Tag Archives: dale eaglesham

Preview: Cyborg #23

Cyborg #23

(W) Mary Wolfman (A/CA) Dale Eaglesham
In Shops: Jun 06, 2018
SRP: $3.99

With a covert spy leading Cyborg and his Giant Robots away from their secure base, the formerly secret location of Chikushu Island is revealed and the Dojo is attacked and destroyed. The only hope Cyborg has to regenerate his downed Giant Robots will also rob him of his own powers… which is exactly what Mekkan-X intends.

Preview: Cyborg #21

Cyborg #21

Story: Marv Wolfman
Art: Tom Derenick, Scott Kolins
Color: Wil Quintana
Letterer: Rob Leigh
Cover Art: Dale Eaglesham, Ivan Nunes
Variant Cover: Carlos D’Anda, Luis Guerrero
Group Editor: Jim Chadwick
Editor: Harvey Richards
In Shops: Apr 04, 2018
SRP: $3.99

In the DC Universe, Cyborg is the most technical advanced being on the planet-or so we thought. Introducing Mother Box 2.0: Robo-Dojo! Unlike Cyborg, these robots are piloted by the government’s best, brightest, and most loyal soldiers. Super Heroes just got a major upgrade produced, developed and financed by S.T.A.R. Labs.

Review: Doom Patrol/JLA Special #1

JLADPA_Cv1It’s safe to say that Doom Patrol/JLA Special is the best comic ever to feature superheroes inflated like beachballs saving the day. Writers Gerard Way and Steve Orlando, artists Dale Eaglesham and Nick Derington, and colorists Marissa Louise and Tamra Bonvillain deliver a story that is action packed, emotion filled, and cerebral too. Orlando and Way steep the book in DC history, like the collected works of Grant Morrison, the first appearance of Doom Patrol in My Greatest Adventure #80, and even Keith Giffen “Bwahaha” era of Justice LeagueHowever, they aren’t overwhelmed by history and/or nostalgia and craft a satisfying ending to the battle against the Retconn corporation that has real consequences for both the DC Universe and Young Animal world going forward.

Along with the stained glass psychedelic passion play that is the return of Doom Patrol founding member Rita Farr aka , the relationship between Casey Brinke and her son Milkman. Way, Orlando, and Eaglesham could just use him as a strawman representation of corporate comics, but they give the tabula rasa turned moralizing pitchman a human side. Much of Eaglesham’s work in Doom Patrol/JLA is bombastic with splash pages and topsy turvy layouts, but the scenes with Casey and Milkman showcase his skill with interpersonal drama.

Up to this point, Milkman has been a punch/(misogynist) insult machine, but Casey, who is more EMT than superhero, takes him away from the fight, clasps his hand, and says it’s okay that he’s a little screwed up. This is because all of Doom Patrol is a little weird. In a few pages, Way, Orlando, Eaglesham, and Bonvillain and Louise’s warm color palette create a beautiful mother/son relationship that is stripped away in a moment that could be a “put the toys back in the box” plot device moment, but really resonates. Derington even adds a grace note at the end with Casey thinking about Milkman while having a “Good job, rookie superhero” chat with Wonder Woman.

CaseyFeels

Like all good final crossover issues, JLA/Doom Patrol has some great superhero battles beginning with the first double page splash of the entire JLA and Doom Patrol plus special friends Mother Panic and Shade jumping out of Cave Carson’s cybernetic eye. However, the story shows the futility of fisticuffs and the power of healing and, of course, hope to save the world. There’s the aforementioned conversation between Casey and Milkman as well as dialogue from Vixen about the power of the Red (Contained in her ancestral totem) to heal, their plan to save reality as a “defebrillation” and finally Flex Mentallo’s big damn monologue.

