villains in this new story and her new design will be connected with what she needs to be the “bad-ass heroine” we know.

KIANI-V4-01c-Garbowska-2x3_1GP: What was the approval process like? How many versions were there?

GC: About the first outfit, we started from the design of Kiani: Dawn of War, beautifully drawn by Talent Caldwell. About the second design, I did 3 different versions and Vince approved one of those, but I think I’ll still do some little changes, with his supervision, on that new design.

GP: What are some of the character designs in comics that really stand out to you?

GC: I don’t like the classic “hero-suit” too much. I love a lot of the classic Image characters (Spawn, Witchblade) but I think that my favorite costume design is the Batman from “Batman: Noel” drawn by Lee Bermejo.

GP: With many of this year’s redesigns of characters practicality of the costume seem to be a priority. Why do you think this has become more of a focus of the artists today?

GC: I think that all redesigns actually come from generational change, not only in comics but also in movies and TV series. Sure, there are a lot of people who doesn’t like redesigns, but I think that it’s important to give new looks to our “heroes”.

GP: What comic projects do you have coming up?

GC: I’m working on Kiani interiors right now; I’ll draw all 4 books of this volume, as I did for the last volume. As for the future, I hope to continue to collaborate with Aspen Comics. It’s so fun and intense for me.

 

Interview: Vince Hernandez Discusses Aspen, Kiani, and the Changing Comic Readership

00b_FAK4-02-CMYKcrop_1In early November Aspen Comics made the announcement they were changing up the look of their heroine Kiani when Fathom: Kiani Volume 4 #1 arrives February 11th. Alex Konat, Giuseppe Cafaro, and Wes Hatman were tasked with updating Kiani’s look and the title’s overall design.

What was even more amazing was the honesty and transparency as to why this design change and update was happening:

And as our company and fan base continue to evolve, a new generation of readers will be introduced to this wonderful character, including a much larger female audience. We wanted to honor that spirit of progress by updating the look and feel of the series with an exciting new design.

In a year of major changes in the diversity of comic characters, this was the latest example that 2014 could be called “the year of the woman” in the comic industry.

We got a chance to throw some questions at the writer of Fathom: Kiani, Vince Hernandez, not just about the new direction, but also the changing demographics of comic readers and fans.

We have even more images of Kiani, and tomorrow come back for Part II, where we talk with artist Giuseppe Cafaro about the actual design process.

00b_FAK3-01-CMYKcrop[1]Graphic Policy: So the big news is you’re redesigning Kiani for her comic’s next volume out in February. How did you all come to the decision for the redesign?

Vince Hernandez: That’s correct, we’ll be ushering in a new look for the series both through the narrative and the visual aspect of the title. Like most ideas we have, this was derived from one of our production meetings, while discussing the new direction of Fathom: Kiani, and what we were looking to achieve with the final product. We’ve tried really hard to establish a library of titles that will appeal to the growing number of comic book readers, and that includes a large female audience. With this fourth volume of Fathom: Kiani, we tried to be mindful of this new audience while also staying true to the character and her rich history. This included a natural evolution to the character’s appearance that fits more with where she is in her journey. It’s all very organic to the story when you read it. I hope readers will agree.

GP: How many people were involved in the redesign process?

VH: Everything we do here at Aspen is a collaborative process, so everyone’s opinion matters. Usually, that starts in our production meetings and carries over into the individual discussions I have with the creative team, and all along the way I try to gather everyone’s opinions. For Fathom: Kiani, it’s like clockwork because Giuseppe Cafaro, Wes Hartman and Josh Reed know exactly what to do, since we’ve worked together on this title for quite some time.

GP: Were there any mandates as far as the redesign?

VH: No mandates, just to stay true to the character and the story, and our original discussions about the visual look of the series which includes covers, solicitation ads, and the approach to marketing the book for a wider audience.

KIANI-V4-01c-Garbowska-2x3_1GP: In the release announcing this you mention how the Aspen Comics fan base has evolved, and the much larger female audience. How closely does Aspen follow that? Do you have a good idea of what your readership “looks like”?

VH: I think so, although we’re always pleasantly surprised to meet new readers. The comic industry is growing larger and with that comes new readers and fans looking to enjoy our books. With the advent of more conventions and social networking, it’s a very fun time to be a comic book creator, as we can interact with our fan base directly. We try to stay current with that approach and evolve as our fan base does. One thing many people wrongly perceive about Aspen is that we have a mostly male fan base, because they see our female heroines on the covers and assume we’re something we’re not. We actually have a very strong and loyal female audience that we adore, and we’re very open to hearing our fans’ opinions. We’re here to entertain first and foremost, and with that comes a responsibility to be open to criticism.

GP: How do you feel the comic readership has changed over the years as far as habits and demographics?

VH: I think the comic readership has become much more attuned to challenging the status quo in terms of voting with their wallets, but I definitely wouldn’t mind even more change in that department. Right now there’s such a great influx of female readers and more of a focus on increasing diversity in the industry, but there’s still a large majority of readers that dismiss anything not by the Big Two. Those buying habits are hard to change, but thankfully I think it’s trending in the other direction now.

GP: This year’s big story for comics is diversity with numerous publishers headlining a lot more minorities in comics, and outright changing gender or race of characters. What do you see as the driving force behind that?

VH: I’d love to say that I think it’s all organic to the story and not part of a larger initiative to appeal to a demographic that has been under-served, but I wouldn’t be completely honest. But, then at the end of the day, anything that helps to add more diversity to the industry I can’t see as a bad thing–as long as it’s handled with respect and care for the story and/or characters.

GP: Do you think those changes are editorially driven? Number crunching/marketing driven? A combination?

VH: A combination, and I think it’s foolish to think that marketing doesn’t play a part in these decisions. Oftentimes, we as fans can get so caught up in the comics we love that we forget that publishers have to run as a business, first and foremost. Understanding market trends and areas of growth potential are essential to any good business model in the long term. Finding new readership is the best way to feed that growth, and publishers have to search out those new readers in these ways.

GP: Do you think the rise of self-publishing, Kickstarter, web comics, the explosion of indie books has helped pushed for greater diversity in the rest of the industry?

VH: Absolutely, and the benefit to that added diversity is that it puts the larger publishers in a position to not rest on their heels, which is a win for the overall quality of the work produced in comics. Being a published comic book creator doesn’t have the same value that it did a decade ago, now that anybody can publish their own work with enough determination. It makes for a more competitive playing field, and more options for fans to choose from.

GP: We publish monthly demographic studies of folks who “like” comics on Facebook. Do comic publishers consider that sort of thing when deciding what to publish and who an audience for a comic might be?

VH: You know, at this moment the correlation between a “like” on Facebook and a sale at the retail level to me hasn’t presented itself yet, but I think there are plenty of conclusions you can draw from the statistical data on Facebook. I think this is much more pronounced at the creator level, as I’ve seen some creators really build a solid revenue stream for their work due to their strong social media presence. As a publisher, we usually have to make our decisions much earlier, as we plan our production schedule far in advance. Once it hits social media we already anticipate a certain level of awareness for the property or title.

GP: Can we expect any other shake-ups like this for 2015 for Aspen?

VH: Well, the great thing about Aspen is that we’re free to really shake things up all the time, so I think Aspen fans can expect many more surprises in 2015, as we have some really fun new projects on the horizon!

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