It’s quite amusing to see the super serious Batman speaking about “muscle mystery”, and Gerard Way and Steve Orlando take a page out of the Grant Morrison Batman handbook and make him comfortable with the absurd. You can definitely see him dressing up in a rainbow suit to confuse bad guys. It’s also just plain clever to make the most metafictional character of the bunch literally reset the reboot button while getting an assist from the rest of the teams. It also dovetails nicely with the Rita storyline, which goes from gaudy and religious to primal and minimalist while also kind of reminding me of the video for “Take On Me” as Elastigirl leaves her fictional television world for the real to her, sadly fictional to us world of the DC Universe literally entering the panels of JLA/Doom Patrol Special. She faces the literal comic of her origin story as a victim of circumstance and re-enters the world as a formidable character and charter Doom Patrol member. Retcons can be pretty great some time, and I think Grant Morrison would be proud at this use of comic book as magic spell that calls back to Multiversity and the letters page of The Invisibles. (Think wankathon…)

Speaking of meta, Way, Orlando, Eaglesham, and Derington don’t just use the fourth wall breaking for jokes and jabs at superhero comics (Everything out of Shade’s mouth is comedic gold though.), but give the self-aware-that-he’s-a-comics-character Robotman some big character moments. It’s kind of adorable to see The Ray geek out on him and mention the impact that fictional superheroes had on him. This heat of battle rapport pays huge dividends in the epilogue. Let’s just say, there are hugs.

Doom Patrol/JLA Special isn’t just an entertaining comic that is filled to the brim with hopefulness, it’s a paradigm for how superhero stories can be told. Basically, Gerard Way, Steve Orlando, Dale Eaglesham, Nick Derington, Tamra Bonvillain, and Marissa Louise are saying that superhero comics are pretty damn weird, and they can embrace this strangeness, be inspirational and even funny, and not just be grist in the mill of real life Retconns aka their corporate overlords. Because of this, I’m excited to see what Young Animal does next with its Eternity GirlShade the Changing WomanMother Panic: Gotham A.D., and Cave Carson Has An Interstellar Eye comics that get short, unobtrusive teasers in Doom Patrol/JLA Special.

Story: Gerard Way and Steve Orlando Art: Dale Eaglesham and Nick Derington
Colors: Tamra Bonvillain and Marissa Louise
Story: 10 Art: 9.8 Overall: 9.9 Recommendation: Buy

DC Comics/Young Animal provided Graphic Policy with a FREE copy for review

Preview: Doom Patrol/JLA Special #1

Doom Patrol/JLA Special #1

(W) Steve Orlando, Gerard Way (A) Dale Eaglesham (CA) Clay Mann
In Shops: Feb 28, 2018
SRP: $4.99

“MILK WARS” finale! As RetCo’s foundation shatters, the Young Animal teams come together with the Justice League and even more DC Universe heroes to finish the job. The only problem is, Milkman Man and RetCo still stand in their way. To right reality, the heroes of Young Animal and the DC Universe will have to unlock an outrageous power never before seen on any world!

This mind-blowing conclusion will establish new realities for all of the DC’s Young Animal titles. Look for the return of Cave Carson, Shade and Mother Panic next month!

Preview: Scooby Apocalypse #19

Scooby Apocalypse #19

(W) Keith Giffen, J. M. DeMatteis (A) Dale Eaglesham, Andy Kuhn (CA) Carlos D’Anda
In Shops: Nov 08, 2017
SRP: $3.99

Tensions begin to rise when the Scooby gang takes refuge in a seemingly safe town. As the gang tries to hold together, a looming new threat completely unlike the monsters they’ve faced before reveals itself. The gang now faces being torn apart by two enemies: the monsters… and themselves. Meanwhile, Secret Squirrel must face the consequences of his disastrous actions.

Review: DC House of Horror #1

An all-new, all-creepy one-shot set in the DC Universe-just in time for Halloween! Martha Kent fights for her life against a creature from a spacecraft that lands in front of her farmhouse. A young woman is possessed by the spirit of a murderous Amazon warrior. The last surviving member of the Justice League faces down a horror beyond imagining. All these and more are what happens when the most exciting new voices in contemporary horror fiction are paired with the talents of some of the greatest artists in the DC firmament!

Take classic DC characters and attempt to do an EC spin on it and you get this anthology comic timed for Halloween. While the stories themselves are written by various individuals, the plots of each story is credited to Keith Giffen.

As a whole, there’s only one or two stories that really stand out to me and generally while it’s an entertaining read, it’s hard to justify the $9.99 price point. The stories too are attempts at throwbacks including the focus on violence against women which six or seven decades ago might have been ok, but today, at times, feels cringe worthy. And that’s not in a good way. Instead the stories are a bit cookie cutter in that way and there’s just nothing really new that stands out and has me super excited about this special release. It’s all mediocre in execution and creativity.

There’s the fact that women seem to be the victims for far too many of the stories but they too seem to miss the classic twists at the end of the greats. What twists that do happen are predictable or lack a shock factor. It’s just stories without emotional reaction.

The art is numerous styles and that too is all over the place. You can see there’s an attempt to mimic classic horror tales but again it’s never quite nailed down. It never reaches the quality of the classics so its attempt to mimic that and go the homage route feels like a mistake. The art should be its own thing too.

The collection as a whole isn’t bad at all, it’s entertaining, but it’s not $9.99 entertaining. You can see what they were going for here, but it never quite reaches the point where it’s a good homage of classic horror comics and it also falls short of that quality. While striving for it, the package comes up short.

If you’re looking for some horror comics for the holiday season, there’s so much better that’s out there for the price point. If you’ve read all of those, then maybe this is worth it.

Story: Keith Giffen, Brian Keene, Weston Ochse, Edward Lee, Mary Saniovanni, Bryan Smith, Nick Cutter, Ronald Malfi, Wrath James White, Weston Ochse
Art: Rags Morales, Bilquis Evely, Howard Porter, Scott Kolins, Dale Eaglesham, Kyle Baker, Tom Raney , Howard Chaykin
Cover Art: Michael William Kaluta

Story: 7.0 Art: 7.0 Overall: 7.0 Recommendation: Read

DC Comics provided Graphic Policy with a FREE copy for review

Preview: DC House of Horror #1

DC House of Horror #1

(W) Keith Giffen, Brian Keene, Weston Ochse (A) Rags Morales, Bilquis Evely, Howard Porter, Scott Kolins, Dale Eaglesham (CA) Michael William Kaluta
RATED T+
In Shops: Oct 25, 2017
SRP: $9.99

An all-new, all-creepy one-shot set in the DC Universe-just in time for Halloween! Martha Kent fights for her life against a creature from a spacecraft that lands in front of her farmhouse. A young woman is possessed by the spirit of a murderous Amazon warrior. The last surviving member of the Justice League faces down a horror beyond imagining. All these and more are what happens when the most exciting new voices in contemporary horror fiction are paired with the talents of some of the greatest artists in the DC firmament! And if that isn’t enough to scare you, there’s Keith Giffen, too.

Preview: Scooby Apocalypse #17

Scooby Apocalypse #17

(W) Keith Giffen, J. M. DeMatteis (A) Dale Eaglesham, Rick Leonardi, Dan Green (CA) Carlos D’Anda
In Shops: Sep 13, 2017
SRP: $3.99

Now that the mega-monster has been untangled, a small army of monsters lurks around every corner waiting to destroy the gang forever. Little do they know, the greatest threat is one they can’t see. Can Scooby’s nose save the day? Then, in our backup story, Secret Squirrel embarks on his latest mission with the help of his trusted partner, Morocco Mole.

Preview: Scooby Apocalypse #15

Scooby Apocalypse #15

(W) Keith Giffen, J. M. DeMatteis (A) Dale Eaglesham, Ron Wagner, Sean Parsons (CA) Carlos D’Anda
In Shops: Jul 12, 2017
SRP: $3.99

We finally catch up to the migrating monsters – and their destination is even more horrifying than anyone imagined! But before the gang can act, Scrappy-Doo and his pack of smart mutts show up with a heck of a grudge against Scooby. It’s two threats for the price of one! And, in the backup story, Scrappy strikes again -and someone pays the ultimate price!

Exclusive Preview: Scooby Apocalypse #14

Scooby Apocalypse #14

Written by: J.M. DeMatteis, Keith Giffen
Art by: Dale Eaglesham
Backup Art by: Jan Duursema-Mandrake
Cover by: Howard Porter
Variant cover by: Cully Hamner
U.S. Price: $3.99
On Sale Date: June 14, 2017

Velma’s brother turns sibling rivalry up to extremes in his quest to rule the monsters…but the creatures are more interested in attacking his skyscraper than in being his loyal subjects. Can Velma, Scooby and the gang stop him from carrying out his plans to mutate the creatures even more? Plus, in the backup story: Brainy super-dog Scrappy-Doo and his pet human kid are hot on the trail of a puzzle. Monsters are migrating, but to where?

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